direction of Adobe and adobe media encoder cc 2015

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• Adobe Media Encoder CC 2015 slow rendering time

  Hello!

  I'm new to video editing in general, but I'm quite intimate with the PC hardware so here.

  Specifications:

  • The stock of 4770K i7, no thermal regulation speed
  • 8 GB 1600 MHz CL9 DDR3 RAM
  • GTX 780 + 170 MHz clock and 110% limit/95 degrees C temp power target
  • Driver 368.39 used
  • 3 x Samsung 840 EVO (no raid)
    • Windows 10 64-bit running off SSD1
      • PE/AE/SOUL installed on this drive
      • Cache / Scratch areas on this drive
      • Images under development
    • SSD 2
      • Games
    • SSD3
      • Games

  I save images using shadowplay NVIDIA from a 75 Hz screen 2560 x 1080. The output file is a 1920 x 1080 60 fps 35Mbps bitrate H.264 MP4 file. (1920 x 810 with black bars).

  I would add that sequences Adobe Premiere elements 14, do any editing that I have to do, and then export it to a file of bitrate MP4 1080 p H.264 12Mbps. The rendering process usually take around 10-12 minutes to 6 minutes video.

  I then add this file to output in Adobe After effects CC 2015, create a composition with drag and create a button, add a few layers of text and export it via Adobe Media Encoder CC 2015 (AE supports native H.264 from what I understand) with the SAME PARAMETERS. But this time, and I estimate that I type here, render times are 40 minutes.

  I ran a few tests and in the course of the first to make the CPU turns to about 80% CPU and the use of 1.8 to 2 GB, as I watch often some youtube in the meantime, so that understandeably not 100%. However, to the course to make AE/SOUL, le CPU CPU remains at about 30% CPU and 1.8 GB ram usage. With the help of the Mercury Playback Engine GPU Acceleration (CUDA) I expect to see more high on my GTX 780 loads, but he is 2-3% of load, so anything.

  Since my render outputs are (to the best of my knowledge) identical between the EP and shall return AE/SOUL, it seems that the use of material by SOUL is in this case. Other posters have suggested that some effects require the previous frame to be returned to pass, but I have not used such effects, are limited to simple text.

  So what's happening? I would appreciate any insight you have on this and I stand ready to provide more information that you need.

  Kind regards

  Corentin Robin wrote:

  First of all, wow. Thank you so much for the depth and quality of your response! If everyone had that kind of mentality, forums would be a very different place...

  No problem! That's why I'm here.

  It is certainly useful that you said your question clearly, with a lot of info and he asked respectfully. Quantity of, "why his does not work u should help me solve this NAOW! 1. 1. ' messages with no information is astounding.

  Corentin Robin wrote:

  I'll try to be to condense my game data on a single disk or both and use the third exclusively for editing. Or I could buy a new one, if the budget allows.

  This would be ideal. In my freelance studio, I have three separate units

  1. OS/software
  2. Footage
  3. Cache (if there are different types of player, it should be faster than you [I know your are currently all the same, it's more for future fans forum])

  It will probably not help much for the rendering speed, but it should help when you're interacting.

  Corentin Robin wrote:

  Before moving on to something else, I want to explain what I'm doing with text. I add text and overlay video, with sometimes a few very basic motion tracking (I can't forget this feature if I need). To the best of my knowledge, PE lets just add a black screen with text over time, like on a Blackboard for example. No text overlays/over-the-video (if it has no meaning...). So respect that, Premiere Pro have these features? If so I could make the switch.

  Certainly, you should stop using the Premiere Elements and start using Premiere Pro. Not only it gives MUCH more flexibility in the work, but you can layer objects of type as much as you want on top of your film.

  He was also transparent enough with AE. By example, if you have a shot that you want to add text, you could cut the part that would have text and simply right-click and choose "replace with After Effects composition. That images will be replaced with a dynamic link to a model of EI that already contains the images that you are handling. You save your AE project and results will be displayed immediately on the first! It's really convenient. If you want to keep this direct link, you can. Or if you are sure you are finished with AE work and wants to read smoothly at first, you can choose to make and replace it. It restores an intermediate file to AE and replaces the model tied first with her. VERY useful feature.

  If you keep track of movement, you probably want to use AE. Although you can make an animation in Premiere Pro, AE is much more suited to do. And if you start to get really fancy, you probably want to do some rotoscoping too.

