Output HDMI is black and white

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• Re: Satellite A200 - 1 M 4: output TV is black and white

  Hi all

  Thanks for the wonderful forum. I think this is the right place to ask.

  I own a Toshiba Satellite A200 - 1 M 4 model, and the problem is with the TV available. When I connect the s-video cable to the TV, the TV shows a signal black and white instead of color. I've tried the settings PAL and NTSC on the TV but nothing worked.

  Went to the market to look for if there is a fault of cable but changed 4 or 5 wires and the problem is the same.

  I guess one of the store people said that there is a software to convert black and white to color.
  I googled to find out more but ended up with nothing

  Can anyone recommend what should I do to get the color of the TV option.

  Thank you

  I assume that your TV settings are wrong.
  I have the same problem. I've connected the laptop to the TV of the parents and the captain was black and white. But the captain was fine on my TV.

  I activated the option s-video on the other TV and I got the color ;)

  I think you should check the settings too.

• Satellite M30: black and white TV with S-video output

  I have a M30 bought in the United Kingdom currently I am in the United States
  When I try to connect my M30 to my TV via a RGB cable, it works very well but failed to get a similar result via S-video. The image is black and white and very fragile.

  Is it to do with the fact that the standards of television in the United Kingdom and the United States are different (PAL or NTSC) or is this something else?

  Can you recommend how can I change the output format of the S-video signal?

  Thanx

  MR. M.

  Hello

  The fact is that U.S. NTSC standard and it can be the reason for this, but if you use connection S-Video S-video port on the TV must be turned on. If not, the image can be produced in black and white.

• Satellite A50 432: TV output is black and white

  When I connect my computer to the tv with the s-video to A / converter v that I get a black and white image I tried to change the Pal - B to everything else, but the same thing happening to any idea what is wrong here

  Hello

  Can you please tell me what adapter are you using exactly?
  http://www.nikomp.com.pl/Opisy/AY000/AYVCW12N.jpg or http://www.lenexpo-electronics.com/e_italy/i/AdattatoreScartSVHS.jpg

  I tested my laptop tecra with both of them, and it works without any problem. Make sure that you have used the right channel of your TV.

• Equium A110: SVID to Composit - output black and white

  I recently bought a Toshiba Satellite A110 and I tried to put it out to a TV
  the problem is that svid to svid is fine and colour however svid to composit (which is what I need) is black and white, I tried all the settings without result, I think it has something to do with the settings of the tv are on 60 Hz in properties but I can't change the
  I downloaded the latest drivers 945GM, who has not remedied the problem someone at - it ideas of what to try next.

  Can you please tell what cable do you use? Maybe a 4-prong cable?
  I read on some sites that a cheap 4 pin cables could be a reason for a black and white TV. Try a 7 wire pins. Maybe it helps.

  But as a first step, you should also check the PAL/NTSC settings.
  You should also check this site on different connections
  http://www.michaeldvd.com.au/articles/VideoConnectors/VideoConnectors.asp

  PS: I n t think 60 Hz setting is responsible for the black and white problem.

• Libretto U100 - pc to tv adapter displays black and white

  Hello
  I have an Averlite tv adapter pc using a composite connection to the TV. I changed my screen to 800 x 600, but it appears in black and white on the TV (on the laptopn is it perfect color).

  Anyone have a similar problem or can help me? Thank you in advance.

  Hi Julia

  Can you please tell me what Averlite tv adapter pc is? Can you please send a link where I can see what you mean exactly?

  This card is connected at the end of the RGB port at the end of the RGB cable + delivered?

  I saw this little booklet several times but I n t try to connect it to the TV but the principle on all laptops from Toshiba is the same. It is of course much easier with laptops that have S-Video output port.

• Qosmio G30: black and white photo via the S-video input

  Hello

  I have a Qosmio G30 Win XP MCE running. I'm watching the TV from my digi via S-video sky box in the port within the media library. The problem is that the picture is black and white and not very good (lots of interlacing artifacts).

  I checked the driver for the 'TOSHIBA PCI DVB-T/Analog Tuner hybrid' and I am running the latest version of Toshiba, I also checked the output settings on my Sky box digi, which are correct. Is there a resolution?

  Thank you.

  Have you noticed the same result with Qosmioplayer and MCE?

• Pavilion 22bw is black and white when you watch the video on web page

  I recently bought an HP 22bw monitor.

  I am connected to a desktop HP Pavillion with a DVI, HDMI video connection, no. My resolution is 1920 x 1080.

  My problem is whenever I want to watch a YouTube video on a web page or a web page has an inserted in video as upper right of Sportsillustrated web page the monitor goes black and white. The only way he'll be back, if I move the mouse, which he corrects only for a few seconds and then goes back to white/black.

  Any suggestions on how to fix this problem would be greatly appreciated.

