give up this project for Dreamweaver?

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  The resources below will explain how to download video clips so that you can edit them.

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  Use iCloud photo library

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  Important: iCloud library requires an account iCloud and iOS 8.3 or later. When iCloud library is enabled, you cannot transfer your photos or video clips using iTunes.

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  For more information, see Add video clips and photos in the photo library.

  Have a great day!

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• Can someone solve or give me a solution for this problem...?

  Hello world!

  Can someone solve or give me a solution for this problem...?

  We used two folders Source & Finalwork. We get image Source folder and path of silo put & moved to Finalwork folder.

  Is it possible to check if the two colors of Embedded images folder profile identical or not.

  -yajiv
  

  Could you elaborate what you mean by that

  We get image Source folder and path of silo put & moved to Finalwork folder.

  Perhaps with a screenshot to illustrate the task?

  // 2012, use it at your own risk;
  #target photoshop
  var theFolder = Folder.selectDialog ("select source folder");
  if (theFolder) {
  var theFiles = theFolder.getFiles(/\.(jpg|tif|eps|psd)$/i)
  };
  var theOtherFolder = Folder.selectDialog ("select target folder");
  if (theOtherFolder) {
  var theOtherFiles = theOtherFolder.getFiles(/\.(jpg|tif|eps|psd)$/i)
  };
  var missingFiles = new Array;
  var unmatchedProfiles = new Array;
  // work through files;
  for (var m = 0; m < theFiles.length; m++) {
            var check = false;
            var theFile = theFiles[m];
  // find name of the same name;
            for (var n = 0; n < theOtherFiles.length; n++) {
                      var theOtherFile = theOtherFiles[n];
  // if one is found;
                      if (theFile.name == theOtherFile.name) {
                                check = true;
                                var oneFile = app.open(File(theFile));
                                var otherFile = app.open(File(theOtherFile));
  // check profiles;
                                if (oneFile.colorProfileName == otherFile.colorProfileName) {
                                          }
  // collect umages with unmatched profiles;
                                else {unmatchedProfiles.push(theFile)};
                                };
                      };
  // collect missing files;
            if (check == false) {alert ("hahaha");missingFiles.push(theFile)}
            };
  // alert of problems;
  if (unmatchedProfiles.length > 0) {
  alert ("the corresponding files for these do have a different color space:\n"+unmatchedProfiles.join("\n\n"));
  };
  if (missingFiles.length > 0) {
  alert ("these files miss corresponding ones:\n"+missingFiles.join("\n\n"));
  };
  //////
  ////// get psds, tifs and jpgs from files //////
  function getFiles (theFile) {
      if (theFile.name.match(/\.(jpg|tif|psd|pdf|)$/i)) {
          return true
          };
            };
  

• I can possibly first to work for this project?

  Hello. I'm working on a photography project of scan elapsed time. I scan flowers a few times an hour and then make videos of their drying out. I am currently a movie of this. The thing is, the scans can be thousands of pixels high/wide. The problem is when I do the sequences with 20 or more of these videos (reduced to around 10% in first) from all. He becomes almost unusable on my old Macbook Pro. Do the most complex parts of it is also very annoying on a new iMac. Because I work with so many files, I tried on After Effects. Its characteristic of transmission by proxy excited me, but it soon became clear that the EA is intended mainly for shorter projects and not for the clips which can get 40 GB + size. For example, in trying to make tiny proxy of clips last night, four only managed. It seems that the rendering is centered on your available RAM, and when it runs out (a few seconds in the first clip) rendering becomes very slow. This could work for ads or something, but not for this project. Maybe I'm not using it correctly however.

  So I don't know what to do. I tried proxy for first workaround, but which seems to involve working with clips at the resolution you made the power of attorney to, unlike the AE, where you can work with a now-more-blurred version of your main file. I tried to do a little proxy manually, then it upscaling in Quicktime 7 Pro, but that seems to be too slow for first, leading me to think that multiplying a clip in my sequence of test of 20 or more would be very different.

  Anyone have any ideas on how to change a project like this with an interface user reactivates reasonably? I do not if I have to spend hours to proxies, or making the final copy thereafter, I just want to change without waiting for minutes when I click on a part of the 20 layer of film. I understand that this is probably an abnormal way of using first, because normally we use only a few layers at a time.

  Another idea I had was to make the parts of the film with 20 + layers in AE and import them into first to work around the development of EI over short distances. But it's not work around the problem that its function of transmission by proxy and the renderer in general seems to be suitable for shorter projects. If you are confused, it's okay, I can't develop and provide photos.

  Here are some unique videos of the project:

  http://www.momentaryvitality.ca/

  Thank you!

  If you want 20 layers of flowers as in a PIP, you must use Photoshop to match your sequence settings (1920 X 1080, or even 640 X 480). If you just want to make timelapse flowers die you should only need to use a single layer. First can do what you want with ease, so do you a little work in Photoshop first. There is no need to have a 20 megapixel images 1920 X 1080 is only about 2 million pixels. You use a 3 megapixel image will be leave as you zoom and pan and scan room.

• can someone please give me the code for this equalant?

  Hi friends
  
  Hi friends I need and equivalent of the code for the script because I shouldn't use below the script.even below if it entitles answer.please give alternative
  
  NVL2 (EndTime, 'Successful', 'Error') "Status".
  ===========================
  
  "" The real need is, if the "endtime" is null means I want the error if status is not null means I want status to succeed
  
  can someone please give me the code for this equalant?
  
  Thanks adavance
  
  Thil

  Select decode (endtime, null, "Error"
  'Successful') that the 'status' from tablename