'Bad' rate using sequences; should I redo?
I'm editing a movie and extra video features for the primary school my daughter 11-scene set Shakespearean. Video was recorded on 10 year-okd miniDV Tape cameras installed at 29.97 FPS, 720 h 480v and the pixels.9091 NTSC format and features and the movie will be produced for DVD. Am using the first Pro CS5.
I am in the phase final cleanings edit and only now realized that I put all my footage at a different rate: 23.976 fps. Otherwise, the size and pixel size are the same. (Apparently I used the model of sequence DV - 24 p instead of the model DV-NTSC and repeatedly cloned my mistake. I am a true lover; I only use Premier Pro for the annual school play.)
To get the best quality possible, based on what I've read I think I need to go back and recreate sequences using the frame corresponding to the sequence rate. Quality is important because I have no margin for degradation through the use of old devices of remote recording and recording in some low light.scenes.
Epecially, reconstruction of the sequences will be a miserable prospect because I nested several sequences and used multicamera editing.
Or I would create unnecessary work for me?
I noticed that export to MPEG2-DVD allows two cadenzas. I don't know the video technology enough to understand the implications to produce the film at a lower rate, if we DVD can be read on both modern and 12 years, TVs CRT televisions. (Guess which vintage I.)
I appreciate any guidance, even if to confirm the bad news. I want to create the best possible DVD even if it needs work; the DVD will be a keepsake that will be cherished by these children and their families for years.
The nested sequence frame rate plays a role. Everything will, of course, be in line with the pace of your sequence of destination / final (or at least export your settings), but if you go to 60i to 24 p, then back to 60i won't look right at all.
The short answer is start more... at least on your blocking edits. Assuming that you did not have a TON of changes, this shouldn't be too much of your time, it's the BEST way to ensure your final export as good as possible.
Otherwise, because you put all your sequences nested in multicam 24 p sequences, if you don't have any time to do anything to solve this problem, you can just match your sequence settings to 24 p and the results will be not terrible. However, affecting your multicam sequence final 60i when all your nested sequences are 24 p is a good bit less than ideal.
I think at the VERY least you should look into it. just test a segment short if you are short on time, but you should test it however. If you can't tell ANY difference, then it should be fine.
I'll tell you with your 60i footage, a lot of freedom on the set regarding the mussels / reclining and other camera movements. As you conform to all the shots at 24 p, you will find CERTAINLY some stuttering on your camera movement, if it is far from slow smooth movement. It's just a part of the workflow for a 24 p film, it isn't a bug or a technical error.
But yes, you will really want to get everything back to the source frame rate if you have the time. Otherwise, choose your shortcut and be done with it.
Tags: Premiere
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