Adobe Media Encoder project stuck on loan - status will not encode

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  Hey,.

  I wanted to download the trial version of Photoshop, I went to the main and clicked Web page to download Photoshop trial. Then it took connect me so I did. Then he said "Photoshop download now...". "and a creative cloud box pops up saying"the Update Installation ". But the bar on the screen is stuck on 0%?

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  Restart your computer and run the Setup again.

• Adobe Media Encoder CC2015.3 stuck in reading XMP

  I'm really really frustrated with Adobe CC bugs.

  I just formatted and reinstalled all (Adobe CC2015.3) on my new PC:

  -10 Windows

  -intel I7 - 6900K

  -128 GB DDR4 RAM

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  You do understand that I need to export 70 sequences (which take 5 minutes each) and I can't wait for this 100 hours just to read XMP SOUL!

  I also tried the following in the SOUL: edition-> Preferences-> metadata-> set to none (no metadata export) all fields

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  I read ALL the threads on this subject, without finding any solution.

  Please help me, I'm going to face a huge backlog that will make our customers very angry...

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  Hi, thanks for your answer! I just finished a call with the help of Adobe and we tried your suggestions with no result.

  Moreover, after an hour of troubleshooting came us to this conclusion:

  The problem may be related to the fact that this project was converted in to CC2015.2 under Windows 7 CC2015.3 in Windows 10. It is unclear why this is happening and it seems that there is no solution to this. They said that if I create a new project from scratch I shouldn't re-encounter this problem.

  However, we found a working solution:

  Put out the sequence you want to export, click on file > export > selection as a Premiere Pro project (I have the Italian version and I translated it here on the fly... not sure whether this is in fact the correct translation) and save some part of these projects.

  Then, open the project just created, export the sequence on Adobe Media Encoder, click the game and this is! Loading XMP spend 1 hour to like 3-5 minutes (acceptable).

  Well... it's a workaround, not a solution. But it works a little bit.

  I'll let you know if I have other problems with new projects.

• "Adobe Media Encoder release" suspended publishing

  I am trying to publish some of the modules that have been developed by a vendor, and publish it stands on a dialog box indicating "launch Adobe Media Encoder. Generation of mp4. I'm trying to publish a bunch of Tin Can, not a flv. I'm not sure what it is, but I can't spent to publish the zip files. Any ideas?

  If you try to publish for Tin, then you do not use the media, released for SWF/HTM or HTML5 only parameters.

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• Adobe Media Encoder CC 2015 slow rendering time

  Hello!

  I'm new to video editing in general, but I'm quite intimate with the PC hardware so here.

  Specifications:

  • The stock of 4770K i7, no thermal regulation speed
  • 8 GB 1600 MHz CL9 DDR3 RAM
  • GTX 780 + 170 MHz clock and 110% limit/95 degrees C temp power target
  • Driver 368.39 used
  • 3 x Samsung 840 EVO (no raid)
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      • PE/AE/SOUL installed on this drive
      • Cache / Scratch areas on this drive
      • Images under development
    • SSD 2
      • Games
    • SSD3
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  I save images using shadowplay NVIDIA from a 75 Hz screen 2560 x 1080. The output file is a 1920 x 1080 60 fps 35Mbps bitrate H.264 MP4 file. (1920 x 810 with black bars).

  I would add that sequences Adobe Premiere elements 14, do any editing that I have to do, and then export it to a file of bitrate MP4 1080 p H.264 12Mbps. The rendering process usually take around 10-12 minutes to 6 minutes video.

  I then add this file to output in Adobe After effects CC 2015, create a composition with drag and create a button, add a few layers of text and export it via Adobe Media Encoder CC 2015 (AE supports native H.264 from what I understand) with the SAME PARAMETERS. But this time, and I estimate that I type here, render times are 40 minutes.

  I ran a few tests and in the course of the first to make the CPU turns to about 80% CPU and the use of 1.8 to 2 GB, as I watch often some youtube in the meantime, so that understandeably not 100%. However, to the course to make AE/SOUL, le CPU CPU remains at about 30% CPU and 1.8 GB ram usage. With the help of the Mercury Playback Engine GPU Acceleration (CUDA) I expect to see more high on my GTX 780 loads, but he is 2-3% of load, so anything.

  Since my render outputs are (to the best of my knowledge) identical between the EP and shall return AE/SOUL, it seems that the use of material by SOUL is in this case. Other posters have suggested that some effects require the previous frame to be returned to pass, but I have not used such effects, are limited to simple text.

