rendered savings composited files

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• Cluster SOA with BigIP as HTTPFrontEnd - deployed WSDL and XSD composite files are not accessible

  Hello

  In our SOA environment, we have an architecture like that.

  We have a Cluster with two nodes of SOA. Each node is to have an OHS. There's a BIGIP which is the HTTP of SOA Cluster interface.

  BIG IP load balancing and HTTP Port 80 and HTTPS 443 port.

  All access to BIGIP is over HTTPS. With HTTP, we are not able to access the artifacts.

  Here, we are faced with a problem.

  All WSDL, XSD, deployed on the server files have as - ends http://bigiphost:80 / soainfra / .....

  These end points are not accessible, and we have to manually convert URLS to https://bigiphost:443 / soainfra / ... for testing.

  Main question is coming when we're trying to raise our composites to RJO. Because the WSDL and XSD files is seen port http endpoints and they are not accessible from the harvester tool. Where a failure.

  Can you please how do ensure that all composite end point and endpoint WSDL are generated as Https://bigiphost:443 instead of HTTP Port.

  I tried two options

  (a) setting serverURL to https://bigiphost:443

  This option modifies all the endpoints and the localities of XSD in a wsdl to the https address document. but it does not composite point endpoint and endpoint WSDL. They are still Http. so not accessible through harvester or browser.

  (b) setting HttpsServerURL to https://bigiphost:443

  It makes a difference.

  Please suggest how can I convert a composite and endpoint WSDL (protocol header) end point to https://bigipport:443 instead of http:bigipport:80

  Thank you

  Jessyca

  Finally got the fix.

  Changed the HTTPServerURL property in the EM Console > SOA-INFRA > SOA Administration > common properties > more advanced properties

  Https://bigipport:443the value HTTPServerURL.

  This helped and all the endpoints and composite WSDL endpoints have been generated with https://bigipport:443 instead of http.

  So overall, I used two properties.

  (a) a HTTPServerURL - change the endpoint WSDL and the composite end.

  (b) ServerURL - change endpoints in the wsdl file with the value set in the present.

  Thank you

• Need advice on the rendering of a file for authouring PAL DVD, format, codec, compression

  Hello.

  Im working on an experimental audiovisual project that needs to be exported to a file that will be used for the DVD to a compilation of creative works. IM pretty much against it time, the deadline is close and im spending many hours trying different settings - output but still im do not reach the level of quality in the final file I expect to see.

  Ive been given technical specifications are:

  -Maximum duration: 6 min.
  -PAL
  -16 x 9 if possible
  -mov file if possible

  My compostion is in black and white and shades of gray. It was out of a video Toolbox in real-time, but I infact used Fraps to capture uncompressed video, as her reacts software at in realitme sound. No problem here, the images I got is fine and works perfectly, at 30 frames per second (here is perhaps one of my problems that maybe I should have output/captured video at 25 frames per second since I understand what the rate for PAL)

  Anyway Ive done my compostion by superimposing several segments of the video captured in sync with the sound.

  (1) first of all, whenever I out in any format, everything becomes a little grey - IE the bottom black deep perfect dark gray go. How can I avoid this?

  (2) what is the best type of file to the format/path/from out for the conversion of best quality of 30 frames per second at 25 frames per second. I noticed that the video becomes slightly jerky when I got out with a PAL output configuration preset.

  I would appreciate if someone could guide me on the best possible formats/file types and the bitrates to deal with this specific set of cladding im problems. Unfortunately, I need to make the due date in the coming days.

  Thank you very much

  p

  If you create a DVD, there is really no choice of codecs, since the DVD-video is a very specific and closely forced to MPEG-2 video form. MPEG-2 video is highly compressed and is not a format high definition, so it is absolutely inevitable that export to DVD video will cause a loss of quality. This is true for the same professionally created DVD. There is a DVD MPEG-2 export preset in After Effects that you can choose in the Format menu in the settings of output Module dialog box.

  If, however, you are given your video as input for a larger work, and you must create an intermediate file that keeps all the details for as long as possible in the post-production pipeline, you should view and export using lossless coding. My preference for the creation of intermediate files compressed without loss of sources of 8 bits-per-channel is the PNG video codec in QuickTime (MOV) container.

