Clips on a shoot with two cameras

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• I have a video with two cameras, in two pieces. Sometimes only a single camera is running (because t

  I have a video with two cameras, in two pieces. Sometimes only one camera is running (because they both turn off to some lengths of clip). I'm cutting them using the multicamera window, but I get no audio track 2. How can I get audio track 2. (My tinkering is to cut the original sound track 2 and move it to channel 1).

  «To record the audio from the camera selected for the audio track, select Audio video follows in the multiple camera monitor Panel menu.» Deselect this option to record audio from the audio track selected in the source sequence. »

  A quote from the CS5.5 Pr help page "editing multi-camera sequences.

• In a with two cameras a multicamera edit does not appear in the multicam monitor?

  In a multicamera CS 6 with two cameras one Assembly does not appear in the multicam monitor or rather remains black while it is present in the sequence? Is this due to lack of memory of the CPU? I have a Toshiba Tecra i5

  Thanks if anyone knows why?

  [email removed by Moderator]

  I use Adobe CS6 first

• How much input power required for MX700 with two cameras.

  Hello team

  Can you please give me a detail on the number of power supply input required for a MX700 with dual screen and two cameras. Is - this device is delivered with a POE injector, integrated for the touch-10?

  Concerning

  Nicolas

  You can check the Cisco TelePresence MX700 & MX800 datasheet for detailed information on power requirements.

  I think that the CTS-PWR-AIR-INJ5 power injector - delivered with the system default when ordered.

  See the diagram below. The power injector is supplied with the device to touch 10 and installed as shown below.

  7 png

  

  Kind regards

  Acevirgil

• Editing a shooting of two camera in first 13 items

  I have two video tracks of a session of two camera of a part of the school that I'm editing together into one. I use one as the main video track and the other as a great shot in Cup. I would like to see the two video tracks play simultaneously-by-side at the top of the editing screen so that I can more easily choose which shot to use. How can I get there?

  [Left Pro for first things first... MOD]

  Step 1. Synchronize two videos.

  Move the two videos (from two cameras) in the edit window, select all four titles (two video tracks and two audio tracks) and right-click, then click on "Sync" and select "audio". Then the two videos will be synchronized by their audio. And now, you can cut any part you do not want to appear in the video.

  Step 2. Position the two videos with the PIP effect.

  Under "Effect", click "Presets" and then "PIP" (picture in picture), then "PiPs of 25%", drag he'S (LowerLeft) to the video track that you want the video showing on the left side, this will make what to see the video on the screen, he'S centering to a 25% of the full screen size. The another video track that you want to display on the right side, then drag LR (LowerRight). This will make this see video up on the screen, centering LR to a 25% of the full screen size.

  Step 3. Adjust the size and position of the two videos.

  Click on the video track located on the LL, go to 'Effect Options', click on the "fx Motion", change "25.0" to "50" wide, it will change the video size to half the size of the screen. And then play with the numbers in position adjustment until the video's position in the center of the left size of the screen.

  Then do the same for the other the video track. Click on the video track located on the LR, go to 'Effect Options', click on the "fx Motion", change "25.0" to "50" wide, it will change the video size to half the size of the screen. And then play with the numbers in position adjustment until the video's position in the center of the right size of the screen.

  There you go. Perfectly synchronized and placed side by side.

• two camera entrance, showing the language

  Hi all ^_^
  I have two questions, one
  I had a show on a local television with a male character and it works great but now the producer want to kill me with the other character, now it's 'man and woman' to do a talk show for children-_ - im asking how can I input multi cam so I can move my character two with two cameras and two persons acting for the stage with two
  and how do I synchronize lips

  the other
  It's a funny show so some time actor some time show his tongue can I add language efforts to the mouth in the Illustrator file?

  Thanks ^_^

  > How do I input multi cam so I can move my character two with two cameras and two persons acting for the stage

  Ch can follow only a face at once, so for live production, it can maintain only a single character. But with two computers, each running HP, you could produce two characters live. Then you need to use a software like Wirecast of Telestream screen - scrape the results and disseminate on a third computer where you combine them, maybe with an another Wirecast? Not sure he can do it, but people from Telestream can tell you.