  So what's happening? I would appreciate any insight you have on this and I stand ready to provide more information that you need.

  Kind regards

  Corentin Robin wrote:

  First of all, wow. Thank you so much for the depth and quality of your response! If everyone had that kind of mentality, forums would be a very different place...

  No problem! That's why I'm here.

  It is certainly useful that you said your question clearly, with a lot of info and he asked respectfully. Quantity of, "why his does not work u should help me solve this NAOW! 1. 1. ' messages with no information is astounding.

  Corentin Robin wrote:

  I'll try to be to condense my game data on a single disk or both and use the third exclusively for editing. Or I could buy a new one, if the budget allows.

  This would be ideal. In my freelance studio, I have three separate units

  1. OS/software
  2. Footage
  3. Cache (if there are different types of player, it should be faster than you [I know your are currently all the same, it's more for future fans forum])

  It will probably not help much for the rendering speed, but it should help when you're interacting.

  Corentin Robin wrote:

  Before moving on to something else, I want to explain what I'm doing with text. I add text and overlay video, with sometimes a few very basic motion tracking (I can't forget this feature if I need). To the best of my knowledge, PE lets just add a black screen with text over time, like on a Blackboard for example. No text overlays/over-the-video (if it has no meaning...). So respect that, Premiere Pro have these features? If so I could make the switch.

  Certainly, you should stop using the Premiere Elements and start using Premiere Pro. Not only it gives MUCH more flexibility in the work, but you can layer objects of type as much as you want on top of your film.

  He was also transparent enough with AE. By example, if you have a shot that you want to add text, you could cut the part that would have text and simply right-click and choose "replace with After Effects composition. That images will be replaced with a dynamic link to a model of EI that already contains the images that you are handling. You save your AE project and results will be displayed immediately on the first! It's really convenient. If you want to keep this direct link, you can. Or if you are sure you are finished with AE work and wants to read smoothly at first, you can choose to make and replace it. It restores an intermediate file to AE and replaces the model tied first with her. VERY useful feature.

  If you keep track of movement, you probably want to use AE. Although you can make an animation in Premiere Pro, AE is much more suited to do. And if you start to get really fancy, you probably want to do some rotoscoping too.

  Corentin Robin wrote:

  I understand that EI requires much more accurately, and the way you explained it enabled me to understand one of the big question I had with her, which was "why reading in real time is so difficult in AE? You answered that perfectly, cheers!

  There is much more detail in the fact that I could get! Basically, AE must first build a cache, and then he reads. Maybe I should have said that. It is even simpler and shorter!

  Corentin Robin wrote:

  On the issue of compression, I realized that the work of a compressed codec is not ideal. My gross output of Shadowplay file was indeed H.264 because I believe that is the single output file, it allows. I don't think I can do without shadowplay for now because it has unique characteristics which cannot be replaced:

  • For extremely low hardware with Nvidia drivers
  • Ability to retroactively save a video after an interesting "keep-worthy" event, to avoid recording 24/7 in the hope of something interesting

  Those who do not sound like some very useful features. Just make sure that you get quality settings in the codec to achieve a data rate as it allows.

  Corentin Robin wrote:

  Also, to continue on the issue of compression, I got mixed responses regarding this. Some, like you, would say that working with H.264 sacrifices quality and performance, but some say that it is not a problem since the youtube compression will be severely disfigue the file in any case.

  YouTube can recompress, Yes. But if so, it adds ANOTHER layer of compression. That would be an argument even more important to preserve the quality of your side as much as possible.

  Corentin Robin wrote:

  I think my question would be: I would win a much higher quality using Fraps/Dxtory where I can control the settings of the raw images (keeping in mind I lose the comfort of ShadowPlay) even though the compression of Youtube should (I think?) disfigure this film?

  I think that the benefits of ShadowPlay outweigh the concerns that I had about compression in only one step. I still say don't do any other steps in making H.264s again and again that you transmit your project between applications. If you need to make something (you won't have to if you start to use together the Premiere Pro and AE), renders an intermediate codec until you create your deliverable.

  Corentin Robin wrote:

  So, keeping in mind of all of your suggestions and the constraints I have / has chosen to conform to, I should:

  • Have the work files on a separate disk, with areas scratch on this drive or free
  • Replace PE PP to eliminate the need for the AE and have only a single record
  • Since a single rendition is necessary, it is therefore more a real need for an intermediate codec low compression/lossless

  Yes. Although, you can still use AE, you have eliminated the need to make the intermediate files if you use Premiere Pro and AE set.

