Media Encoder cc2015.3 No. YouTube SETTINGS?

Similar Questions

• Adobe Media Encoder CC2015.3 stuck in reading XMP

  I'm really really frustrated with Adobe CC bugs.

  I just formatted and reinstalled all (Adobe CC2015.3) on my new PC:

  -10 Windows

  -intel I7 - 6900K

  -128 GB DDR4 RAM

  -OS on a GB 512 m2

  -Project files on two SSD RAID 0.

  Now, when I send my soul and start the queue, SOUL rest hung on "reading XMP" for like an hour. After that, he moves and restores, but once the sequence is complete, it restarts to read XMP...

  You do understand that I need to export 70 sequences (which take 5 minutes each) and I can't wait for this 100 hours just to read XMP SOUL!

  I also tried the following in the SOUL: edition-> Preferences-> metadata-> set to none (no metadata export) all fields

  But it does not work.

  I read ALL the threads on this subject, without finding any solution.

  Please help me, I'm going to face a huge backlog that will make our customers very angry...

  Thank you

  Hi, thanks for your answer! I just finished a call with the help of Adobe and we tried your suggestions with no result.

  Moreover, after an hour of troubleshooting came us to this conclusion:

  The problem may be related to the fact that this project was converted in to CC2015.2 under Windows 7 CC2015.3 in Windows 10. It is unclear why this is happening and it seems that there is no solution to this. They said that if I create a new project from scratch I shouldn't re-encounter this problem.

  However, we found a working solution:

  Put out the sequence you want to export, click on file > export > selection as a Premiere Pro project (I have the Italian version and I translated it here on the fly... not sure whether this is in fact the correct translation) and save some part of these projects.

  Then, open the project just created, export the sequence on Adobe Media Encoder, click the game and this is! Loading XMP spend 1 hour to like 3-5 minutes (acceptable).

  Well... it's a workaround, not a solution. But it works a little bit.

  I'll let you know if I have other problems with new projects.

• Problem with Wraptor STC in Media Encoder CC2015 of banding

  Hello

  I need to prepare a .dcp for a cinema projection and I colleague had recommended the Wraptor DCP plugin that comes with Media Encoder CC. After a few test export I noticed some odd banding and artifacts around the shadow to the image (see attached image).

  I don't know if it's because of the video player I was using (VLC) or a codec problem. It is certainly not in the original image. If anyone has some light on the situation that would be greatly appreciated. See you soon!

  

  After some exports and a screen test, I can confirm that the strapping is non-existent. The flaw lies in the video player and not the codec.

• Larger file Media Encoder CC 2014 exports Media Encoder CC with the same settings

  We would like to offer final exports to most of our customers with the following parameters:

  Format: Quicktime

  Codec: H.264

  Quality: 100

  1920 x 1080, 23.976, progressive, square pixels

  make maximum use

  Audio: uncompressed, 48 kHz, stereo, 16-bit, single track

  When I used to export video for ~ 5 minutes using these parameters with the first or Media Encoder CC (7.2.2.29), I would get a file ~ 1 GB. If I export a video of 5 minutes using these parameters in the first or Media Encoder CC 2014 (8.0.1.48), the result is ~ 4 GB.

  Any ideas on what this could be? I guess it's a user error, but I can't nail down what it is.

  Thanks for your help!

  OK, so it was a problem with the user. On the model that I had created in the former CP, the flow was limited to 10 Mbps, and I does not have a limit in the 2014 version. I don't take this in my original test because I ran on another computer I normally use.

• Bug im Media Encoder CC 2015?

  What: Full HD; MP4-Datei; 29.97 fps

  Ziel: "H.264 high quality"; Einstellungen wie; Full HD; MP4-Datei; 29.97 fps

  
  

  Manufacturers Film: Alles OK aber 30 images/s

  
  

  ICH habe eine sequence mit Premiere Pro CS6 standing. Dann habe ich sharp sequence mit first Pro CC2015 open (konvertiert). Then the first 10 minutes of movies a Media Encoder CC2015 und den gerendert Film used. Der fertig Film hat dann 30 fps instead wie works 29.97 frames per second.

  Dann habe ich die same sequence mit mit first Pro CC2014 open (konvertiert). Then the first 10 minutes of movies a Media Encoder CC2014 und den gerendert Film used. Der Film hat dann wie fertig're sich belongs 29.97 frames per second.

  Bug: Media Encoder CC2015 Hat aus den 29.97 fps 30 fps gemacht!

