HP w2558hc 25.5 in. vivid color Full HD large screen flat panel monitor remote doesn't Do Anything

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  It is impossible in OS X.

  Or do you have a solution?

  Thank you

  You're right, it is impossible in OS X.

• Prospective Golf Sports simulation mode full-screen on one monitor, but when it runs the mouse would not return to the other monitor.

  original title: two monitors, mouse stuck
  I'm under Simulation of Golf Sports prospective mode full-screen on one monitor, but when it runs the mouse will not return to the other monitor. It seems that the mouse is not bound by the program, but I want to be able to use another application on the other monitor. Any suggestions?

  Hello

   
  What operating system is installed on the computer?
   
  Method 1: You can press the Windows key on the keyboard that appears in the start window and your mouse will automatically gets shifted to the main monitor.
   
  Method 2:
  (a) click Start, type change the mouse settings.
  (b) go to the pointer Options tab of
  (c) uncheck Display pointer trails
  (d) click apply and OK.
   
  Method 3: See if he has all the parameters of the Simulation of Golf to release the mouse button.
   
  If the methods above do not help, you can contact the Golf Simulation for additional help.
   

• Display problem w / XP - view does not size full screen of the monitor

  My two young boys did something with our desktop computer and now the screen whether in the office or Web pages are not full width of the screen of the monitor.  There are black areas on the left and right sides.  I've played around with the settings and empty is come.  HELP!!!!!!!!!!!!!!!!!!!!!!!!!

  "danno7123" wrote in the new message: * e-mail address is removed from the privacy... *

  My two young boys did something with our desktop computer and now the screen whether in the office or Web pages are not full width of the screen of the monitor.  There are black areas on the left and right sides.  I've played around with the settings and empty is come.  HELP!!!!!!!!!!!!!!!!!!!!!!!!!

  Open Control Panel and double-click on display - which will open the Windows XP display menu.

  Display Menus differ, then the next steps depend on the type of video card.  Therefore, you may have to adapt the following instructions.  However, a good place showing would be click on settings, then advanced.

  The display Menu will probably be a tab marked adapter.  If Yes, click the map tab and see if it allows you to display a list of the different modes of your video card supports.  Try the different modes.  (If you have a standard 4:3 ratio monitor, try the modes 4:3 ratio.  If you have a widescreen 16:9, try ratio 16:9 modes).

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• I don't see the red color on the computer screen.

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  Change of monitor-problem still exists.

  Check the cable problem still exists.

  Had the same problem 5/6 weeks ago. Seemed to correct itself but problem home yesterday and will not go away.

  Original title: red color went from my screen

  Thank you. I tried a different monitor on the same cable and had the same problem. I tried another computer with the same cable and had no problems. Now, I installed a replacement graphics card and the problem is solved. Response - graphics card has failed. New card replacement/installation.

  Kind regards

  Bob.

• background color: I want to change the background color of the screen of the monitor

  I have a web image in my Office I want to change the background color of the screen of the monitor without a change in the office itself

  could you let me know how to do this?

  Thank you

  I have a web image in my Office I want to change the background color of the screen of the monitor without a change in the office itself

  could you let me know how to do this?

  Thank you

  Hello

  To change the color of the desktop background, follow these steps.

  Click on the desktop and select personalize.

  At the bottom of the window, select the color of the window.

  In the next window, select the Advanced appearance settings.

  In the element , select Office.

  Click the drop-down color 1 menu and select your favorite color. ClickApply/OK.

  I hope this helps.

  Thank you for using Windows 7

  Ronnie Vernon MVP

• The blue color of my windows screen is so light that I can barely see. I don't want a magnification that seems the only option. I still want black print.

  Original title: msK

  The blue color of my windows screen is so light that I can barely see. I don't want a magnification that seems the only option. I still want black print. Please help it has raged me for several years.

