several wire labels

Similar Questions

• Assign several color labels for a single photo

  You can assign multiple color labels for a single photo?  I would use color labels to represent the pictures some people choose as their favorites.  For example, pics of Tom as red, blue, Betty-Marc chooses as yellow and so on.  If they all happen to take the same picture, I would like to be able to demonstrate that a single image is reported as red AND blue AND yellow.  Then, when I reported all first choices, I'll know to select as my last chooses those that everything the world or the most people have taken (or the pictures with the color identifiers most affected).  Can I do this kind of functionality with color flags?  If this isn't the case, with color flags, including at - it another way to achieve this?

  I'm sorry but your request is beyond the scope of the Toolbox currently available in Lightroom. Maybe someone has a Lightroom plug-in that provides the functionality you need, but I have not met.

• When I'm on a website and try to send an email from the site, everything goes haywire. Several tabs without title come and I can't do anything

  When there is an email address on a site and I click on it, several come labeled Untitled tabs and I can't do anything else.

  See Firefox opens several times empty tabs or windows after clicking on a link

  http://support.Mozilla.com/en-us/KB/changing+the+e-mail+program+used+by+Firefox

• Notes/descriptions of several lines

  This is a trivial question, but I have been unable to understand!

  When you add text labels to block diagrams, how to create several row labels?

  I'm looking to add a note on the block diagram to remind me of the tasks that need to fill. I would like to add a note on the diagram that contains multiple line items. However, I am only able to create text on a single line. I've seen several notes bloodlines but have been unable to recreate them.

  John

  I managed to do that work if I turned on this option, then the cntrl + enter gave me a new line.

  Thank you

• I have several ID Tags on my Page, how to Correct and change of CLASS ID is.

  Hello Word Dreamweaver:

  I always have problems.

  On my site w www.theexecutivevip.com

  My MENU bar has moved to the bottom to the bottom of the page.

  On the various product pages [problem appears in the Internet Explorer browser]

  I have several "main content" ID tags and other identification labels that are in their midst.

  When I made the page, I did several identification labels, but instead, I made the page in a template

  who had "Repeatable regions" and as I have repeated these areas within a page, the ID's were taken over as well.

  So now, I have more than one ID go to the bottom of my page.  How can I fix and replace them with the CLASS ID

  Of course, I need to make this change on the model, it can CORRECTLY update all pages I built off of it.

  Will it change each page produced manually, because they are all the "editable regions" or can I just change the model. The 'essential' is not a modifiable, but all the products/picture ID box are.

  Please give advice on how I can fix the ID multiple tags for the types of tags appropriate without ruining my work. I tried and it made a mess, so I just did a not save it.

  Thank you for ALL YOUR HELP PEOPLE! I hope that your position soon where I can help people new to Dreamweaver.  I just got a book on html and code so I can learn this world of information that you guys seem to know so well.

  PLEASE ADVISE!

  < div id = "maincontent" >
  < div id = "ProductTitle" > <!-InstanceBeginEditable name = "PageSubTitleID"--> < img src = "Site Images/WebsiteSubTitle.TravelLuggage.jpg" width = "408" height = "114" alt = "Luggage" / > <! - InstanceEndEditable - > < / div >
  
  < div id = "productlayout" >
  < div id = "Product1" >
  < div id = "image1" > <!-InstanceBeginEditable name = "ProductImage1"--> < a href = "611206.html" > < img src = "Site Images/611026.Black.Thumb.jpg" alt = "Red bag" width = "115" height = "125" / > < /a > <! - InstanceEndEditable - > < / div > ""
  < div id = "imagetext1" >
  < div >
  < h3 align = "center" > <!-InstanceBeginEditable name = "ProductTitle1"--> < strong > 611026 < br / >
  OGIO & copy; Carrier < br / >
  Backpack travel clothing < facilities > <! - InstanceEndEditable - > < / h3 >
  < p align = "center" > <!-InstanceBeginEditable name = "ProductDetailButton1"--> < a href = "611206.html" > < img src = "Site Images/ProductDetail.Button.jpg" width = "97" height = "30" alt = "Product details" / > < /a > <! - InstanceEndEditable - > < / div >
  < p > < / p >
  < / div >
  < p > < / p >
  < / div >
  < / div >
  
