What would be your sequence settings when editing with H264 in CC?

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• What would cause DENSE_RANK does not to deal with the digital "links"?

  Hello
  
  We use the Oracle 11.1.
  
  I use an analytical function of rank values in each section "partition by.
  
  Because there are digital links I use DENSE_RANK because it is supposed to take care of the links.
  
  It is not the case.
  
  The clause is simply
  

  DENSE_RANK() OVER (PARTITION BY metric ORDER BY AEROBIC_EXERCISE)

  It's just the data from a query where you can see what should be the order and it is not. We never seen it before?
  
  Do I leave?
  
  Thank you.

  Can you put the table structure, examples of data, and the query that reproduces the problem? What does 'taking care of the links' mean to you?

  DENSE_RANK assign two rows with the same values METRICS and AEROBIC_EXERCISE the same rank. But it does not guarantee that the ranks are consecutive - if there is a tie for first, the next line will be a 2 dense_rank.

  ROW_NUMBER arbitrarily break a tie if there are two rows with the same values METRICS and AEROBIC_EXERCISE. If means 'taking care of the links' that you want the analytic function to break the tie, you probably want to use ROW_NUMBER.

  Justin

• When I turn on my computer, I get a bubble in the lower right of the desktop that says: "a program has been blocked from editing your search default setting". Then "click to change your notification settings."

  Whenever I turn on my computer I have a bubble in the lower right corner of the desktop that says: 'Search Settings Notification' then 'program has been blocked from modifying your search default setting". Then "click to change your notification settings."
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• When you create a new project, the "new sequence settings" step doe appears not automatically, what to do?

  Hello

  I have a question I make videos of product for a company that they would do that to me in a 16:9 format and in HD. Because they do not know on which channels they want to publish, but it is certain that they will publish on youtube I wanted to do it in the settings HDV and DVCPRO HD 720 p 24 or even 1080 p 24. I bought the license to create online and for some reason that I don't have the option at the beginning when I create a new project to change the settings for the sequence. They do not appear, and then I can not change. Guys do you have any idea what can be done in order to access this setting before the project opens in the end?

  I'd appreciate strongly any help in this matter!

  See you soon,.

  Mascha

  This option is no longer available in the current versions of first. Once you click OK in the new project dialog box, you can then create some sequences that you like new sequence in the dialog box. You can also return to any order and change them through the sequence settings.

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• What would be the best output settings for rendering of a master file of a finished project?

  Hello. I'm working on a project in Adobe Premiere Pro CC 2015.

  I want to export a master file of the completed project and I'm not sure which.settings (format, codec, bit rate, etc. to the choice).

  Ideally, I would want the file to be:

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  -better image quality

  -wide range of different platforms and software compatibility

  -Scalable in function using a codec and a format that will most likely be available for years to come

  Please advise on what you consider to be the best option for the foregoing.

  The research I've done so far, I read that. Format MOV, Cineform codec is good. That would be my best option, or are there others you would recommend?

  Thank you!

  You will get several answers.  I think you need to take a step back and look at your complete plumbing.  What are the formats you filming and editing to?  Take a look at Smart rendering in the body.

  Smart rendering in Premiere Pro

  Smart Rendering in Premiere Pro CS6 (6.0.1 and later), & first Pro CC

  Made smart codecs using will save time.  I shoot with Canon, which captures in native mode to XF (which is Sony XDcam 422 50mbit) encapsulated in MXF.  My plumbing complete rest in this format.  Only parts of the video that involve a scale/FX are re-renderings.  Straight cuts are just copied.  Little or no loss of resolution so long as I control back out the exact format.  I converted / transcode all other formats from other sources to the same, before importing and editing.  Everyone I deal with can open and work my forms because of the enveloping MXF.  Others similarly using Cineform, etc..

• What would your workflow?

  Hello
  
  This is my first post, and I'm a new user of photoshop (CS2), so please be patient with my "noobness".
  
  I'm pretty savvy computer (program in several languages) and did graphic work weakly in the context of the development of a video game, but I'm not very experienced with photoshop itself (my work was a combination of gimp, trial photoshops, etc..) Most of what I accomplish comes to live combining textures generated by my game engine with high level shader language.
  
