Effects and 3D Tracker camera

Similar Questions

• How can I synchronize a new track to the audio spectrum, effects and audio amplitude logo

  Hello!

  How do I paid recently a graphic designer to create a sound model for my music on youtube channel, but the problem is that I do not know how to synchronize a new track to the audio spectrum, the effects and the logo of the audio amplitude (pumps logo to the sound of the track that he gave me in the layout) but I would like to synchronize it instead of a new track at all. [Please help:]

  Click on the tab "LOGO of MOUNTAIN" or double-click the color icon in the Panel layer to open the publication.

  Import the audio file in the project Panel.

  Click on the new audio file in the project Panel to highlight.

  Click on the 'old' audio file in the Panel layer to select it.  (they are both put in evidence now)

  Now, hold down the 'Alt' key and then drag the new audio file of the project on the old audio layer panel in the layer panel.

  Doing it this way will automatically do all necessary connections to the old file to the new file.

  Or... you could just drag the the new audio tracj in the Panel layer compositions 'sound '.

  Select the solid layer that has the applied Audio Spectrum effect.

  Then in the Audio Spectrum effect setting pane, find the list at the top of "Audio Layer" drop-down list, click the menu drop-down and select the new audio layer.

• Tracker camera taped permanently 'camera problems' indicates how much time left

  Tracker camera taped permanently 'camera problems' indicates how much time left

  It is for a 30 second clip shot with a DSLR hand, a little shake and some pan and works

  any ideas?

  Yes, the shots just won't solve. Try to prune the shot is shorter. 30 seconds is an eternity. I just cut a: 30 second TV spot which has 12 changes in action. The average length in a film shots went from 12 seconds in the 1930s to about 3 seconds today. A century of cinema data reveals how movies have changed

  The normal way to work on a camera track turned is to rough, cut to about the finite length of shooting more a few frames as the handles, and then make the camera tracking and insert your effects. If you really must track camera suddenly more than a few seconds, you will need to carefully plan and fire the shot, so the camera can be re-created. More so the more likely is that the software cannot be resolved for the camera. The more things that are moving down the less likely, is that you will get a good solution. For example, if you walk with a camera on a sidewalk in New York spent thirty seconds you probably will be able to solve for the camera, unless hide you all mobile people, then compose the shot until you try to solve it.

  A digital SLR that moves autour a little will also have rolling shutter problems and who gum up the shot. Blur fast movements also clogged the solution. There is no camera Tracker that can solve every time. Tracker of AE camera does a pretty good job with images carefully shot that has a lot of geometry sets in the scene when the lens used has very low distortion of the objective. Without seeing your shot, it's the best I can find. The chance whether the shot instead of a bug is very high.

• Problems with titles using Tracker camera in several places.

  I am very new to After Effects and have some problems using camera tracker. Successfully, I can follow and create a title, which moves as I want in the 3D environment. My problem is when I want a second title (the scene moves to the bottom of a street) further down the clip, new title, I create moves to the original location. I tried to create a null object and choose the new title to this place to whip, but he always comes back to the original. I'm sure its possible to have several titles that are not joined together, but I'm not sure of what to look for, any help would be greatly appreciated.

  You are on this thought and most likely you are tracking camera the ball too.

  First of all, you need not join a new layer to the original. The camera is the only thing moving so if you have a good lead, you can file a new 3D layer anywhere in space and it will be locked for shooting on track because only the camera is moving.

  The easiest way to add your 3D objects is to enter your first target and select Create new text or solid and camera. Then move to the next item on your track where you want an object, and then select a new target and select Add new text or solid or Null. Then just match the position of the next layer with your work.

  I usually only follow the blows of the first image where the 3D object must be inserted until it is out of the frame. If it is a long shot as describe you something comes in and out of the frame and then later on a another 3D object must be added, I just divided the layer and the two sections of track separately. Monitoring is not only much faster when you do this, but it is more accurate and the changes are easier to make.

  I hope this helps.

• Help me! Mr. Question tracking/camera.

  Hey everybody. I have a question about the animation of a list of chips while using a camera. Here is a video of what I have achieved so far:

  Now, I hope you can get a better understanding of my goal. This composition is all fine and dandy, but I'm wanting this animation contain many, many more red bars and gradually introduce quickly. Currently the rest red bars extend beyond the bottom edge of my composition. I want to that they will be displayed in my final comp, but I don't want to create a large super model only to compensate for the amount of red bars.