  
  

• Media Encoder, adding RGB color casts on BW 16 mm Footage

  Hey everybody,
  
  I'm really puzzled by this one. I work with scans FCP6 and Apple Pro Res HQ 16 mm B & W footage. I am trying to encode a .mov independent (direct to FCP) file in Adobe Media Encoder CC (for Blu - ray) and then burn to Blu - ray with Encore CS6.
  
  I burned the first test Blu - ray last night and when I played it on my reader Blu-ray/TV, I was amazed by the loyalty and the definition of the structure of the grain or thick/complicated 16mm, even through what was only a 6 GB render .m4v (compressed 33.5 GB .mov). , Everything was perfect... EXCEPT... I had these horrible "color casts" of red, blue, green, magenta, in virtually all shots in images. Particularly in the last shot the discharge pipe (see example clips long of 14 seconds):
  
  Original: https://vimeo.com/97456916 (pass: 'original')
  Blu - ray: https://vimeo.com/97453674 (pass: "colorcast")
  
  ***
  
  Obviously the images don't look it into FCP6 or .mov in QT7. I just double checked and color casts ARE visible during playback the .m4v ME converted into yet. I also took the FCP .mov and which brought still and no. COLORCASTS. I also took the .mov, it imported back to FCP and but a color corrector 3 tracks on it and set the saturation to zero, exported to it and then ME > again and it still adds the color... So, I'm 99% positive that it is a problem of Media Encoder. Here are the settings I used:
  
  
  
  If you consider how long is took me to web compression results satisfying film 16mm in the past, I feel like I just hit a grand slam in the bottom of the 9th to the fidelity of the reading of the first Blu - ray test. The movement and the definition are phenomenal, I mean we are talking quality, test - without X.264 or Code Blu--(même avec toutes les conneries de moderne "surcompensation" désactivé sur ma TV). I'M SO CLOSE TO RENDERING/BURNING A BLU - RAY PERFECT IF I CAN JUST UNDERSTAND THAT THING OF COLOR!
  
  Got a deadline for this is put in the hands of a couple of prominent filmmakers.
  
  Any help or ideas that anyone can provide would be most appreciated.
  
  Thank you very much!
  
  Alec
  
  ***
  MAC PRO / / OSX 10.7.5 / / 2 x 2.66Gmz 6-Core Intel Xeon / / 32 GB at 1333 MHz DDR3

  SOLUTION *.

  Well, it seems silly that I had to do this at all, but here is the workflow that finally seemed to fix the problem without adding an extra level of encoding...

  Save autonomous my calendar in FCP6 .mov > take this back to FCP as a separate sequence and apply the filter "Desaturate" (Image control > Desaturate) for the entire film > resave as autonomous .mov > convert into SOUL > master and burn on Blu - ray with still > Presto! NO COLORCASTS on sequence B & W 16mm still and no colorcasts of the file on the Blu - ray disc.

  ***

  I believe that I said above, but in case I didn't, the saturation adjustment or 'Desaturate' via the plugins FCP color corrector work... even with the same exact workflow otherwise. I have no idea why, but if someone always faces the same problem, it worked for me. Only took two weeks to do something that I guessed that would take a day, maybe two. GISH.

  ***

  Thanks again for all the suggestions guys. Really really appreciate it.

  -Alec

• Media Encoder CS6 does not export to common formats such as. MOV. AVI. AIFF. WAV, etc.

  When I queue first CS6 exports, Media Encoder completely ignores custom export settings and chooses some default settings for any other system defined, which I did not choose first. In previous versions first would always pass the encoding parameters to the Media Encoder.

  Update: When I tried to import the settings customized in Adobe Media Encoder, I received an error message: "Preset could not be imported. Any exporter found for this preset. "Then I realized, that AEM doesn't even have a QuickTime export format! He has actually only 4 export formats: H.264 (MP4), FLV, F4V, and MP3. Then, when I accept an export with first with one of these 4 formats, then MEA queue. Something else - it just would not work! So wait - did I miss something, or I can't literally tail all other exports of common format with MEA? I need to work with MOV, AVI, AIFF, WAV etc files, which all are not accepted by the Media Encoder... Or am I missing something?

  This is ridiculous. I am become quite tired of first CS6 bundle - in 20 minutes, I found already 4 features diferent, who have worked in previous versions and not the work more in CS6

  I don't know how it worked in CS5.5 - everyone?

