Format digital exponential WPF NumericTextBoxDouble FontSize and AxisDouble

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• DAQmx: set up a digital acquisition continues with start and stop trigger

  Hi all

  I write because I can not find a solution to my problem.

  As written in the title, I just want to do an continuous (continuous sampling) a digital line. The fact that it's a digital line instead of an analog is no big deal, I guess. I want to start the acquisition on a rising edge of digital trigger (PFI0 for example) and stop acquisition on a trigger too (forehead down on the same signal (PFI0 even then) or a new front amount). This way I could precisely control the time of acquisition or of the start or stop other devices.

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  One way is to use counters as Kevin described. For me, it's usually easier to create the dummy task that has the timing engine (as I HAVE), but it depends on what resource you have on your board you will not need .

  In fact, the example is the same thing that you need to measure continues - just what you need to do is remove the counter part and replace the trigger reference to be external (your stop trigger).

  with this approach, you should be able to do the continuous measurement - I noticed that you need DI - in fact with few changes you should be able to use this example. DI does not have its own timing engine, that's why you should use the external sample clock. If we use the example to create dummy HAVE to provide the sample clock, and we start DI task until we start to HAVE fake, then we can get pretty much continuous clock which begins start trigger and stop the trigger of reference.

  Take a look in the change - once again, I have not tested, but logic seems to be OK.

  

  with sincere friendships.

  s9ali

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• Set the format digital u32 when writing of TDMS files

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• When you zoom/pan on stills in Premiere Pro, no matter what format of image stills were scanned and saved as?

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  ninose11 wrote:

  I have several hundred photos that have been scanned at 600 dpi in jpeg format. I know that 72 dpi is the standard for video images, but I plan to zoom in at least 200% on most of the stills. So, just to be on the safe side, I've scanned everything at 600 dpi.

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  ninose11 wrote:

  In terms of panning and zoom on stills in Premiere Pro, is it important that the images have been digitized as TIFF instead of JPEGs or png files?

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  ninose11 wrote:

  That will cause problems in first Pro CC for playback or image format is not serious?

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  ninose11 wrote:

  If so, it would be wiser convert all files png or tiff JPEG files before importing in first Pro CC? I understand that they would have to be TIFF or png files transparency for the purpose of the composition. But I just intend to make Ken Burns style movements on the stills, no composition.

  Convert? No, it would not help your image or quality performance. Try a test with a JPEG and see if they work for you. In the contrary case, rescan as TIFF, PSD or PNG and resize images at 2 x the size of HD picture.

  Hope this post helps to guide your decisions.

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