  For information on the compression and the choice of the parameters for specific purposes, see this FAQ entry (and the pages it links to the):

  http://forums.Adobe.com/thread/729526

  You said 'jerky' output. See this FAQ entry for more information on the movies encoded without loss and how they are not suitable for reading:

  http://forums.Adobe.com/thread/684381

  Or maybe saccades comes from the inadequacy of the frequency of frames between your source 30 frames per second and 25 frames per second composition. If so, then interpolation can help.

• Out of memory when rendering a video file (Win 8.1; HP Envy 700-230qe)

  Make a video of 4 minutes (with several video tracks) using Sony Vegas Pro13, guard stopping about 70-80% completion - saying there is little memory.

  How what might happen on a HP Envy 700-230qe with 32 GB memory DDR3?

  I look in Task Manager: the memory of "Commited" continues to increase during rendering until it hits the full number (36 GB in my case) and then the memory is exhausted, which stops to make.

  (No change to the system except the addition of a SSD drive as primary drive and a Blu - ray burner)

  Hello @Mango7

  I understand that you are having problems with the rendering of a video with Sony Vegas Pro 13. I suggest you only look to the Vegas Pro - vidéo as it appears there are settings in the software that should help you. If you don't find a position that matches what you are trying to do or I suggest the issue you are facing that post you here because it seems that there are many members of the community who are willing to help.

  Thanks for posting on the HP Forums. Have a great day!

• savings card files on card micro sd in my Centro

  I received a Centrol (Verizon) for Christmas, been busy transfer information, etc.

  I know that I can save the files to the micro SD card for applications that are loaded in the Centro.

  Is it possible to save files which for applications that are not loaded on the Centro, using the card as a removable storage device. I know that I could do it by removing the card and recording with the help of a drive. Can be done while in the Centro?

  My desire is to "backup" my Quickbooks file.

  Thank you

  Mike

  Yes Mike, you can put whatever you want on the SD card.

  There is even software available that will leave your phone as a flash drive, allowing you to keep the card inserted!

  Export of map 2:

  Card reader:

  WyreNut

  Message relates to: Centro (AT & T)

• Savings "[Converted]" files in InDesign CC 2014

  Creative cloud installed InDesign CC 2014 for me, which is somewhat different from InDesign CC. (I thought that the reason for having creative Cloud should not worry versions ever, but I digress).

  Now, when I open my InDesign files, they appear as "filename.indd @ 100% [Converted]" and when I hit command-S to save, I get sent to the window "save under...". "in a completely different directory of my original file.

  How can I stop this from happening? i.e. I open an InDesign file, modify it and then click on save, and it records without additional interaction required.

  Thank you!

  You can't prevent it. Converted files are considered to be new and like any new file they need a save as, and you must provide a directory and file name. ID by default in last place, you did save as. Once you have done so once, the regular save command will work just as it has always done.

  (Strongly) recommend against registering under the former name of file and overwrites the previous version. The converted files can be browsed, and if something goes south you'll want the old version as backup.

• Rendering ARC of DNG files of photos taken with the new Canon Powershot G16 'PSE V10 + CR 6.4.1' and 'PES V13 + CR 8.6 "

  Because (for reasons that are not suitable to my questions): I can not reasonably migrate to new Versions of PSE and I'm more or less stuck for a few years for the use of PSE V10. I'm so looking for a relatively effective solution to the process/change (a small percentage) of the RAW files from my new future/camera (s) with the combination of PSE V10 and CR 6.4.1 (according to my understanding, PSE V10 does not support CR 8.6 - PSE V10 not even allows you to import new cameras RAW files in the PSE catalog).

  I was hoping that the DNG Converter could be a good solution for me. I intended

  • to convert the RAW files from my new camera (and my new future cameras) with an updated version of the DNG Converter,
  • import the .dng files in PSE V10
  • and then access to (and then for a few of them: change) DNG files with the combination of PSE V10 and CR 6.4.1.

  However, I felt recently, the profile only camera of the CR 6.4.1 that makes reasonably well my new compact camera Canon Powershot G16 DNG files is the 'Adobe Standard' of the camera profile.  In my tests with the combination of PSE V10 and ACR 6.4.1, rendering of these files with other CR 6.4.1 DNG profiles (for example the 'faithful camera' profile) (on colors and brightness/contrast) is really ugly and (to a layperson like me) more or less unusable (while rendering the same DNG file with the profile "Camera Faithfull" from the combination of CR 8.6 + PSE V13 is entirely reasonable).

