audio out of sync when they are imported into the first, very much in the original

Similar Questions

• Deadline - Portions to 1 second image drops when they are imported into the Assembly or project view

  Unlisted watch Youtube clips the prob in action. Let me say in advance... THANKS for any help in this regard, I desperately need an answer...

  My Max OSX 10.9.5 system

  32 GB memory

  Adobe Premiere Pro CC

  Pegasus 32 TB external hard drive

  My images has a tornado that is lit by lightning in 1 sec and you can clearly see the Tornado and fell in love, in fact in this interval of 1 second you can see a discreet bolt of lightning, and then also a quick illuminated new light of the tornado.

  I captured images in a project of first Pro CC.  View mpeg capture scratch via quicktime, it shows the images exactly as described above w/lightning and tornado.  WHEN I IMPORTED the images capture scratch in the project and then in the timeline panel, and then display the images in the source window or viewer in FULL or any resolution THAT SECOND IMAGE with the lightning bolt does not appear... what I see is a very low light clarification of the entire scene. Average read made lightning over-saturating part any of this framework, so it's not a problem.  It is as if parts of everything that happens in this second 1 disappeared, lightning does not appear.

  I have a deadline to get this off tornado with crush, he's the only one of the images of this particular event.  Images of 2008 and I did a clip on youtube then but with a windows computer and God only knows what crappy editing system, I used then.  I don't have access to one of these files just to remove the watermarks, etc.  You can view the clip from youtube https://www.youtube.com/watch?v=44AorUnqQhg in the first few seconds of the clip, you can see a drain of the frame of the portion of the video that I can't see when editing in Adobe first Pro CC.  Also please do not judge me on the change of my competence, I came a long way since that time, as you can see in this clip https://www.youtube.com/watch?v=kUGwDdzTk4w and other clips on our YouTube's TornadoAlleyVideo channel.  Thanks for any help.

  The HDV 1080i time sequence settings based 29.97 images per second Codec 1440/1080

  Thank you!  Display two fields solved the problem... Thank you very much!

• Changes of animated character when they are imported into the PS AE

  Hello world

  I am in the early stages of learning about character rigging and animation and I met a weird problem.

  My drawing changes slightly between Photoshop and After Effects, and I have no idea why.

  The character is RGB in the two platforms, and I imported as a composition. What is going on? How do I keep the images when switching between platforms?

  Photoshop (the RIGHT image... Note the lines):

  

  After Effects (the BAD image... wtf happened to my shots?):

  

  in CS6, you can have your form features in Ae Ps, if you import a psd with option "Merge Layer Styles" is selected

  

  PS

  

  AE

  

  and you would be right in thinking: ' this isn't a layer style!...» "but maybe that's a debate for later

• Red video and no sound at the end of the clip 3 hours when they are imported into first

  Hi all

  I currently have a problem with first Pro CC when a clip of 3 hours that I recorded (720 p/24 fps) using XSplit loses video and audio in the last 10 minutes when they are imported into first. The rest of the video is perfectly fine, but this section of it does not correctly (it goes forever, one minute or more per image) and will not export the missing without audio recall bias, and the video (export fails at the end). The clip is a created and coded by XSplit MP4 file and is able to normally play outside Premiere.When overview in the first, reading only shows a screen completely red. There is no effects applied to the element, or any change to the it.

  I tried to clear my cache preview and import the clip into a new project with exactly the same results in the same place in the clip.

  Thanks for any help!

  Hi, IPA,.

  You have a video file that has a variable rate, which does not work with Premiere Pro. You can transcode the file, and then it should work OK. Many people use the brake hand or similar.

  Thank you
  Kevin

• Help! Photoshop edited jpg color false when they are imported into Muse

  Okay, so I try to build a Web page of photography (among others) and I change most of my photos in photoshop. All the photos I edit in photoshop and save it in jpg format, look great when printed, uploaded on facebook etc, but when I import them into Adobe Muse for and put them on my page Web, the colors of the photos becomes desatures or distort slightly (so that they appear dull). When I edit images in lightroom and save them in jpg format and import them into Muse, they look fine, but colours edited in photoshop seem to spoil my pictures when they are imported into Muse.

  What I am doing wrong?

  Susan

  You are using some weird color management settings and do not convert to sRGB probably... Check your settings in PS itself and save for Web dialogue box and experiment around.

  Mylenium

• Damaged files when they are imported into Aperture. An Adobe tool or function appears 'corrupt '!

  Hello

  I use to work with sweet Apple Aperture for my library photos. As know, or maybe Apple stopped support and update of the opening. Bad news.

  So, I decided to try Lightroom.

  A tool or function in Lightroom is dedicated to import masters from may Aperture library.

  BUT it does not work very well!

  Some masters of 2348 (JPEG files) are classified in a folder named "Notimported". And best, they are damaged! But the real opening files are OK, for on:

  I thought that master real Aperture were really damaged, but an analysis tool they are really OK?

