At what point in the prelude-> can first workflow I synchronize my external audio?

Very well. I have Canon DSLR images, external audio of a Zoom h4n.

I ingested video prelude and spent an hour our Director of instruction how to use it. Now, she has marked everything up and everything thrown out first where our editor opened all this very well. Here's what we can't understand:

We want Pluraleyes who own audio Zoom on videos from Canon and PE did a good job to match the main elements to the audio ext, but subitems do not return to the re-imported XML file.

I'm probably too stupid to understand this. But when should we make this sound synchronization? Because for now, it seems like either:

1. we have merged clips with audio in sync, but we lost our subelements defined by Prelude and I can't understand how to connect the clips to the rough prelude merged edit... what kind of makes all our work prelude for nothing; or,

2. I guess I could synchronize the audio first of all, export merged clips, ingest them as a prelude, let the Director his contract there and then re-import everything back in first... which in some way looks a long way around.

Ideas, y ' All?

Hello

We don't yet a solid integrated workflow prelude for streams audio sync but work for a future version. In the meantime, here are a few options for possible workaround solutions.

1. If you merge your clips first and then put them in prelude (like you me ing below) who will certainly work.

2. you can continue as you are now and you have your Manager connect the clamps before sound sync market. BUT, when your manager is done connecting a clip, they can use the FILE-> save metadata under... Featured as a prelude to save all the marker data in a separate file. Now switch to send these clips in Premiere Pro and merge with the audio. When you have your newly merged clips you can translate as a prelude them, then use the metadata Panel combined to open the metadata file that you saved earlier and then apply these markers to your clip.

None of these workflows are ideal, and I agree, that we should make this workflow more efficient and simple. But while we work on this part, I hope that one of these suggestions will be fairly painless for you.

I am also interested to hear your ideas for how you would like to sync sound to behave as a prelude to moving forward.

Kind regards

Michael Goshey

Owner of the product, Adobe prelude

Tags: Adobe Prelude

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