  In another thread, I found the solution! It's here: http://forums.adobe.com/message/4503096

  1. open this file:

  On MAC: /Applications/Adobe Media Encoder CS6/Adobe Media Encoder CS6.app/Contents/Resources/txt/AddExporterList.txt

  On PC: C:\Program Files\Adobe\Adobe Media encode CS6\txt\AddExporterList.txt

  2. the return to a different place.

  3. then remove it and paste this:

  # MediaCore Plugins

  # SOUL Plugins

  AudioWriter

  WinMediaWriter

  # SOUL Plugin Formats

  MPEG4

  H.264 Blu - ray

  4. Save and restart Media Encoder - voila! It worked for me and many others.

• Pouvez Media Encoder coded for Vimeo and YouTube? Put forward settings?

  Is it possible to encode on Vimeo or youtube with encoder 5.5?

  Is there a "Preset" for You Tube 5.5 as it does in media Encoer CS 6?

  Thanks in advance

  There are presets but can only use H.264 and follow the recommendations of Vimeo and save your own preset.

• Adobe Media Encoder can be used to do a live broadcast on youtube live?

  Adobe Media Encoder can be used to do a live broadcast on youtube live?

  No, you would need Adobe Flash Live Media Encoder for live streaming purposes - media Encoder, software to capture video, software audio capture. Adobe Flash Media Live Encoder

  You also need a way to get the video signal from the live camera in the computer/encoder software. Could be USB to a webcam, Firewire for older camcorder DV or HD cameras with HDMI output, for example a Desigh BlackMagic or Matrox capture card 'fuel' video Adobe Flash Media Live Encoder.

  GFFE is a FREE download

  Thank you

  Jeff Pulera

  Safe Harbor computers

• How to actually publish it on YouTube from Adobe Media Encoder

  Hello

  Hope someone can help me with the setting for this.

  I used to encode with Squeeze and they had a very simple way to publish your encoded files automatically on YouTube. All you had to do was to select the publication to YouTube, enter the details of your account (username and password) YouTube and hit check for the software to check the path of way was good and checked everything.

  It worked perfectly as all my work appeared automatically on my YouTube channel.

  Now I was avid to the complete Adobe Creative Suite.

  When I encode in Media Encoder there is a section for FTP

  Unfortunately, I do not know what is the complex terminology. He wants to know what is the port number for YouTube. I have no idea. Or which server it should be uploaded too. Again, I have not a clue. How are you supposed to know the remote directory?

  I know that my YouTube account name and the password, that's about it.

  Can anyone out there tell me if and how I could use the FTP section in a preset to automatically download a YouTube account?

  Would be really grateful!

  Thanks in advance

  Nick

  Currently, it is not possible to upload directly to YouTube with Premiere Pro and Media Encoder. It's something that has been asked in the past and we are considering for future releases.

  Tom

• Care delivery with Media Encoder settings

  

  Try to match these delivery care using Media Encoder and I can't seem to find a reference to certain parameters.

  Here is my form of delivery.

  

  Here are my settings in Media Encoder:

  

  My confusion is if will satisfy these parameters:

  50 Mbps (Long GOP) for video

  422 Profile@HIgh level

  2-channel stereo multiplexed with video

  The flow of Transport MPEG-2 or MPEG - 2 Program Stream

  Bitrate and details of buffering the VARIABLE value (this is the default setting at present) is correct for the generation of CBR files or does have to do with something else in the process?

  Thanks in advance for your valuable assistance.

  -Barry

  No, I think that the default values are sufficient.

• Where are the AE render in Media Encoder settings?

  I would like to use Adobe Media Encoder to render in the background, but how you set the rendering parameters (such as the bit depth, blur, solo switches, guide layers, ect)?

  In addition, how do you choose the color profile output of the SOUL?

  June or July, what is the diff when it's almost November? (Thanks for pointing out my typo fault. Editing my last post for the correct month for the benefit of future readers.)

  Netcommercial wrote:

  I don't know what version without head turns in the BG means?  With regard to #4. By checking my switches for blur, mixing, etc. and change the CAB to 16 in my computer, then save it. That's what the SOUL used to render?  Also ignore post Rick on this one then?  Thanks for your comments.

  When the TEA makes a model of EI, he launched a version of AE which runs without showing any UI, alias "headless". This produces mode silent "in the background", invisible to you unless you look at what processes are active on your computer with Task Manager/Activity Monitor. Launch of the background without head even if you AE already launched (this way you can continue to work at AE SOUL makes).

