Farben spot _ Spot colors

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• What is the difference between the PANTONE and spot colors

  I need help understanding a concept. In Illustrator, when I double click a nuance I get shade options. In this example, let's say it's one of the default witnesses. When I change the type of color in "Tones" and click OK, I've created a spot color, Yes? Nuance now has the white border with the triangle in the corner indicating. When I send to a printer they tell me that they need a pantone. I was under the impression that a printer would ink custom of my place and that would be printed as a color. Isn't this true? If spot colors must be Pantone, why the color type drop-down open PANTONE books?

  Can someone please explain what a spot color in Illustrator?

  Thank you

  You cannot arbitrarily mix most of the inks in the real world, and so any custom mix formula is mostly meaningless. It is largely the point here.

  (a) it is much easier for main stores order just the premixed colors

  (b) if they mix custom colors, they still need to use specific base inks which are not only CMYK, since there is no way to obtain certain colors in other

  (c) only using correct formulae can ensure the appropriate density / saturation / brightness

  (d) you need to check against a reference color book / strip

  (e) simple chemical and physical factors prevent some mixes of color work

  This might be explained away constantly, but suffice it to say that, in all my years, I have not met a single printing could have mixed colors custom outside Pantone or here in Germany HKS and other systems. Not to say that it is impossible for some colors, but nobody does anymore.

  Mylenium

• using transparency multiply with spot colors

  Does anyone know if spot colors can be used with transparency are multiplying in illustrator CC. I want to create a third color of pieces that overlap / two forms of spot color printing?

  Not agree with John, you just have to watch you preview separations to get your answer. Here the 7691 dark blue gradient is on multiply on 7688 blue light, so we get more degraded rich e, rather than the color is dull where the 2 colors meet.

  

  At the same appearance with CMYK, showing that Nothing's going to CMYK.

  

  

  

  Nothing else in CMYK mode, except for the black

  

• Cannot delete unused spot colors.

  I can't delete some nuances of unused spot colors in Illustrator. I can also convert them to CMYK process. When I try to remove the color, the trash is grayed out.

  You have all placed files or raster files, which could use the tones? What happens if you try to select all unused from the Swatch Panel flyout?

• PANTONE + does not match the previous Pantone spot color chart. I have several customers who are using spot colors in logos etc and now these colors are a mess. Can I get and use the old color for Illustrator books?

  PANTONE + does not match the previous Pantone spot color chart. I have several customers who are using spot colors in logos etc and now these colors are a mess. Can I get and use the old color for Illustrator books?

  Well, the spot color has not changed, but the way they were simulated four-color changed, they now use color management to get to the nearest ink possible task.

  Here is some info:

  https://helpx.Adobe.com/Illustrator/KB/PANTONE-plus.html

• If an illustrator file has links with spot colors, how can I create PDF files with process colors?

  My file has shades of tones that came with the linked logo, I could not find a way to convert those shades of colors quadri.

  I need to send PDF on a printer with only process colors, I know that the printer can choose to convert spot colors to process when printing with printer within Acrobat Panel, but since we do not print, we need to send files to print ready with process colors only.

  Is there a way or a script to make PDF file generated from Illustrator with process colors only?

  You could try object > flatten transparency and clear colors to preserve overprints and Spot.

  I set the preset high resolution and turn on the preview to see if something dramatic is going to happen.

  After that, you can check the file of color dot in the separations Preview Panel.

• Acrobat DC does not display of spot colors

  Mac OS 10.10

  I have an InDesign CS5 document with a spot color background.

  When I export to PDF (PDF/X1a) and open the file in Acrobat DC, there is no background color (preview separations shows there is a spot color in the document, but does not display all of the ink of that color)

  If I open the PDF in Acrobat 9 or X, the background color is displayed correctly.

  Is there a setting in Acrobat DC I don't know? Do I have to use a different export setting (I tried several unsuccessful).

  Thank you!

  Hello

  Please go through the next forum thread and see if that fixes the problem.

  Tones do not display in Acrobat DC

  Concerning

  Sukrit diallo

• How can I get a CMYK or Gray scale halftone and replace it with a spot color with the same value of midtones?

  Is it possible that I can select an object or objects that have a value of mixed CMYK or Grayscale, and then select a Spot color and it will keep the same value of midtones as before?

  For example, I have an object that is C: 0 M: 0 Y: 0 k: 20 and I select Reflex Blue. What is happening is it change my object to 100% Reflex Blue. Is there a way to change to automaitically Reflex Blue 20%?

  Another example, I have 3 objects, one is 20 k: the second is 40 k: and the third is KC: 85. I want to select all the objects in three at the same time, select Yellow PANTONE and get them to change yellow PANTONE 20, 40 yellow PANTONE and PANTONE yellow 85.

  Is there a way to do it or I will always have to manually edit each element?

  Thanks for the help.

  Select the elements to recolor

  Edit > edit colors > redefine > follow my screenshots

  

  I love clicking this button under the entitlement, one place for everything that you color reduction settings.

