Frame rate in first pro

Similar Questions

• Poster frame still of first Pro/Encore CC

  Someone tried to get a poster frame in a video in Encore menu using first Pro CC?  I've never used in CS6, but wanted to start trying in my new projects.

  I used a menu with the video buttons, created a poster frame, dropped the timline in the button and it goes all black?   The menu does the view, it's just that the video button does not work?

  I guess the editor you are referring to is the visualization Menu.

  I just did a little test. Was in a project of Bluray, but not a m4v. If I add links to videos using the pickwhip, or dragging a chronology to the button, I get the same result: if I put a poster frame to the initial black frame of a video, I see black. If I put a visible image of the video, I see this image of the video.

  The menu rendering, everything is OK - no black in the query. However, as long as I put the poster frame to a different bit of the scenario, I see that video with a set of frame poster uses this image poster, while one who was black uses the first non-black image to render the movement.

  The hypothesis of the "thing work properly" would that your poster frames are not defined, or at least are still in the dark.

  There are, of course, a variety of problems that are possible, but if your poster frames are defined, it shouldn't behave as it is.

• Mixture of Framerates in first Pro CC - problem

  Hey guys, hopefully get you some advice for me,

  I've been on vacation and we had different cameras to record everything. Everything is shot in 1080 p but the framerate is different. GoPro stuff is shot at 60 p (for the ability to do a slow motion later), and my plans of GH3 is turned usually 50 p (same reason). I know that the errors I did by choosing the same display every time rate. But now I have the problem, that I want to do a project in first Pro CC where I use each item in the same sequence.

  I thought 25 p is the best choice, if I have the opportunity to play excerpts from 50 p in slow motion (with interpreted as 25 p). Can I just insert the 60 p clips? When I intepretate the 25 p clips, they are all, of course, idling. To make them 'direct movement' I must speed up to 220% or sth. Like this. Isn't that create the same problems?

  As you can see I'm a bit confused, if something could help me, really. Is it possible to use each clip in 'direct movement' and, if necessary, slow down some clips without having any problems with images/jump, stuttering and stuff like that?

  Alex

  In most cases, there is no need to interpret the film allows you to adjust the frame rate. First will adjust automatically for clips with different rates, as explained on this page for help: Help for Adobe Premiere Pro | Adding clips to sequences (a search on 'mixed frame rate' me, he got in a jiffy.)

  Here's the paragraph:

  Mixture of element types in a sequence

  You can mix clips with different rates, frame elongation and sizes of images in the same order. For example, if you drop an HD clip in a sequence in an SD project, the clip will be letter-boxed and scaled to the size of the SD image automatically. Similarly, if you drop a SD clip in a sequence of an HD project, the clip will be in pillar boxed automatically.

• First Pro EDL does not not good frame rate in SpeedGrade

  Having badly to get as a PCA from agency to open correctly in SpeedGrade. EDL export entry in SpeedGrade as a sequence of 24 fps, even if the sequence of the organism is 25 fps. Then when I try to link the media in the Official Journal the I get an error of frame rates do not match. Most annoying and I cannot understand where he's going poorly. Don't want too use dynamic links because I can't have layers in Sg ranking using this workflow (as far as I know, although I would be happy to be refuted). Any ideas anyone? See you soon. Pete.

  Yes, add PrPro adjustment layers is the way correct & 'designed' to get more ranking layers to use SpeedGrade. Even though I forgot to add one before going to the Sg, he seconds to PrPro, 'A new element-> adjustment layer' dragged in the sequence, then back to Sg.

  Neil

• How will I know that I am in the last frame of the clip or sequence first pro?

  Hi I'm new to first pro and do not seem to find a way to know if I'm in the last frame of a clip in the control screen and anyway for monitoring time online. We know what the marker is the 'end of the clip? My previous program showed a line of jagged at the end of the frame.

  Thank you

  If you click on the key on the program monitor and select settings-trap settings the settings box gives you the opportunity to 'end of indicators media/sequence.

• Bug in first Pro CC (Frame wedge with Transition)

  Hello!!!

  I have the first Pro CC updated. But I found a bug. When I apply any transition to start clip, then two key frame options "Add frame Hold" and "Insert keep Segment of image", I get the supported clip frame inserted (or crushed one) who becomes black, clip start the transition suppresses and if I click on that black clip supported image I've got, I first got crashed. Video: http://www.youtube.com/watch?v=Ep0g_KByuos

  Thank you!!!