  To the clear difference between AE and SOUL for you, I think we have to be more specific about the difference between rendering and encoding. We often use these terms sometimes as umbrella language to get your executives to apply and in a file, but we should put in proper context for this particluar pipeline.

  The record is that the calculation of pixels in each image in your comp. AE will always be the application making the frames in your computer, even if it's just a background version without head of AE.

  The encoding is taking the series of images in your comp and write them to a file, using an algorithm (codec) that you choose. The AE and SOUL can encode frames of your model to a file.

  The big difference, and where I think you're getting hung up, is this: in make AE queue, rendering settings options allow you to change how AE makes executives before they are coded but only for what AE does the encoding. TEA does not have this option, or it reads the AE render queue rendering parameters.

  Further, to clarify: SOUL knows nothing of what is in the queue of rendering your AE project. You don't need to put your model in the render queue in order to make with SOUL and the settings you make in the render queue are ignored by the SOUL.

  Claire?

• Adobe Media Encoder Export Settings window size problem

  Any help on this would be appreciated: I use a MacBook pro, osx 10.6, CS4 Web Premium. I used to have a connected external monitor, which had a much higher resolution, so when you use Adobe Media Encoder I have to click the button settings on a video to get the export settings window, then stretched from the window of export settings for the size of my external screen. Now, I use my laptop computer, and export settings window does not resize top buttons left to adjust it to the size of my laptop and the low third export settings window get cut so I do not see the ok/Cancel buttons etc.

  I tried re-installing media encoder (via reinstalled flash using CDs) to try to 'reset' the window sizes, does not solve the problem.

  If anyone knows of any other preferences or something that I could remove to solve this problem, I can be grateful.

  Yes, I received the same answer. This means that adobe don't use OS native windows (shame on them!). I just tried something with CS4 that worked, however. Try this:

  Stop Media encode

  Go to UserHomeDirectory > library > Preferences > Adobe > Adobe Media Encoder 4.0 > and delete the file called "AMEPrefs.xml" and "AppPrefs.xml".

  Then restart Media Encoder. For me, this reset the window size and placement. I tried to move the window of export settings down to half of it was above the bottom of the screen. Once I deleted those files and rebooted, the window was smaller and repositioned.

  If this does not work, try to download the demo of this product:

  http://irradiatedsoftware.com/sizeup/

  It is said that Adobe programs are programs of "disorder", they won't probably resize, but they should at least move. If nothing else, maybe you can move the window value is negative (upwards) so that the resize handle is visible, then move it down so that the header bar is visible again...

• Adobe Media Encoder CC 2015 slow rendering time

  Hello!

  I'm new to video editing in general, but I'm quite intimate with the PC hardware so here.

  Specifications:

  • The stock of 4770K i7, no thermal regulation speed
  • 8 GB 1600 MHz CL9 DDR3 RAM
  • GTX 780 + 170 MHz clock and 110% limit/95 degrees C temp power target
  • Driver 368.39 used
  • 3 x Samsung 840 EVO (no raid)
    • Windows 10 64-bit running off SSD1
      • PE/AE/SOUL installed on this drive
      • Cache / Scratch areas on this drive
      • Images under development
    • SSD 2
      • Games
    • SSD3
      • Games

  I save images using shadowplay NVIDIA from a 75 Hz screen 2560 x 1080. The output file is a 1920 x 1080 60 fps 35Mbps bitrate H.264 MP4 file. (1920 x 810 with black bars).

  I would add that sequences Adobe Premiere elements 14, do any editing that I have to do, and then export it to a file of bitrate MP4 1080 p H.264 12Mbps. The rendering process usually take around 10-12 minutes to 6 minutes video.

  I then add this file to output in Adobe After effects CC 2015, create a composition with drag and create a button, add a few layers of text and export it via Adobe Media Encoder CC 2015 (AE supports native H.264 from what I understand) with the SAME PARAMETERS. But this time, and I estimate that I type here, render times are 40 minutes.

  I ran a few tests and in the course of the first to make the CPU turns to about 80% CPU and the use of 1.8 to 2 GB, as I watch often some youtube in the meantime, so that understandeably not 100%. However, to the course to make AE/SOUL, le CPU CPU remains at about 30% CPU and 1.8 GB ram usage. With the help of the Mercury Playback Engine GPU Acceleration (CUDA) I expect to see more high on my GTX 780 loads, but he is 2-3% of load, so anything.

