break on first step property and tracing

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• Step property loader to load all limits in all sequences in a Seq file

  Hello

  I have a Seq file. There are several sequences in this file. I can export all limits in all sequences of this file as an Excel file.

  My question is how to import all limits in all sequences of this file by using step property Loader. I am attaching a file seq example below (version TS3.5). Will you please show me an example to do (i.e. *.seq or screenshots are appreciated.)

  From the link below, it shows that for import limits in each sequence, there must be a property Loader step in each sequence to load limits for this specific sequence. But it's annoying and not effective because the same step is performed repeatedly.

  http://forums.NI.com/NI/board/message?board.ID=330&requireLogin=false&thread.ID=6522

  We hope to hear from someone soon.

  Concerning

  Lee

  Hello

  The Committee for dialogue on what I was talking about is the feeder of property change (see table). Typically, you use this after you insert a step PropertyLoader Type in the installation of the PropertyLoader step sequence statically. General, you set many of the properties statically and then change one or two of the properties programmatically. Unless of course you're generating the entire sequencefile programmatically.

  The properties that you need the installation would be Step.Sequence = "", but also you must set Step.UseCurrentSequenceFile = True.

  Hope this helps you.

  Concerning

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• Not updated by Labview VI Step property

  Hello

  I am currently using 4 TS and LV 8.2 with Win7 Pro.

  I created a custom step which employs a lower Edit level.

  The lower Edit level name successfully a Labview vi, which allows the user to change the values.

  The intention is to copy the user values in the properties of the custom calling step, using the value property Value.vi of the library of Teststand.

  After that step is changed, the vi is closed and I check the step variables expected variables to be updated, but what I see in the Variables Panel does not always show the new property values of step.

  Called by the lower Edit level Labview vi receives the context of the sequence and the correct step property string name.

  Have I correctly picked the Value.vi property set to the task of updating the step of step of the custom properties?

  In addition, when the properties of the stage show the new value, the sequence containing the custom step does not indicate

  the need to save that is in front of my expectations, else how is remined user to save the changes?

  Thank you

  Gary.

  Gary,

  I recommend most often to developers to interface with the EditSubstep modules using parameters.

  For an input parameter, I pass the current values of the step variables.

  For the output parameter, I connect the same variables that they get old/new values to the EditSubstep module.

  I declare this as my EditSubstep modules normally contain a button "Cancel". If the user presses that, I simply passes the output values that the module received as input values.

  Input values are also used to update correctly orders from the EditSubstep module. Otherwise, the user would see only the default values, but not the values of that step has already been changed.

  Output parameters are important have not changed (cancel) / update the values of the step. By selecting the appropriate container, the values are transmitted with the closure of the EditSubstep, so there is no risk of running into a race condition, which could explain the behavior you're seeing.

  hope this helps,

  Norbert

• Black frame break in first / Inverted & Shifted frame SpeedGrade

  PROGRAM:

  First Pro CC (2015.3)

  Last updated: September 27, 2016

  INSTALLATION PROGRAM:

  Chronology of 1080 / RED EPIC images. R3D files.

  QUESTION:

  Black frame break in first / Inverted & Shifted frame SpeedGrade

  I have encountered this problem after changing the settings of the source (shifted the balance of whites around all clips in the timeline). While color correction through direct link to SpeedGrade. The video would play very well, but when I stopped the video that the chassis of the break would be inverted colors, shifted to off on the side. I turned back on then to first and these same clips would be just black when paused. The thing is that I changed the parameters of the source on all clips, but only some are struggling.

  SOLUTION ATTEMPTS:

  I tried to reset all the settings of source for each clip back to "as shot", but the problems remain.
  
  The only work around I could find, (after trying everything!) was a right click on the clip, by selecting "Render and replace...". "This seemed to be the solution until I exported the sequence and the project fails each time once he hit these clips of issue.

  Help, please!
  Leo

  That's what I called at the beginning of this.

  Adobe PrPro CC 2015.0/1/2 were versions of project PrPro 9.x file.

  However, rather than release the next major release as CC 2016, they did something that broke so MANY of their users and has not yet said what it was they were doing. It is... irritating?

