How to sample audio hearing re-

For the record, there is the idea, to set the bit depth of 24 bit and 192 kHz sampling frequency. This is to get the best possible recording quality. The size of the file is not under discussion at the moment.

The final product will be an Audio CD on 44.1 kHz and 16 bit.

How hearing re - sample digital 192 kHz and 24 bit 44.1 kHz and 16-bit recording? He put internal digital to analog and then re - scan it to 44.1 kHz 16-bit. Or it will just be in mathematics?

In the case of mathematics own-works, that help to do with 176,4 kHz and 24 bit recording? So there will be just a division by three.

Or are my unnecessary thoughts?

Classic multitrack recording with Audition CC14 what would you recommend?

If you want to publish classic recordings on CD to 44.1 k, you waste your time anyway to 192 k registration - you might as well save to 44.1 k in the first place and not introduce even the slightest possibility of any degradation of the conversion. I do it: I have been doing for years and has never received a single complaint about it! If you want to save directly in the hearing, then I would record using 32 bit Floating Point - which is the internal format and has a much wider range of dynamic (for purposes of setting) that any integer format will be.

Despite all the arguments incorrect you may have heard otherwise, the chances of hear you even the slightest difference through sampling at ridiculously high rates have been proven by rigorous independent tests, being non-existent. There was a case to do this back in the bad old days of brick wall filtering, but now that almost all converters using massively high levels of oversampling, there is absolutely nothing to be gained at all, unless you save bats for an audience of dogs and cats.

The resampling process is entirely digital. And it is based on the computed interpolation.

Tags: Audition

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