Audio damage when the file is exported in Adobe Media Encoder queue?

Similar Questions

• Computer crashes when exporting with Adobe Media Encoder

  Hi, whenever I start to export via media Encoder, my computer kind of freezes... I am not able to change or even to use no matter what other applictions when exporting with Adobe media encoder. It didn't happen with the old version CC7. All advice please? Very frustrating.

  Hi Henen,

  Hi, whenever I start to export via media Encoder, my computer kind of freezes... I am not able to change or even to use no matter what other applictions when exporting with Adobe media encoder. It didn't happen with the old version CC7. All advice please? Very frustrating.

  Press SHIFT when you start the program. If this does not work, please contact support at this link: http://bit.ly/PPro-support

  Thank you

  Kevin

• How can I make the export in Adobe Media Encoder CC 2015 format MXF 25 Pal 720 x 576, in CS6 is possible!

  How can I do for export in Adobe Media Encoder CC 2015 MXF 25 Pal 720 x 576 format?

  CS6 is possible!

  Hi Ser VOC,

  Here's how you can do:

  

  Under Format, select MXF OP1a and fewer Preset: DV PAL 25.

  Thank you

  Regalo

• Size of the smallest Possible video in Adobe Media Encoder

  Hello

  I have a lot of files audio realmedia I need to convert to mp4 so that I can put them in InDesign. I want them as mp3 and mp4 is because I need the search controls so that the normal playback, stop, I need to be able to move forward and backward in the audio I like, using the seek function is a big deal in this project, and I don't think it's possible if I just place a file audio mp3 in InDesign? If this is the case, this would be ideal, so please let me know.

  In any case, assuming that it is not, I am able to convert rm to mp4 ok, but they don't work in InDesign until I have run through Adobe Media Encoder, my question is: there is no video scenes to this 'video' is just a black screen with audio playback , what parameters can I choose in Adobe Media Encoder to make the size of the video file as small as possible, humanly speaking since all I need is the audio in this video format?

  I don't know the first thing about SOUL so grateful for your comments as to who exactly I need to change the settings.

  Uncheck "Export video."

• 'Add to the Adobe Media Encoder queue' missing

  Does anyone know why my version of AE CS6 doesn't have the option "Add to Adobe Media Encoder Queue"? http://t.co/UFTfFXN8VL

  The Add To Adobe Media Encoder Queue command is new after effects CC; There is no in After Effects CS6 or earlier versions. The command is available under both the file > export and Composition of menus. The keyboard shortcut is CTRL + Alt + M (Windows) or CMD + Opt + M (Mac).

  To add a model of EI to the queue of the SOUL in CS6, you can do the following (which also works in AE and SOUL CC):

  1. Drag one or more comps in the AE project Panel to Panel line of SOUL. (Save your project first.)
  2. Drag the Office AE project file in the queue of SOUL Panel. Choose a unique model, and then click OK.
  3. In the SOUL, open the Add Source dialog box: Choose file > Add Source OR click the Add Source button (plus sign) in the queue Panel OR double click in the empty area of the SOUL queue Panel. Choose the AE project file, click Open, and then choose a unique model and click OK.
  4. In the SOUL, choose file > add After Effects Composition. Choose the project file AE on the left side of the dialog box, and then choose one or more compositions on the right side.

• Export from Adobe Media Encoder Mac AVI

  I would like to export the files AVI of Adobe Media Encoder (CS5 or later version) on a Mac running 10.6.8 or later. I am able to purchase codecs for Mac to do?

  AVI is not a codec; It is a type of container (more precisely, it is the breadsticks for video and audio in the video for Windows system). You cannot export directly to AVI from Adobe Media Encoder on Mac OS.

  What if I need an output to AVI on Mac, is to create a QuickTime (.mov) movie lossless encoded from Adobe Media Encoder and then worked for QuickTime Pro to convert to .avi.

• When I add my composition to Adobe Media Encoder from After Effects, it makes it wrong?

  How is it that when I add my composition directly effects to adobe media encoder, it makes out of adobe media encode correctly? I mean, here the video fate a bit scrambled pieces of it overlap other parts. Is this a problem with "dynamic link"? I did something wrong? I work in CC.

  I think you fail to understand what is said. When you add one composition to another, add a composition with a red background for a composition with a blue background, red background goes away and the blue background is preserved, not vice versa. Select the transparency grid and you will see the blue background disappears and you see the transparency. It has always been this way since you were able to select a color background in AE there nearly 20 years.

  When you render a lossless without alpha format and the color is defined prior multiplied (red in your example) background color is multiplied with the alpha pre giving you a red background in your render lossless. If you add your Main Comp to the TEA and you have no option for pre multiply the alpha channel, so it is ignored and you end up with a black background. If you change the output settings in the SOUL to something like JPEG 2000 and 32-bit or 32-bit PNG, you will get a straight alpha channel, the industry standard, and a black background. If you choose a codec which does not support alpha channels, you get just a black background.

