Final Cut Pro has a higher resolution audio and video to iMovie?

Similar Questions

• Why can't Adobe first Pro CC 2014 time remap Audio and Video together?

  In case you haven't noticed, my question is WHY.  I don't know why Premiere Pro can't do that.  What I understand at the moment, the only way to time remap audio in anyway shape using the software Adobe is Adobe After Effects, that my computer has no chance of ever being run through.  I know how to stretch a regular hearing and Premiere Pro audio, but apparently I can't time remap audio using these programs.

  So why can't Adobe Premiere Pro time-remapping audio with the video?  What is the reason that he can't?  It's a disappointment, huge and very impressive to see in the future.  If it is possible to time remap audio and video in After Effects, which is great and all, except for the fact that I can't use this program.  Why can't we do in Premiere Pro, and it will be always possible in Premiere Pro?

  In addition, audio time remapping will become possible in hearing one day?

  This looks like a very good idea.  File a feature request:

  Adobe - feature request/Bug Report Form

• Why Final Cut Pro uses 800 GB when there is almost no films?

  After using Final Cut Pro, I like the product. However, after a short time, my 1 TB iMac gave me a message "complete storage system. I looked through all my files, and the file "Untitled" in the tab in Final Cut Pro has written his most 800 GB. I've deleted almost everything about Final Cut Pro, but it is still more than 800 GB.

  

  Thanks for your help!

  I hope that you deleted the files of the application, rather than by going to the library in the Finder (which is risky).

  Libraries usually get significant because the import settings are defined to create optimized media automatically during import. The second reason is that rendering files accumulate over time. Both optimized and restore files can be deleted safely.

  If you already have trashed your optimized and make files, look inside the bin to see if it needs to be empty.

  Russ

• Is there a program for Windows such as Final Cut Pro for Mac?

  Hey guys, I was just wondering if Windows had an editing software, like the Mac does with it's Final Cut Pro, which allows me actually add and move images on the film plays in the background (Ergo you can have photos and movies playing at the same time and have photos take not whole screen but can be placed and sized anywhere). I know for a fact that this isn't an option with Movie Maker and I just got Adobe Premiere and it doesn't seem allow you to do that. Are their options for Windows?

  Hello

  This software is now available in Microsoft. You can use your favorite search engine and look for a software tailored to your needs.
  WARNING: Using third-party software, including hardware drivers can cause serious problems that may prevent your computer from starting properly. Microsoft cannot guarantee that problems resulting from the use of third-party software can be solved. Software using third party is at your own risk.

• Dose of first Pro 7 setting wireframe as Final Cut Pro.

  Dose of first Pro 7 setting wireframe as Final Cut Pro.

  Yes, click on your video clip, then go to control the effects. The box you see to the left of the word Motion activates the wireframes.

  

• Video is lagging / choppy on Final Cut Pro reading but the audio is perfect

  Hello

  So I am using FCP for 2 weeks or more and I have been editing videos without problem but today something super odd happened. After editing as I like, I saw the video and it's suuuuuper laggy/choppy but the sound was perfect (in quality and timing). When I stop the video for a few seconds, although the video can be synchronized back but then return to be lag after a few seconds. I tried exporting it in the hope that maybe once it has exported it's going to work, but not luck. The entire video is not even to export. The video is about 4 minutes would export long and only 01:30. I am really confused and frustrated and hope someone can help!

  Also, I imported the original footage on an external hard drive if my computer would have more space. Not sure if that makes a difference, but I thought I should add that just in case.

  Thank you very much!

  Cristina

  MacBook Pro OS X El Capitan 10.11.3 Version

  Processor: 2.4 GHz Intel Core 2 Duo

  Memory: 4 GB 1067 MHz DDR3

  Final Cut Pro: 10.2.2

  Theres not enough info here to diagnose the problem. The issue started when you copied data to another drive? In general, you want the media on a single disc and the application on another.

  Maybe car ram speed, maybe, I don't know what the requirements of the FCP are but check here:

  http://www.Apple.com/Final-Cut-Pro/specs/

• Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no 1080 progressive setting sequence, how can I ensure that I have the best setting of the timeline for my clips

  Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no sequence definition 1080 progressive

  How can I make sure that I have the best setting of the timeline for my clips. I did all the settings of Mount clips but there is no progressive setting for 1080 p. Images originally dslr Nikon that I used mpeg streamclip to convert to prores. Thanks for your help!