  My composition in bases (Comp1) has each 'bar' as its own layer (.ai files). Each bar comes alive to gradually move right left in the center of the canvas. The parent (Comp2) composition includes the basic model (Comp1), and above this - one layer shape that contains a mask with feathers. This layer has been transformed in a matte, to create the illusion of each bar discoloration in the canvas. Finally, the parent of Comp2 (Comp3) contains the camera, Comp2, the 'Company' text layer and the background - with respect, for the top layer of the bottom layer.

  My question is, I can't find a way to continue the downward movement of the camera without him reach the bottom of Comp2. Ordi1, I have created countless bars that extend below the lower edge of the composition - all the animated accordingly. Ive extended the mask (Matt Track) in Comp2 all the way to the bottom bar of Comp1. However, that move the camera in Comp3 down its axis shows just the bars in the Viewer.

  So, is it possible to get what I want? I don't want to create a publication with a height of 20 000 px... There must be a way to do this. Thanks again.

  Adam

  If it were my project I make all your 3D arrows, move the background and the track matte for the main computer, condense the transformations of the demo. Then the camera would be followed all the way down revealing all ranks.

  Another approach is to parent all your arrows to a null value and animate the position Y of the null value to move the arrows to the top. If you use just parenting do of course you frame zero before selecting all layers in arrow to assign the value null as a parent. In this technique, you will be able to keep all the 2D layers.

  Suggestion of the Mylenium for tile movement is also a good solution.

  Whenever I do projects that have repedative motion I use an expression to be assigned the motion. If you're into expressions then you might want to take a look at this expression that I saved as a preset. That's the slide on the left, of abandonment. Simply, you set the in and out point of the layer, adjust the number of images you want to use to drag the layer in and slide the outside layer and duplicate. A small change of the expression makes the slide of the layer from the right and down. You can then add an index value for each layer in the first position, and then simply duplicate the layers as many times as you like, sequence layers and you would be done.

  This is the expression:

  FIS = effect ("slideIn Frames")("Slider");

  SOF = effect ("slideOut Frames")("Slider");

  find in and out point

  Respondent = FIS * thisComp.frameDuration;

  If (effect ("Match if SO")("Checkbox") == 0) {}

  outTime = sof * thisComp.frameDuration;

  }

  ElseIf (effect ("Match if SO")("Checkbox") == 1) {}

  outTime = intimate;

  }

  Size of the layer when scale of difficulty

  SF = scale - [100, 100];

  xSize = width + (width * sf [0] / 100);

  ySize = height + (height * sf [1] / 100);

  realSize [xSize, ySize] =;

  Adjustment positions

  SPX = 0 - realSize [0] + realSize [0] / 2;

  rstx = value [0];

  rsty = value [1];

  EPY = thisComp.height + realSize [1] - realSize [1] / 2;

  create a movement

  FREQ = effect ("bounce Frequency")("Slider");

  amplitude = effect ("Amplitude bounce")("Slider");

  cavity effect = ("bounce Decay")("Slider");

  posCos = Math.abs (Math.cos(freq*time*2*Math.PI));

  y = amplitude * posCos/Math.exp(decay*time);

  moveIn = Math.min (linear (time, inPoint, inPoint + respondent, spx, rstx-y));

  Obliquity = Math.min (linear (time, outPoint-outTime, outPoint - thisComp.frameDuration, rsty, epy));

  [moveIn, obliquity]

  Simply add the called party for the sliders and the box and're you good to go.

  

• No connection between the computer and the digital camera.

  Tried to download from camera to the computer. After I connect my digital camera to the computer using the usb cable, said digital camera looking for a connection. I never get a guess that the cause I can't go any further. What I am doing wrong. I looked in my computer and the camera seems to be there.  First, he tries with this camera. I have a HP and HP M305 camera.

  You send messages in Forum Vista and you're missing to this effect on the experience of the current users of XP.

  http://social.answers.Microsoft.com/forums/en-us/category/WindowsXP
  http://social.technet.Microsoft.com/forums/en-us/itproxpsp/threads

  I gave you the original link will show also a lot more updates and drivers for XP also.