  You may need a new adapter > device manager type in the search above the Orb box > click Device Manager > click on the little arrow display adapters > note the name of the display adapter.

  Then an internet search using the name of your model and the name of the computer and check the updates for your adapter.  If you give me the exact model of your computer name and the adapter, I'll see if I can help you.

• full screen mode two monitors, 1 VM, possible?

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  VMWare Fusion 6 - OS X Mavericks

  Hello

  Open VMware Fusion > in the menu bar, click View > click on "use all displays in mode full-screen.

  Now when you put a virtual machine in full-screen, it must use both screens.

• How can I change the workspace to a color for my computer screen will not show

  How can I change the workspace to a color for my computer screen will not show	Submit question

  	Submit question

  Photoshop CS6 now opens by default with the "Application Framework" lighted. You can go window > frame application in the main menu and uncheck this

  We have a lot of useful information in the FAQ section. The answer to this question was also there. See the link:

  FAQ: UI - how do I change the color theme, text size, or cut the course of enforcement?

  Feel free to browse other FAQS, there might be a few other things of interest.

  Guinot

• Help with the color picker appears off screen

  On my larger screen, the color selector window appears because real estate is much bigger.

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  Thank you!

  Hold down the Command + Option + shift dow as you launch Photoshop, then check the box to set or remove preferences in the dialog box that follows.

• Preview full-screen with a monitor

  Hello

  I use first Pro CS5 on Mac with a single monitor. I would like to see the full preview screen on this monitor, hiding all the graphic interface elements.

  While reading around, I couldn't find the suggestion to choose the pane viewing and press the ~ or ' key. Unfortunately, it seems that this shortcut does not enlarge or return to the original size orders. Graphical UI elements stay on screen.

  Is there a preference to select a place?

  Thank you, Paolo

  This is as close as you can get with the first; It does not have a single-monitor full screen how FCP done.

  Make a feature request if this is something you would like to see: Adobe feature request/Bug Report Form

• Conflicts of color with Nvidia Graphics Card control panel management

  If I use a material in function color profiling solution to calibrate my monitor will there be any conflicts or issues related to my graphics NVIDIA card settings.

  In my case, I use a graph based on Nvidia GeForce 6600 card.

  Installed the Nvidia control panel with the graphics there is something called driver. Control Panel this command has a display Optimization Wizard. I used. Little, it reminded me of the old Adobe Gamma utility.

  In addition, the Nvidia Control Panel also has manual controls with sliders for: Digital Vibrance, brightness, contrast, sharpness of Image and Gamma.

  However, the bad thing about the Gamma slider is that it lets you not the standard "2.2" setting the value. It goes just 0% to 100%. At the moment it is only put 50%.

  If I start using a color Profiler material these settings in the Nvidia control panel will cause some conflicts?

  Should I just ignore them?

  Or is the best solution to disable this control panel?

  Tom,

  Not sure about the video card, but I'd be very surprised if she didn't support ICC profiles.

  If you buy a package of profiling Display 2 EyeOne, X-Rite is a free utility called DisplayProfile.exe, which allows to load profiles in your video card or modify on the fly.  I use it every time that my machine starts, so I can load a profile for my main screen and a 2nd one for my secondary monitor (which I use to display my palettes).  It works with the profiles that have a certain internal tag, and I know that it works with my Eye One Match and ProfileMaker monitor profiles (both shot by Gretag MacBeth, now owned by Xrite).

  Looks like you have a significant investment in the hardware and software already.  If you want reliable, predictable color, you will need to profile your monitor.  This is particularly true for good matching print monitor.  If printing is not a big deal and that you for most of the stuff on the web, then you can probably get away with a built-in monitor, given that most of the people have calibrated monitors in any case.  But, if you need your color to be precise, you will need to find a way.

