Similar Questions

• Why several ghostly images when I play the video in the timeline?

  I'm new to Speedgrade and I understand how it is powerful - but I think it's completely intuitive compared to After Effects or first or even PhotoShop.

  I loaded a test clip (30 p ProRes) and when I try and play and watch on the configuration of the monitor I get four ghostly images of the shooting.

  I'm not using an external monitor as I am shaken upward in a hotel room working on a MacBook Pro.

  In order to speed (ironic, huh) I'll probably make the colors work in After Effects, but if someone can point me in the right direction I would appreciate it.

  Forgive me if this info is already posted on the forum - I tried search but he came up to the top with a white and a large number of tutorials.

  Don't not seen this... but it would be good to get a few things to help you. SpeedGrade is a program unique, but it's actually quite simple to use once you begin to understand the controls and what they do, which is often a little different from what is a noob expected... as when I started with him, I have found certainly!

  First of all, it is more demanding of hardware damage even... If the Sg doesn't like your platform, it will simply go crazy doing nothing. He won't give you small problems like stammering, he'll do great things that obviously does not work. So... that's just MbPro got for the video/graphics card? And how much RAM? Computers that use the graphical features embedded very rarely work well with SpeedGrade. Under 8GB RAM... don't even think on this subject. You MIGHT be able to live with 6 GB of RAM, as some people have claimed that they did... but this isn't a nice job... slowing.

  Following... is this a project of SpeedGrade 'native mode', where you open SpeedGrade and a new project, and then make a timeline it in SpeedGrade, or a draft Premiere Pro sent to Sg by using the command "live from SpeedGrade?

  Initially, I found Sg so impossible, that I used Ae a little myself. Now... I was not to AE for a long time, except to say fight against noise or create a sequence of reading can do a LUT of her.

  First step to a colorist or the marshalling of the app is neutralize your videos... Making it NOT enough. It's a different passage home and down the road. In this step, I don't even look at the picture very much... I'll have the RGB Parade, Luma and YUV Vectorscope 'up' signal and watch, particularly the parade & wave. I select the slider controls (in color wheels) and unlock all the controls I use (the small icons of lock). I'll adjust individual controls in color on the section Offset (left set of sliders) to match the bottom of their footsteps a little over 2 or more, I will look to see if it's ok or should it perhaps a little lighter with this image. The switch for the Gain sliders (right) and set them to basically same heights for the scope of the parade, with their vivid the two lower at 100 and research appropriate for the image. It is sometimes as low as in the 1960s, sometimes as high as 99.

  Next is to use the Gamma sliders (in the middle) to correspond mainly to the parade & - waveform traces... all easily identifiable 'forms' in the mid tones I will align with each other.

  The foregoing leads me what... 20 seconds? May 30 at the most.

  Then I switch back to the color wheels and compare the images with my eyeballs and the vectorscope... How is the saturation and... How is the balance of color/tint and the proportions compared to what I'm used to seeing on the field and the monitor? At this point, I'll do a bit of tweaking of the Gamma & Gain color wheels and luminance sliders, perhaps use contrast, temperature, magenta or rotate the cursors in the cursor above group wheels. This neutralizes things pretty well.

  Can do... Nice... or better. JUST looking at a picture's contrast, luma (lamps or dark) or chroma (color)... where's the good contrast, where... not very good? You can have too little contrast color (saturation) in the midrange, but perhaps too in the brights... or your shadows can all tend to block upward around 5-20, when you need to go up a little higher. This is where the tabs above the wheels of color shine... This example:

  

  The tab made highlights chosen... No, you have still three wheels, each with (vertical slider) luma and chroma controls (wheel)? They overlap, and in order to play a bit with a ramp is great. A "ramp" is a tonal graphic staircase from black to gray in several stages, make an and import... then play around with the settings and see what effect each has... where on the ramp.

  Here, on the tab highlights... the rightmost is very bright pixels in the clip, with overlaps down the scale a little. Controlling the environment moves mainly on the third median of this, the upper third of the image around... with some effect in the poorest and brightest pixels in this part of the scale. The right control is the bottom of the upper third... usually used to help blend in the midrange. Also... See the control 'grayed out '? Set that say gray color and pixels that you change will be in color, the rest of the shaded image. You can see directly what you change.

  So... as you have three basic commands, Offset, Gain and Gamma, and three controls each for shadows, average and clear tones, you have a LOT of very refined tweaking you can do. Also... Note the vertical slider to the left Luma control for the facts tab highlights? In text turned on its side, it says mph... who is the pivot of control that defines WHERE on the scale of the end of the midrange and treble begins... you can move upwards or downwards. Among the witnesses of midtones, you have sliders on both sides, one for the breakpoint of shadows/Mids, one for the breakpoint Mids/facts highlights. Shadows tab has a pivot for the shadows/shades breakpoint.