  Since my render outputs are (to the best of my knowledge) identical between the EP and shall return AE/SOUL, it seems that the use of material by SOUL is in this case. Other posters have suggested that some effects require the previous frame to be returned to pass, but I have not used such effects, are limited to simple text.

  So what's happening? I would appreciate any insight you have on this and I stand ready to provide more information that you need.

  Kind regards

  Corentin Robin wrote:

  First of all, wow. Thank you so much for the depth and quality of your response! If everyone had that kind of mentality, forums would be a very different place...

  No problem! That's why I'm here.

  It is certainly useful that you said your question clearly, with a lot of info and he asked respectfully. Quantity of, "why his does not work u should help me solve this NAOW! 1. 1. ' messages with no information is astounding.

  Corentin Robin wrote:

  I'll try to be to condense my game data on a single disk or both and use the third exclusively for editing. Or I could buy a new one, if the budget allows.

  This would be ideal. In my freelance studio, I have three separate units

  1. OS/software
  2. Footage
  3. Cache (if there are different types of player, it should be faster than you [I know your are currently all the same, it's more for future fans forum])

  It will probably not help much for the rendering speed, but it should help when you're interacting.

  Corentin Robin wrote:

  Before moving on to something else, I want to explain what I'm doing with text. I add text and overlay video, with sometimes a few very basic motion tracking (I can't forget this feature if I need). To the best of my knowledge, PE lets just add a black screen with text over time, like on a Blackboard for example. No text overlays/over-the-video (if it has no meaning...). So respect that, Premiere Pro have these features? If so I could make the switch.

  Certainly, you should stop using the Premiere Elements and start using Premiere Pro. Not only it gives MUCH more flexibility in the work, but you can layer objects of type as much as you want on top of your film.

  He was also transparent enough with AE. By example, if you have a shot that you want to add text, you could cut the part that would have text and simply right-click and choose "replace with After Effects composition. That images will be replaced with a dynamic link to a model of EI that already contains the images that you are handling. You save your AE project and results will be displayed immediately on the first! It's really convenient. If you want to keep this direct link, you can. Or if you are sure you are finished with AE work and wants to read smoothly at first, you can choose to make and replace it. It restores an intermediate file to AE and replaces the model tied first with her. VERY useful feature.

  If you keep track of movement, you probably want to use AE. Although you can make an animation in Premiere Pro, AE is much more suited to do. And if you start to get really fancy, you probably want to do some rotoscoping too.

  Corentin Robin wrote:

  I understand that EI requires much more accurately, and the way you explained it enabled me to understand one of the big question I had with her, which was "why reading in real time is so difficult in AE? You answered that perfectly, cheers!

  There is much more detail in the fact that I could get! Basically, AE must first build a cache, and then he reads. Maybe I should have said that. It is even simpler and shorter!

  Corentin Robin wrote:

  On the issue of compression, I realized that the work of a compressed codec is not ideal. My gross output of Shadowplay file was indeed H.264 because I believe that is the single output file, it allows. I don't think I can do without shadowplay for now because it has unique characteristics which cannot be replaced:

  • For extremely low hardware with Nvidia drivers
  • Ability to retroactively save a video after an interesting "keep-worthy" event, to avoid recording 24/7 in the hope of something interesting

  Those who do not sound like some very useful features. Just make sure that you get quality settings in the codec to achieve a data rate as it allows.

  Corentin Robin wrote:

  Also, to continue on the issue of compression, I got mixed responses regarding this. Some, like you, would say that working with H.264 sacrifices quality and performance, but some say that it is not a problem since the youtube compression will be severely disfigue the file in any case.

  YouTube can recompress, Yes. But if so, it adds ANOTHER layer of compression. That would be an argument even more important to preserve the quality of your side as much as possible.

  Corentin Robin wrote:

  I think my question would be: I would win a much higher quality using Fraps/Dxtory where I can control the settings of the raw images (keeping in mind I lose the comfort of ShadowPlay) even though the compression of Youtube should (I think?) disfigure this film?

  I think that the benefits of ShadowPlay outweigh the concerns that I had about compression in only one step. I still say don't do any other steps in making H.264s again and again that you transmit your project between applications. If you need to make something (you won't have to if you start to use together the Premiere Pro and AE), renders an intermediate codec until you create your deliverable.