  < div id = "productlayout2" >
  < div id = "leader2" >
  < div id = "image2" > <!-InstanceBeginEditable name = "ProductImage2"--> < a href = "108226.html" > < img src = "Site Images/108226.Thumb.jpg" alt = "Pen" width = "115" height = "126" border = "0" / > < /a > <! - InstanceEndEditable - > < / div >
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  < / div >
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  < / div >
  < / div >
  < / div >
  
  < div id = "productlayout3" >
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  < div >
  < div align = "center" >
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  OGIO & copy; Travel bag w / detachable cabin < facilities > <! - InstanceEndEditable - > < / h3 >
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  Send me your site definition (export the complete definition of the Manager of Site of DW).  You have my email address...

• Yoga: S1 ThinkPad won't start, only the light flashes three times.

  So I just bought a refurbished Thinkpad Yoga and everything was great for a little while. So I decided to stop it and put it aside for a few minutes. After coming back, he now refuses to even POST. I tried each power cycle I could think of, in various combinations and traveled several forums. At the end of the day, I have no functional solution.

  Current situation:

  System responds in any way other that 'i' (in the Thinkpad logo) light flashes three times when the charger is connected, or even when you press the reset button while the charger is plugged. Another illicits nothing any kind of beep, light, or otherwise.

  Any help is greatly appreciated. Thank you and best regards.

  I have the feeling that you had opened the back cover of tinkering with components (whether a change of SSD or the modem 3g / 4g).

  the symptoms you described sounds exactly like a cut cable MB. You can try opening the hood back and on the left side, you will see a wire labeled "MB". tighten, and the computer should fit now.

• Pavilion P7-1414: Cable 11 disconnected my p7-1414, where does go?

  Hello, my problem, as indicated in the title, is a wire labeled "Cable 11" disconnected from inside my PC I installed an SSD, the other day. I just need to know where he'll be back because I can not find it. The wire comes out of the front (but still inside the case), under the USB ports and comes with the cables connecting the USB ports.

  Since the wire disconnected, my PC has SERIOUS difficulties to find wifi or modem routers, even the one in my house, and the intensity of the signal is catastrophic. It cuts all the time. To put it in perspective, my internet speed is so slow on the PC that I can't even run a speed test. I hope that this thread is the cause of the problems, and there isn't anything I don't know. Thanks for any help.

  It seems that the antenna to the wireless adapter cable is loose.  On THIS PAGE, it displays the image of the wireless network card.  Click on the title "wireless 802.11 b/g/n.

  the antenna cable connects to one of the card on the picture.

• What is the best; AIFF or apple lossless

  Hello

  I have two questions, so needing help.

  1ST QUARTER

  As an experiment, I down installed a CD of music twice in the same folder in the iTunes media > music > compilation > folder. In the folder are two files, namely, .aiff and .m4a (apple lossless encoder selected encode). .Aiff files are bigger than the .m4a files. Which is the best codec for any game on HD TV (1080 p) via the 4th generation Apple TV.

  Q2

  I installed some music CDs into iTunes and in Adobe Bridge, the file is the following: iTunes > pouch > iTunes Media > music > compilation > records (1-10). I then created manually 3 new main folders, list them as A, B and C. I moved manually records 1, 2, 3 and 4 in the main folder; records, 5, 6 and 7 in the main B folder and; files, 8, 9 and 10 in the main C file. The titles of each main folder are the same, but, year and different venues.

  However, all installed files are listed one after the other in the main iTunes window with 1) albums (top right) and (2) drop-down list) the selected title. I have a total of 200 musicals I want to load into iTunes. In the iTunes window, all 200 albums will be listed and the page will be long with the scrol bar becomes small. How can I create the same arrangement of the album in the iTunes window as I in Adobe Bridge. How can I create a main album and then transfer 1, 2, 3 and 4 in her albums. To do the same for the main Albums B and C in iTunes. I do it the right way or y at - it another way. Any help will be appreciated.