  The frame for you size source of material is HDTV 1080i (16:9). That only sets the size of the image, not the domination of the field, it's what makes progressive or interlaced. The reason it's labels with the 'i' is that when FCP7 was abandoned by Apple, they have never updated the software in order to take account of 1080 p contents.

  To make your progressive sequence, set the dominant field to None.

  gerforce wrote:

  Images originally dslr Nikon that I used mpeg streamclip to convert to prores.

  In your screenshot of the properties of the element for your clip to the source, the material is interlaced. At the original camera file interlaced or progressive?

  Also, the fps footage was actually 30 original and 29.97 not standard?  30 images/s is very limited its use.

  MtD

• Why can I not get no response from the audio input jack? have you tried 4 different microphones in Final Cut Pro

  I have started working on FInal Cut Pro and have discovered that my audio Jack does not recognize any microphone that I plug.  I tried 4 different microphones up to now.   The input Attenuator is turned up 50% and beyond with no effect.   The entry just says "Audio" preferences pane: "Line input" with no other available device.  Am I missing something here?   He is 4 years old and this is the first time I tried audio input.

  The line-in input on a Mac requires an entry amplified, not a single entry.

  The headphone includes a contact mic. See:

  How to use the Apple earphones with remote and mic with your Mac - Apple Support

  You can also het USB mic input devices

• I am importing video clips using my Canon XL1s in final cut pro.  See the video, I hear the audio until it is imported.  any suggestions

  I am importing video clips using my Canon XL1s in final cut pro.  See the video, I hear the audio until it is imported.  any suggestions?

  danobtwo wrote:

  See the video, I hear the audio until it is imported.  any suggestions?

  Do you mean during the import process?

  There is no FCP X parameter to change the way THAT DV is imported.

  I used to hear the audio import with Sony cameras but Canon may be a different story.

  If the imported files are OK, then it can be a thing of Protocol firewire Canon.

  Al

• Audio visible, no audible after the .aaf of the Final Cut Pro project import

  I received a file of a CONF (Advanced Authoring Format) of a Final Cut Pro user.

  It simply gave a .mov for video and audio accompanying wth AudioFX and trails of laughter in the AAF file. He wanted to see if I could clean up the audio since I use Adobe Audition and have dome such work.

  I followed the procedure that I understood to import the AAF:

  I used After Effects to import the AAF. (Pro Import AfterEffects)

  I export the created folder and then the comp on to Premiere Pro CS6.

  Everything looks good, all audio is enabled, I see waveforms on the timeline. But I can't hear audio when I play the timeline (where video is displayed in the program window.)

  If I double-click on a waveform in one of the layers, it opens in the Source window and VOILA! I can hear the audio.

  What could I do wrong that I cannot hear the sound when I play or scrub in the Timeline?

  Thanks in advance!

  Select all clips in the timeline, right-click and chose to remove the effects/attributes and uncheck everything except audio level, audio gain etc. There are at least three different places that control the volume out of the clip that sits in a timeline.

  Also check the audio effects for each individual item

• Final Cut movie has perfect audio output but frozen video

  I have a video of a concert of piano - I edited and synced audio sources.  In the editing process, it looks great.  However when sharing a video file (mov) result is a video with a couple of frames - and audio perfect.  I tried different ways to export - and every effort comes up with the same question.  Thoughts?

  What format is the original media? Open one of the element of the camera in QuickTime format and enter Cmd - i to bring up the Inspector. Optimize you the clips?

  How do you synchronize the outboard audio and video?

  Russ

• Migration of files from final cut PRO HDV

  I am trying to migrate from Final Cut Pro to Windows Adobe Production first CS5.5. I have a number of video files that were originally shot with a SONY HDV camera and captured in FCP. First will not import these files and Adobe Media Encoder has the same problem with the files. It gives me an error to import file:

  ... . MOV could not be imported. The source file is an invalid codec. Please verify that this is a file is valid.

  I have no more SONY's HDV camcorder. I still have my FCP system I try to transcode the files with it. What can I do with these files to run in first? The rest of my video files are of a Canon 7 d.

