Prelude and first Workflow for transcriptions in documentary Rough Cut

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• Upgrade to items 11 and first 11 for Windows

  I bought an upgrade to 11 items and first 11 for Windows a couple of days. When I tried to install, I got the following error message:

  "The installation process has encountered an error during the installation of the shared Technologies. If please restart your system and try again. »

  There was an invitation to solve problems using a button that downloaded Adobe Support Advisor. No joy, he found no any problems.
  

  I rebooted and tried to install again. Same error message.

  Hi BigJake68,

  Please see the help document following error "the installation process has encountered an error during the installation of the shared Technologies. If please restart your system and try again. »

  http://helpx.Adobe.com/Photoshop-elements/KB/troubleshoot-installation-Photoshop-elements-premiere.html#main_Error__Below_mentioned_applications_have_failed_to_install__Shared_tech technology

  more help articles...

  http://forums.Adobe.com/message/4952981

  http://feedback.Photoshop.com/photoshop_family/topics/not_again_failed_installation_of_pur chased_software

  I hope this helps.

  Kind regards

  Sumit Singh

• At what point in the prelude-> can first workflow I synchronize my external audio?

  Very well. I have Canon DSLR images, external audio of a Zoom h4n.

  I ingested video prelude and spent an hour our Director of instruction how to use it. Now, she has marked everything up and everything thrown out first where our editor opened all this very well. Here's what we can't understand:

  We want Pluraleyes who own audio Zoom on videos from Canon and PE did a good job to match the main elements to the audio ext, but subitems do not return to the re-imported XML file.

  I'm probably too stupid to understand this. But when should we make this sound synchronization? Because for now, it seems like either:

  1. we have merged clips with audio in sync, but we lost our subelements defined by Prelude and I can't understand how to connect the clips to the rough prelude merged edit... what kind of makes all our work prelude for nothing; or,

  2. I guess I could synchronize the audio first of all, export merged clips, ingest them as a prelude, let the Director his contract there and then re-import everything back in first... which in some way looks a long way around.

  Ideas, y ' All?

  Hello

  We don't yet a solid integrated workflow prelude for streams audio sync but work for a future version. In the meantime, here are a few options for possible workaround solutions.

  1. If you merge your clips first and then put them in prelude (like you me ing below) who will certainly work.

  2. you can continue as you are now and you have your Manager connect the clamps before sound sync market. BUT, when your manager is done connecting a clip, they can use the FILE-> save metadata under... Featured as a prelude to save all the marker data in a separate file. Now switch to send these clips in Premiere Pro and merge with the audio. When you have your newly merged clips you can translate as a prelude them, then use the metadata Panel combined to open the metadata file that you saved earlier and then apply these markers to your clip.

  None of these workflows are ideal, and I agree, that we should make this workflow more efficient and simple. But while we work on this part, I hope that one of these suggestions will be fairly painless for you.

  I am also interested to hear your ideas for how you would like to sync sound to behave as a prelude to moving forward.

  Kind regards

  Michael Goshey

  Owner of the product, Adobe prelude

• best way to work between after effects and first pro - for titration?

  Recently, I went to Vegas and get the long ok with Premiere Pro. But I'm now ventured into After Effects, in an attempt to import certain models of text.

  First of all, what is the best workflow for using patterns of text effects. I would first of all the video, rendering and import the video into Ae where I can fine tune titles?

  Or do I have to import, sort, the work that I do in Ae in my project of Pr?

  The problem I have are in both cases.

  When I visited the titles of EI, of high quality, the returned product has major flaws, suddenly white fuzz as an old TV on an analog antenna.

  Or well, when I try to import the Pr Ae project, the Pr is in 1080 and 720 is the text in the template and so it seems smaller than is it supposed to be.

  Any help or advice would be much appreciated.

  Michael

  There are exceptions to every rule, but in the great majority of cases, unless it's a great project short, keep your first sequence in first and do not send it to AE. Design your titles that separate compositions in a file of After Effects project, then you can import these compositions in first without any made on whatever it is. You can even update the text inside the first without having to return to the AE. Performances are sometimes doubtful during playback, but it depends on your system and you can always create a preview of a file. More info here:

  How to use Live text of After Effects templates in Premiere Pro | Adobe first Pro CC tutorials

  and

  Use text templates live in Premiere Pro CC

• Rough Cut created as a prelude with transitions, sent to first Pro works then, using 'replace with After Effects comp', loses the transitions. Why?