  It affects all the cool things you can do with the secondary and masks and other... but it's long enough for now!

  Neil

• Paint over the video after the addition of adjustment layer?

  Hi all

  I have a little video, 30 seconds, and I try to draw the frame by frame on top of the video with a brush. While it's easy I would first change the black and white video. By adding a black and white adjustment layer, it does not allow with a brush. I was wondering if there was another way to select all the images in the video and change it to black and white while helping paint me over it frame by frame.

  Thank you

  I struggled to learn by trial and error, so my workflow is questionable, but I'll try and at least help you get started.  My screenshot is too big for the page, then click to expand to see comfortably.

  So I started with a group of video with the Lady driving a cow.  This is the video Group 1.  With the video layer selected in the layers panel, I add a B & W adjustment panel and my video becomes black and white.

  To add an animation on top of that, I have to make a new video group using the small movie icon at the left end of the Timeline.

  For me, I see the second group of video, and so I have to drag the timeline at the bottom of the page and make more great by dragging its lower edge.

  You need something to draw, so with the video Group 2 twirl open, add a layer. It will be too long, but don't worry at this stage.

  Make your drawing on this layer.  If you want that the animation to change two images, move forward two frames of the time indicator and use the scissors to cut the video group at that time.

  You will need to market the onion skins (steal our in the upper right corner of the scenario)

  You will now be able to see a ghost of the last image to use as a guide to draw on the other.

  Note: every time you cut the track, it will create a new layer draw.  By clicking on an item in the Assembly will select this layer.

  Therefore, my axe up to attempt using video editing for animation.  Until very recently I agreeing me with those who cannot not work why onion skins isn't available only for video and image animations.  It was an ordinary user error!   I'm sure that you'll be able to Polish my clumsy workflow, and I'd appreciate a heads up if you do.

  Good luck and patience.  Lots and lots of patience.

  

• Is it possible to merge the parameters of adjustment to the underlying timeline layer?

  I just finished an edict of 10 min with different adjustment layers that contain different color nuances that are applied to the underlying clips. The customer wants to make a trailer for 2-3 minutes longer this edition. My question is: can I merge sort, the parameters of adjustment to the underlying clips layer? I speak not nesting. I still need my cuts so I can just shorten the video all keep the associated color shades. Otherwise, I'll have to copy and paste this one timeline, and adjust layers adjustment accordingly. Hope that makes sense. I have looked everywhere for this issue and can't find it anywhere. Sure that's not possible. Thank you. Hope there is a solution.

  -Samia

  

  For each adjustment layer, you can copy and paste the attributes on the underlying clips at once.

• First Elements 11 - I have a problem with pinning of the video clips in the timeline.

  Hello

  I have a new Prime Minister 11 elements.  I'm working on a video with a narration track project.  Because I have to build animations in photoshop that go with the narration, I'm not editing in a way liner.  When I insert clips earlier on the timeline animations, it tends to move the clips of animation to the top or to the bottom of the timeline and sometimes he's trying to cut my narration.  Is it possible to pin the animations to a specific timecode on the timeline, which then will allow me to insert the live action clips inbetween with out having to sycn are ' animation to the narrative.  In older versions of the first I used years ago (and FCP), it's the titles of easy locking.  I know that you cannot lock a track in PE11, but is it possible to pin the video to the narrative?

  I too if I have to 'resync' animations to the narrative is there a way to select the entire animation (which is located on several tracks) to return it to its place compared to the narrative?

  Thank you.

  Unfortunately, pre has never added the ability to lock a track (something that PrPro and something that I and many others, have asked), so a change in workflow could be the best.

  For what you describe, I would just edit video 1 and Audio 1 (or according to the following you use), and then add your animations on 2 video tracks (or any video track above your edited Clips). All that is on a video track higher, it will be seen, regardless of which is lower than that, except if we adjust the opacity (to see through the Clip on the video track above), or they "drill holes" in this upper Clip, say with Track Matte Keying, or via a channel Alpha, or the Garbage Matte.

  Your animation will be seen and your Clips edited, weaker will not be made, other than that they are not visible.

  Another method would be to make an Insert Edit where your animation replaces a corresponding number of images in the Clip to which you drag, on the same video track. Just hold down the CTRL (Cmd on Mac key) and drag your animation to the place you want to so he can be at the Top of the clip here. Their mounts will be replaced by your animation.