  > It's a funny show so some time actor some time show his language can I add language efforts to the mouth in the Illustrator file?

  The simple way is just to add an extra mouth with the tongue out and give it key elements of (name of the layer as "TongueOut (T)!"). Press and hold the T, when you want to see the language.

  If you want to keep the language hanging out while you talk, you would need two sets of visemes (i.e. two groups of mouth), and then you would trigger the Group whole language-mouth with a touch of the same way. It's more complicated, however, you need to apply a synchronization of the lips and face additional behavior to the Group of extra mouth.

  The next version of preview (3) will let you just press the trigger key and do not have to hold it down.

• The most effective method to add Gaussian blur to the background of the Interview with two people

  I have MXF clips of an interview with two people with a décor of forest behind the two subjects. I want to add a Gaussian blur on the bottom between the two people who are sitting and separated by about 6 inches. I'd be able to do this now in 2014 PR, except track masks do not work as there seems to be a bug. I've never used AE and Mocha looks like a tracking method possible. The manual speaks using a compressed JPG of sequence, then use your original film when you apply the data. This sounds like the way to go, but I do not know how to apply the data originally from the film. I know how to apply a blur and a simple mask followed in AE, but it does not follow the outline of the person and blurs the second person. If followed PR mask worked, I duplicate the layer and add a mask of garbage that would cut off the other person in each of the two layers.

  I intend to learn AE, but has a deadline this week to get this infomercial delivered to the customer. Thus, detailed instructions would be greatly appreciated.

  Thank you, Rob

  According to your film, the Roto Brush tool can be a good choice to separate people from the background.

• When sharing my project there are some clips that show a red screen with a camera saying error. How can I solve these clips if I can share the project correctly?

  When sharing my project there are some clips that show a red screen with a camera saying error. How can I solve these clips if I can share the project correctly?

  This happens usually when the import process was not completed. If you have the original camera card - or a copy of the computer of the map - you can probably use the re-import command (on the file menu) to fix things. In addition, it is possible that the original media is imported, but this transcoding was not. If you have chosen to optimise upon import, try to select clips in the browser and transcoding to optimized.

  Russ

• Wreath with two C40 x 4 cameras

  Hi all

  I wonder if I can connect in series with two 4 x cameras(CTS-PHD-1080P4XS) for C40, TC5.x.

  Is it possible to not do that by buying cable (CAB-VCDC - 6.5 M =) Garland?

  I checked "precisionhd_1080p - 720p_camera_user_guide.pdf", but there was no description on 4 x cameras for C40.

  (I found some descriptions on PrecisionHDMC 1080p4x here, but they must be 4 x cameras only for C20)

  I guess it's possible because 1080 p 12 x cameras that can in Garland, have same physical interface devices to 4 x 1080 p for C40.

  Best regards

  Kotaro Hashimoto

  Hello

  I just want to wear to your knowledge this old 4 X cmaera has the same port as 12 X camera; However the use of software RJ45 is block 4 x camera so all in Garland 4 x camera will be last camera because only the RJ11 port will work.

  Kind regards

  Vivek

• Where can I activate the sign (the small white triangle) that comes when two clips are in contact with exactly in the timeline?

  WO reaktiviert man das indication (zwei kleine Weiße Dreiecke), das aufleuchtet, wenn zwei auf der timeline exactly zusammenkommen Clips. Hat Bisher're immer works, aber seit yesterday tut are das nicht mehr. Was muss ich verstellen?

  Where can I activate the sign (the small white triangle) that comes when two clips are in contact with exactly in the timeline?

  Hi Burkhart,

  Where the character (two small white triangles) that lights up when two clips on the timeline exactly meet reactivate them. So far, he has always worked, but since yesterday, it is no longer made. Should I settle?

  Where can I activate the sign (the small white triangle) that comes when two clips are in contact with exactly in the timeline?

  Microsoft® translator translator

  Looks like you have not snapping turned on. Click on the snap-snap-in icon, or press S to allow him once more. Works now?

  Thank you
  Kevin

• clean the contour softened with two bunk clips?

  I have two clips in my calendar with one on the other. The superior to 50% transparency and moved over to the left a little. I try to get a nice smooth soft edge on only the right side of the top tether. Basically the whole composition so I don't see the hard way on the right. Is it possible to do well in PP? I tried different options and nothing works really well.