  Corentin Robin wrote:

  I understand that EI requires much more accurately, and the way you explained it enabled me to understand one of the big question I had with her, which was "why reading in real time is so difficult in AE? You answered that perfectly, cheers!

  There is much more detail in the fact that I could get! Basically, AE must first build a cache, and then he reads. Maybe I should have said that. It is even simpler and shorter!

  Corentin Robin wrote:

  On the issue of compression, I realized that the work of a compressed codec is not ideal. My gross output of Shadowplay file was indeed H.264 because I believe that is the single output file, it allows. I don't think I can do without shadowplay for now because it has unique characteristics which cannot be replaced:

  • For extremely low hardware with Nvidia drivers
  • Ability to retroactively save a video after an interesting "keep-worthy" event, to avoid recording 24/7 in the hope of something interesting

  Those who do not sound like some very useful features. Just make sure that you get quality settings in the codec to achieve a data rate as it allows.

  Corentin Robin wrote:

  Also, to continue on the issue of compression, I got mixed responses regarding this. Some, like you, would say that working with H.264 sacrifices quality and performance, but some say that it is not a problem since the youtube compression will be severely disfigue the file in any case.

  YouTube can recompress, Yes. But if so, it adds ANOTHER layer of compression. That would be an argument even more important to preserve the quality of your side as much as possible.

  Corentin Robin wrote:

  I think my question would be: I would win a much higher quality using Fraps/Dxtory where I can control the settings of the raw images (keeping in mind I lose the comfort of ShadowPlay) even though the compression of Youtube should (I think?) disfigure this film?

  I think that the benefits of ShadowPlay outweigh the concerns that I had about compression in only one step. I still say don't do any other steps in making H.264s again and again that you transmit your project between applications. If you need to make something (you won't have to if you start to use together the Premiere Pro and AE), renders an intermediate codec until you create your deliverable.

  Corentin Robin wrote:

  So, keeping in mind of all of your suggestions and the constraints I have / has chosen to conform to, I should:

  • Have the work files on a separate disk, with areas scratch on this drive or free
  • Replace PE PP to eliminate the need for the AE and have only a single record
  • Since a single rendition is necessary, it is therefore more a real need for an intermediate codec low compression/lossless

  Yes. Although, you can still use AE, you have eliminated the need to make the intermediate files if you use Premiere Pro and AE set.

  In addition the Dynamic Link workflow I mentioned, you can also (once you have finished your editing in Premiere Pro), your Premiere Pro project import into AE. Use import > import Premiere Pro control project. She puts your complete sequence in AE with each cut on its own layer. You really need to do if you started to do really complex with your AE work if.

• How can I make the export in Adobe Media Encoder CC 2015 format MXF 25 Pal 720 x 576, in CS6 is possible!

  How can I do for export in Adobe Media Encoder CC 2015 MXF 25 Pal 720 x 576 format?

  CS6 is possible!

  Hi Ser VOC,

  Here's how you can do:

  

  Under Format, select MXF OP1a and fewer Preset: DV PAL 25.

  Thank you

  Regalo

• Adobe Media Encoder CC 2015 dislikes first Pro CC 2014

  When I go to export and the Adobe Media Encoder queue I get this message: Adobe Media Encoder is not installed. Please download and install it to use this feature. Go to https://creative.adobe.apps

  But the thing is, SOUL IS installed. I even uninstalled and reinstalled SOUL CC 2015. Is it possible to link these two programs? I know that I'm missing the obvious answer.

  I just downloaded ALL the new 2015 CC updates yesterday (06/17/15). I'm not using first CC 2015 because I didn't have time to put in place the way I still love.

  
  

  I appreciate any help you have. Thank you!

  To the queue of Premiere Pro to the SOUL, versions must match between these applications.  Thus, you need to install the first Pro CC 2015 in order to SOUL CC2015 queued.  First Pro CC2014 links only to the SOUL CC2014.

• Export of Adobe Media Encoder CC 2015 H.264, very poor quality compared to VLC

  Hello

  I do a few screencast with VLC Media Player (www.videolan.org, free and open source), it picks up my office and exports the file to H.264 format at 25 fps. Can I change this in the body and also to export the video in the H.264 format.

  All right, but... The original video files of VLC has a good quality with a very low rate (200 Kbps), and when I try to export the edited with the same flow of SOUL video, the quality is just horrible! Artifacts, fuzzy, with a few blocks... Even if I export with a rate over 20 times higher than the original file (4400 Kbps), the quality is not as good as the original.