  A third, if you want full "lock" video and Audio, would be to export/Share/publication chronology of the project, and then import the output file (it will no longer Clips, but will be a long Clip), then add animations, or whatever, by using one of the two methods above.

  Good luck

  Hunt

• New to CS5.5 you can enlarge the width (height) of the timeline

  Hello

  I use Adobe Premiere 6.5 and learn to first Pro CS5.5.  In Adobe Premiere 6.5, you could make the video and audio tracks in the timeline more large-height-wise.  It is a very simple process - right mouse click on timeline area and choose the size you want.

  Is this possible in CS5.5?

  Thank you for your help.

  Select the track and hover over with the mouse at the top of the track. The cursor turns into a pointer "resize". Drag upward to increase the height of the track.

• When the video ends go to label timeline

  Hello world

  I use this code to play a video when the user clicks on a button:

  function clicked(event:MouseEvent):void {}

  Video: video of var = new Video();

  addChild (video);

  var nc:NetConnection = new NetConnection();

  NC. Connect (null);

  var ns:NetStream = new NetStream (nc);

  NS.client = {onMetaData:ns_onMetaData, onCuePoint:ns_onCuePoint};

  video.attachNetStream (ns);

  NS. Play ("Video.flv");

  function ns_onMetaData(item:Object):void {}

  trace ("Metadata");

  Video.Width = item.width;

  Video.Height = item.height;

  Video.x = (stage.stageWidth - video.width) / 2;

  Video.y = (stage.stageHeight - video.height) / 2;

  }

  }

  When the video ends, I want to go in another part of the timeline. How can I do this?

  I hope someone can help!

  Thank you very much!

  IIRC NetStream.Play.Stop is also triggered when playback is stopped during the buffering.

• Loading the main page halfway when Firefox starts - all other elements as the bar side and toolbars is loading properly. Height adjustment manually retains the setting for navigation all in session but don't remember setting when closing down.

  Height adjustment manually retains the setting for navigation all in session but does not remember to reset when closing down.
  Something was clicked inadvertently, but don't know what or how as Firefox worked fine a couple of days. Version 3.6.3. Help please

  Positions and sizes of windows are stored in localstore.rdf in the profile folder.

  Localstore.RDF to remove or rename the localstore.rdf.sav file in the profile folder to test whether the file is corrupted.
  
  See http://kb.mozillazine.org/Corrupt_localstore.rdf
  
  (attention: do not delete the localstore.rdf file in the Firefox program installation folder)

  Note:
  
  Delete the localstore.rdf file will reset the default toolbar customizations.
  
  You can rename "localstore.rdf' to 'localstore.rdf.sav' to test whether what it solves.
  
  Then, you can restore the customization by copying "localstore.rdf.sav" to "localstore.rdf" if she did not.

• change the orientation of the timeline after turning the video

  I change a few videos of the iPhone which was shot in vertical, and then moved to landscape while shooting it.

  The result is a vertical video that must be changed in landscape, I could make using the transformation function.

  Now, the video will appear in the display window in the landscape, which is what I want, but the video editing is always horizontal. How can also change the orientation in the timeline panel so it will be easier to edit?

  I remember doing this in iMovie and the porthole and orientation of the timeline has changed at the same time.

  Thanks for your help!

  My difficulty was to use iMovie to change the orientation, then using "Send Movie Final Cut Pro."

  In iMovie, I clicked on the button crop, which then revealed the rotation buttons.

  Direction then changed as well in the viewing window as well as the timeline. then I went to > file > film send to Final Cut Pro

  I would like to know if there is a way to do all this in FCP.

  Thank you!

• How to adjust the video memory on Satellite A100-811

  Hi all

  There, an agency know how to adjust the memory of the video card in the laptop Toshiba Satellite A100-811?
  The physical memory of my laptop is 512 MB, I want to share my 128 MB videocard, nomatter if 384 will remain in my physical memory.

  Your immediate response is much appreciated.

  Thanks in advance
  Jilvir

  Hello

  the Satellite A100 supports an Intel 945GM processor 8MB - 128 MB of graphics memory shared memory, it's true. But
  as far as I know it of not possible to allocate this memory shared manually, it happens automatically.

  If the application running more graphic must map memory then the OS will be automatically increases this value.

  It seems that this laptop came with 512 MB of memory. In my opinion you must upgrade the memory of 1024MB if you want to use the full 128 MB shared memory.

  Welcome them

• End of 2011 Macbook with Windows 10 - adjustable brightness with the video card main?