  May I ask the following questions to someone who is familiar with the format, DNG and CR?

  1. My observations (i.e. made ugly of Canon Powershot G16 photos with the "profile trusty camera" ACR 6.4.1) correspond to what experts DNG should and expect?
  2. What is the likely reason for the ugly rendering of the 'faithful Camera' profile of the VC 6.4.1? The converter DNG not include a specific G16 'Faithful Camera' profile in the DNG file?
  3. Or do you think I did something wrong and I'm the one to blame for the ugly rendering with the 'Faithful Camera' profile used by CR 6.4.1? If this is the case: I have probably wrong and what can I do better?
  4. Do you think that the combination of the PSE V10 and CR 6.4.1, I'm having similar problems with the conversion to DNG Raw files in the future cameras as the successor to the Nikon D5300 or D7100 (which I'd probably buy once available)? Or do you think that the problems that I encountered with the Powershot G16 photos are not likely to occur with most other new camwras?

     A big thank you in advance for your answers.

  In case you want to maybe look at rendering typical of one of my files (created with Version 8.6.0.254 of the DNG Converter) DNG of Canon Powershot G16 .cr2 photo, I transferred to https://www.dropbox.com/l/T3LJyZWkBZpcKkNe8S8ufr

  after the screenshots:

  1. made with PES V10 and CR 6.4.1 with the camera's ' Adobe Standard' profile' - seems OK
  2. rendering with PSE V10 and CR 6.4.1 with profile 'Faithful Camera' - ugly.
     I've created screenshots of ugly rendering by CR 6.4.1 with other camera Formats...
  3. made with PSE V13 and 8.6 CR with the 'Adobe Standard' of the camera profile - seems OK
  4. made with PSE V13 and 8.6 CR with the profile 'Faithful Camera' - seems OK
  5. screenshot of the unedited jpg. File created by the camera - looks OK

  Have you tried camera raw 6.7 in EPS 10?

  This is the last plugin raw from the camera to the EP 10.

  Adobe: Photoshop Elements for Windows: Camera Raw 6.7 update for 10 items

• The files must be composite... help!

  Hi guys. Wasn't sure whether to burst this issue here or the Acrobat forum... so I thought I would try here first!

  I think that the answer could go one-way or another well; simple or slightly complicated?

  OK, I produce an advertisement for a magazine and the specification of the mag shows the file PDF must be "composite". Actually say that I'm not sure what that means! I downloaded a .joboptions file pass4press which is think is OK for work and responsible in my options PDF - but I do not know if this will create the composite file they need?

  I'm worried that enter a discussion about composite previously separated v, cos everything that seems quite complicated! I notised however, the spec, I received the magazine of 2004 - tech has evolved since then and I do not need to worry "composite"?

  One thing I was wondering if; should I create the PDF of my INDD using 'Export' or options with printing?

  Advice and explanations would be great guys

  Don't panic. Composite means "not separated", and that's what you get unless you are deliberately separations by PRINTING to PDF format and setting the output of separations. You can not PES by export.

• AE sudden drop, his question and ghost image rendering performance.

  Hi, I'm under CC2015 last, AE on a computer 64 bit Windows 10 Pro with the following specifications:

  Proc: Intel Core I7 - 5930K (3, 5 GHz, not overclocked)

  RAM: 32 GB

  GPU: AMD over-pants W7100 8 GB of DDR5 RAM memory

  Each driver is up-to-date.

  I experienced these problems since yesterday without reason at all (no new updates or new software any newly installed)

  It started with a composition Dynamics first sent link (CC2015, later) EI, mixture of several sources (mxf DnxHD, mp4, mp3)

  • The first problem is that whenever I tried to make to my comp in AE, even forcing activation of the sound on the export, the rendered file contains a VOID soundtrack.

  It occurred when the default rendering in a NON-DESTRUCTIVE (Animation codec). AVI file.

  I tried to normalize my sources in first each of them exporting to DnxHD. The mp3 and the MXF files track into an AIFF file with no effect.