  Thanks for the video of Leo. This has been useful. I managed to reproduce the bug, and now we are looking in the cuase.

  The workaround is applying to the passage after a Hold setting.

  Thanks again for the info.

  Peter Garaway

  Adobe

  Premiere Pro

• First Pro CC gives an error "Could not create image buffer" and crashing after installing a videocard GeForce GTX 1070.

  Hi all

  I recently installed a GeForce GTX 1070 video card and drivers current in my bench mounted, very happy for the potential break in the rendering and playback (I was using previously a very old ASUS Radeon HD 7850). I had nothing else problems since.

  When I first tried a project of creation of opening, audio refused to play (speakers, headphones, everything...) I looked at the volume mixer while playing through the timeline and no audio only showed upward). Everything seemed fine. I closed, cleared the cache, opened the first, this time hold Alt while doing so to reset the preferences. Open very well, audio read back fine, that only now first was blocked indefinitely the generation of PEK files for a short audio clip in the project.

  After a long bit of troubleshooting in the speakers, I went ahead and did a complete uninstall of Premiere Pro and After Effects, then reinstalled both programs to their current versions (2015.4 and 2015.3, respectively). No more problems of generation PEK, but something much worse. Now, whenever I try to change the CUDA acceleration enabled, I can maybe five minutes absolute performance first until I get an error "Could not create image buffer", warning of notifications of Windows that your computer is low on memory, and finally, a complete crash where the screen goes black, flickers a couple times, then stays black for good with only the mouse cursor appears on the screen.

  The images that I'm editing is all images Go Pro, no effects applied. I am doing this for a client and need ready in a week, but the constant crashing makes them difficult to work around. I can more or less run by changing the acceleration of software only, display options but it is much slower and the memory is still eaten up like crazy (if I place the open Task Manager and start to scrub through the timeline I can watch the memory usage get up to 95% in 20 seconds approximately). Reading suffers as a result once the RAM is full until almost full.

  Technical specifications

  First Pro CC 2015.4 (latest version)

  OS: Windows 10 Pro (Version 1511)

  CPU: Intel Core i7 - 5820 K CPU @ 3.30 GHz

  RAM: 16 GB

  GPU: EVGA GTX 1070 (latest drivers)

  SSD (OS and Adobe Suite installed): SanDisk SSD internal 240 GB 2.5 inch SDSSDA - 240 G - G25

  Hard drive (where I put my multimedia files): WD Black 2 TB Performance Desktop Hard Drive: 3.5 inch, SATA 6 Gb/s, 7200 RPM, 64MB Cache

  Motherboard: ASRock X 99 Extreme4 LGA 2011-3 ATX Intel

  Film source - source footage is an hour of video of Go Pro, all arranged on the timeline, no effect applied (I'm just trying change the original film in a short video).

  Type: MPEG Movie (.mp4)

  Image size: 3840 x 2160

  Frame rate: 29.97

  Format of the pixels: 1.0

  It is worth noting that, with my old dusty Radeon GPU, I was able to edit these clips with ease. No reading, no problem of image buffer. I do not see my RAM never go above 60% usage, when I got this card is installed.

  Also worth noting, that the first, I have noticed absolutely no problems, and the video card itself seems to work very well. I can play MGSV at max settings with perfect reading, as well as other graphics intensive games.

  Any help?

  It's been almost a week and I had zero problems. First Pro CC 2015.2 works like a dream! I'll go ahead and mark this thread closed.

  For those just tuning, I was able to find a solution by uninstalling the Premiere Pro and After Effects, and then reinstall them back to last known stable on my bench (Premiere Pro 2015.2 and after 2015.2 effects). So far, running these versions has been very good, even with active CUDA acceleration.

  The only downside is that all the projects I've done in Premiere Pro version 2015.4 should be re-edited from scratch. But I've had absolutely zero problems using the program, which is a relief. Hope Adobe fixes this problem whenever 2015.5 is out!

• First Pro exports only my audio, not the video

  I'm a beginner to this program, so please bear with me.  I'm in first Pro CC (2015.3) v 10.3, blue Fox on a PC with Windows 7 Pro. The Media Encoder is also Media Encoder CC (2015.3). When I queue to export the Audio/video file, I chose H.264 and AAC Audio.  The video and audio of boxes are ticked for export.  I have the game - high-speed selected Source and preset of Facebook.  Is the screenshot after I encoded the file, but I am able to see the process of Audio and video, while it exports the file.