  Well, I give you two options:

  1. Extracts audio PCM stereo AC3 448 kbps mono the MOV, transcode the dual HDV video and wrap it as a M2T file. It is autonomous, but the audio is recompressed (although it is still high-fidelity).
  2. Extract the HDV video to M2V file, extract the audio PCM stereo WAV file (no recompression) and then you import both in Premiere Pro. You can select both components, right click and select Merge Clip and create a new clip married, then, to hold everything together. You would have to do this for each pair of files, but the advantage is that the audio is exactly the same as the original.

  Take this zip: http://www.mediafire.com/file/94zvvop8rsm9pld/hdv.zip. Extract the content - ffmbc.exe and two batch files called hdv1.bat and hdv2.bat - the folder that contains your images. Double-click the package corresponding to the desired file. hdv1.bat creates a single file (n ° 1, above), while hdv2.bat creates two files (#2 above). Batch files are going to do this for every single MOV file in the folder. It is good to have the choice, no?

  NOTE: It may not work. SBDAs HDV that I already have stereo audio, while your have two mono channels. I think I represented or in the batch file, but you may need some adjustments. What I suggest is to extract these files to a fresh folder first, and one of your copy inside SBDAs and then runs a batch or another. In this way, you can make sure it works without creating gigabytes of unnecessary files.

  Let me know how it goes!

• Editing GoPro footage in Final cut pro 7

  Hello

  I shot a lot of footage recently on my new GoPro (30 p) 2704 × 1520, (.h264) and I need to convert for editing with Final Cut Pro 7, so that my system can handle it.   My question is: what is the large size of the Final Cut 7 format can manage to edit a GoPro high resolution files (or other camera such as 2.7 k, 4 k formats?)  I'll assume that I need to convert down to Apple Pro Res in 1440 x 1080? Correct size and codec?

  Thank you very much for your help!

  -Tony

  Maybe some tips on the GoPro site to help > https://gopro.com/support/articles/final-cut-pro-tips

• 2016 final Cut Pro Trial 10.2.3 won't start.

  I just get the start window, and then in about 10 seconds the application stops responding; duty to force them to leave.

  Maybe a problem with auvaltool. ???????????

  I have the latest current version of Mac OS X, El Capitan 10.11.3;

  Get Info says my auvaltool created: Wednesday, January 13, 2016

  BUT on the very first effort to start, there was some notice of the difficulties with the audio plugin.

  BUT logic has no problem with this auvaltool or my audio plugin.

  Don't know what to do. Maybe it's another problem but has never had a problem with this app before.

  NOW EVEN WHEN I TRIED TO RESTORE TO TIME CAPSULE, THE VERSION OF THE APP (10.2) ALSO WOULDN'T START!

  Background: I had replaced my auvaltool 4 months ago because the logic would not load audio plugins. but it works with older auvaltool.

  But now I'm back to the current version of this auvaltool... then... ? And everything is OK with logic.

  A FEW HOURS LATER: PROBLEM SOLVED!

  I tried booting in Safe Mode; no luck, just a long report which told me nothing, but I sent to Apple.

  Then I set up a new user and signed in to this and this time I had all the error messages or the problem I saw once before, but did not take detailed notes.

  Error messages, said that the auvaltool could not read all my iZone plugin Ozone components.

  So I trashed all them. Goodby iZone Ozone; Hello again to Final Cut Pro.

  Amen. It was a good day.

• Final Cut Pro - OK for a novice?

  I've used iMovie & am only successful with canned trailers.  The iMovie on iPad is more my speed.  I want to make a video that is a little more sophisticated, but don't want to spend a year learning to use the program.  If you have experience with the new Final Cut Pro application, you would recommend it for a novice?

  Birdbrain2015 wrote:

  I've used iMovie & am only successful with canned trailers.  The iMovie on iPad is more my speed.

  You can do a very sophisticated work in iMovie.

  If iMovie is not what you need, download the trial version of X FCO. It has an interface and a workflow similar like iMovie.

  If you don't try FCP X, I suggest you spend a few hours reading on the fundamentals or the display on video tutorials available on the Web. The application has undergone much development in three years and more, so make sure that your source material is based on 10.1 or higher.

  Good luck.

  Russ