Audio mastering for impact...

I mix a video to a display screen in a 1000-seat auditorium.

Program will be screened from a DVD source (among 5 other programs).

Ma/video audio content includes presenter (synch) plus FX and music.

The music is fast, dynamic, powerful and bassy.   ("U2 like sound").  FX. are clean and clear and distinctive. Presenter is properly registered on the spot.

I'm looking to maximize his powerful to support the images.. .and if sure played hard. (I'm not going to be there and have a volume control).

All pre mix titles will begin at the unit and are 48 kHz - 32-bit

What should define or optimize spikes at?   (0dB, - 3dB, - 6db?)

Should I use a compressor on the Mix Master?

Will use some dynamic and parametric to clear the SYNCHRONIZATION of music. Is - this recommended?

Advice appreciated.

BTW - normally I leave that to my colleagues pro audio in their Suites of ProTools, but this work was little budget and I also wanted to learn a little more about audio engineering and ake a new challenge.

A few good ideas so far.

I do a lot of theatre work, both producing tracks for playback and also make the FOH mixing himself.

When doing things for PB in an auditorium, I tend to use a little more compression mastering that I like to normally - there is always a little more background noise going on - public shuffle and cough, background hiss and rumble of ventilation, sometimes noisy moving lights.  A normally wide dynamic range often means that the quiet bits get lost in the maze.

For your voice and music mix, yes add a little slight compression on the voice at that time also - just enough to keep the necessary clarity to the music.  I'm going to disagree with some previous advice here - I tend to use EQ to cut some mid range in music, just in the frequencies that help the intelligibility of voice.  Just a little of this goes a long way - you don't want the music resound obviously 'wrong', but a bit of EQ can really help the voice to stand out.  You mention parametrics but I would normally use the graphic EQUALIZER to this - guess either would work, but I am a creature of habit.

Yes, at the end to get it to sound right, you can normalize to-0.1 dB.  As said, one running the Palestinian Authority will control the overall level and can twist your Dynamics mainly make sound well in the suite of editing... but don try too many subtleties

Tags: Audition

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