  With the help of Creative Cloud 2015 apps exclusively on a 64-bit win 8.1 Pro Gigabyte MB 8 core AMD pcu with 16 GB of ram and nVidia GeForce 8800 GTX graphics card. I deleted all the cache and restarted.

  Created a simple Rough Cut in prelude routinely using H.264 in mp4 video and still photos from format of (via Media Encoder) components ingested in prelude ~

  Rough Cut, composed of a sequence of 1 always followed by 4 x 3 second mp4 followed by another still followed by 4 more 3 second MP4, total length of 30 seconds.

  Together, then the default prelude "Cross dissolve" transition between each item in the first edit.

  Successfully sent this first edit in Premiere Pro using the menu option integrated prelude - send to first.

  Works like a charm in Premiere Pro, including cross-fade transitions.

  HOWEVER, now, in Premiere Pro, have not been able to use then 'Replace with After Effects' option under ' Dynamic Link ~ option is grayed out, regardless of how I select the element/sequence to replace. "

  The only way I have found to use all the options 'Replace with After Effects' is the one that appears when you right-click on a sequence in the timeline window, but when open in After Effects, crossfade effect has disappeared; Only the elements of the scene still show when parsing through the sequence in the timeline.

  After investigation, it turns out that the order of the individual elements that contribute, in the after effects project Panel, has been auto-réarrangés as assets to dissolve cross is now distributed among the other elements of the sequence and therefore cannot perform the intended function. It also destroys the fade in Premiere Pro effect that worked very well before attempting this 'Replace with After Effects' option.

  I need to find a way to keep this intact sequence in Premiere Pro and after Effecys and be able to use After Effects to add additional effects to this rough cut sequence...

  I have run the available tutorials in Adobe and Lynda.com and searched the forum for an explanation, but so far, nothing, I found has solved this problem. :

  1. How can I get the Adobe Dynamic Link to function when it is grayed out in the choice of Menu file?
  2. How to make the right click option 'replace with After Effects' to send the sequence in After Effects without changing its infrastructure, as described above?

  I await with confidence to find someone here who knows what I'm doing well wrung out! and who can show me the error of my ways. TIA. /PSB

  First transitions don't come in After Effects. They never have. Your workflow is not compatible with dynamic link. You should use AE to create shots and then change these shots in Premiere Pro. Trying to bring in a sequence which was finalized with effects and transitions is a losing proposition and not recommended.

• Flash website using the conversion (Greensock/Starling/Away3D libraries) to HTML5. Is there an efficient workflow for this kind of mass conversion?

  Hello!

  I read that demoralize him articles everywhere on the great navigators pushing Flash to the side and supporting the HTML5 for awhile now. I have a personal site that I keep and put a decent amount of work using the design. At the heart of the site is driven by external classfiles AS3 using Greensock libraries. Also, I went 3D with 2D content content using the Framework Starling and Away3D libraries. I am researching the possibilities of creating the same types of drawings in HTML5, if possible. Greensock already fully supports HTML5 with its new libraries GSAP. Starling and Away3D I'm not so sure...

  I would love to continue to grow in the same method, using FlashCC, but this is already limited to only desktop browsers. That's fine with me, if it remains bearable on workstations, but at this point I don't really know how well supported Flash will remain same in desktop browsers. I must admit that my real job keeps me pretty busy that my search time is quite limited, so I might be way off the coast.

  Is there any known and efficient workflow for the transition from a site that only uses external AS3 classFiles and 2D or 3D to the HTML5 canvas content? Is this even worth it if I'm comfortable with only to have the support of desktop browser? It seems to me that, at least in the office environment, Flash will retain a strong foot.

  I use the package full creative suite + FlashDevelop as my toolkit and have been reading upward on the discussion of FlashCC targeting HTML5 canvas. It's really interesting to me, but at the same time it seems to work with SWF movies which contain all their ActionScript. It is not the structure that I followed at all, and it wouldn't really work-able at the port just the classFiles external back into SWF movies since not all the .as files has a SWF that is directly related. In other words, I wonder if it is still possible for me to consider a transitional workflow to HTML5 canvas? It seems at some point I might have to bite the bullet and refactor everything from the beginning, which I must admit is not an appetizing idea.

  I just want to start a discussion with Adobe and other creators out there using entirely external .as files and juggle several libraries in their Flash projects for the future. I want to see what workflows are out there to conquer this kind of problem and if supported in the desktop browser environment is even really a problem.

  -Cheers and sorry for the wall of text

  I think you should read more and worry less. Microsoft include Flash Player in IE and Edge. Google include Flash player in Chrome. Firefox Announces recently committed to the development of a Flash plugin, even if they cease to support other plugins. I don't think that Apple will stop supporting plugins at all.

