I have a great computer screen at home and place of work, but when I try to view my work files they are too big for my home screen. How can I fix it?

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  Hey Danny,

  Here are pictures of our current set up. I'll upload the video soon as well.

  Thanks for the photos!

  I use a T5i DSLR rebel

  AT ISO 400

  100 shutter

  Opening to 5.0

  An SLR digital H.264 shooting is one of the poorest formats for shooting for the composition of the green screen. Sorry to be the bearer of bad news.

  I would recommend shooting with a camera that can record to a highest intra-image 10 bits of quality, like ProRes format. Many people use less expensive DSLR cameras (like yours) and AJA KiPro or Atomos Ninja HDMI data recorders to get this higher quality videos 10bits, ideal for the entry. They are quite affordable for what they do.

  We ensured that the lights are some 45 degrees angles of tripod of our DSLR, then we have the key "light" following the DSLR. With a transom for product photos and unboxing videos.

  You don't necessarily want ceiling for product, which can introduce hard shadows to talent. Key and fill should take care of most of the product lighting. However, a small 300 watt 'kicker' can be called for these lighting products. You want at least a fire behind the talent (called "Backlight"), which is usually directly behind or slightly eccentric talent. Aim the shoulders and the back of the head by focusing light, then it flood a bit. Adjustment of barn doors to avoid any excess of light entering the camera lens. I have this light almost half to 75 percent of the strength of the fill light.

  See this configuration of Jeff Foster:

  

  The subject is about 2 feet away from the backdrop. (We painted the green wall to reduce to a minimum the tripods and wrinkles.

  

  First of all, in my opinion, that this room is far too small for what you want to do.

  Talent of lighting
  It seems that you are more informed in front. Too fill key and not enough. You don't want three lights, try it with two 45 degree angles. Make sure you use the less powerful light for charging. Add broadcast if the lights are of the same power (which resembles what you have). I find this filling works best when he is about 65-70% as much strength as the key.

  Placement of talent vs the green screen
  I prefer to put at least 10 feet between the talent and the green screen (or bottom of any type) so that you can 'cut' any bright talent of the background and I can fly a backlight behind the talent. Remember you want light talent separately from the green screen. For example, if it was a VFX shot, you wish to turn it on dramatically so that it will blend with the background. In a demonstration of product, of course, it is not as important.

  Green screen lighting
  I can understand why you would want to reduce the installation program by painting the green wall, but I think're missing you an important point. The wall must be turned on too! And quite differently on how you would light of talent. If you need more space for this, as well. He needs to be very evenly lit with zero modeling. I like to use very broad and diffuse sources to that effect. A couple of big lights or soft lights work well for this. Use a directional light meter to make sure that you have all the hot points (see the illustration above for the "lights of the screen").

  You may not space or gear to shoot like you want, but I wanted you to know how I would have turned on this shot. You can do a little more research on how you can configure your studio to get better once you get your shot in Premiere Pro.

  Thank you
  Kevin

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  Clear the Cache of the browser on the desktop

  Jim