  HD of my PC died on me, so I'll close this message. After I received my PC a few up and running, I'll post my problem again.

• TV is only in black and white when it is connected to the Dell Inspiron 1525.

  Original title: black and white tvv.

  I have an inspiron 1525, Dell and when I connect it to my TV my TV is only in black and white, I would have the color and what do I do?

  Hi BarbaraMughal,

  How have you connected the TV to the computer? It is thanks to a HDMI or VGA cable?

  You can re - connect the TV to the computer by following these links and check if the problem persists:

  Connect your computer to a TV

  How to watch or record TV on my computer?

  Hope the helps of information.

• using the color laserjet 3600n - I want to print in black and white, but it prints black and white negative. * beep *.

  using the color laserjet 3600n - I want to print in black and white, but it prints black and white negative.  * beep *.

  I was able to recreate what you see.   I managed to work around it by installing a different driver that is also supposed to be compatible with the CLJ3600.

  Please consider trying this as a possible solution:

  (1) uninstall the driver CLJ3600 by opening printers and fax machines, driver selection and right-click on it and select Delete.  Once it is removed, right-click on an empty space in the windows printers and faxes and select Server properties.  Click the driver tab, click the CLJ3600 and then click on remove.

  One when you're done, restart, and then install the CLJ3500 driver.  This is a previous version of the driver that has been implemented for the CLJ3600 and is compatible with the CLJ3600.

  http://h20000.www2.HP.com/bizsupport/TechSupport/SoftwareDescription.jsp?lang=en&cc=us&prodTypeId=18972&prodSeriesId=315862&prodNameId=315867&swEnvOID=228&swLang=8&mode=2&TaskID=135&swItem=LJ-16838-3

  After installation, try printing again.

  The output I have indicates it will print is more negative.  Please let me know if you have success.

  One caveat about this solution.  The Color LaserJet 3500 doesn't support duplex.  Of workaround only works for two printing on the package of basic or the Color LaserJet 3600 N.

• ATI Mobility Radeon X 1400 with the problem of the TV, only the black and white photo

  Hello

  When I try to connect my TV to my Dell Inspiron 6400 with ATI Mobility Radeon X 1400 card, all I get is a black and white image. I have tride all the PAL settings.

  What I tried: I connected the s-video with an s-video cable output to my TV s-video connector (composite) result: no color image, just black and white of my office.

  I connected the s-video with a s-video SCART cable output to my SCART TV (RGB signal) result: no color image, just black and white of my office.

  I connected the s-video with a s-video SCART cable output to my SCART TV (composite signal) result: no color image, just black and white of my office.

  His is no problem, this workt fine.

  Anyone know how can I get the color on my TV? Is this possible with my s-video cables? What type of signal you send with my Mobility Radeon X 1400 graphics card?

  Kind regards

  Marcel

  
  

• InDesign displays black and white unlike photoshop

  9.2 inDesign displays the images in black and white diffently than photoshop. Both have the same ICC profiles for color and black and white settings are the same.

  How can I get InDesign to display the same photoshop?

  In fact, I suspect that we can talk about levels of grey here and ID are no profiles in grayscale. All values of K are treated in the same way as on the plate K of the document CMYK profile, which means grayscale can display and output lighter or darker than expected. Overview of overprinting will give you a more accurate indication of the production.

  To get the output to match levels of grayscale in Photoshop and print from ID, you can use the K channel of the CMYK profile like gray profile in Photoshop.

• Color black and white PDF

  Hi guys,.

  I have an InDesign file of a magazine which is printed in black and white. A friend sent me a PDF color for an event to be included in the inside pages. I was wondering if

  (1) previously, should I convert the pdf in black and white to minimize printing problems or

  (2) when I export the InDesign file to PDF, I put a predefined for the entire magazine PDF to convert output in black and white?

  What do you think is the best thing to do? Furthermore, how can I convert a PDF in black and white color?

  Thanks for any info,

  See you soon,.

  SEBS

  Jeffrey_Smith wrote:

  Support grayscale was one of these additions requested by long that must return one day in the program.

  At the time it done, we'll be living and working in a world without paper of the future, that we will not need to grayscale.

  Oh ye of little faith. I expect to print to last for several years, relieved, perhaps, but who probably way it will be better quality works also for those who are willing to pay.

  I gave up to be a jeweler bench about 18 years because my eyes and my shoulders couldn't take the strain more. At that time, jewelry traditional moved very heavily in the casting of mass production, but I have any doubt that I had to choose to enter the hand making high-end I would have no trouble finding work. I feel the same way about print. Magazines and advertising will move probably increasingly towards the end of the all-digital spectrum, but people will always want the works of art and books.

• What is black and white and gray everywhere?