  Maybe your video card turns off or you replace custom profile, but that seems unusual.  You should be able to get an EyeOne Dispay for around $200.  If you know that you need a monitor profiling package in any case, I could first buy it and see if you can make it work.  I would only buy a new videocard thereafter, if absolutely necessary.  BTW, monitor profiling packages may not generate custom printer profiles.  This, to a spectrophotometer and a more expensive package.

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• Pasted sketch image changes color full-size SUV

  When I paste a sketch and he see full-sized, it substantially changes in color. Why?

  After giving this some more thought I realized what was going on.

  I am a newbie so this explains probably assign :}

  First time user of the pencil and sketch only randomly, I've developed something and did not pay attention to the transparency of the any selections, I did.

  When I saw the picture I had pasted in messenger, what with a white background by default (just as it was on the sketch). For some reason any full-size SUV is with a black background on the Viewer.

  He touched the picture d ' attribute as you can imagine. Actually pretty cool changes!

  At the time I had not yet thought about the transparency settings of what I created for the first time. So I was surprised to see such a dramatic change of image when viewed full size.

  I tested this by manually changing the background of the viewer and he confirmed it.

• Full screen running on monitors with different proportions

  I'm trying to run a program in full-screen on a projector. It works fine on my computer, but the background image appears tense when I run it on a projector with a different aspect ratio. How can I run it to avoid this?
  
  Here's what the code looks like:

  @Override
       public void start(Stage primaryStage) 
       {
            this.PrimaryStage = primaryStage;
            this.PrimaryStage.setFullScreen(true);
            ...

  .. who runs with this CSS file:

  #background{
      -fx-background-image: url("background-full.png");
      -fx-background-repeat: stretch;
      -fx-background-position: center center;   
      -fx-background-size: auto 100%;
      -fx-background-color: black;
  }

  Do not stretch the repetition
  -fx-background-repeat: no-repeat;

  AND

  -fx-background-size: cover;
  The scale of the image, while maintaining its intrinsic aspect ratio (if any), the smaller such times its width and its height can completely cover the background positioning area.

  Or

  -fx-background-size: contain;
  Scale the image, while maintaining its intrinsic aspect ratio (if any), to the larger size, such as times its width and its height can fit inside the background positioning area.

  Contain the will provide some sort of effect box letter like watching an old TV 4:3 to widescreen 16:9 TV show.
  Cover fills the screen with the image clip bug some of the image if the screen and the image of elongation do not match.

• How files and the appropriate label color PMS separate for screen printing

  Hello

  I have to present a document Illustrator for a silkscreen t-shirt and instructions ask that I have "label own PMS color you expect the ink on the finished design." I don't know what that means, and even less how to do it. I googled and it seems to have something to do with the Pantone colours, but I couldn't find how to do this. The design is all one color, so I hope it helps me! In addition, it requires separate Illustrator files. I know this means separate into layers, but it does not design in layers. If I submit to the eps format does it matter that it's all in a single layer?

  Could someone please help me with some details on this?

  Thanks for any help you can offer.

  Mary

  .. .the instructions ask that «label own PMS colours...» I don't know what that means...

  This is an example of so-called 'experts' in the various industries of printing using inaccurate terminology that confuses potential customers, even when they are ostensibly trying to provide instruction.

  PMS stands for Pantone Matching System. PANTONE is a company that produces for commercial offset printing inks, and who publishes books swatch for these inks and color specifications. Because it has long been the player prevailing in this market for a very long before the general public graphic computers, he took the habit as a sort of de facto "standard" transmission of the colors you want. But isn't the only such system Pantone.

  To my knowledge, Pantone does not even produce screen printing inks (which are more like a painting, really). When people throw around the 'PMS' and 'Pantone' words like that, they often reveal their own misunderstanding of what really is Pantone. In all likelihood, the silkscreen that you use think Pantone Matching System is a kind of a standard universal color. They will most likely find the Pantone color number give you them, then either look at a reference or simply manually mix their screen printing inks for a match.

  ... I googled and it seems to have something to do with the Pantone colours, but I couldn't find how do...