  Here is a comparison between the export of three:

  

  Can you explain to me why there is a big difference even if the flow is multiplied by 20? Here are the settings of export (with a rate of 400 Kbps):

  

  Thank you very much for your help and please excuse my bad English

  Any time you take a highly compressed encoded video and then re - encode at such a low rate, it will look bad. In this case, your examples are not surprising at all.

  I don't know how VLC it coded in the first place (color space limited?), but I know that for some that you'll never get a good video performance with such a low flow and a high resolution - especially since you're re-encoding video already highly compressed.

  As a suggestion, regardless of your final settings, 2-pass encoding will give you a slightly higher quality for your budget to flow. 1 pass encoding in my experience is generally better for situations where you are not worried about bitrate, or when you need to code something quickly.

  Good luck with your efforts!

• Adobe Media Encoder shows do not export first

  When put on hold the videos of the first to open in Adobe Media Encoder (SOUL), SOUL opens automatically, but nothing appears inside the SOUL.

  I use

  Adobe Media Encoder CC 2015.2

  9.2.0.26 build

  OS X Yosemite

  10.10.5

  Mac 27 inches, end of 2013

  3.5 GHz Intel Core i7

  16 GB 1600 MHz DDR3

  NVIDIA GeForce GTX M 780, 4096 MB

  I tried opening SOUL all holding the shift to restart the preferences, but this did not help.

  If you need further information then ask.

  Any suggestions are welcome.

  Thanks in advance for your help.

  Try this:

  Go to the following locations:

  1 location: In the Finder, click go > go to folder > ~/Library/Application Support/Adobe

  Situation 2: Go > go to folder > ~/Library/Preferences/Adobe

  Location 3: Documents > Adobe

  Everywhere, rename the folders 'Adobe' to 'OldAdobe '.

  Launch the first, accept the license agreement and see if it works.

  Note: You will lose your customized workspaces and keyboard shortcuts.

  Import your project into a new project from Premiere Pro and he queued for export to Adobe Media Encoder.

  Check to see if that makes a difference.

  Thank you

  Ilyes Singh

• I can't import my fla file in Adobe Media Encoder

  Why? or how? When I export my works with Adobe Flash Professional CC, it export it in a fla file, I can also export directly in Adobe Media Encoder vut I have the same error every time.

  The error say that SOUL could not simply matter the file...

  Hi Leo,

  While we have removed the export capacity of .flv, you should still be able to import a .flv in SOUL. You can try another file?

  Thank you

  Kevin

• Troubled video export - CC animate Adobe and Adobe Media Encoder

  After you have created a simple animation in Adobe animate CC, I want to export to a video file. Given that the export will result in one. MOV file, it requires Quicktime.

  But I get messages from the CC animate and Adobe Media Encoder that the file is unusable, see attached screenshots.

  

  

  

  Is it because that I Don t have Quicktime installed on my computer?

  And one more question: as Microsoft announced that Quicktime player is a risk to security, how can we, who uses a Windows platform, use CC animate it s potential, if Quicktime is required as support software?

  Is it perhaps other ways to convert your animation animate CC for a MP4 or other formats, to breast to animate it CC?

  What other software do I need to convert a video animation file?

  Hardware and software:

  HP laptop

  Microsoft Windows 7 Enterprise

  Intel Core i7 - 4800MQ CPU 2.70 Ghz

  16 GB memory

  How works the video export is incredible. It can control how the code real time based animations are rendered. It is not surprising that he needs QuickTime to render so well. I think that for now you don't have a choice but to install QuickTime.

  The latest QuickTime Player may have security problems may relate more to XP users. The issue in the news was reported in November and January, Apple released version 7.7.9, to deal with the issues who read as they are the same ones. But this version is not compatible with XP.

  As you are on Windows 7, you can install the 7.7.9 version and be pretty up to date with security patches. If new questions rise, and suppose that Apple do not release a patch, make sure just that QuickTime is not configured to be Media Player by default and not go search the web looking for examples of QuickTIme sequences that are on questionable web sites.

  In your Animate/video workflow, you have no reason to open QuickTime Player itself, or to be sequences QuickTime viewing in a browser, so I'm sure that you'll be safe.

  Another tip, the default export quality is average. If you put this line of code in the first frame of the timeline:

  internship. Quality = "best";

  the video quality will be much better. In addition, putting bitmaps to be lossless and allow smoothing. Even if the SWF from the scene becomes too demanding play, the exported video will be perfect.