  I have a project, now I have to do in the next two weeks, which is "simply" to create a book cover - it may be beyond my capabilities, but it seems relatively simple and I'm looking for general advice and specific guidance on some questions.
  
  I need to make a graph after the attached .jpg style.

  

  It seems relatively simple - but is not unfamiliar to do things like this I really don't know. I maybe bit biggest I can chew in the next two weeks, because I will learn as I go.

  The way I do it would be to create several layers for each item (for example, spacers, beach, ocean, mountains, buildings) and then go on the elements of design. (I use a Wacom Bamboo pen & touch - that I also learn on the fly)

  My more specific questions have to do with
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  (2) spackle (since they don't know the correct term)
  (3) texture

  (1) how the gradients can be reached? I used the tool degraded in the past to fill a selection with a gradient between two colors, but is there a way to create gradients that flow between two colors when drawing with a brush?

  Consider the areas circled in red, especially around the blue mountains. This is where I'm assuming some function gradient may be used, but if there is some other functions to obtain this type of fade between colors I'm completely open to suggestions.

  (2) in the Bush circle, as the Greens into the darker Brown, there are what I would call "spackle" or discrete points on the Brown on the Green (as opposed to what could be achieved with a smudge tool). How could you get this effect more efficiently? is it just a matter of playing with the scattering of brush settings and so on?

  
  (3) because the original is a work of art created on a physical painting with brushes of physical, it has a texture. How these textures are accomplished with photoshop?

  
  I realize that my questions can be relatively "heavy", but what I'm looking for starting points.

  
  If someone could take a look at the attached picture and think about how you would do it yourself, I'd appreciate a general description of your workflow and a list of any techniques/Tools/settings I should pursue the investigation.

  All the best,
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  Hello!

  Here are a few "starting points" for some questions you have above.

  How to get a gradient background:

  You want to create the gradient and place it on a background layer. For the mountain, you can create a custom shape and apply a gradient.

  Create texture:

  You want to use additional fusion and textures for the mountain and possibly other areas.

  Hope this help to give you a starting point with your project and please post while you continue your project.

  Janelle

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• Transcode all sequences of editing in Premiere Pro for DNX175X? The sequence settings?

  About 30% of my digital SLR 8 bits and AVCHD .h264 turned needs significant noise reduction. So I use Neat Video4 in After Effects to reduce noise and can export images with large bands on issues DNX175X 10 bits to help avoid gangs. Also, for sequences requiring a minor noise reduction I'm considering export as DNX36 8-bit in order to avoid the huge file sizes. Is there a reason that I shouldn't do this? Should I export all as DNX175X?

  Also, I wonder should I transcode all my images on my first pro at DNX editing or is it better to let the images not requiring reduction of noise in its original format? Also, once put in the own DNX images are the parameters of my project sequence? He would remain AVCHD 1080 p or should it be changed by DNX175X?

  Thank you

  Sheree

  Hard drives are fairly cheap.  I generally recommend getting more than better to worry about running out.

  Export all as DXxHD 175 x.  Yes.  (In fact, I convert everything even before editing, as the handles so much better than H.264 DNx.)

  The sequence settings are pretty irrelevant, as long as you have resolution rates and necessary framework.

• Wrong settings when create a sequence from an AVCHD (.mts) of canon xa20 file. First Adobe defines as AVC - intra 100 1080i

  I don't know why Adobe first CC automatically adjust a .mts of my canon XA20 file (from the h264 AVCHD 1920 x 1080 25 p) as a 1080i AVC-intra 100. When editing, it appears crisp and loud. IM edition in a windows 7 64-bit platform. I have to install a properly codec on my machine?

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  My image is 1080i is why settings intertwined.

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• Why my media wants to export in MXF format when I match sequence settings?

  I did movies with first CC before and never had this problem, I'm going to export, I click on the box to match my sequence settings and it will export an MPEG, and now she wants to export in MXF format. My computer does not recognize the MXF files. Is there a reason why this might happen?

  If your export correspond to the parameters of the sequence is now mxf. Check your codec in the sequence settings. This is what match sequences of uses.

  Why do you want to use the match sequence settings, it's for a quick review of your film with a codec overview of lower quality.

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  Hi Benoit,.

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