  Corentin Robin wrote:

  So, keeping in mind of all of your suggestions and the constraints I have / has chosen to conform to, I should:

  • Have the work files on a separate disk, with areas scratch on this drive or free
  • Replace PE PP to eliminate the need for the AE and have only a single record
  • Since a single rendition is necessary, it is therefore more a real need for an intermediate codec low compression/lossless

  Yes. Although, you can still use AE, you have eliminated the need to make the intermediate files if you use Premiere Pro and AE set.

  In addition the Dynamic Link workflow I mentioned, you can also (once you have finished your editing in Premiere Pro), your Premiere Pro project import into AE. Use import > import Premiere Pro control project. She puts your complete sequence in AE with each cut on its own layer. You really need to do if you started to do really complex with your AE work if.

• Export of media in Premiere Pro CS6 ONLY produces an Audio file in Media Encoder

  First of all, all the System Info:

  Windows 7 Home Premium Service Pack 1

  Intel HD Graphics 3000 graphics card

  I use the first Pro CS6 Version 6.0.5 (001 (MC: 264587)) «Mighty Kilt»

  Version 6.0.3.1 (64-bit) Adobe Media Encoder cs6

  Other Adobe applications: AIR, creative cloud, Download Assistant, Encore CS6 Library, 12 ActiveX of Flash Player, Flash Player Plugin from 12, Manager help, Premiere Pro CS6, Premiere Pro CS6 functional Content, reader XI

  I ran on Premiere Pro and Media Encoder updates and everything is up-to-date

  I produce a two disc double layer DVD for 100 families of my sons of fanfare.

  I have half an hour "masterpiece" of interviews, segments of performance, rehearsal sequences, credits, etc. that I edited complete set with sound, etc.

  I also have various other video segments of the season, a high quality (1920 x 1080) and a decline in quality.

  Rather than import in yet and have yet to transcode all the same quality, I wanted to make sure the piece of half an hour and some other segments were transcoded in highest possible quality and given the large size of the files that I could and then transcode other segments at lower levels of quality as it is necessary so all the space on the disks.

  The company I use to duplicate/replicate the 100 DVDs of my DVD Master advised me to encode them FIRST in Premiere Pro as you wish and THEN import these files into yet.

  I used Adobe Media encode a lot to export the individual segments in the files, I could upload it to Youtube and have had no problems for several months.

  But now, two things happen:

  (1) SOUL automatically designates the file 'exit' with an extension .aac (see table)

  (2) when I do a file "import under" soul encoded in still won't load an audio file (obviously)

  Huh?

  Here are the settings I use in my export media dialog in Premiere Pro CS6:

  Format: MPEG2-DVD

  Screening: NTSC widescreen high quality

  Out of name (and the file type): _ name with like kind of video Files (*.mpg) «»

  Boxes to "Export video" so much "Export Audio" is checked (see attached screen print)

  The filters tab: on the left as is, don't do anything here

  Multiplexer tab:

  • Click on the button "DVD" (vs. the "None" button)
  • Bitrate type: left as Variable that matches what is selected by default

  Video tab:

  • Codec: Reads MainConcept MPEG video
  • Quality: increase it up to 5
  • TV standard: NTSC
  • Frame rate: 29.97
  • Field order: no (progressive)
  • Pixel Aspect ratio: screen 16:9 wide
  • Go to maximum depth box checked
  • Encoding Bitrate: I choose CBR for my high quality segments and VBR 2 pass for my segments of lower quality
  • Bitrate: kick up to max to high quality segments, adjust as required to obtain the size of the file that I want for my lower segments of quality

  Audio tab:

  • Audio format: Dolby Digital
  • Codec: Dolby Digital
  • Bitrate: 320 at least, sometimes higher for segments, I want to be the highest quality

  I check the box of "quality to make Maximum usage.

  I chose 'Tail' for everything and then let it run all night

  And Yes, the original media has TWO a video track and audio track that works (see screenshot)

  So... What am I doing wrong, useful experts?

  A - ha! MPEG2 export formats missing in the SOUL is the key to the riddle. You have a license problem, possibly the one discussed here: http://forums.adobe.com/message/4401451.

  I'm not familiar with this issue and has not taken the time to read the pages that links Todd to-instead, I wanted to get the link for you as soon as POSSIBLE. If you have a problem directly solving the problem, I see two immediate options: 1) encode "in-process" by Premiere Pro by clicking 'Export' in the dialog box export settings (as opposed to the queue, which of course sends the job of the SOUL), or 2) to install the trial version of CC (aka 7.x).