  I'm becoming an expert pre-press after an embarrassing error on a job that I sent to print last spring. All uppercase gray, lines and text boxes in the unable to print 12 pages newsletter. Bottom line, I sent the work to this printer from budget without conversion of RGB to CMYK, because she had been asked by the printer for the previous question.  The printer ate reprint costs about 200 information bulletins (probably because they felt they shared the responsibility for the error).  It is clear that I can't count on the directives of this printer.

  The other thing you need to know is I am Freelancer, an American working in Germany and I have no direct communication with the printer - the customer is the intermediary. I use Adobe Indesign CS4 version 6.0.6, on a MacbookPro OS x 10.6.8.  The next issue of the newsletter is now coming my way.

  The 12-page booklet is printed as follows:

  front and back cover on coated stock in 4 colours,

  inside front and back cover on coated stock in b & W,.

  and interiors 8 pages in b & W in uncoated stock.

  He had no problem printing of the previous edition, apart from the poor quality B & W photos and elements in grayscale in the inside pages. The only difference in the way I presented the second job was that I "converted" photos using layer effects in the appearance B & W, so I could better visualize how they would convert to grayscale (they stayed in the RGB color space).

  All I can conclude is that when the printer saw the photos n & B, he assumed that I had in fact everything in the inside pages converted to grayscale and therefore does not check the presence of the RGB color space. The gray text box and line items that were in RGB transformed to match the amounts of CMY, which translates to white and left the plate! I should have known that he was a risk, but I did not.

  Help me, if you understand what good practices will avoid such a mistake in the future. I have now read a lot of good resources on pre press, and I think now, I understand, but need to be reassured that I am on the right track.

  The newsletter will be printed, but will also be linked to a website for viewing online as well as distributed in a version as an attachment to e-mail low-resolution. So, I try to understand what should be my workflow.

  I should work in a RGB workflow until the client approves the work, then exit (a) using the PDF standard for offset printing CMYK to generate version to send to the printer. (b) then output another file using the PDF standard for the Web. and finally another using "smallest file size" for the distribution of electronic mail?

  In other words, if none of the color conversions must be made in native Photoshop files in InDesign, or rather they should occur during the conversion from PDF using an appropriate standard? Or do I convert in Photoshop images to use in the inside pages to grayscale images and all images to use on the front and back cover to CMYK before creating the PDF file?  This, of course, would require not make two sets of images, one for the print version and the other for display on the Web.

  Should I work with vector images and type in CMYK from the outset and keep my palette strictly in CMYK mode? Or should I work entirely in RGB and allow them to be converted to grayscale via PDF conversion?

  There is the related question of the help of the two coated vs uncoated, stock that the client wants to reduce costs. The black and white inside pages in uncoated stock gave less satisfactory results in the first two ballots. Despite my efforts to improve and clarify the pictures in Photoshop, most of the printed values much darker and less strong than the photos on the coating. The two-tone gray in the banner (vector) values have been radically different when seen by side on pages 2 and 3 and on pages 10 and 11.

  You can produce a PDF that has two modes of different output - coated stock for pages 1, 2, 11 and 12; and no coated stock for 3 to 10 pages?  This would solve the problem, or is there something more I should do with "Dot Gain" in my prepress that would solve this problem?

  Here are a few assumptions I've done so far, after gleaning information from various sources:

  1. I have put my Adobe Bridge color definition of Europe General Purpose 2 preferences for screen and print.
  2. I guess I should use a RGB workflow up to the last moment before being submitted to the printer (to maintain flexibility and activate the exit for muliple purposes, for example, print and Web versious).
  3. I should check the printer which PDF standard is compatible with its RIP and gives him more flexibility to make adjustments for its RIP so we get the best printing results.
  4. Should I choose a profile to control upstream, such as the VIGC Live Preflight profiles (Ghent PDF Workgroup) to identify any potential problems of conformity with space color, transparency, text in excess, bad fonts, cropping, etc. before conversion to PDF.

  Any advice you could offer would be appreciated.

  Hi Peter, my biggest frustration is I can't communicate with the printer - there is remote, no time to talk with clients and speaks German. All I can think to do is inform how professionally prepare the files, and then write (and translated) a note describing what I did as well as possible. At least I will have done my "due diligence" and if there are problems with the work, the responsibility will be on him, if he didn't read the memo, or ask me to fix everything that does not work for its workflow. I will be certainly work in two files, one for one (K only) for uncoated and coated.

  Peter Spier says:

  Said what Rob is OK, but I think in this case, given that the work, I think, goes on press and print on two different stocks, would probably prepare files for color on coated stock and the K-only on non-coated, but ask to the printer. Questions about the way they really want to receive your material to address them.

• Change color black and white

  MY older iPad has changed color in the negative as opposed to a positive image. I could change this in black and white.  How do I change back to color if settings > general > accessibility > invert colors does not solve the problem?

  Hello

  Go to accessibility disable grayscale settings.

  See you soon

  Brian