  

  Use tinted scale. Exact will give you 100% of the color. The exact word is confusing here, this means that the color of the destination (100% of everything that the color you choose), not a version tinged scale.

  

  Unfortunately I do not know how to get the exact values of blacks to convert the exact values of spot color. Scale of hues will you get you get you close enough for what you need. In my example that a black 89% converts a 84% of the place, so no exact but alteast I have a range of shades, and sometimes the results are better than accurate, depends on your art.

  Here are my before and after.

  

• Opacity value of value of hue change spot color

  Does anyone know a script to change all spot color objects that have an opacity value of the corresponding value of the color of the spot color? Could also be to treat the colors, global or not - but the key is to work.

  
  

  If an object uses a spot color that is to say 13% opacity, then it must be on opacity 100% and the value of 13% spot color tint. If an object has been 75% opacity, then it must be set to the hue of 75% to 100% opacity etc. Throughout the tonal range for all objects.

  
  

  It would be nice if the blending mode of the spot color has been set to normal if it was something else (obscure, product etc.). I guess it would be great if there was an option to set the object for a collection if the blending mode used was darken or multiply, but this is the icing on the cake. Essence is the opacity value of spot object of the value of spot color mapping and setting the opacity to 100%.
  

  
  

  I would have thought it would be a problem quite common in packaging prepress, however I had no success in the search for such a script.

  Here's a more complete script.

  delivered in a function of maintaining the overall space.

  and should be in RGB, CMYK and Spot colors.

  I would like to know if you find it does unexpected things...

  function RemoveOpacity(){
      // to work on selected items only set to SEL
      // to work on whole document set to ALL
      var work_on = "SEL";
      //---------------------------------------------------------
      var doc = app.activeDocument;
      if(work_on === 'SEL'){
          var items = doc.selection;
      }else if(work_on === 'ALL'){
          var items = doc.pathItems;
      }else{
          alert('the "work_on" variable is not set correctly');
          return;
      }
      for(var i = 0; i		   

• Spot color vs. .eps art CMYK .eps file

  Asked me to provide 1) a file .eps tones and art 2) CMYK .eps to our company logo. I have an eps file, but beyond that can help me understand what changes I have to do for it to meet the requirements? Thank you in advance.

  Clyde,

  In my opinion, they say you should do a version with the spot color Pantone colors probably chosen company and a version with the closest CMYK equivalent.

  But you can ask them while you ask why they want an EPS rather than the PDF or HAVE. EPS is a bit outdated (for most applications except those where it is formally required for the target application, or something).

• Library spot colors?

  Hello

  When you use the libraries in Illustrator CC 2014 (version 1.1) Panel, whenever I click on 'Add the fill color' when using a spot for example color Pantone 2756C appears in the color library 60 # 262 and, when used in a document is converted in the process (C - 100_ %, M-92.77%, Y - 32_ %, K-17.15%).

  Is it possible to keep it as a spot color when adding to the CC library?

  Any help would be appreciated.

  

  Thank you

  Simon

  Currently, no tones are working in the library.

• Where is the cursor color in Illustrator need to do a tint of a spot color?

  Where is the cursor color in Illustrator need to do a tint of a spot color? Can not find it or any reference anywhere?

  Create a global sample (swatch spot) and then you can use a cursor to hue.

• PNG image looks like w/spot color in gray, but place in ID CS 3 shows CMYK levels. Can I change?

  Have an announcement sent to publish, PNG, gray eyes image w/spot color, place in ID CS3 and it shows CMYK. I can change using PS CS2 or ID so it prints grey w/spot?

  The ad was created by (ugh) editor...

  ?? am I missing something?

  Yes, save the selection as an alpha channel, which can then be loaded at any time! Since the Panel layers, click Save icon channel:

  

  Registered channels can be loaded as order parts by clicking on the channel or by selection of the load:

  

• Preserve spot colors when you import the InDesign file into another InDesign file

  Work in InDesign CC.

  I often import InDesign files into other InDesign files and find it very useful for my workflow. Often it is a file that acts like a piece of the library that is used in the other files and I love being able to just change it and automatically update the other files.

  However I just came up with a work that is CMYK + spot and spot colors are not preserved import - they seem to import as CMYK. Can I export a PDF file and do it this way, but I prefer to skip the intermediate step.

  Any advice?

  Have you checked? It really looks like that process tasks is enabled in the file of reception, but I expect that to affect the PDF as well.

  I tested on CS6 and it works correctly, but I have on thei smachine CC, and no time this morning to start it, then maybe someone else will test for you to see if they get the same results.

• export pdf with spot color

  Hi, Im having trouble exporting a PDF with a spot color of ID. What part of my logo once thicker shows its exported. I can place in the work of same exact but using a CMYK color and thick form does not show. Anyone know why this is happening? IM placing an AI. file.

  I am not convinced that has nothing to do with the presence of a spot color. Assuming that you view the PDF file in Acrobat or Reader, take a look at your Page display preferences in the rendering. If "Enhance thin lines" is checked, uncheck and see if it makes stronger, go.