  If your answer is, After Effects, I wonder if there are plugins available that can do more simply in the PP. thanks!

  I use a linear wipe, found in the folder transitions video effects. Put it on the edge of the frame and add blur.

• Y at - it how to work with two or three usb or 1394 camera with timing?

  I would like to work with three camera with synchronism 1394b. Y at - it an example? Is this possible?

  You will need to give more details. Do you mean that you want to order on Photo 3 simultaneously? Yes you can. What is your application?

• Question about running from two cameras at the same time with MAX

  Hello

  I have two cameras attached to NI PCIe-1430 frame grabber card (Atmel Aviiva M2 CL and Fairchild 2 K LS) IRLS. It's ok when I run two cameras individually, but I can't run them at the same time.

  This is the step that simultaneously run two device:

  1. open MAX, select the port and start image acquisition by pressing the 'Grab' button, I can see the image at this point.

  2. open another MAX session, select the other port and press "enter". I got following error:

  "Error 0xBFF60021".

  Unable to perform request; acquisition in progress'

  Sometimes, I got this error too:

  "Error 0xBFF60022".

  A timeout error occurred while you wait for the specified event. If you expect a picture, check the video data is acquired in the period. If in the meantime the signal, check that the assertion of signal has occurred within the period. »

  I already give enough timeout Fame to the tab settings of Acquisition.

  The MAX version used is 4.5.

  You have an idea on that? Makes simultaneous Imaging MAX support?

  Thank you

  -polarfox

  Thanks for the quick response Bruce.

• Can someone help me with two questions regarding my PowerShot SX540HS?

  I'm generally pretty tech savy, but I'm having problems with two very basic functions on my PowerShot SX540HS.  I downloaded the complete operating manual and followed the instructions to the two questions, but I am unable to answer these questions after a lot of testing with the camera settings.

  1. is it possible to force the flash to the position, but keep any AUTO value? (I need an additional light on the African-American faces when shooting outdoors).  The manual States that there should be a setting IT for flash, but all I see is auto flash or disabled.  I don't see a setting IT allows me to force the flash fires.

  2. I need help with how to set up the camera to focus on how to features of landscapes in the background (such as a mountain range) instead of focus on something more about that appears in the frame, perhaps some leaves from a nearby tree.  When I tried testing the manual focus by following the instructions in the manual and set the focus to infinity, ISO camera settings went haywire and I got a completely overexposed photo.

  I'd appreciate any help.  I thank you very much.

  Your welcome!

  The brightness problem is your camera set to have the i-contrast on Auto? If this is not the case, try this to fix the bightness of images that you have taken or will take.

  You can of course put the ISO and shutter speed manually too in P mode for pictures where I contrast does not work well for you.

  P mode is basically the Auto mode, but it allows you to make changes where you want.

• I get two of my two cameras difrent color temperature values

  I own a D800 and D810 an and I'll put in values for color temperature of 5 600 K on both devices. I save my photos in RAW files.

  Lightroom is for D800 shots 5 400 K and 6 000 K for the D810 display.

  Renderings for two images from cameras are very, but if I change the temperature of color in an image and Synchronize color in pictures of two temperature settings cameras I get different results: some images are warmer or colder.

  
  

  So if I'm shooting with the same parameters of K in the two cameras, why are the numbers of K in Lightroom different from each other? This makes my workflow very difficult.

  
  

  Thank you in advance for a solution.

  
  

  
  

  Best regards

  
  

  
  

  Luis

  fukujitso wrote:

  The renderings for the two images from cameras are very, but if I change the temperature of color in an image and synchronize images from two cameras color temperature settings I get different results: some images are warmer or colder.

  The best way to make this type of correction is with Panel to develop fast in the library module. This allows a change in the 'relative' (+ 500 K Temp for example) to a group of images with the same lighting conditions. Jump to the 03:30 minute point in this video tutorial:

  Quickly develop "Julieanne Kost's Blog

  You can also add your vote for this application "preset" ability in the develop module:

  https://feedback.Photoshop.com/photoshop_family/topics/relative_presets_would_save_the_day