Best way to go next to improve the color of the sky?

Hi guys,.

I have most of my colors from just about the way I would like them in Camera Raw, except for one thing: my bright blue sky out of kind of dull - particularly in comparison with JPEG files in camera.  Notice the difference, for example, in the colors of the sky in this representative sample.  I use the camera profile Adobe's Standard with a few settings for default cursors, but none of the available cursors allow me to saturate the color of the sky without altering the balance of the darker colors.

SkyColorDifferences.jpg

I wouldn't mind a much more saturated sky with the more blue color that I get from Photoshop, but the real key here is the level of color saturation in the sky.  Clearly the Canon's interpretation of the data in the area of clear sky quite differently from Adobe converter.  In my opinion, they do a better job than Adobe.

My question is this: in pursuit of the colors more saturated vives, should I change my own profile?  Or maybe I should craft some measures in adequate Photoshop fix this?  The former would give a result more integrated, direct, but it wouldn't be too bad as I already use an action to convert to ProPhoto RGB images to sRGB.

Any suggestions you have would be greatly appreciated.

Thank you.

-Christmas

Noel,.

I did more high profile of dng using (16 bits) out of Canon DPP and not the camera. If I understand correctly, Adobe did the same thing. There are slight differences in rendering between the camera and the DPP, so try to develop your RAW with DPP and ACR and check the differences

Technically, this profile has the same WB as camera Standard, I borrowed the color of it dies. But even if WB are different, if you set WB to "As Shot", which is white (R = G = B) using camera Standard white with this profile, just the color temperature and the color displayed in the window of the cab would be different. It is because when WB is set shot, then ACR gets all the necessary information of WB for the transformation of color in raw file's exif tags

However, as various technical details in DPP and ACR (and photo) are different, it is not to expect that you get the exact match of all the colors, but I did everything I can to be as close as possible.

In addition, as I wrote, to match the camera / DPP exposure, good value is, for some reason,-0,24 (instead of-0,25), because it's the ACR value uses for 40 days (at least in the case of flood attached you). Not a big difference however...

Edit: actually, the color matrices are taking of dng that has been converted to cr2. There are differences in the 4th decimal place of matrix2 between dng and camera Standard, where the difference in hue 1 and 50K to color temperature, displayed in ACR

Tags: Adobe Camera Raw

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