  I guess what I'm trying to say is that everything works exactly as it was designed to work, and the only reason why you found the red background of your comps background color when you return a lossless with alpha multiplied pre, is that the background color is meadow multiplied with the bottom. In a normal production pipeline it is assumed you want to preserve the transparency throughout the production process. Multiplying the background color is useful in a scenario very little. More than 40 years the realization of films and creating special effects and composites (yes I did in a lab with the movie) I have never used an alpha pre multiplied with a background colored except in a situation of class in order to demonstrate that it is. Here's how you can see with a multiplied pre alpha is. :

  Rotate your model nested 30º in order to have some aliasing then try rendering your comp with the lossless with alpha preset and keep premultiplied lit for the alpha channel. Look carefully at the embattled edges and you will see a red mixed in on the edges. You can also use the lossless and then restore an alpha only, together the alpha only made as matte to make without loss and you will see the Red edges once again. Use straight alpha and the edges disappear. Here is this that rendered Lossless with alpha and multiplied pre gives you.

  

  So, assuming you still want to maintain complete transparency in the production pipeline that everything works as it should with one exception, the settings default lossless with alpha should probably be for default rendering right alpha then people who are not familiar with the use of alpha channels and a standard production pipeline would not be caught. As I said in the first place, this isn't a bug, it is normal for a production pipeline. Do not understand how AE or any other composition app handles alpha channels, that's what attracted to you. If you want a background color, add a solid. The only reason forever the background color of a black everything except model value is for those rare occasions where you might want to throw some color in the alpha edges.

• Different plan back color between the composition and rendering after adobe media encoder

  I discovered after effect...

  I have a problem of correspondence between the composition and the final rendering through adobe media encoder

  The color of the background composition of Loire (regardless of color) and always a background BLACK after the adobe media encoder

  

  Despite several manipulations by changing the settings I can't solve the problem.

  A little help would be welcome, thanks

  The composition background color will never surrender.  Hug composition background color will never, not even with the record locator.  The background is transparent and will always be unless you fill it with pixels. Unless you choose a format that supports Alpha channels, Alpha channels will make always black. Media players will always play a movie with a black background with alpha channel. If you want a yellow background, you will need a solid yellow or yellow shape on the bottom of your model layer.

• When the file is exported to SWF format, it will play all video files that are assigned to the keys

  I created a Flash project, in which I have buttons that play different music videos (by jumping to an image not loading the film when the button is clicked)

  Basically when I export the file as a SWF file to a place, which is different from where all videos are stored only 1 of 6 videos will play, however they all works when I export to the same file, but if I move it, it will play only 1 video again.

  So I want that all my video files to play when I move my swf in different places.

  I'll upload some screenshots, if you have any questions do not hesitate to ask. Thank you

  Page, libraries, timelines

  

  Code

  

  All files will play only when it is in this folder

  

  Help...

  It was something really simple I am downloading the videos in a weird format but I converterted to standard FLV and it was very good

• Export of Adobe Media Encoder CC 2015 H.264, very poor quality compared to VLC

  Hello

  I do a few screencast with VLC Media Player (www.videolan.org, free and open source), it picks up my office and exports the file to H.264 format at 25 fps. Can I change this in the body and also to export the video in the H.264 format.

  All right, but... The original video files of VLC has a good quality with a very low rate (200 Kbps), and when I try to export the edited with the same flow of SOUL video, the quality is just horrible! Artifacts, fuzzy, with a few blocks... Even if I export with a rate over 20 times higher than the original file (4400 Kbps), the quality is not as good as the original.

  Here is a comparison between the export of three:

  

  Can you explain to me why there is a big difference even if the flow is multiplied by 20? Here are the settings of export (with a rate of 400 Kbps):

  

  Thank you very much for your help and please excuse my bad English

  Any time you take a highly compressed encoded video and then re - encode at such a low rate, it will look bad. In this case, your examples are not surprising at all.

  I don't know how VLC it coded in the first place (color space limited?), but I know that for some that you'll never get a good video performance with such a low flow and a high resolution - especially since you're re-encoding video already highly compressed.

  As a suggestion, regardless of your final settings, 2-pass encoding will give you a slightly higher quality for your budget to flow. 1 pass encoding in my experience is generally better for situations where you are not worried about bitrate, or when you need to code something quickly.

  Good luck with your efforts!

• Adobe Media Encoder shows do not export first

  When put on hold the videos of the first to open in Adobe Media Encoder (SOUL), SOUL opens automatically, but nothing appears inside the SOUL.

  I use

  Adobe Media Encoder CC 2015.2

  9.2.0.26 build

  OS X Yosemite

  10.10.5

  Mac 27 inches, end of 2013

  3.5 GHz Intel Core i7

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GTX M 780, 4096 MB

  I tried opening SOUL all holding the shift to restart the preferences, but this did not help.