  When I switched to a NON-DESTRUCTIVE (codec Animation) . MOV file, the sound was present and functional, but it's just a workaround, not a solution.

  • Second problem is that there was a significant decrease in performance I tested by the rendering on a FullHD 5' computer with a single solid layer in it. The rendering is 5 minutes of erratic progression.
  • The third problem is that no matter what codec or the container used in the render queue I always end up with a file in which whenever it was supposed to show the bottom of the comp, I have an image of 'Phantom' of one of my layers appearing.

  Even during the passage of each layer, this image is the display constantly through the comp.

  It disappears only when clean the cache, but comes back with each rendition. Even if the layer source of this image is not present in the COMP.

  This image is displaying in first when using the model of dynamic links.

  Here's what it looks like when I open AE.

  Note that the model is empty and yet, there is a ghost image.

  

  Cleaning the cache, restart several times, has no effect.

  Last thing I will try is to re - install After effects but I have little hope that it will solve anything.

  What should I do now?

  EDIT: I have now if she has something to do with the new preview, but when I go to any computer, image is not updated in the comp Panel. (caps lock is off of course)

  I have used no third party plugin on this project.

  As expected, AE re-installing has not effect.

  There is a bug in 13.5.1 AE where it is not sound unless he renders a MOV file (or make you through Adobe Media Encoder instead of the queue of EI). The value is fixed in the update of the following month.

  Your ghost image is probably something a bit twisted with your cache. Try to import the project into a new project.

  In CC 2015 (version AE 13.5.x), the preview is not displayed during a rendering. In my view, that this feature is back in the update of the following month. See what Adobe post about things not yet present in the new architecture of CC 2015 http://adobe.ly/1cXyVHV

  If you are having too many problems with CC 2015, could install CC 2014 next to her and to use that to update the following month. http://blogs.adobe.com/adobecare/2015/06/16/how-to-find-and-install-previous-version-of-ad obe-apps-in-cc-2015 /

• Rendering in different resolutions - the same size?

  I am rendering a composition of 640 x 360 in two output resolutions: not scaling (640 x 360) and 470 x 270 using H.264. The output files are the same size (15MB). How is that possible?

  If you have the target bit rate defined on the same amount for each film, then the number of megabytes per second of the video will be the same. What will be different, that's how aggressive the compression will be in the film with the largest frame size to compress the film in this flow of data.

• How to save a PDF file in Adobe so it appears correctly in the Firefox default drive?

  I have seen discussions on how to change your own settings of Firefox for poster correctly PDF files (documents to look at a PDF in Firefox 19 +) However, I'm looking for a solution on how to save a PDF file so that they display correctly in the new default Firefox reader. Our files PDF is bad looking and I can not go in the browser of each clients and difficulty settings (http://www.cherrybekaertbenefits.com/wp-content/uploads/2014/07/ACA_Infographic_072114.pdf). Meet them all parameters within the Acrobat Distiller is going to fix this without the Viewer to enter their own arrangements?

  Hmm, not a subtle difference.

  We did not have many experts PDF or Adobe Illustrator users post advice here; those who might be sprinkled around on other forums, blogs or support sites.

  I noticed when you view the properties of the PDF in Adobe Reader that the PDF has been created with optimization for active fast Web view. This is a feature that allows the progressive rendering of PDF files over a slow connection (http://helpx.adobe.com/illustrator/kb/optimize-native-pdf-file-sizes.html#...). You can try to re - generate the PDF file with this feature turned off to see if that makes a difference?

• That means rendering and how long it takes it?

  Never seen the orange line that indicates my project must be made.  I noticed how slow my actions when I looked into this orange make the line.  I down loaded plug ins of Pixel film and used quite a bit in my project, (I don't know if they are 2D or 3D, or if it matters).  I read what means rendered, however, what this really means in simple terms?  This interpretation happens automatically and how long does it take.  Should I not use FCPX to allow this to happen?  I read that it takes a lot of space on my computer, I have to delete it or what?  My project is really a slide show with transitions and others to make the move.  I've never had this problem before, so I guess it's the complexity of decision-making in I use?  Thanks to anyone who can help me on this.

  When you apply effects to your clips the program must make additional calculations to determine how the pixels in the image will look.

  According to the quantity and the type of effect, this can be easier or harder to do. Sometimes he just can't play smoothly, if these calculations are too hard.