  What can I do? That helps Adobe can give me to get in the Lightroom "Master Library" (in terms of files) these 2348 files?

  And I'm starting to believe that this specific feature Adobe Lightroom or the tool is "corrupted". And I need to work with these files, 2348. Not bad!

  So Adobe please help me!

  Best regards

  Pascal

  BAD NEWS: The files are also lost in the opening. No backup.

  Can I have the name of the files I tried what you suggested.

  2348 Lost.

  Not much to do except revorery data with a specialist. The tool I used to check they were Ok seems unreliable. Or I do not know how to use it.

  Thus,.

  It's nighttime in Paris.

  Best regards

  Pascal

• Canon 5 d Mark ii Images with the value of the white balance fixed. When they are imported into Lightroom, the value is different.

  If I take a shot with the fixed value of 5200K WB (5 d Mark ii) and import into LR 2015.2.1, happens to 4850K. No presets or applied adjustments.

  No idea why? How can I solve this problem?

  Rich

  All raw converters use four multipliers of white balance RGGB tinted and embedded in the raw file EXIF data to set the white balance and 'calculate' the temperature values displayed inside the module development LR WB.

  Scroll down to the "White Balance" section of the DCRAW tutorial PDF here: GUILLERMO LUIJK > TUTORIALS > DCRAW TUTORIAL it's all so raw converters all the rest of the white raw file and 'calculate' the temperature and tint values.

  Here is a Canon 5 d MKII CR2 file with the White Balance adjustment 'in the know' behind closed doors:

  (Data EXIF Maker Notes)

  

  The setting "As Shot" WB in LR shows a Temp of 4800 reading, which should produce a slight visual difference that the planned in-camera closed 5134 parameter, correct?

  

  However, with the LR settings file, "As Shot" above the white balance CR2 is the JPEG file in camera perfectly on my Canon 5 d MKII (raw + JPEG file format). It's just that Temp readings do not, because they are "calculated" four RGGB multipliers. Each raw (LR, opening, C1) converter will probably show the values of temperature and tint different, since they are derived by using "reverse engineering" of the manufacturer of exclusive camera raw data structure and camera sensor response file.

  Keep in mind that the spectral response of the camera is affected by changes in batch. A Canon 5 d MKII body can produce slightly different WB as one another using the same exact settings. Rather than depend on private clos or LR presets use a good white balance card or the ColorChecker Passport to 'calibrate' LR white balance settings standard shooting conditions (daylight, cloudy, Flash, etc.). For critical projects draw card of the white balance at least once for each unique lighting condition. You can then determine the correct inside the LR setting and settings of synchronization of the World Bank through all the images taken with this specific lighting.

• VMware Workstation 6 image shows as invalid when they are imported into ESXi5

  Then, I got two pictures of a colleague who are displayed as images of Workstation 6. I have confirmed that they are working on wkstn 7 (I have workstation 7 and 8 workstation allotted to me), but when I download them via the browser to store data and then make a right click... Add to inventory... once the process is complete the virtual machine to show as no valid in vCenter. What Miss me?

  Thank you

  Jim Odom

  Welcome to the community,

  I guess you used the format of sparse virtual disk to the VM Workstation. It will not work with ESXi 5.0 and you will need to use the converter to "forward" the VM to the ESXi host.

  André

• RAW images are "locked" when they are imported into LR

  I just got a new camera (Sony alpha 6000) and all my RAW images that I am trying to import into LR 4.4 are "locked" and therefore cannot be imported.

  When I click on the photo in my HD file and look at the 'Get Info' of the photo is not "locked."

  Cannot find any setting on my camera that shows the photo as "locked."  Anyone know if it is a problem of LR or Sony?

  I have a Nikon D40, which has no problem downloading RAW images on my LR 4.4.

  
  Thanks for any help!

  Sony Alpha 6000 raw files require at least 5.4 of Lightroom.

  You need to upgrade, Lightroom, or use the free Adobe DNG Converter 8.6 version to convert your RAW to DNG and then import them into Lightroom.

• Why video AVCHD still presents itself as "File of Format not supported" when they are imported into CS5?

  I've been editing AVCHD with CS5 for several months, but every time I import video AVCHD first always displays a message box titled "File import Failure", all lists of imported files, and then at the bottom of the window, it says ' Error Message: file format not supported ".  You click on the 'OK' button and change with the film without problem.

  I was wondering why this message still comes up if the film is supported in CS5.

  Just MTS files are probably very well; First is quite smart to seize what he needs in the other files, as long as the file structure is intact. An even easier way would be to use the media browser; Navigate to the folder containing the AVCHD folder structure, and the MB will flip mode display of AVCHD. It will give you a list of all the files contained in the folder of DATA flow, without having to actually dive into the file STREAM. Select some or all of the files and import them into your project.