  Thus, all current users of your will see your site for at least the next few years.

• Suggestions of workflow for prelude CC, 4 Pluraleyes and first CC

  Hello world

  Working on a project of video art for several months and I have 30 hours of raw footage. The video is a digital SLR, and the audio comes from a Zoom H5. I have not synced anything still. My question is, given the large amount of images, and the need to keep all organize, what workflow you would recommend?

  (a) sync all in PE first, merge video with the sound quality of the Zoom, import and Prelude and go from there?

  or

  (b) any import as a prelude, then sync once everything has been recorded

  or

  (c) a workflow that I have not yet thought.

  Appreciate your help. Would rather think through this now before I get started in message until later when I have to correct my mistakes (inevitable).

  Thank you!

  -Lee

  The workflow 'best', I found is this:

  Audio and video synchronization via the MOU and the export is like a new media file, (that is to say the audio on the original video has been replaced by the new, better audio track). I now have two files and a video update that has the best Acoustics "burned" in the best acoustics in a separate file.

  I then import both prelude, where I do my record (mainly just use prelude as a faster way to add markers - I work with 30 hours of interviews with then mark the long passages based on themes, small phrases, etc.). From there on, it's just a skip hop and a jump to first!

  The reason that I opted for this workflow is because I don't want to not bring bad audio data first and then synchronize to the top the sound quality more late in the first - especially when you start to make the sub-elements and/or sous-séquences that becomes problematic.

  See you soon!

  -Lee

• Workflow for the level of volume reduction and speech

  I'm working on the audio for my feature film of 2 hours. I don't have the option for ADR and I have many problems with the hum of the air conditioning and other noises, so I need to put in place the best workflow. I get conflicting information when I search the workflow. What is the best method of workflow. Should I first correct the volume of speech levels, volume and then match noise reduction and its carrier or vice versa. Also, when should I apply a multiband equalizer to remove 60 hz buzz and cut the upper and lower frequencies.

  I use this blog as a guideline, but still a little uncertain. Improve the Production of Film Post workflow. BlogBlog VashiVisuals

  Very new to audio editing, so any help would be greatly appreciated. Thank you!

  It is not an answer quite right, but I'll tell you what I think about it, at least. You should ask yourself at least one big question before starting, and then perhaps things might become a bit clearer! And it is really good to have a plan.

  The big question is this you're going to deal with everything that's been saved, or just taken you use? If you do the first, it will increase your workload a little, if it's like most of the shoots. Personally, I don't want to reduce the amount of treatment, so I'd be more inclined to limit what needs treatment, if possible.

  Then I would go to reduce the noise basis first and also use the filter to reduce or eliminate hope that the buzz of 60 Hz. If the a/c noise is constant, this should only unravel. Do not touch the LF or HF cut again - this is an EQ option, not a clean one. I'd do the NR in addition to a passage, using different parameters of the FFT and not taking too much out in a go - we found that it always works better. When you are finished, other sounds that you want to delete will be more obvious and therefore easier for the sound mover identify if you need to go this route. When, and only when you have done this, you need to adjust the levels, and when you've done that you can change the EQ so that it can seem like you want. Roll-off Yes the PMQS by all means, but be careful with the HF - you will need may not go very far with that at all.

  In general, the reason to go to the NR, and is first of all that it does what it is much easier to deal with - simply because that remains will be clearer.

• How can I sync 2 sony AVCHD images from the camera on the "date" as a prelude and import it in first pro?

  I have 2 sony camera popular with the AVCHD file structure. The two cameras are the same. How can I sync 2 sony AVCHD images from the camera on the "date" as a prelude and import it in first pro? Im working with 6.0

  
  

  Now I see the date taken in the import screen until I click "ingest". When in the trash, this option is there, but no metadata in there. It is therefore impossible to import images from two cameras and have these sorted.

  
  

  How can I get this sorted out before, so I can export for the first?

  Thank you. Tom van den Dool
  

  Hi Tom,

  How can I sync 2 sony AVCHD images from the camera on the "date" as a prelude and import it in first pro? Im working with 6.0.

  Sorry, you can not do as a prelude. You can request a feature here: http://adobe.ly/feature_request

  Thank you

  Kevin

• Hi - I ordered a paid Photoshop Elements and first elements 14 yesterday (Switzerland - Swiss German). Order No. is Bestellnummer AD006601566CH. I got a download version which is designed only for Windows - but I need a version f

  Hi - I ordered a paid Photoshop Elements and first elements 14 yesterday (Switzerland - Swiss German). Order No. is Bestellnummer AD006601566CH. I got a download version that is designed for Windows - only, but I need a version for Mac! He said not what version I would get and that there are different versions before I made the transaction and payment. Where or whomshould I turn to?