  2015.3 and now 2015.4 are project files built on version 10.x of the software... a major version upgrade! ... and not only a minor or 'dot' upgraded because they seem to be.

  They has not not wanted to bring SpeedGrade long... and without announcement, out 2015.3 with no command 'Send to SpeedGrade' Direct Link or process. When people immediately started screaming on this subject, they finally announced they don't think their number, many people used SpeedGrade and seems not worth it to upgrade to the new version...

  And... we are all invited to back to back like Olde to ranking through export EDL SpeedGrade and two folders of the media on this EDL in Sg, or export a flattened the chronology of project to go to Speedgrade too... then of course, export of another SpeedGrade file and replace the track flattened on the timeline with the media graduated.

  Or export a XML file from PrPro and taking to say the determination, along with... still... two media files or file flattened chronology. Do a power of attorney to the export process again (not the clever internal proxy thing) could also help, by using a flat file support to proxy, then re - link that to the original in PrPro media to complete the round trip.

  That all sounds easy enough, right? ....

  Of course, the other option is to simply use the new workspace of color, with the Group of workspace Lumetri clever UI. Which is really very good and very capable, especially if you are using a control box remote as the tangent of ripple or small Palette blocks. Or... a tangent Panel Elements, really nice but rather in the cost. It is quite achievable through the mouse, but a lot spiffier... more intuitive and able to work more fine, with a control surface.

  Now he's advantages and disadvantages. For works of single clip or a few clips that need really not correspondence of accurate shooting, it is very easy, convenient & fast enough. If you really tight & decently fast shot correspondence between a couple hundred shots, or several secondary, uh... it's... possible... but rather slow, shall we say, than SpeedGrade. In addition to not having a button/process corresponding to the shooting as SpeedGrade, you don't have a real 2-top monitor situation either. You can make sort of a up-2 workspace by using a new job - the separate Panel and plopping monitors reference and reading about it, using the chronology of reading in the reference monitor to define who discovers and main sequence to set the monitor of the program to the item you try to classify and to match that in the reference monitor... or... not.

  For MANY more small, simple projects, the Lumetri Panel is very very good. In pretty rough tests today, I would say the secondary Panel in the Panel of PrPro Lumetri is actually better to pull a tight key than SpeedGrade 2015.1, the latest release of SpeedGrade. Not a lot, but... a little better.

  And you can "stack" Lumetri as of the 'effects' on a clip, to get more secondary or make different parts of the process in different stages... However, the full workspace not Lumetri works with the latest projection (bottom) Lumetri in the effect controls panel, so for instances "earlier" on a clip, you go in the PCE, spin to the bottom of Lumetri effects and use these settings. And... your surface outdoor spiffy won't work with everything, but the last of them either. Huh.

  To move, you can use adjustment layers stacked above the clip, simply go to the color workspace, use the controls there and always Lumetri not use your surface. And Lumetri Panel with your mouse or pentab.

  Order of procession always things, so don't forget... in the effect controls panel, things are top of the process down. Among the witnesses of Lumetri, which also means descendant. Treatment of tips in the Basic tab, then stuff in the Design tab and down.

  Now... also as mentioned in a previous post... There is a nice 3rd party tool/applet a user of SpeedGrade Austrian colleague, Patrick something or other, for about 9 Euro... open, navigate to a project file PrPro, as records and converts the file into changing a (one) character... you use this file in 2015.1 SpeedGrade who thinks it's a file link Direct 2015.2 and therefore correct... and after completing , the application may then re - convert the file 'up' by changing this 1 a character return if 2015.4 sees it as its own file again once and not an earlier version which has need to upgrade.

  Fast... easy.... and seems to work well, with a caveat... AfterEffects "comps" do not always, so if you have those who, rather than to make a model of dynamic links in PrPro, make a direct export of the AE and use the clip exported on the timeline in Prpro.

  I haven't handled files r3d via this of course, but... others have probably, like hundreds of downloads of that file would probably include some red media users. Then I guess it would work, and you are welcome to try a trial download and see if it works for you. I just worked on a project today using this process, btw.

  It is mentioned in this link... and there is a LOT of information about this and other things of the recent changes in the nets of ten or higher in this forum.

  Project of creation/Speedgrade conversion tool

  Neil

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