  Here is the screenshot of my Premier Pro screen. I had created a couple of these slide shows before and everything worked very well.  Now for some reason, there is only Audio now.  I tried it with two series of photographs with the same results.

  Any help is appreciated and I apologize if this is a repeat problem, but I don't see anything that fits my situation specifically.

  When you are working in a new project (or new sequence) and you add the first piece of media in your timeline (sequence), if the media card to match the settings of the sequence, it will ask you "Do you want to change the sequence to match the media" and you have done this, no other way to get an image size of 4608 x 3456, which is not equal to any standard video format. Is also 4:3 and not 16:9 for the video output screen. So unfortunately, if the configuration of the sequence is bad at first, your project is built on a poor Foundation that will cause problems later when you try to export to a standard format.

  If you want to put the video on Facebook, that would be 1920 x 1080 or 1280 x 720 for instance (1080 p or 720 p). Your sequence should be created accordingly before adding any media. In Prefs or sequence by sequence, you can use the size value of the frame to have the media scale in sequence (photos/video will scale to fit the image).

  Try changing the size of the image in your sequence up to 1920 x 1080 settings. You may need to click on the pictures and also the value size of the frame.

  EDIT: also change the audio sample rate of 32000 to 48000 which is more standard and superior

  EDIT 2: If you put 4:3 pictures in a 16:9 frame, yes you get black bars on the sides. As the top and bottom of the pictures of the boat may be just the water and the sky in any case, you can change the image until it fits left to right, cropping the top and bottom which you can't miss anyway. Can also set vertically then necessary. Use the Adobe movement controls for these actions, found in the effect controls panel.

  Thank you

  Jeff Pulera

  Safe Harbor computers

• Audio does not synchronize with the video in first Pro CS5.

  I recently did a minute 50 video in Shadowplay in format mp4 1080 p and 60 fps. When I look at the video using the default player on my Windows 10 computer application, the audio and video sync very well. However, when I add in first Pro CS5 is no longer syncs. I tried to use a custom preset but who has not yet worked.

  Playback is nervous as well?  First CS5 is older than 5 years and you can be on the 32-bit version?    Also be sure to what ShadowPlay produces a constant frame rate export.   First dislikes images of frame variable rate but which usually manifests as not be able to play all the.

  Try to run your file through Handbrake and set it to constant framerate and try again first.  Is not guaranteed to solve the problem, but removes a suspect.

• Synchronization of images with the track number of music in first Pro CC

  My experience with Premiere Pro is still limited to the basic edition. I was recently asked to help a friend to edit a music video. I have done it before in Final Cot X Pro but decided to move because of the integration of Adobe CC.

  The issue I'm facing is that all the footage that was shot are delivered for me to 23.976 fps, but with audio that plays faster. The audio after importing is during playback to 29.97 FPS and play it at normal speed.

  The solution I found so far is to slow down every clip to 80% so that it matches the original audio track. It's not ideal, I discovered while editing, and it would be better to have each clip rendered in its original state of 29.97 FPS.

  After some research more, I discovered that it is possible to perform a new made each clip speed original in After Effects and even apply the interpolation. Then import all back into Premiere Pro.

  My question is if the road that I'm following here is correct.

  Thank you!

  by reducing speed in the timeline, I think he's doing the same thing by forcing the film. the difference is by changing it in the tray before you start, you can change all clips at once. Make sure you just set the fps of the fps final output sequence, does not not in the FPS has changed clips.  You can also click with the right button on the images in the timeline and choose the frame mix, but I think it ends up doing the same thing you use the export option. the difference on the timeline is that you see the frame blend when editing. AE is extremely slow and may not look any better, so when you're on deadline, forget about it.  so first I think that the framework blend on vs off is your only real option to change the behavior of the slow-mo.

  slow mo thing is nice for music videos, but yes, for best results the camera must be accelerated with the song on the set. While post both are slowed down back, replacing the song / audio with the original song at a normal speed. 23.976 or 29.97 are both acceptable in NTSC land usa.  23.976 has received much attention as the 'film look' because it has more motion blur, while a 29.97, a video filter. Here are some numbers that I found somewhere and kept. so if the final rendering of fps is known, can choose the correct shooting for on fps set with matching sped up or slowed down the music.  values in italics would end up with time-lapse images, while the values in bold would be used for the slo-motion effect. I haven't used these, but the numbers look right. He could have shot during 29.97 (30) fps and it slowed to 23.976 in post to get the 80% slow-mo.