  Robin

  Unless you need to play the tracks on something that supports AIFF, but not Apple Lossless and then use Apple Lossless. The audio quality is the same, Apple Lossless is smaller and has the support of several field labels.

  iTunes does not care where the files are located, it only reads the metadata. If you want to do comparison tests add anything meaningful to each version of an album, for example [AIFF], [ALAC], Album Album Album {MP3 - 256 k] etc.}

  TT2

• Table manipulation more

  Hello

  In the attached VI, I look for one labeled byte 'CC' and build a subarray of length 5 begins at byte CC. I'm doing this research in the 1 d table that updates from an external source. 1 d table may contain incomplete data, where the first three octets, I need to build my subarray may appear to the top end of the table 1 d and the two bytes can show up at the beginning of the next table 1 d. But always successively...

  If the five bytes are not present in the table 1 d, I want to keep what I have 'memory' and fill in the rest of the table using the next table 1 d that updates.

  In the end, each subarray of 5 bytes will go through another logic to convert them into engineering units and display on the control panel. Since also, there may be several bytes labeled CC in the 1 d table, I have to be able to capture each value and not only the last reading.

  Thank you for your help.

  We want to include a value only if the CC was actually found and there are still 5 bytes for.

  1. If the CC not found, searching D 1 table returns - 1.  After adding 1, we will have a 0.  If it is 0, do not understand.

  2 If the CC has been found, but there are not enough bytes, the size of the sub-table would be less than 5.  But we do not want to understand it because we need the full message.

  If one of these two cases, we do not want to include.  Thus, the OR (OR Not) will become a REAL only when these conditions are FALSE.  The loop also stops when one of these conditions are fulfilled (conditional is continuous While true).

• logic error

  I'm having a problem understanding of logic in the attached vi.  It is a part of a larger system, and I put the normal entries to the values provided by the other vi to test this vi.  I do not understand is the value of the wire labeled "Output Increment" inside the logic of 'Run-Off' when the increment evaluates during the only browsing the vi (works in the same way in the application of the system).  At this point in the performance, the output of the increment is 56 when I was expecting a value of 1.  (The logic of "run on" above is similarly when ' RunOn/runoff' boolean is set to True.)  Also, why, when I probe wire node 'Run Off Counter Out', is the probe name "Run Off Counter In"?  I'm relatively new to LabView programming and would appreciate greatly any help.

  Thank you

  Mel

  Thanks for the help.  I figured it was something elemental, but I do not want to check the wiring, because the thread seems to go to the desired terminal.  All in all, a stupid mistake.

  smercurio_fc wrote:

  About the code: it seems awfully complicated.  What exactly are you trying to do? FYI: ANDing a Boolean with a real is redundant. It's like the multiplication of a number by 1.

  ____________________________

  Understand ablout the true.  The real replaced a parameter that is defined in a different vi and referenced here.  I replaced it so I could join only the a vi.   This vi is part of a much larger application that, under certain conditions, needs to use a time-out "run on" and in other conditions delay "Run Off".  The magnitude of the two delays is configurable by the user.

  Once again, thank you for the help.  I'll redouble my efforts to find this kind of error before you post.

  Problem solved.

  Mel

• How to create a cluster

  Hello

  How can I create a cluster?

  Kind regards.

  

  You can group two or several wires together using the 'bundle' feature - the output is a cluster. This is the top of the example page.

  The other way is to drop the constand cluster and drag all the constants (like the digital and the chain) in the cluster. It is the example below in the extract of VI. You can also perform this operation in the façade - drop the constant of cluster on the façade and drag controls or indicators in it. They must be orders or the lights - you cannot have a mixture of the two.

  Also in case you are not familiar with the concept, if you are working with big clusters "enter def" them. In LV2011 cela by right-clicking on the block diagram by clicking "make type def. What it does is creates a separate file where the new cluster (or any other type of control) is saved. If you change the cluster - say then add a Boolean alogn with the digital and the channel - change occurs and spread through your program. This stops having broken you the son when you have two clusters wired together, you change one and not the other.

