Import of media browser and what is the meaning of ' compliant audio "for Premiere Pro

The resolution of the problems of audio dropout there are a few recommendations:

1 is to import via media browser. I always do this, but what is the difference between that and "importer" via the file menu or drag / drop to the level of the finder/Explorer?

2 is to "wait for the audio to be similar." What does that mean? Historically consistent referred to the construction of an online version (high resolution) of a sequence of 'offline' version of lower resolution. It is rare to comply audio as it was captured in general integral quality as well as much smaller than video space considerations.

I do see the "PIC file generation" that occur and disabled it automatically generate because it takes so much time and consumes so many resources.

What is Adobe medium by audio "in line"? I do not see what to do (unless there's a lower quality cover, built for some reason any?)

Thanks for any information

1 tapeless media took us two steps forward, but also a step backwards.  Instead of a single file per clip containing audio, video, time and metadata code (what we had with DV), plus all formats enter a folder stupid and often labyrinthine structure.  Sometimes the video and audio in a single file, sometimes is not.  But even when they are, most of the cameras will write several files for longer clips (called covering), because they still use the seriously outdated FAT32 file system, which can create files up to 4 GB.  Some cameras will even write each image as an individual file.

Given this mess, try to change some of these formats by using the method of normal import will create havoc with your clips in PP.  Adobe solution is the media browser, who can understand the stupidass records and bring in the clips as if they were correctly created - one file for each clip containing audio, video, code time and metadata.

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