  In addition the Dynamic Link workflow I mentioned, you can also (once you have finished your editing in Premiere Pro), your Premiere Pro project import into AE. Use import > import Premiere Pro control project. She puts your complete sequence in AE with each cut on its own layer. You really need to do if you started to do really complex with your AE work if.

• Adobe Media Encoder shows do not export first

  When put on hold the videos of the first to open in Adobe Media Encoder (SOUL), SOUL opens automatically, but nothing appears inside the SOUL.

  I use

  Adobe Media Encoder CC 2015.2

  9.2.0.26 build

  OS X Yosemite

  10.10.5

  Mac 27 inches, end of 2013

  3.5 GHz Intel Core i7

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GTX M 780, 4096 MB

  I tried opening SOUL all holding the shift to restart the preferences, but this did not help.

  If you need further information then ask.

  Any suggestions are welcome.

  Thanks in advance for your help.

  Try this:

  Go to the following locations:

  1 location: In the Finder, click go > go to folder > ~/Library/Application Support/Adobe

  Situation 2: Go > go to folder > ~/Library/Preferences/Adobe

  Location 3: Documents > Adobe

  Everywhere, rename the folders 'Adobe' to 'OldAdobe '.

  Launch the first, accept the license agreement and see if it works.

  Note: You will lose your customized workspaces and keyboard shortcuts.

  Import your project into a new project from Premiere Pro and he queued for export to Adobe Media Encoder.

  Check to see if that makes a difference.

  Thank you

  Ilyes Singh

• Adobe Media Encoder CC won't let me import a specific sequence of Premiere Pro

  I'm on a trial version of Adobe Media Encoder CC. I try to import a Premiere Pro sequence (I have an old version 2.0) and it won't let me choose a specific sequence within the project, it will let me only import the first sequence. The dialog box sequence which is supposed to open when I select 'Import first Pro Sequence' under 'File' does not, let me only to select a project and will then automatically import the first sequence for this project. The box in the preferences for "Import sequences of natively" under Premiere Pro is grayed out and I can't seem to change, which is what I apparently have to do to activate dynamic links. However, I think that it is possible that either the trial version doesn't let me do, or my first version is just too old and there is a mismatch.

  You must have a newer version of Premiere Pro to use dynamic linking.  The versions of Premiere Pro and SOUL should be of the same generation.

• Adobe Media Encoder crashes on Windows 10

  A week ago, I "upgraded" to Windows 7 Pro for Windows 10 Pro and now...

  In my Premiere Pro CS3 (I know, I know, why am I not spend a ton on an upgrade of the CC...).

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  Everything on my Adobe Creative Suite CS3 Master Collection worked perfectly

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  Hi Johnnie_D,

  I apologise for this inconvenience, but I'm not sure if the CS3 products are compatible for Windows 10 or not.

  Because Adobe Premiere Pro CS3 was launched in 2007, Adobe does not any further development on this version of Premiere Pro.

  In addition, Windows 10 was launched in 2015 and only creative cloud products have been tested with this operating system.

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  Gweedozedo,

  Rendering inside of Premiere Pro.  Now that you ask, I think that I tried to use the option queue and I get an error.

  Probably, your IT Department do not have the correct version of the creative cloud to your computer. There are two different types of installations: one who wears this royalty bearing codecs (you need) and those who are not, which gives you errors when exporting. Talk to your IT Department to install the correct version of the creative cloud.

  If this isn't the case, please uncheck this answer as being correct and let us know what your problem or if you still need help.

  Thank you

  Kevin

• direction of Adobe and adobe media encoder cc 2015

  Hello

  When I downloaded adobe direction also adobe media encoder cc 2015 has been downloaded without selecting it. Why?

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  Adobe media encoder lets you batch encode. For example if you are working on a bunch of projects that can all time several minutes to several hours to encode them set in a queue that the Media Encoder will make all.  Also if you have a big enough computer man you can be coding projects he was working on a new one first.  I use the queue feature a lot since I'm often having to create multiple versions of a project with slight variations. And rather than export, make the changes, export the next, etc. etc., I can just add each variation to the queue and let the process out without waiting to complete. Hope that makes sense.

  He has a bunch of other useful features, but it's the only thing that I really need to.

• Size of the smallest Possible video in Adobe Media Encoder

  Hello

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  RENAME THE LOT IN ADOBE BRIDGE FOR VICTORY