Target and maximum bit rate...

Not finding much info on target and Maximum bitrate that is under video settings during export > Media.

At the highest quality, my camcorder records to about 24 Mbps.

I export to Youtube. I know that all of the settings to use.


I wonder if I should choose the bitrate at which it was recorded, for my target and maximum.

I am aware that higher the value, the larger the file is large.

What are your thoughts?

On another note. My HD camcorder JVC GZ-HM300, manual stipulates that all class 4 or higher SDHC card will work.

I see some of the higher ranked cards higher bit rate transfer.

Do I need to get at least a transfer rate of 24 Mbit/sec SDHC to get all the benefits of the record of 24 Mbps bit depth.

Because I have got a standard 16GB class 4 Kodak SDHC for $20 Meijer's, here in Michigan (Meijer is pretty much just like Wal-Mart)

http://www.Meijer.com/s/Kodak-16GB-class-2-SDHC-memory-card/_/R-187776

Said description class 2, but he of the symbol of class 4 and works with my camcorder.

What are your thoughts?

A larger file or a less compressed file or a file with high throughput (those that are functionally equivalent) does not necessarily mean a more beautiful once downloaded video. In practice, a video that has the best eyesight will be better once YouTube through the ringer. My additions in 1080 p YouTube typically hover in the range of 10-12 Mbps, but they tend to be low movement videos, so they provide a compression well. If you have an animated video, it may be necessary to crank the bitrate up to what you keep most or at least more of the fidelity of the image. However, you will get to a point where you will just make an unnecessarily large file, with no perceptible difference as soon as YouTube do its dance on your video. I would guess that 25Mbps is unnecessarily high; the recommendation to use 15Mbps or thereabouts is probably sufficient. Test is the only way to know, as there are has no strict rules when it comes to video coding - and YouTube accepts all the accepted general practice and pouring them on their head.

Re: target and the maximum flow: these come into play when using coders who use encoding variable bit rate (VBR). Rate target - as its name suggests - is the rate you want the encoder to pull to and use as an average relative. Flow binary maximum - no points for guessing - is the largest flow you'll let the encoder use in segments (usually in divisions called GOP or groups of images) where there is movement or a visual complexity (very detailed models, or fog, for example). If the encoder were to run full tilt boogie, the maximum bit rate would determine the size of the file; It is roughly equivalent to the use of the CBR or constant bit rate encoding. However, because you have selected a target bit rate (in general, a minimum below the maximum bit rate), the encoder will try to maintain this bitrate or lower throughout the video. For example, my 1080 h.264 encode for YouTube usually have a maximum rate of 15Mbps all about, but I put the target at 10 Mbps or less. Using 2-pass VBR, and given the nature of the videos I encode more often, my files usually average around 6 Mbps. That's what I have to deal with each separate code as its own entity - you can apply some principles, but in practice, anything goes.

These Wikipedia articles could offer interesting ideas in different encoding, at least from a perspective of bitrate methods:

Variable flow

Constant flow

Average throughput

PS: No WAY is Meijer as Wal - Mart The Mitt, reprazent!

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