• Different plan back color between the composition and rendering after adobe media encoder

  I discovered after effect...

  I have a problem of correspondence between the composition and the final rendering through adobe media encoder

  The color of the background composition of Loire (regardless of color) and always a background BLACK after the adobe media encoder

  

  Despite several manipulations by changing the settings I can't solve the problem.

  A little help would be welcome, thanks

  The composition background color will never surrender.  Hug composition background color will never, not even with the record locator.  The background is transparent and will always be unless you fill it with pixels. Unless you choose a format that supports Alpha channels, Alpha channels will make always black. Media players will always play a movie with a black background with alpha channel. If you want a yellow background, you will need a solid yellow or yellow shape on the bottom of your model layer.

• No layer of setting Audio and missing on Adobe Media Encoder export?

  I have a problem with Adobe Media Encoder.

  I tried rendering on a 03:14 video .mp4 (Youtube 1080 p) and Facbeook 720 p presets and is not make properly. The audio is always completely silent, and among the adjustment layers is rendered.

  When I made a (absolutely freakin ' huge) .mov using Render tail to After Effect, it works fine.

  Anyone know what is happening?

  Update: Solution found. Apparently, I need to clean the media cache, so it can rebuild.

• First and Adobe Media encoder crashing with the module KERNELBASE. DLL

  I have 2 computers windows 10 crashing while selecting a folder in the window of browser Explorer of files within these programs. These machines is 2 weeks, with 10 Pro from the start windows. The other machine has 3 months with windows 7 upgraded to Win 10.

  Machine 1
  

  ASUS X 99-Pro

  Six Core i7
  

  32 GB of Ram

  GTX 980

  Intel 750 PCIE SSD

  
  

  Computer2

  ASUS Rampage IV

  Six Core i7

  64 GB of Ram

  GTX 780

  Samsung 1 TB SSD PRO 850

  
  

  
  

  
  

  
  

  Name of the failing application: Adobe Media Encoder.exe, version: 9.1.0.163, time stamp: 0x564db283

  Name of the failed module: KERNELBASE.dll, version: 10.0.10240.16384, time stamp: 0x559f38c3

  Exception code: 0xe06d7363

  Offset: 0x000000000002a1c8

  ID of the process failed: 0 x 4150

  Start time of application vulnerabilities: 0x01d136ce9193dbc6

  The failing application path: C:\Program Files\Adobe\Adobe Media Encoder 2015\Adobe Media Encoder.exe CC

  Path of the failing module: C:\WINDOWS\system32\KERNELBASE.dll

  Report ID: 3725abd1-4ce3-44bc-97d0-f44f2a9ec7a5

  Faulting full name of the package:

  ID of the failed package-parent application:

  Name of the failing application: Adobe first Pro.exe, version: 9.1.0.174, time stamp: 0x564dce25

  Name of the failed module: KERNELBASE.dll, version: 10.0.10240.16384, time stamp: 0x559f38c3

  Exception code: 0xe06d7363

  Offset: 0x000000000002a1c8

  ID of the process failed: 0x3c74

  Start time of application vulnerabilities: 0x01d136cc8be4d555

  The failing application path: C:\Program Files\Adobe\Adobe Premiere Pro 2015\Adobe first Pro.exe CC

  Path of the failing module: C:\WINDOWS\system32\KERNELBASE.dll

  Report ID: f4c46647-06bd-4e15-a3ac-13a2433d77f1

  Faulting full name of the package:

  ID of the failed package-parent application:

  Thank you Lord! SOLUTION AT LAST!

  After having been informed by tech adobe support that: "I'm sorry, but this is a file from the base of the core of the system, we cannot do much."

  I decided that I was going to test each component in user accounts and find the culprit manually.

  I have studied everything that I could all kernelbase.dll NTUSER.dat and parameters of the first.

  From what I could gather kernelbase.dll if crushed more often when the 32-bit and 64-bit settings are not configured right.

  I downloaded Registry Explorer 0.7 and analyzed a new vs account a "corrupted".

  I discovered that windows keeps a record of the last access programs via OPEN/SAVE location.

  It is located in:

  HKEY_CURRENT_USER\SOFTWARE\Microsoft\Windows\CurrentVersion\Explorer\ComDlg32\OpenSavePidl MRU\prproj

  To solve the problem:

  It comes to registry changes, do at your own risk!
  

