spherical 2.35 F55
Hello
I'm going to be taken with a Sony F55 (4K RAW) next month and I have a very simple question.
Is it possible to record in spherical 2.35?
02:35 by spherical is actually just 16:9 with a Matt 02:35 added in post. You can set up 02:35 frame guides with your viewfinder electronic marker, and then make daily than elsewhere, or simply add in your timeline in post. If you want true 02:40 x 2 anamorphic which is another story
Tags: Large Sensor Cameras
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Qosmio F55 / F50 Sound card cable
Hello, everyone
Now straight to the point. I have a Qosmio F55 - Q502 laptop computer and there is no noise, because motherboard to its cord (also FireWire, Usb memory card reader) Council is absent. I think that this is cable LF - 4163P, but I'm not sure on this part number. I'll add some photos links.
Link 1/4: [1. LF - 4163P | http://www.part.lt/img/c137d4893e0e7838eab5c02dbacb812f907.jpg | PIC.1. LF - 4163 P]
Link 2/4: [2. LF - 4163P | http://www.part.lt/img/203d7d61689c3fb31241053d575b9429283.jpg | PIC.2. LF - 4163 P]
Link 3/4: [3. LF - 4163P | http://www.part.lt/img/70fb4e2a0b8810811383533505137deb40.jpg | photo.3. LF - 4163 P]
Link 4/4: [4. LF - 4163P | http://www.part.lt/img/d0f49de0b6f626eeb96ecc9e58c03d5a446.jpg | photo.4. LF - 4163 P]So, if anyone has any information, where to buy, steal, this "sound card" with cable or just the cable, please do not hesitate and share your tips with me. Thank you.
As far as I know it is not easy to find these parts in the regular stores computer/computer laptop.
What you can try is to contact the nearest Toshiba service provider and ask for help.As far as I know, they can order all defective parts.
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Qosmio F55 - LCD replaced and brightness controls are reversed back
Hello
the LCD for my Qosmio F55-Q502 cracked and I ordered the same room and when I installed it, everything works fine and everything but the brightness up and down are reversed. As Fn + F6 makes more brilliant while Fn + F7 makes it more dark? The first that comes with it is a lp154wp1 (tl) (e1) but I had is a lp154wp1 (tl) d1).
Does anyone think that the bit of a variation of the model can do reverse controls? Even on Windows when you cursor to the right BRIGHTNESS, it darkens and to the left, it illuminates. For anyone else who needs information on their Qosmio F55, the original is also a lp154wp1 (tl) (e1) and also known under the name of lp154wp1 (tl) (a3) which is written on the Board of the lcd screen. The replacement lp154wp1 (tl) (d1) is also known as a lp154wp1 (tl) (a2) also wrote on the lcd dashboard
Any suggestion or help would be appreciated!
Hi hulkster,.
Where you have ordered the new view and it are a Toshiba original spare part?
If yes I would contact an authorised service dealer or the store where you bought it. In my opinion the screen is not 100% compatible for your model. This would also explain the different reference numbers you posted
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A list of productions by which were filmed with the F5 cameras F55
- "Mahout" by Stargate Studios, turned to Sri Lanka in 4K RAW and XAVC 4 K (2 x F55 with recorders AXS - R5)
- 'Dig deeper' shot in the United Kingdom, directed by Martin Scanlan
- 'Images', shot in Paris
- 'Contract' XAVC in HD capture by USC School of Cinematic Arts (F5)
- 'Safe area' XAVC in HD capture by USC School of Cinematic Arts (F5)
- "7 x 6 x 2" by Tribeca Film, shooting of two cameras with F65, F55 in HD
Details of these will be published in the special issue film and digital time to be released NOV 28
More details will follow more later and productions
Hi, I had a thought recently about the first productions and the way that they look...
One reason another camera S35 there look good, out of the box, it is the people behind them have ensured he read and other tools for colorists (and publishers) to use that create an image to the very refined research without much (or any) effort.
With a new schema gamma (2 S - Log) to come, I think it would be a good thing for Sony to ensure that appropriate 3D LUTs ready to go, free, launch time, available for most platforms (Avid, FCPX, Resolve, Adobe) so the new camera do not suffer from dull images in the early days. Colorists in the high-end already know how to do these things.
It took me a good 4-5 months to get the best pictures of my w/S-Log... first F3 concoct my own plans of of-log using the 3 color Correctors lanes in FCP, then application of 3D LUTs journal other manufacturers. LUTs 1 d which adds contrast to the back are not enough.
Anyway, just a thought...
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F55 in OLED Sony HDMI, works very well. Connected to the same thing in a 5.6 "logical TV does not work. Yes, I've changed the source on the logic of HDMI TV. The same logic TV works well using SDI. I have 4 5.6 "logical TV and the issue is the same with all of them. Any ideas?
23.98
RGB
S range
1080It's funny you mention that, because I had the same problem with mine.
I thought I was doing something wrong... Not that I use the HDMI to the camera, find it odd that it didn't work.
Can connect the logic of tv on my hdmi from my computer, get a signal without problem, but out of my F55, same question you encounter.