  Kind regards

  Dave

• Specimen of Positioning System blower with Galil controller

  Hi all

  So to say the least I am super frustrated with my LabVIEW program right now. This project requires that I use only of LabVIEW and GalilTools software, so I can't use C or C++ or any other person. I wrote about what the code I need would look like in C/C++, but I'm having a lot of trouble to create a LabVIEW program that does the same thing. I have attached the VI I've written so far. I have also attached my operating scheme to help understanding outside of my intentions. Also attached an OpsManual dictates the structure of my interface planned and everything that it should do.
  I know there is much to look at, but I'd be very happy to help. I've looked everywhere on the examples and the forums and youtube tutorials and I'm just really having trouble, and this particular stage takes too long.

  The basis for this project is that it is a positioning system managed by 2 stepper motors with angular limits specified. All engine configurations is processed by the GalilTools software. The logic must be managed in LabVIEW. This requires the adoption of values in both directions between LabVIEW and the controller.

  I'm doing some specific things are currently doing me wrong:
  -the output messages back as program at each stage movements (LabVIEW not spend several channels to the same Terminal without other things in between, I have not yet found a way)

  -Connect the wires of the reference and error programmatically (I understand this is how the program passes the values and it also affects the operation of the program, I'm not sure how to connect a mine and have my program still works as expected, also runs the question of having several wires to a terminal that LabVIEW won't)

  -emergency stop button (I need this cable in so that it can stop the program at any time, similar to the demolition)

  There are many other issues that will arise as I move forward, but those are the current, I worked on that. I'm fighting with which structures should be used. It's just not quite as intuitive for me like C/C++ has been.

  Thanks in advance for any help provided.

  A few thoughts for you to consider.

  The Galil aspect

  • You do not need to download your Galil program every time, connect using Galiltools or GalilSuite and download and then use the BP command to burn the program in memory.
  • Put anything in #AUTO which must be executed each time the controller is running.
  • Operation most have a complementary _cmd operand that can be queried. IE: BGA will start movement on axis 1, MG _BGA returns 1 if still in motion, or 0 if the request is completed.

  For the side of LabVIEW

  • Replace the case separated by a single event structure structures. Given any how do you now without delay in means of the loop that you run each of these cases as soon as your program can.
  • Get rid of all calls to Galil outside the structure of the event. If you wish to check the status or the movement of code, put it in the case of timeout or consider another loop that runs independently of your main loop.
  • Keep in mind the operation of the son, means anyone to load data only if two sons are in a structure or function they both must contain data before the structure or even runs. Other you can make threads where you need.

• Question about a seminar on convergent media paper

  Hello

  My name is Carina and I'm studying 'Film, TV and media production' in an Austrian University of applied sciences.

  As part of the Conference 'Converging Technologies 101', I'm writing a paper seminar on "evolution of console video game in a convergent environment.  Xbox consoles being one of the most important and most famous games consoles, I find it absolutely necessary to write something about their history and their development.

  That is why I wanted to ask, if you could give me information on the consoles themselves, their evolution in a convergent environment and why it is something that should be a centerpiece in any living room.

  Thank you in advance for your help!

  Hello Carina,.

  Microsoft's Xbox is a more recent name on the video game console market. Critics of the Xbox thought that the console would never compare to the industry leaders. But years later, Microsoft's console has proved to be one of the first three video games consoles and showed that he is here to stay. The console's success is due, in part; the popular game 'Halo' franchise, which is exclusive to the Xbox game console.

  Announcement and demonstration.

  On 10 March 2000, Bill Gates, CEO of Microsoft Corporation, has announced plans to make a new video game console during the Game Developers Conference of society. The Xbox was supposed to be three times more powerful than the console games video leader of the day. A few months later, Microsoft has shown that the Xbox could do the Conference E3 entertainment for a crowd. At this point, Microsoft had only tech demos and needed a game entirely show how the Xbox would work. Thus, at the Conference from E3, Microsoft and the developers of a dark but impressive game called Halo first get together for mutual benefit. Microsoft needed a game to fill an empty space in Xbox demo programming, and the developers of Halo for a big name to restart a program of advertising for their game.