  I have recently installed Windows 10 on my MBP late 2011 (officially unsupported, I know). For the most part, everything works, but the screen brightness adjustment doesn't seem to work with the driver from main video card (ATI 6600 M) - change the cursor on the user interface or by button have an effect, it is always 100%.

  If I change the Microsoft Basic display card driver in the menu devices (as suggested here in the forums), the cursor works, but the max brightness is about 50%, and I suspect the slow onboard gpu is active.

  Is there a way to get working with the primary ATI active adjustable brightness?

  Meanwhile, I found the solution: simply install the AMD Cataclyst driver that is included in the package Bootcamp 6.0 - and brightness control works as expected!

• BlackBerry videos recorded 10 missing frame Frame Rate, width of the frame height, once 1080 videos works

  Hello

  I shot some video with my Z30 in 720 mode and was able to play it on Windows Media Player and metadata seem to be all there.  However, I switched the camera in 1080 mode and now the files are missing some metadata.  Specifically, Frame Rate, Frame Width and Frame Height and they will not play on Windows Media Player.  I've switched back to 720 mode but now have lost the metadata for this mode and 720 video play is no longer.  Any thoughts?

  I downloaded VLC Media Player (which is a free download) and played the videos perfectly. If you have this problem, I suggest you do the same thing. Just Google it.

• Error when you try to play a DVD: Windows Media Player cannot play back the video DVD. You may need to adjust your Windows display settings. Open display settings in Control Panel, and then try to lower your screen resolution and color quality settings.

  Windows Media Player help

  I bought a netbook and have an external CD drive to dvd. When I want to play the video, I get this error.  I can't find a solution.  Any Advisor.  Error is... Windows Media Player cannot play back the video DVD. You may need to adjust your Windows display settings. Open display settings in Control Panel, and then try to lower your screen resolution and color quality settings.

  Hi Rains27,
   
  1. were you able to play the same DVD sooner?
  2. must arrive with a particular DVD or all of them?
  3. do you have a DVD decoder installed on your computer?
  4. you use starter edition of windows 7?
  5. What is the resolution on your computer?
  6. have you installed a codec on your computer?
  If you have installed a codec on your computer the I suggest you to uninstall the codec.
   
  Method 1:
  Try running Windows Media Player DVD Troubleshooter utility and check if this may help:
   
  Open the troubleshooting Windows Media Player DVD Troubleshooter by clicking the Start button, then Control Panel. In the search box, type troubleshooting, and then click
   
  Troubleshooting, click View all, and then click Windows Media Player DVD.
  http://Windows.Microsoft.com/en-us/Windows7/open-the-Windows-Media-Player-DVD-Troubleshooter
   
  Method 2:
  
  
  
  Play a cd or DVD in windows Media player
  http://Windows.Microsoft.com/en-us/Windows7/play-a-CD-or-DVD-in-Windows-Media-Player
  
  Method 3:
  
  Try to reduce the hardware acceleration again and check if it makes a difference.
   
  a. open the screen resolution by clicking the Start button, Control Panel, and then, under appearance and personalization, click on adjust the screen resolution.
  b. click on advanced settings, troubleshoot tab and then click on change settings.
  c. move the hardware acceleration slider toward none to reduce or turn off video hardware acceleration.
  d. click OK and then click Restart now.

  For more information, see this link: thanks and regards:
  I. Suuresh Kumar - Microsoft technical support.

  Visit our Microsoft answers feedback Forum and let us know what you think.
  

• First "I can't the video to the timeline" PROBLEM

  Hi everyone, I can't get the video to the timeline, when I try to put it in the timeline panel, I'll see blocked symbol and only I can put sound video, I can't put my video. Help, please.

  It is almost always not having your source/track of timeline targeting "lit.

  

  Those blue boxes to the left of the railway... If it's not blue, but the background color of charcoal, you will not be able to place material on the sequence. If say the target audio source A1 is disabled, well... you can drop the video but the audio is not allowed.

  Neil

• Why can I not move objects to the bottom of the timeline in the video?

  

  Hello

  Why can't I move the new object I inserted (this is a PNG image) all down the timeline just above the video/audio? That's where I need?

  I edit the video with stripes, zooms and slices. I really hope that I can move it to the bottom of the timeline.

  Thank you

  This a cpvc of the project, right? Several chronologies are open when necessary, and it is indeed not possible (as in cptx projects) to change the stacking order. However, this could be a workaround: move the timeline you want to down horizontally until you have an empty space: you can then move it to the bottom. You'll go up the other deadlines in the location where you want to have this object at the bottom... Then, you will have to move again. Very heavy, I think it's much easier to think before you add objects and add them in the right order. CPVC-feature did not get much attention, after it was introduced, it is probably not that popular?