  The message "File Format not supported" is due to all of the files you listed; some of them are used by first behind the scenes, but they are not the media themselves, so that they can not and do not need to import.

• How can I create vectors lines. rather than being filled with forms when they are imported into illustrator

  [vector lines being a basic of illustrator element.]

  also, how select/change the individual elements once fired?

  Thank you very much

  To use the SKETCH files in Adobe Illustrator, use the button 'Send to Illustrator' from sketch.  It will open as a bitmap in a first time, but you can extend it in paths by selecting the layer then choose DEVELOP THE railways of (object / Line and Sketch Art / expand to paths)

  2 ¢

  Both apps are not interchangeable with their respective brothers in applications, but you can use them together in order to achieve a certain look stylized, or to enjoy a single track , if you really need, but there is no real overlap.

  Currently, I use more creative process applications.  If you are mobile and want to generate the idea, these applications are perfect.  They can be used for the final work too, but you need to know the current constraints of the export process.

  I'm still tied to a desk for most of my design work (or laptop).

  I can't wait to see what new versions have in store for us.

• RAW NEF images are completely different (darker) when they are imported into Lightroom?

  Recently I faced a problem for my RAW of NIKON D750 images after imported into Lightroom.

  For example, the brightness of the RAW images I shot in the camera is completely different after imported into Lightroom.

  Yes, the RAW files include more data that can be adjusted backwards in brighter in Lightroom, but it occurs the most noise to the image that I don't really like.

  I just curious is my setting in camera (maybe the screen is too bright perhaps?) or it is common that viewing through the camera LCD screen is brighter than the visualization in Lightroom?

  Behind closed doors (the brightness I want):

  

  Through Lightroom:

  

  If you want to be in non-Nikon raws software processing, turn off the ADL and leave it off.   The same applies to other settings where the camera is something special for lighting or the brightness of the camera jpg.

  ADL will deliberately underexpose the image, then artificially pushed the dark areas while leaving only brighter area.  This more dynamic compress in the camera-jpg, but will make no-Nikon software see the true underexposed image.

• Video accelerates when they are imported, but the audio is normal at PE7

  I ripped a DVD on my computer. It's in a format default VOB from DVD Shrink. I don't know if I can change the format and I don't know if it would help. It is not be compressed in DVD Shrink, so I don't think that's the problem. I open the VOB file in PE7 and it's as if the video is on fast forward, but the audio is at a normal pace. If I try to open the file in PE3, the video is jittery and jumps autour, but the video is not faster than the audio.

  The pace in PE7 is 29.something, whatever it is to normally. I thought it was DVD Shrink causing the problems, but I tried both DVD Decrypter and got the same results. Any ideas on how to make video slow?

  Sorry in advance if someone has asked this already and I just failed to find. I just upgraded to PE7 and it has been giving me problems throughout the weekend. I'm a fool when it comes to technical stuff of video, so I can't have any idea what you are talking about if you try to tell me how to solve this problem.

  You can take a look at this THREAD, down near the bottom. ATR has given a recommendation for software work with the poster. VOB files and it worked fine.

  Regarding DVD-video software players, WMP has ability to delete some versions back. I heard it was just for the serious but DVD I do not use it, so I don't know. I heard there are plug-ins available, but have no experience. I use CyberLink PowerDVD and am very happy. Media Player Classic HomeCinema edition is also highly recommended, and it's free.

  Good luck

  Hunt

• Video of C100 AVCHD Canon 60i stands as 29.97i when they are imported into first CC 2015

  When I import an AVCHD file shot at 60i with Canon C100 MK1, it will come in first CC 2015 as 29.97i . (exactly like the images shot using the parameter PF30p of Canon).  Everyone knows this?  Maybe this related to the strangeness of the Canon PF30p we all know files must be "modified" inside the first change in progressive?  Is there a similar work-around for 60i?

  60i is the wrong way to say 30i.  They mean the same thing, well that - 30 interlaced images per second.

• Video input appears tense, when they are imported into Premiere Pro CS6

  I'm on a level of beginner on Premiere Pro, so please be nice if this question is very basic. I'm doing a video that preserves the video resolution of entry exactly. My video entry was a MP4 movie with a resolution of 1440 x 1080. It is a recording of screen iPad using the X-Mirage software. When I opened normally in quicktime format, it seems not tense. However, when I imported the clip in first, the clip appeared tense. I checked the properties of the element, and it proved to have Pixel Aspect Ratio 1.3333, which means that the pixels are elongated. My output sequence was also strained because of this, although the output indicated that the resolution is the same: 1440 x 1080. I tried to comply with the "Clip Mismatch warning' and the result was still a stretched version. Help, please!

  

  

  I'm guessing that first interpreter clip homesick. He probably than her video hdv 1440 x 1080, which is equal to 1.33.

  Go to interpret images and set the format of the pixels to 1.0.

  See if that will fix it.