  Xbox Gains support.

  Before that the Xbox is officially released, Microsoft had received the support of more than 150 game developers, including two of the largest: EA and Sega. Due to the remarkable teamwork between Microsoft and EA, several Xbox games, including the NASCAR franchise, would be ready to be published before the release of the Xbox itself. Get support from Sega, gave players the Japan a reason to be interested in the Xbox.

  Release dates.

  The original Xbox was released in North America on November 14, 2001. Despite Nintendo releasing the GameCube only three days later, Microsoft has sold over 1 million units in the first three weeks after the release date. It is a huge accomplishment, especially considering the critics who said that the console was too expensive and too ugly and that the controllers were too big. Because of the collaboration between Microsoft and game developing companies, several major label games such as "Halo" and "Dead or Alive 3" are released at the same time as consumers not only bought the Xbox console, but also several games.»

  The game console was not as well received in the Japan. After the date of release in Japan on 22 February 2002, only 123 000 units sold in the first week, and many stores began updating the Xbox in the first month. In Europe, the Xbox has been most successful. Although slow to put on sale after the release date of March 14, 2002, the sales of Xbox quickly increased, helped by the popularity of the game "Halo."

  Xbox console sales were more helped by a reduction just a month after the release of spectacular price. Microsoft dropped the price of the Xbox from $ 299 to $ 199, which brought the price to a level that could afford many households.

  Xbox Live.

  In November 2002, a year after the release of the console Xbox, Microsoft began an online game service called Xbox Live. This service allows players to play with others around the world, as well as allowing consumers to download games on their Xbox console directly from the Internet. This service has proved popular, as in July 2005, Microsoft announced that 2 million players use the Xbox Live service.

  Xbox 360.

  The successor to the original Xbox, called Xbox 360 was released on November 22, 2005. This release date was almost a full year before the other game to his generation consoles have been released. Controllers Xbox 360 Wireless features and compatibility with older games for the original Xbox.

  Today and tomorrow.

  In February 2010, he has more than 23 million of players using the Xbox Live gaming service. The year 2010 is the best year in the history of Xbox games, due to the release of several games, including "Halo: Reach," which is the 'Halo' prequel, the best sale of the Xbox game franchise.

  Let us know if you need assistance with any windows problem. We will be happy to help you.

• Rotate the names Net and Bus

  1. is there a way to rotate the net names and/or names of bus to follow the thread if it slides vertically? The shift/R command does not work. (Version 10.1 Power Pro).

  2. names may be off grid? There is no reason to snap a name to the grid. There are times when the name is crowded, or on an adjacent line. It seems very little professional and sloppy.

  Thanks for the help,

  Scotty544

  Scotty544,

  1 there is no support for rotated text (vertical) currently in v10.1.   The only support existing within components where you can rotate the name of pin (horiz/green), but this won't help you with the names of wiring.

  2. I agree with what you say with the net name labels - they don't behave well when rewire you / move threads.   You can lock, but if you move the wire or rewiring that they don't change very much at all.   For simulation work, I generally recommend leaving the net names enabled, however if you are planning to print your diagram for PCB layout purposes or documentation, you can universally turn labels (options-> properties sheet-> Circuit [tab]-> name [region]) and set it to 'Hide All' or 'using the specific setting Net '.   Note the use of the net specific parameter will force through the diagram, then choose threads are visible.

  Another thread of labelling approach...

  In general, I recommend the use of text (Ctrl + T) or observation points (location-> comment) to specific key within the circuit for documentation purposes.   Also, for the connections that need to go elsewhere (such an escape of connector), you can use the functionality of virtual wiring (netnames need all display or use Net specific setting) or you can use the external page (Place->-> stop Page Plug connectors) connector...   Page connector is typically used to connect to, of course, the connections off-page... If you place a link second off-page down and try to adjust the "RefDes" parameter to match the first manually - double-clicking a message will appear saying "all components must have unique benchmark indicators" and the action will be prevented... however it is a little trick that can be used to connect to the connectors on the same page.   When you place the second connector off-page down, go to the spreadsheet view and select the components tab.   On the first column named "Refdes" go down on the second connector that you want to copy the name to the net and just rename it to match the first.   Multisim will warn you when connect you 2 NET names together on the same page (but that's the idea)... so you can now have net "data0" connected to "data0' with a connector off specific page elsewhere in your design both external and within the page to other pages.  Also, you will have better control the alignment of text - and the label will move with the connector much better with straight wire labels...