Ryan
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Hi all
Here is a sample of aerial images, that I shot on NYC & Boston using my F55. The camera is mounted on my air exhibitions gyro stabilized platform in a Bell Jet Ranger helicopter. The last clip of the aircraft in flight was pulled from my previous camera (Varicam). I can shoot video air in the Northeast for those who need it and also have to sell or rent stabilization systems.
Page 81 of the 3rd edition of CineAlta Magazine has an article and additional images of the helicopter and the system. See the link below.
http://Issuu.com/sonyprofessional/docs/cinealta_issue_3__issuu?e=10444591/8709225
Kind regards
Arnie Itzkowitz
(973) 838-4153You should have downloaded the 4K on YouTube!
What lens did you use? How do control you the zoom?
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When the F5 and F55 manual will be available online?
Shorty very
I would recommend that you download the edition of FEB of Film and digital time F5, F55 booklet, with more than 27 revised pages of content
Concerning
Peter
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Hi Peter,.
Could you please add Mix freeze to the list of things that we would expect to be able to do with this camera.
It is a valuable tool which was available in the previous Sony camera, and with the option of shooting in 4K, it would be a good valuable feature for the F55...
Oh and can we please have it before the update of the firmware of December, I could use it now!... it would make the difference in what format, we chose to take, and I would really like to be able to use my new F55!
Thanks for listening.
Hi Brad,
I know gel mix of XDCAM shoulder mount cameras, agree it is a nice feature.
How would you use with the F55? Curious...
Concerning
Peter
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I have not seen information on the HD - SDI output on both devices.
The only thing published so far is that only F55 will output 4-Channel HD to 4 k.
I hope that both cameras will show 4:4:4 Slog2 through the SDI, recorders so 3rd party can be used
Idid'nt he saw there. I'll watch again and come back with even more questions, because I've already ordered F55
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Deliver the feature READ us hurt F55
All,
Courtesy of Sony Pictures Colorworks team we are providing to the LUT F55 used on us free from Evil feature.
It is a combination of a look of derivation of bleach with the ACES RRT v0.1.1.
Entry: SLog2-SGamut
This could be:
-tap of SDI camera with NO scaling the signal full-range
-RAW processed at S-Log2-SGamut
Output: Rec709 / BT.1886 signal
-Calibration for 100 nits, gamma 2.4, dim surround
-Outputs full / extent of range, 0-1023
This is designed specifically for this configuration by using S-Log2-SGamut. The camera does not support SLog3 at the time so if used with the new SLog3 with newer SGamut could produce unwanted results.
Concerning
Peter
Peter is very exciting. Thank you!
can't wait to try it.
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Rough panoramic F55. Help, please.
IM planing to implement the F55 in a serious TV series production, but all the tests we did, and we want to use the workflow XAVC, proves the matter to be really rough while panning. Much bigger than Alexa or RED. I have the Firmware 1.0.0 but I need some information on the question of whether the question is known and/or resolved.
Thank you kindly
Well put Alister, thank you. Agreed. (My reference to slow my pans was more likely a result of a large number of recent shooting at 29.97 at 1/60th.) Just made a few panoramic test this afternoon and everything seems pretty normal to me as well to 23.98 P, 1/48th, broad detail, 1250ISO.
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Why cheerleading F55 own two F65 and stil not happy with chore SQ Raw look
Sony has fu * support and clarity on F5 F55 F65
I would not recommend to buy in the range of F or any Sony product if support is needed
F55 is Miller. Do not buy one until you're looking for
My 2 cents
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Basis of adjustment of modes / monitoring LUT with SLog2 - F55
Hello
IM writing a function and possibly using the F55. Anyone help me with the following queries?
Is it possible to shoot 4K XAVC 4:2:2 in S-Log2 monitor but still with a LUT?
Ive been just read the manual. It seems the State-
p. 50
You can monitor only to READ when your shooting mode = mode MOVIE EI in your basic setting
p. 57
and you can only shoot in S-Log2 when your shooting mode = mode custom in your basic setting
Rob Wilton
DoP, based in London
When you see how this camera images to look good, don't you think its on-board too early. the Slog2 looks great. It's a very nice picture to research which can be cooked in and for the clients/Director to examine to yet while preserving the dynamic range
one thing I can say from experience, RED and ALEXA had a lot more problems and deficiencies out of the box than the F55
Finally LUTS will work for XAVC too, but it having so far works fine for RAW. XAVC kicks *.
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Color camera F55 demonstration test
All,
This isn't a comparison of the camera, this is a simple demonstration of the reproduction of skin tones JOURNAL of shooting with the native ISO settings and implementing the corresponding LUT provided by two manufacturers. No color calibration has been applied, only corresponding to levels.
ALEXA: Rec709 LOGC READ
F55: SGamut3.Cine/SLog3 to LC709 TypeA READPlease keep in mind that you are viewing a video highly compressed to 4:2:0 according to the requirements of Vimeo
Product by product senior Juan Martinez
Under the leadership of Sony StudiOne
Colorist color Juan Salvo, 'space '.
Is it me or the F55 has a green tint bad for blacks? And much more too black?
I guess they have the same white balance? Something to do with balance blacks?
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