  Making it the means to make these calculations and store the results so it can read from that stored the file ("file make") rather than recalculate. Of course, if you do then your editing changes some of these files are more correct and a new made may be required and so on.

  Since the rendering of the file can be re-created at any time and take up a lot of space, it is perfectly feasible to delete (file-> Delete generated... The files).

  FCP X has rendered "background", which really means that he took advantage of breaks in editing to make things, without slowing down your editing. In practice, however, most of the people tend to turn off this feature, because it can usually play very well without rendering. You can turn off the coast and then manually make just the portions where there may be difficulties to play smoothly.

• can't see composite deployed under SOA - MDS connection

  Hi all

  When I create a new connection of sao - mds based on a connection of database with the schema of xxx - MDS in soa-infra partition, I just can see soa folder under connection.why soa - mds?

  I'm not able to see the apps deployed composite file for access to the resources to change them.by the way that I see my resources in the soa/composer, edit and publish properly, but don't see them in the jdeveloper environment.

  I do all the teaching according to this post https://technology.amis.nl/2012/02/10/using-the-metadata-services-in-a-soa-environment-part-1/

  I use jdeveloper 12 c, XE database and domain.

  Thank you.

  I can solve the problem.

  First of all, I should create a jar of my items then a new deployment profile soa-bundlre according to this pot. Also create the seed file in %Jdev-home%/integration and put my files who wish to deploy it.

  It works for me.

• After the effects of automation Script - color key formats WMV Files and return automatically?

  Hello

  I'm pretty new in the Adobe After Effects automation script, but I was wondering if it is possible to open multiple WMV files (each file has the same background color) and use an automated script to apply the same effects of parameters of color key for all the files and then automatically rendered all the files as FLV, RGB + Alpha and select the audio Bitrate 96.

  Any help would be appreciated. Thank you.

  I have in fact you have a waste of time and managed to put it together. There are a lot of comments to help explain what does what. You will need to change a few things for your use.

  Line 9 # will need the path to your preset file.

  Line 12 # will have the name of your preset OutputModule. It is case sensitive.

  Line 31 # can be changed if you want that different file extensions. Right now he's looking for more specifically '.wmv' or '. '. WMV channels"in the name of the file.

  {
    /*Choose a folder with WMV files*/
    var chooseFolder = Folder.selectDialog("Choose folder.");
  
    /*Choose render to folder*/
    var chooseRenderFolder = Folder.selectDialog("Choose folder to render to.");
  
    /*Set your animation preset name here*/
    var nameOfColorKeyPreset = File("/Users/gtm_osprey/Documents/Adobe/After Effects CC 2014/User Presets/MyColorKeyPreset.ffx");
  
    /*Set your Output Module preset name here*/
    var nameOfOutputModulePreset = "MyFLVOMPreset";
  
    slash = ($.os.toString().indexOf("Windows") == (-1)) ? "/" : "\\"; /*Determines the slash format for files paths*/
  
    /*Gather process into an undo group*/
    app.beginUndoGroup("ImportKeyThenRender");
    /*Validate folder object*/
    if(chooseFolder != null && chooseRenderFolder != null){
    /*Get files from folder*/
    var files = chooseFolder.getFiles();
    var filesLen = files.length;
    /*Declare variables*/
    var io, curFile, asset, myFiles;
    /*Create an AE folder for files*/
    var myWMVFiles = app.project.items.addFolder("WMVFiles");
    /*Loop through files and import them*/
    for(var f=0; f		   

• Error that renders MOV H264 in AE CC 2014

  I can't render files Quicktime MOV H264 in AE and SOUL. Rendering fails and the error message in AE says: "error rendering when writing file...". An output module is not. The file may be damaged or corrupted (-1610153464)"in the SOUL, make it fails and the log says error Encoding unknown failure. I read online (can not find now) than computers with a large number of base will have trouble made Quicktime H264 and sometimes affecting the memory & prefs multiprocessing to allow less kernels to work, but I tried and it didn't work. My computer has 36 kernels, someone at - he had this problem and managed to resolve it? Thank you in advance for your help!

  This is due to a bug in the Apple for QuickTime H.264 encoder. It fails when it is used on a computer with more than 12 processor cores.