  If you need further information then ask.

  Any suggestions are welcome.

  Thanks in advance for your help.

  Try this:

  Go to the following locations:

  1 location: In the Finder, click go > go to folder > ~/Library/Application Support/Adobe

  Situation 2: Go > go to folder > ~/Library/Preferences/Adobe

  Location 3: Documents > Adobe

  Everywhere, rename the folders 'Adobe' to 'OldAdobe '.

  Launch the first, accept the license agreement and see if it works.

  Note: You will lose your customized workspaces and keyboard shortcuts.

  Import your project into a new project from Premiere Pro and he queued for export to Adobe Media Encoder.

  Check to see if that makes a difference.

  Thank you

  Ilyes Singh

• How to import the .mov in adobe media encoder

  How to convert a file that has been saved as an adobe flash video and can be played in vlc media player to the h.264 format in adobe media encoder?

  You can always import Flash video files into SOUL CC 8.x, just slide the Panel queue and set the H.264 Format

• script: Add to the adobe media encoder

  Hello guys!

  Tout d’abord félicitations les nouveautés et le badass look d’After Effects. I really enjoy!

  But I'm really disappointed to see that the function of rendering h264 has disappeared. Who really destroyed my workflow boom!

  Because I have a lot of jobs for a show room, where I very often do 360 degree projection mappings and the overall resolution there are approximately 26 000 width px. What we do, because we're using watchout as reading system and the management of all the projectors, is splitting h264 movies to their maximum width resolution. The things is that for example for an event we have around 20 to 30 animations and 1 animation is divided into 6 movies... What we did usually - we wrote a little script that automatically splits the film in 6, dial before all, align them all and returns all videos with predefined parameters h264. So... my question is now... How can I modify my script and configure it to send all the comps pre composed, resized, aligned, new to Adobe Media Encoder and use a h264 predefined make the adjustment? I couldn't find any more info on the bridge between AE and Media Encoder script.

  See you soon,.

  Marin

  PS: I know that we can use Final Cut Pro or Motion for resolution of the h264... but it's a kind of workflow I had used to work... everything happens in a single application... and no annoying hundred times save slot, not made in the form etc.

  Hello sailor,

  It is true that it is a pain to manage outside EI h.264 encoding.  You can write a script that calls the app.executeCommand () function and passes the code that calls the "add to Adobe Media Encoder queue... "under menu Composition of AE.  OK, digital, code for this command is 3800.  So you would simply browse the comps you wanted and then open them in the main Viewer using the method. openInView() that brings them into focus for say.  Once it is open you can then send the SOUL model with app.executeCommand (3800).  On the side of the SOUL, you need a default template to render output parameters you want.  When your script adds a model to the queue of the SOUL, it will take these parameters.

  Now, you could do all this, but have you seen AEmpeg than aescripts posted yesterday?  It allows you to 100s of codecs using ffmpeg right of AE.  While it costs money, at least it will open the door to a streamlined workflow and a variety of codecs you might need.

  Arie-

• "The file is maybe damaged. The file header checksum does not match the checksum calculated. »

  Hello

  I work with a HP Pavilion a6030n PC with Vista OS base. I had problems with the computer recently when starting. He continues to work at some point during the process and crash, forcing a hard stop. I'm not too computer savvy, but can generally work through questions. I tried several (and probably useless) methods to try to get the computer to work, with a modicum of success. Today, I received this message: "the file is maybe damaged. The file header checksum does not match the checksum calculated. "Hmmm... I looked through the forums and found a lot of computer-speak, who basically told me that I'm over my head. I thought that I would try at least ask the question before resorting to what is the hard drive a person to fix if all goes well.
  I can get it working again, or is my HP to his last breath?
  Thank you!

  If warnings getting You ' r files are corrupted, which could indicate a problem with the hard drive (most likely) or the memory/RAM in the computer (a little less likely but a good possibility).  Your computer came with a disk diagnostic or diagnostic software you can run to test the components inside?  You can also download this software and run it to see if he can help you narrow the possibilities.  Otherwise, I recommend to find a local repairman good and trustworthy and have them check for you if you are not adept at hardware troubleshooting.  It can get very frustrating and very expensive, very quickly.

• Error "could not get the audio data in the file.

  Hello

  I get a lot of mistakes "Could not get the audio data in the file" when you open a project. Sometimes they will plant Premiere Pro CC 7.01 (Mac). But if no first works as usual, with the audio.

  I tried to convert the audio files (from the hearing) from 32 to 16 bit. It worked while opening a project once, but not the next time.

  Where can it be?

  Edit: I also get this error when importing audio: "error: Premiere Pro version 7.0 is not compatible with the first version of plugin Pro 5.7.4. Maybe it's related.

  I have it! This is the plugin Smartsound hurt. Got rid of him and no more errors.