  

  Also note that in general, we work to improve the wiring and the net labeling behavior.

  Kind regards
  Patrick Noonan
  Business Development Manager
  National Instruments - Electronics Workbench Group
  50 market St 1-
  South Portland, ME 04106
  Phone: 207 892-9130
  E-mail: [email protected]

• The color adjustment: Speedgrade or creation?

  Hello!

  I am sure that this discussion has already been discussed, so please direct me to the good discussion if it exists.

  But I'm curious to know if there is a bigger difference in the colors quality when using Speedgrade lavis Lumetri in first?

  I starts to enter the color adjustment, since I upgraded my equipment and started firing on the D - Log 4 k images.

  I am currently using Premiere Pro CC 2015 and have used the LUTs OSIRIS what color ranking my films.

  I did not export any to Speedgrade again, since the first has the ability to apply LUTS/effects through Lumetri.

  Is there a significant increase in quality if I have everything on send to Speedgrade and finish my grading color there?

  Also, after the application of any type of LUTS, you apply other effects or corrector color to make your Cinematic sequence more?

  Thank you! I hope you guys can help out me!

  -Marty

  With the change of version of the project which was the 2015.3 version, the team of Adobe Pro/SpeedGrade first deleted the option 'Direct link' within the PrPro send a draft of 'direct' to SpeedGrade. To use Sg now, he must either use only the PrPro 2015.2 version over the version Sg 2015.1, or have PrPro create an EDL from the project from a flattened chronology and which opens in Sg, restoring links to media. Or export a full resolution/quality of the PrPro project, then import this file into Sg for the classification.

  Those are the "officially approved" ways of moving PrPro Sg at the present time.

  For a good... fuller... discussion of the options, I suggest go during the Forum of SpeedGrade.

  SpeedGrade

  There are several wires he and a couple that include manually "hack" around the issue and a small application (with supplement) that a user has created and made available. Those who are NOT officially approved tactics, of course. But as you mention using media 4 k and D - log, I'll give you the... more... large photo.

  As for the notation between PrPro and SpeedGrade... a layer of primer.

  SpeedGrade is a ranking program, pure and simple. It is not nearly as "broad and deep" in total tools know 12.5 to solve, but it's still a beautiful app ranking. There are some things like saying followed by masking that aren't always what we prefer, of course.

  Premiere Pro is a software for editing , with panels or 'modules' to do certain things and the Lumetri Panel is a really wonderful creation... as it goes. To take a single element or a series of clips with similar "must" and apply a LUT tech, do some basic fixes and a secondary (1) to the, with perhaps a second READ/look, we do quite a bit and this quite quickly.

  When I acquired a Ripple tangent Control Panel, I was amazed how my... appreciation... for the Lumetri Panel has progressed. I can not stress how much more intuitive and faster, is to work with such a group with the help of the mouse or trackball or Wacom pen - tab. With the ability to move several things at the same time, you can get 'for' places moving something at once just is not... go.

  That all said... and I enjoyed the Lumetri Panel... it has some serious limitations for the complete rankings. Complete rankings, I mean if you really need to get and your work supports. Several secondary, corresponding to the shooting and heavy grading without bringing your machine to stop.

  As only a secondary by 'cases' of Lumetri. As you become more experienced in assessment, using secondary as a tool to affect a certain range of tones, either color or brightness or saturation or a combination of the three, is rather Basic. Most of the shots that I work in my simple studio, interviews, the occasional wedding or event, will have at least a secondary school. Sometimes, I might have three or four. One to soften the sharpness of skin tone while slightly warming color, one to cool down a back wall and one to shoot the sky to the land values more "I think it should be", for example.

