Making the ear of corn and need help with the ball.

I do some corn on the COB for an illustration and I need help with the texture of the ball. I've been slowly making progress with gradient for kernels mesh, but I can't seem to recreate the look of the ball at all. I tried to recreate it in a rectangle by using the option in the menu object (1 row, 50 columns) gradient mesh and I'm trying with the fusion in object mode, but not lucky yet. Can someone help to put me on the right track to make the texture:

http://images.clipartof.com/sweet-corn-on-the-cob-with-husk-royalty-free-vegetable-stock-photo-by-kennygadams-4501068853.jpg

http://image.shutterstock.com/display_pic_with_logo/660550/660550,1298544740,8/stock-photo-ripe-corn-vector-illustration-on-white-background-71847955.jpg

http://static5.depositphotos.com/1012047/533/v/950/depositphotos_5336961-Corn-oil.-Stylized-drop-of-oil-and-corn-cob..jpg

I've been slowly making progress with gradient for kernels mesh, but I can't seem to recreate the look of the ball at all.

Tank,

You have published three images stylistically very different. The first is photographic and call probably (but not necessarily) for graduates of mesh. The other two are graphical treatments (and frankly, they're both rather flat; lack of depth).

Illustration style extends the range of cartoonish in sketchy photo-realism and all the rest. The problem is you didn't show your own attempt so that anyone can have an idea of what you're trying to achieve the stylistic point of view.

I just need to put in place so that the final step does not appear the whole box. The problem now is trying to make the style of the good brush to reproduce the effect...

You seem to think you have to build a kind of linear construction and then find a way to reshape the shape of each part of the leaf. Yes, you pouvez approach it this way, but Illustrator users has often tend to be what aunt Molly would call "too clever by half."

Not everything must be something semi intelligent auto or complex and tedious consruct involving brushes, envelopes, masks, etc, etc. Much can be accomplished by thinking that he just thanks to measure you draw directly economic paths and constructions, which take no more time (often less) and result in very tidy, simple files. Again, a lot depends on what you are trying to achieve the stylistic point of view. But here's an example that only took a few minutes to draw:

If the above consists of:

Three roads closed, 8 points each, with ordinary linear degrees

Three mixtures of open path with three anchor points for each key path

Six paths closed for shadows / highlights, with 19 points in total

Mixtures being directly from the paths drawn comic forms, the spacing of the veins 'automatically' and intuitively follows the width from point of view of the worksheet.

Rather than to build a boilerplate brush, colouring and the weight of each of the three main paths of the vein mixtures can be set individually at any time, simply directly by selecting the key path.

JET

Tags: Illustrator

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