  1. Create a new user account with admin rights. I'll call it "AdminRescue".
  2. Connection in "AdminRescue" and open first cc, check that the problem has disappeared.
  3. Now you could start using the new account and forget the old, but I find myself that making 3 times in 4 months, the issue will come back again.
  4. The solution is to runREGEDIT under the new account that you created.
  5. Go to HKEY_CURRENT_USER\SOFTWARE\Microsoft\Windows\CurrentVersion\Explorer\ComDlg32\OpenSavePidl MRU\prproj
  6. Select prproj and export it to a disk usb or c:\adobefix
  7. Disconnect from the new user account and log in to the old damaged account
  8. Run Regedit
  9. Go to HKEY_CURRENT_USER\SOFTWARE\Microsoft\Windows\CurrentVersion\Explorer\ComDlg32\OpenSavePidl MRU\prproj
  10. Select prproj and Delete
  11. Select OpenSavePidMRU and import the regkeys exported in the new account. located in the usb or c:\adobefix
  12. FIXED!

• Adobe Media Encoder has encountered an unexpected error and cannot continue.

  Adobe Media Encoder has encountered an unexpected error and cannot continue, is the message I see displayed when I go to open Media Encoder. No errors, nothing to verify code. This seems to be a wide response. My CC is updated and are therefore all my programs. I really enjoy using this program, so I look forward to solve! Please help me. I'm on Windows 10. I'm not sure if I used the app since my upgrade to Windows 10.

  

  I had this problem too, uninstalled and reinstalled nothing is done and has been subject to clean my entire setup as suggested. However, I read somewhere that the removal of the:

  C:\Users\ USER nameMedia \Documents\Adobe\Adobe encode

  Directory would be useful, and it worked for me - replace USERNAME with your directory name of the account (username).

  I have saved everything beforehand and reloaded just the presets (by copying the directory C:\Users\USERNAMEDocuments\Adobe\Adobe Media Encoder\10.0\Presets from the backup in the directory\Documents\Adobe\Adobe Media Encoder\10.0 C:\Users\USERNAME, overwrite the PresetTree.XML file) and all is well.

  SOUL was flaky on three machines, through many versions. When it works it's great, but my experience gave me a general lack of confidence in the app less recently, so I was a bit of relaxation, but the latter takes me right back to where I was. What a shame.

• I use Adobe CC licensed software, I can download and install Adobe Media Encoder CC 7.2?

  I use Adobe CC licensed software, I can download and install Adobe Media Encoder CC 7.2?

  Yes.
  But before current verion of the SOUL (CC) to do so, you had to download and install one of the programs associated/connected with the SOUL. To download, install and use SOUL version 7.2 tou will need to download and install AE CC or agency CC (2013 edition - first edition of the CC) and with any of these SOUL should install also.

  Hope this has been helpful - yf you have any other question, I'll be more than happy to help you. If my post has resolved your problem - please mark as correct - by practice that will help you find the answer to all those who have the same problem.

• Cannot open Adobe first Pro CC (2015) and Media Encoder CC (2015)

  Hello!

  I downloaded Adobe Creative cloud and downloaded the Media Encoder CC (2015).

  When I try to start the Media Encoder CC (2015) program freezes then it returns the error "the application could not initialize properly (0xc000001d). Click OK to close the application. ». The same thing happens with Adobe Premiere Pro.

  I don't think that it is a BIOS problem, because the pc is new :/ I bought it recently

  Here is the pc components:

  (1) case Podcastinacion bx1-4246 v2.1

  (2) 1150 - asus B85M-G

  (3) quad Core i7 4790 Haswell 3.6 - 1150

  (4) Ddr3 - 1600 8 GB Kingston

  (5) HD 1.0 Tb Sata3 - WD Blue 64 MB

  (6) GTX960 Ddr5 2 GB - SC Evga Geforce

  (7) Aerocool Strike-X 600W power supply

  (8) DVD R/RW Sata - Lg GH24NSB0

  I have version 2.7 of SMBIOS

  I don't know what to do :/

  It's a pc problem?

  Thank you very much!!!

  Eugenia salvation,

  Please visit: http://www.adobe.com/support/techdocs/331177.html

  I hope this helps.

  Concerning

  Megha Rawat

• are adobe cs6 yet and adobe media encoder cs6 are the same thing?

  are adobe cs6 yet and adobe media encoder cs6 are the same thing?

  # Still is a DVD application.   Adobe Media Encoder is an application for the export of Premiere Pro and After Effects and a desired format transcoding.

  You export using SOUL to mpeg2-DVD and send it to still make a DVD, for example.