  For a NTSC / US, using a base of following times of 24 p, for frame rates, adjust the speed of the song at:

  12 fps: make the song last x 1,956 more stretching to 51.1% speed

  18 fps: make the last song 1.333 x more stretching 75.0% speed

  20 fps: make the last song 1,226 x more stretching to 81.6% speed

  22 fps: make the last song 1.067 x more stretching to 93.7% of the speed

  26 fps: do the last song 0,907 x as long as normal; play 110.25% speed

  30 frames per second: make the last song 0.800 x as long as normal; play 125% speed

  32 fps: do the last song 0.747 x as long as normal; play 133.87% speed

  36 fps: do the last song 0.672 x as long as normal; play 148.81% speed

  48 fps: do the last song 0.498 x as long as normal; play 200,80% speed

  60 frames per second: make the last song x 0.400 as long as normal; play at 250.00% speed

  For a NTSC / US, using a base of following times of 30 p for frame rates, adjust the speed of the song at:

  12 fps: make song longer than 2.445 x stretching 40,91% speed

  18 fps: make the last x 1.667 song more stretching to 60,00% speed

  20 fps: make the last song 1,533 x more stretching 65,23% speed

  22 fps: make the last song 1.333 x more stretching 75,01% speed

  24 frames per second: make the last song 1,250 x as long as normal; play at 80.00% speed

  26 fps: do the last song 1.134 x as long as normal; play at 88.22% speed

  32 fps: do the last song 0,933 x as long as normal; play 107.14% speed

  36 fps: do the last song 0.840 x as long as normal; play 119,05% speed

  48 fps: do the last song 0.622 x as long as normal; play at 160.73% speed

  60 frames per second: make the last x 0.500 song as long as normal; play 200.00% speed

• Sequence GoPro/DSLR frame rates

  I search for an answer to this for a while and can't seem to find something forward.

  First off I'm shooting videos with a 6 d and a pro hero go 3 + black.

  IM shooting usually 1080 at 30 frames per second with the 6 d and 1080 at 60 fps with the go pro for slow motion shots.

  I use after effects or first (depending on what I want to do in the edition) and get some reading jumpy/choppy/laggy when I finished some projects.

  For example:

  I want the video to end play at 30 frames per second.

  -should I conform to the go pro clips from 60 fps to 30 fps using go pro studio before them sequels if I plan to make idle or time remapping with them? The sequence settings suitable for SPF 30 or 60?

  -clips of play very well before and after that I have them comply in pro studio go but once they are done in my rendering than the shifts of video playback.

  Here is an example between: 20 -: 25 seconds The Quinta, Ca on Vimeo ... to me, it seems that its executives of jumps. In this video I isn't in keeping them in 30 frames per second before hand. I just used temporal and remapping of time to slow them down. I also put pixel interpolation on the clip. (This was shot with a go pro)

  Here's the deal with frame rates. Interpretation of the file ALLOWS you to set the time DO NOT rate or to comply with a new cadence when you're transcoding because you'll lose frames or quality or both. Simple as that. In your workflow I import images from the GoPro, interpret to 29.97 because it is the frequency of images for your computer, then, when you drop the GoPro images in the timeline, it will play at half speed. If you need to slow down more use time-remapping or a plug-in like Twixtor. You will get much better results.

  I hope this makes sense. Slow mo is confusing to people who have worked in the video, but it makes perfect sense for people like me who one has grown up with a 16mm Bolex in his hands and turned images on film up to 20,000 images per second... All projectors (except the old plays football coaches Spotlight analysis usually use to analyze) run at 24 fps so my 20 000 really read fps camera images slowly and you could see all the pop rivets that the spar does not, but it's a different story.

• How can I make my AVCHD mov. files of work first pro?

  I used the Panasonic HDC-SD60 for a short film for the work.  This has on about 40 clamps with about 3 hours of footage however when I import files .mov from the audio media browser seems fine but the film is in a kind of slow-mo and out of sync. I want to change and make the post production using Adobe pro and AfterEffects first. However, the film seems to work in final cut X. There is no lag with playback on quicktime either. What is this project? I read on variable frame rates, it is seems more common among iPhones and tablets? Is this something that the panasonic do as well? Is there a solution? Or should I jump ship and settle for a somewhat more limited features of Final Cut?