  Software & Driver Downloads
  http://h10025.www1.HP.com/ewfrf/wc/softwareCategory?OS=2093&LC=en&cc=us&DLC=en&sw_lang=&product=410648

  To start Devmgmt.msc type device manager in the Start Menu / RUN box.  Make sure that the camera is fixed when you look in the Device Manager.

  Troubleshoot: Windows won't recognize USB hard drive / fix unassigned drive letter
  http://www.TechSpot.com/VB/topic122125.html

• Question of mixer audio with effects and sends visibility

  I started to add an effect to the dynamics of a totality of the channel inside the mixer Audio Track. There is a bug that appears quite often, and I want to know if everyone is touched by it.

  I'm perfectly up-to-date (first Pro CC 2015.1), but this bug may affect earlier versions of the software, too. I think I remember what happens in the earlier versions of CC, but cannot guarantee.

  I'll be referring to the button small triangle that opens and closes the section effects / sends that runs when you click a "spinner".

  Steps to reproduce:

  • Note: I have the project window and mixing of Audio tracks anchored in the same area.
  • Click on "show/hide effects and sends" rotate open the effects
  • Save your prproj file and close Adobe Premiere Pro
  • Open Adobe Premiere Pro and open the same prproj file
  • The spinner is open as if the effects and departures must be visible, but they are not.

  Now, I have to click twice on the spinner twice to actually see the effects and sends.

  This is a minor bug, but I find it affects me often and it's embarrassing.

  Can anyone else reproduce?

  I'm still on Windows 8.1, and my screen resolution is 3840 x 2160 with scaling (100% SETTING)

  Yes did the same thing with me, my mixer track is in stand-alone mode.

• By aligning multiple video and Audio tracks

  I am a multi-instrumentalist and worked on videos of my songs.  I save in Adobe Audition CC.  I've usually will start to record the audio/video with my Nikon D3200 as well as with studio microphones that record in Adobe Audition.  I add then several tracks on this track main video/audio recording to play the electric bass, banjo, mandolin, and percussion etc.  I mix all the tracks and send video clips to make a video in Premiere Pro.  I found that the main (usually guitar track) syncs perfectly with the video camera that I put in the calendar when you use the synchronization in the first feature.  From what I've read, if it is only possible to do this with a video and audio track.  I need to find a way to be able to align the other video sequences with the main audio.  Does anyone have a workflow that make this process easier for me?  Is there a way to do what I'm maybe missing out on Premiere Pro?   Please help me if I can continue the creative process!

  This is an example of what I'm doing https://www.instagram.com/p/-snqVSwzft

  I had to align that laboriously trying to watch the movement of the hand, but there must be an easier way.

  Audio and video synchronization begins to shoot and carries through to the edit and mix.

  Create sync audio and video synch and they will line up in the chronology of the edition.

  A simple way for you to do is a snap of the hand or a tap pronounced on the handle.

  Pro is use timecode in photo and audio recording device.

  Click on the titles and click count-ins are useful for musicians when more dubbing and overlay track.

  Its nice also.

• Ive been using Premiere Pro, After Effects and Photoshop for a while now with creative cloud, but since I've updated the 2015 After effects version, it is said that it is a trail version? But when I go on the creative menu cloud and look at apps it j

  Ive been using Premiere Pro, After Effects and Photoshop for a while now with creative cloud, but since I've updated the 2015 After effects version, it is said that it is a trail version? But when I go on the creative menu cloud and look at apps it just said up to date, any ideas on this?

  Hello Cam,

  Please check the help below document:

  Applications creative Cloud back in test mode after an update until 2015 for CC

  Kind regards

  Sheena

• Map Module: How the "Next Track" and "Previous track" used?

  I shoot with multiple cameras with a parallel tracklog in a Garmin GPS unit and think that this feature can be useful, but there never seems to be enabled. How and when it is activated? It would be nice to have an easy way to scroll the ratings the way I imported without having to pick them through the most recent or the file system.

  Thank you!

  As far as I KNOW, the "Previous track" functions and "Next Track" allow you to scroll through all the separate tracks within a single tracklog.

  I think that the terminology can be kind of confusing.  There is 'tracklogs", which are the GPX or KML files.  Then there's "leads," which are the individual legs of data stored in the tracklogs.  I think that most people probably just record a track by tracklog, but hypothetically, you can record several tracks in a single tracklog.