  Please contact support and ask them a platform Exchange.

  Contact us | Adobe

• In order to improve my skills and ease with Premiere Pro, I bought Adobe Premiere Pro CC Classroom in a Book and began to follow the tutorial. I opened the first project for lesson 1, as instructed, but looks like that when he opened it imported bot

  In order to improve my skills and ease with Premiere Pro, I bought Adobe Premiere Pro CC Classroom in a Book and began to follow the tutorial. I opened the first project for lesson 1, as instructed, but looks like that when he opened it imported two media accompanying the project of the lesson and media one of the practical projects that I've done before. Can someone tell me what I did wrong and why it has imported two sets of brackets instead of only in the media for the lesson. Media for two different projects are not storeed in the same place?

  I found the problem. Sorry if I've lost any time. Please do not take into account. Thank you.

• I'm Italian and I just ordered photoshop and elements first. I've already paid for, but there is no file to download. I have a mac and there is for windows. What should I do?

  I'm Italian and I jI'm Italian and I just ordered photoshop and first elements. I've already paid for, but there is no file to download. I have a mac and there is for windows. What should I do? oI TEU am Italian and I just ordered photoshop and first elements. I've already paid for, but there is no file to download. I have a mac and there is for windows. What should I do? photoshop and elements first rdered. I've already paid for, but there is no file to download. I have a mac and there is for windows. What should I do?

  You must ensure that you ordered for a Mac.

  If not,

  To the link below, click on the still need help? option in the blue box below and choose the option to chat (or phone)...

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• I d/l both photoshop and first elements 14 for 64-bit windows.  Installation is done in what concerns the extraction of files...

  I downloaded the Bundle Photoshop elements 14 and first elements 14 for 64-bit windows.  The installation gets as much as self-extracting files, giving me the opportunity to run or open the folder that contains the files, and then tells me to restart may be pending, so restart the computer and repeat the installation process. After that, it gets as much again and if I click on ignore after the r/s message, he stops and tells me to download a nonexistent program fromadobe to solve the problem.  He does this for items as well photoshop and first. Apparently I should call adobe during the hours of assistance.  I work during the opening hours. Records of installation of the GZ files which mean nothing to me.

  Desperately seeking help. Refund for downloaded software is impossible.

  Thank you to all...

  Hello

  Please see How to download, install and activate Adobe applications

  Hope that helps!

  Kind regards

  Sheena

• First, I'm joining the forum with a question CS4 and CS5 Suite for Mac. Can someone tell me why it is NOT a place to submit a question as it is here?

  First, I'm joining the forum with a question CS4 and CS5 Suite for Mac. Can someone tell me why it is NOT a place to submit a question as it is here?

  Creative Suites Mac forum seems to be closed, so moved that Creative Suites Windows the Forum of Creative Suites "base".

  Then... Post your question and someone may be able to help... is your question about the installation of the old software on a new Mac?

  IF El Capitan Mac read below

  CS6 and previous programs have not been tested and will not be updated to run on Mac El Capitan

  -which means you are trying to use CS6 and earlier at YOUR risk of having problems

  -You can get CS6 and previous programs to install and run, or you can not (some do, some don't)

  -IF not, Details of the message from the error messages and a person may be able to help (just not Adobe)

  This information is a MUST to install old programs on Mac El Capitan

  -You can't get the same error message, but here are some links that CAN help with old programs

  -Java https://helpx.adobe.com/dreamweaver/kb/dreamweaver-java-se-6-runtime.html can help

  Install CS5 on Mac 10.11 https://forums.adobe.com/thread/2003455 can help (also for others than CS5)

  -also a TEMPORARY security change https://forums.adobe.com/thread/2039319

  -http://mac-how-to.wonderhowto.com/how-to/open-third-party-apps-from-unidentified-developer s-mac-os-x-0158095 /

  -the guardian https://support.apple.com/en-au/HT202491

• I paid for my series/product number code, he entered through the service for verification of the adobe product and my eligibility to audit has been approved. Now my Adobe Photoshop and first 14 elements will not be displayed on my Adobe account.

  I paid for my series/product number code, he entered through the service for verification of the adobe product and my eligibility to audit has been approved. Now my Adobe Photoshop and first 14 elements will not be displayed on my Adobe account.

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