  Copy the card hard disk. Do not use iphoto or lightroom, but ingest directly in first via the media browser.

  See how it will work.

• ProRes HQ being recognized as cinema back in first Pro PC?

  I have a Cup semi finished (without effects or color correction) that I edited on my Mac with Final Cut Pro. I exported this edition to the prores HQ format in order to make the rest of my work on my PC in Premiere Pro (mainly because my new PC is much faster than my mac). I created a new sequence with the file in Premiere Pro and to my surprise it is read as Arri cinema and Prores not? In the drop-down list sequence settings is not really an option for prores at all.

  I'm guessing that Premiere Pro for PC isn't prores codecs? Fix? If that's the case here are a few questions:

  1. What is the Codec of Arri film for editing? He result of prores ok?

  2.i am accustomed to using different flavors of prores for editing. It is probably only one file with that I must never export from my mac to edit. Can I on a PC Prores codecs? How they compare to the PC of the codec I know less well?

  3. How can I get the codecs prores on my PC?

  I'll wait for a response before I begin to edit anything. I'm new to Premiere Pro and the PC in general any comments at all would be appreciated.

  All the best

  Kevin

  Hey Kevin,

  First does not care what codec your video is, as long as the codec is installed on the machine. Although there is not a specific sequence for ProRes parameter, is not serious. What is important is SIZE of FRAME, FRAME RATE, ORDER OF FRAMES PIXEL ASPECT. So Adobe found in your case an Arri preset corresponding to parameters of your film. There could also be an AVCHD preset that would work as well, doesn't matter really so much inside specifications are correct.

  First will work with ProRes on the PC hardware, just QuickTime installed on the system. However, there is no easy way to directly export the ProRes. We could install the Avid DNxHD codec for free and which will be similar to ProRes. There is also that a third-party Encoder now offers ProRes encoding for PC, check here - http://www.cinemartin.com/cinec/

  Thank you

  Jeff Pulera

  Safe Harbor computers

• Suggestion BOX for first Pro! Add your suggestions. you want to see in CS 6.5 or CS7

  1. I would be grateful if you can import and attach files like in avid media compose.

  Sometimes we work on projects of greater and different computers, but if I open the project on another computer I have to recreate a link to the files, which is sometimes very annoying and sometimes I take my work home, but can't because the files are placed on different servers/sites I just can access the work. Thus, the importation of 'real' would be very useful.

  2. you should also be able to have the opportunity to structure your project as in avid media compose.

  
  If you create a new project, you need just a place/place where your files are stored as the Avid MediaFiles folder.

  3. on the display of the list - it should be possible to sort of assets, and in the project window, the icons are still at large (even if you are already chosen the smallest)

  4 speed/duration - it should be possible not only to adjust the % would be nice, also adjust the frame rate.

  for example, you have a project/clip with 25/24 fps. and you want to play at 24 / 25 fps without jump/interpolation of frames.  Also when you return the it, it should be possible to choose this option (with the information that the clip will be played more slow or faster, depends on what you want), it's just like you should accelerate or slow down the indicator in the timeline panel.

  5. is it already possible to choose a window via keyboard?

  
  If the source monitor Panel is enabled and I want to activate the timeline, can I do this without using the mouse, as (alt + F4)?   Jump between the source-project monitor, the window of the project, the timeline...  This would increase my SPEED work also if you in the source monitor and want to jump in the effects Panel should be possible without a mouse (tab).

  6. If you are already working on a project and you acknowledge that you have the settings wrong audio track it would be possible to change from mono to stereo and stereo to mono.

  7. multicam

  
  If you have configured a session with numerous Multicam (and/or) large files, it would be nice if you could do a right click on it and choose something like - convert achievable quality (proxies) - (also the size of the video for example 720 p to 360 p should shrink) (option box where you can adjust the quality/size and also suggest what pro first) because in many cases must be converted manually and these are a few extra steps you need to do, what I think is not necessary. When you are finished with the installation you need to right click again and choose - replace it with the original of the files - or something like that.
  MODE MULTICAM editing is sometimes still a pain. We want to change sometimes in Multicam - monitor, but whenever I have stop recording and press play and I want to just change the camera, I get a new installation I don't want (and rec automatically turns the) then when th rec is on and I'll frame and click in the multicam monitor on the camera I want to It does not add an editing tool. This is so weird and multicam makes uneasy work.