  Or after the warming or cooling of the shadow using a secondary antibody to desaturate most dark tones such as can still be seen deeper shades will be devoted to charcoal and black, without a visually unusual color tint in the shadows. While working with the other secondary skin tones. And making dirt look less magenta in a third. All the things I've done. On a regular basis.

  In a comprehensive program of ranking, also used several... "primary"... combined with the secondary as well as with the LUT/glance application layers. The Lumetri Panel can kind of imitate a few different, but no layers... completely. And to the techno-parler, the location of the LUT/Look of Lumetri slots is not quite... good. For your D - log, for example... you need a READ 'above' of your media slot and use the primary that your support is to neutralize the whites, blacks and contrast/gamma general (including white base balancing here) for the media BEFORE the application of the LUT, but doing everything by watching the media through the conversion READ. In Lumetri, the LUT slot is the first, neutralize you the balance of color & tone after.

  You can get around these "stacking" Lumetri effects on a clip. First of all, just use the Lumetri sign '' integrated '' for what you can accomplish in a 'pass '. Go into the effect controls panel, and then drag and drop an Lumetri effect on the clip, which appears in the Panel below (so after application) effects the first Lumetri and you can then use the Panel 'ordinary' to Lumetri to change your media. And... more secondary drop LUTs/eyes on clips... and drag and drop an another Lumetri...

  The problem with this stream of work, is double: first, add Lumetri effects in multiple batteries may start slowing down a machine... the third or the fourth on a clip, you can easily get a bar of red warning above him. Second, the ONLY way to change everything, but the last effect in Lumetri (at the bottom of the effects Panel) is via the effect controls panel, twirling in various sections of the tools and commands and their setting via mouse, because no 'external control' works within the ECP and... only the last Lumetri are "seen" by the Lumetri Panel.

  There is another process that gets around the second question above, but not the first... If you put a layer of setting above your clip, and then select and use the color Lumetri workspace Panel, these corrections will be applied after those on the clip, as on the effect of the bass track chronology is processed first... so you can do your work based on the timeline, additional work on one or more A - l above the clip.

  Each of these... If you use only the Lumetri Panel... will be achievable from the main panel of Lumetri and any control surface, you can have. Who even once, work around this limitation. However... put Lumetri three or more on a clip can still bring your computer to its knees.

  Shooting-correspondent... uh, sort of... not... really. Well, sort of... If... sigh.

  Shooting match aligns clips to one or the other, to obtain the sequence of shots in a scene at the search as they came from the same "eyeball" and not 3 different cameras of 3 different manufacturers with different settings on cameras. In general you rank turned a 'Hero', and then match other shots at him using several playheads on the timeline, with your monitor look a split in mode "2 - up" or "3 - up. You are both watching the same scene on your monitor calibrated reading two or three cameras, or maybe you still have a shot as a reference in one or two playheads showing. While you are the ranking.

  In general, there is even a control to 'match' the two places in the read head. Who, in the last "ish" of SpeedGrade, sometimes did a pretty decent job. At least you got a quick ways to correspondent.

  PrPro, you must use the Source, reference and reading monitors to do a stills & "reading head 1, head 2" sort of look. If you have two monitors, you can deselect by using the second monitor reading dedicated and drag the panels & monitors autour to create a new custom workspace and... basically... especially the kind of correspondence shot. It feels a little awkward, but... it can work.

  You do not have to "match the master read head" available, of course.

  What it is is that you can do many things based Speedgrade crushed just do in Lumetri in PrPro. And some he will wonder, no doubt.

  But the way the situation of orders works within PrPro, and also... the way enough Lumetri to begin to match what we're doing in stacking SpeedGrade slows a computer are low, both a bit of a drag IF you are regulars, or need, main work classification.

  In the good old days of yore, you could work a project PrPro, visit Sg in few seconds in the lead a few minutes hand five primaries, several secondary, and a couple of LUTs/looks back on PrPro and most of the time I never had any kind of reading 'touched' by the work of the color. Within the PrPro well... There may be.

  Then... Choose your poison, I guess!

  Neil