  So, let's say you are on a shoot outside and you record your GPS tracks.  You thousand hiking, stop the track and then start a new track in the same tracklog.  This would give to ultiamtely you a single 'tracklog' file which contains two separate "tracks".  In this case, orders of "Next Track" and the "track" would let you switch between the two separate tracks in the tracklog.

  In short, my impression is that the "previous track" / "Next Track" only functions to navigate between multiple tracks in a single tracklog.  They don't allow you to scroll your tracklogs.

  I remember messages for a long time on this issue. People are wondering why the "previous track" / "Next Track" commandments were grayed out and wondering if it was a bug.  I don't know if they just misinterpreted these commands as switch between tracklogs instead of titles, or if the duties were actually not work correctly with tracklogs that had several tracks.

• Export of several video tracks in 1 file with different effects on each track.

  I'm currently trying to export 3 MP4 1 video tracks.

  Each track contains exactly the same images, but with different effects for a certain aesthetic.

  When I view the sequence he first that 3 of all titles is displayed correctly.

  The exported version only seems to export the Summit track, Track3.

  Track 2 and 3 have opacity at 47%.

  Track 1 opacity is set to 100%.

  I tried to export a test project that has several layers, and it was no problem.

  I have tried exporting a test project with exactly the same opacities and effects, as it is a little of your time. So I will do if I can't get a solution of stisafctory in the forums.

  The problem, in my view, is the superposition of the effects. In this case on track 3 I have procamp, which reinforces the red in 1 layer. This is the image I get once the last piece is exported - track 3.

  Then.

  How can I get the effects of each layer to display correctly export?

  and

  Why the exported version missing securities (or the effects of the tracks) 1 and 2?

  Need to know:

  • The layer source footage
  • Effects that you use
  • How you have the sequence in place, for example how are extracted and stacked effects
  • Hardware or software MPE
  • Maximum bit depth: on or off
  • Maximum render quality: on or off
  • Destination format

  Let's start there.

• I did this after intro animation effects and it was made entirely from photoshop files and my comp settings in AE is HDV 1920 x 1080 25, then I was asked to the release of the film in 1920 X 1080 MPEG H.264 NTSC 29.97 progressive, someone has an idea how?

  I did this after intro animation effects and it was made entirely from photoshop files and my comp in AE settings is HDV 1920 x 1080 square pixels 25,.

  Then they asked me out of the movie at 1920 X 1080 MPEG H.264 NTSC 29.97 progressive, someone has an idea how?

  1. to adjust for NTSC composition without affecting the report l / h.

  2 - this film must be rendered in RGB + ALPHA, and yet the mpeg does not support this definition, it seems that the record will be in the video codec animation or other.

  I am bit confused if I need to adjust the model, or leave it and set the video codec only.

  Thank you

  If you have (or get) MPEG Streamclip, which is free, you can open the anamorphic clip and resize it to 1080 true. You will be able to choose H.264 as a codec. It will be if necessary deinterlacing. Suppose that the MPEG card is a MP4 container.

  Good luck.

  Russ

• -What sound effects and themes in iMovie legal to use on a youtube video without the copyright problem.

  -What sound effects and themes in iMovie legal to use on a youtube video without the copyright problem.

  Yes.

  Geoff.

• I was listening to an audio book, and my sound came out, as well as the icon in the taskbar. How can I solve this problem?

  I was listening to an audio book, and my sound came out, as well as the speaker in task bar icon. how it?

  If you listen to the book on your computer you can try to restart the computer to see if that fixes the problem.

• I want to play Freecell and solitaire that came with my PC, but I get this error: "Windows cannot open this file: free cell.exe.mui.»

  Can help please I want to play freecell and solitaire that came with my pc but I get this error message... Why would he do that? How can I solve this problem?

  original title: windows cannot open this file: free cell.exe.mui.

  Hello

  1. don't you make changes to the computer?

  These can help you:

  Method 1: Perform a system restore

  To get the procedure perform system restore, open the site mentioned below

  http://Windows.Microsoft.com/en-us/Windows-Vista/what-is-system-restore

  Method 2: Clean boot

  For the procedure to place the computer in a clean boot, open the site mentioned below

  http://support.microsoft.com/kb/929135.

  Note: To set the computer back to start normally, use the step 7 in the same link.

  Method 3: Check the new user account

  Open the site mentioned below for steps to create a new user account

  http://windows.microsoft.com/en-US/windows-vista/Create-a-user-account.

  I hope this helps.