  I am really interested, what are your ideas and maybe adobe chooses some of them (hopefully) to improve the first pro.

  1. use Project Manager to collect your files in a new directory.

  2. have all your files on a disc is not normally a very effective way to edit. It is best to keep things on various drives on your PC.

  3 a. agreed. Put in a request to sort icon mode feature. https://www.Adobe.com/cfusion/mmForm/index.cfm?name=wishform

  4 create a new sequence by using the rate you want to use and copy and paste your videos in the new sequence.

  5. There is of the hotkeys to switch between the panels. SHIFT - 1, Shift 2, shift - 3 etc.

  6. sorry, but I don't understand this one. The audio tracks are automated in CS6. Drop the audio, and you get a track that matches.

  7. I do not use a lot of Multicam, but since I was a fast RAID I don't have reading problems that require proxy. I hope someone else can handle this for you.

• Comply, or transcode mixed frame rates?

  Hello

  I did a quick search in the archives, but still not quite get my head around this:

  I recently shot a personal project on a Greek island. I have a lot of beautiful 5 d MKII sequences of the island to 1080/25 p, a few underwater sequences of diving instructors took to 1080/30 p and a ton of GoPro HD helmet cam stuff I've pulled my bike to 720/60 p. I guess I don't think too much about rates of mixed frame during shooting, because I had too much fun. I went to pull the stuff of cam headphones to 60 p, then I could slow down and I have a few nice ride shots - by mingling with my GVs. Now that I'm in front of the editing suite, which is the best way to use all these images? I will use 1080/25 p as the basis of my time because most of the good things came from the 5 d. I heard that using Twixtor consistent images works really well, but I'm still confused about what the 60 p on the chronology of 25 p stuff will look like. He will play slow? Very confused.

  In general, it is 'better' to give up material of frame rates less in sequences with higher rates. The reason is that Premiere Pro will automatically insert menu drop down in the form of images duplicated to maintain the same frame rate. Let's look at some examples using the images you mentioned...

  You have 720/60 p, 1080/25 p and 1080/30 p. Let's ignore the frame sizes and since you're all progressives, we will ignore the field order (since there is no order of field). In short, you've got 25 fps, 30 FPS and 60 fps. The first thing to do is to decide what you will do with the material of 60 frames per second. If you want to slow down, simply interpret it as fps 25 or 30 frames per second; Right click on an item or several clips, then select Edit > interpret footage. Here, you can change the frame rate. This will cause the playback sequence at least 50% of the speed; you would then use it in a sequence with a time corresponding to all base what you interpreted the images (25 p or 30 p). If you want to keep the images to 60 p, so that you could use excerpts of full motion and then have the ability to slow some, you would use a sequence of 60 p; You can then use the speed/duration dialog box to change the speed of the clip. If you want to only 50% of the speed, who drill into the dialog box without any concern for the interpolated images. Premiere Pro will simply double each image giving you nice, smooth idle.

  Now decide on the material 25 fps and 30 frames per second and how to use it. If you use a sequence of 60 fps, you can simply remove these clips as-is; Premiere Pro dupliquera frameworks as required, maintain the same pace, as if you were using the clips in a sequence with a corresponding frame rate. It's very simple, really: no matter if you shoot at 25 fps or 60 fps, a second being always a second. All that is different is the period for which an image is visible. If you have 25 images to fit in the frame of 60 'niche roles' of your sequence, Premiere Pro will be space executives roughly evenly and reproduce each image as long as it is necessary to reconcile the duration of a single frame in a sequence corresponding to the clip frame rate. Visually, there is no difference - this is why it is best to go to a superior that lower rate. If you go lower, Premiere Pro will actually Skip frames because you have more images to adapt to these "slots" in the destination sequence. This will result in a perceived 'jump', where an image is ignored. You can mitigate this, somewhat, by clicking on an element in a sequence and turning on interpolation; This forces Premiere Pro to interpolate between the ribs ignored. OK, it can work for you, or it may seem fuzzy - test is the best way to check.

  Personally, I think I'd go with a sequence of 720/30 p, assuming that all images of 60 p bike will be slowed down. 1080/30 p images must simply be scaled down; the 1080/25 p also has need to be resized, because every fifth frame will be duplicated to match the frame rate of 30 p sequence; and if the 720/60 p is interpreted as 30 p, you will get a nice 50% idle of your sequence, with no scaling required.

  Still confused?