Ideas to explain why, when you work with raw files in LR 2015 with Edit in PS 2015 and use the Camera Raw filter, the profile in the Lens Correction Panel tab is missing

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  What is the exact error message received when the problem occurs?

  Methood 1:

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  I am in the phase of learning with first (edited on Sony Vegas for years) and I'm working on a test/learning the project using a mix of videos and photos of my family trips.

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  Hi Jeff,

  The photos you are editing are really big? How many RAM GPU you have? I assume you are using GPU acceleration (found in the project settings); If you do software only made you still a fall?

  Thank you

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  6 core Intel Xeon 2 x 2.66 GHz

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  Thank you!!
  

  Motorhomes can accelerate your insights if you use the disk cache, but there will be nothing to expedite your first ram preview or a ram preview after a keyframe to change except a better optimized system. All that it takes to slow things down is an effect or film file that causes the AE to begin to use the power of CPU and memory.

  As test I just created a gradient filled rectangle, added keyframes rotation, duplicate the layer so I have 64 copies on my Mac Mini and tried a preview ram from the same model with 1 single layer. Almost no difference in time it took to get an overview of 10 seconds. Thrown into a processing of scale for all layers and once again, not a lot of difference between the layer shape and 64. To make things much more difficult, I change the rectangle a polygon and animated everything in the transform properties starter, put in place a composition with 128 duplicates and a model with a single layer. 2.5 seconds for a ram in the quarter preview ground for a single layer, 10 seconds for a RAM Preview to 128 layers. It is more than acceptable for me for an old Mac Mini for two years with 16 GB of ram. Increase in the factor of 50% zoom with resolution set to Auto double the ram preview duration that was still acceptable.

  This makes me wonder what is happening in your composition. All the effects or other things going on? You have optimized your system for maximum performance? There are links with suggestions to do throughout this site as well as the recommendations of Adobe available here: after effects performance optimization

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• Workflow to remove giant files when you work with 4 k images

  I put on the live educational programs periodically, which can operate for about 1 1/2 hours.  I have been those on Panasonic GH4 4K recording and capturing Atomos Shogun on an SSD.

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  OK... a primer on the size of the files in the image pixel by image measurement:

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  And... 10-bit takes a piece of data-more space to record 8-bit, as you have the values possible in 1063 by image rather than 265.

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  DNxHD/R works fine too and can be used in the flavors that keep the 10 bits, seem to compress a little more than the Cineform and reading pretty decently.

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  And be happy that you are not working with 6 k-12/bit material!

  Neil

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  The main issue is covered by the title, but to help give you some background, here is a concise summary of my workflow:

  I hope someone can help.

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  I stuck with 16-bit when possible. This has the advantage that 3D programs themselves make a conversion to integer values, and there is so little about consistent across formats and applications based on standardized assumptions like that and space sRGB and Gamma. 16 bit TIFF is quite powerful in AE. Problems with float TIFF and HDR files are pretty well planned, because all I know is no interval of fixed value defined in the file format specifications and everyone uses their own mishmash. Inevitably, you can't completely eliminate EXR, but you can book it for things you actually need as usual or motion vector passes. in my workflow certainly hacky inflate a 16-bit to 32-bit file never made much of a difference of 32-bit native files, but of course you can use subtly lit scenes al lthe night where it could be more relevant than for my reasonably evenly lit technical visualizations and motion graphics all...

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  Title: Cancellation of the DESKTOP EXTENSION

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   We need the log files themselves (called a DMP files) because they contain the only record of the sequence of events that led to the accident, what drivers have been loaded, and what has been loaded.

  
  

  
  

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  If you use the blue screen view, which has crashed, or a similar application, don't.  They are wrong at least as often they are correct

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  I look at the file history.
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