  In most screen printing, your concern is to use spot colors in your design rather than process colors. PANTONE product specifications of colors for fairer inks spot. It produces references to the four-color, metallic inks and even fluorescent inks and inks. Different Pantone standards are represented in Illustrator as 'Libraries of nuances', which are accessible via the drop down Swatch palette menu.

  You can set any Color Swatch you use Illustrator as a spot color. When you do so, all this means is that, when the file is printed as color separations, each spot color is printed on its own plate of separation. "Plate" is a throwback term that refers to the plate on which are the images for individual inks in commercial offset printing. Silkscreen, a separate screen is built to carry the image for each ink used in the design.

  You can also name any Spot color swatch you define, using any name you want. The name has no functional effect on the printed result. Each plate separation of color is a black image, regardless. The actual color is determined by the actual ink that is loaded in the press (or serigraphy) when it is printed. That's why, when you are working in a program such as Illustrator for a project to print, you should not think in terms of inks, in terms of colors.

  For example: you can define a Spot color swatch in Illustrator. It can be set to display any color you want. You don't want to, of course, but in the interest of explanation, assume that you set the Spot color swatch to display in Illustrator as a green color. Then, you name than Swatch "Pantone 185", which is actually a red. If you now print the file as color separations to a PostScript printer (or "print" to PDF separate colors), everything to which you applied the named Swatch "Pantone 185" will be printed on a single sheet (or page PDF).» This sheet contains a picture in black and will be titled "Pantone 185.

  Actually, when you work with a local display store, I usually create tones color chart, and references to name them not according to Pantone (or other), but in the name of the actual brand of screen inks that will use the screen shop.

  So, really, your screen printer is just requiring you to build your design using a limited number of color swatches, with each defined as a spot color. He's still implying that you must name your swatches Spot according to the numbers of colors in the Pantone Matching System, simply because it is the library for the most familiar to designers color naming.

  The easiest way to do so is, for every ink that you want to print on the T-shirt:

  1. go in the Swatches palette flyout menu.

  2. select open Swatch Library > color books > Pantone Solid Coated (or solid Pantone unpaved; it isn't really very important to screen printing).

  3 scroll through the list and select the color you want. It will be added to the list of the nuances of your document.

  The design is all one color, so I hope it helps me.

  As someone else said, because your design is one color, you could simply design using the black one and then tell the silkscreen what color ink to use. But there are some caveats.

  You must print the as a composite file (normal, full color), not as separations. It is because if you simply use a shade that appears black on your screen, that swatch 'black' may in fact be built on a combination of RGB or CMYK values (depending on the colors in your document). To print separations colors can not result in a solid black on the black plate image. It goes same for design tips by using just one color. If you want the ink to be red, and you want to design using red, then red Swatch must be defined as a spot color. Otherwise, print as red as separations or composite will not give a solid black image.

  In addition, it requires separate Illustrator files.

  Once again, unclear. There is no such thing as a "separate Illustrator file." Any Illustrator file can be printed (or saved as PDF) as a color-separations. Once again, that the printer must be clear here, it is that you build your Illustrator file so that it can be printed as separations, with each split corresponding to an ink that is responsible in his silkscreens. In practice, this means just be sure to use only the color tones in your work.

  Yet once, this illustrates the fact that a technician working in a particular printing environment can be 'expert' in his shop, is not because he know didly on the software and the workflow used on the design front.

  For stores of the most banal local screen, the safest way to prepare an Illustrator file, which leaves nothing to question is:

  1. make sure you know how much different inks are used for printing design. (Don't forget: think inks; not "color".)

  2 build your design using nothing but the Spot color swatches and a Swatch for each ink. Do not use any process of nuances. In fact, recommended is to remove all the nuances that are not actually used in your design.

  3 ' print' an Illustrator, Adobe PDF document as "printer." (I think that you need to have Adobe Acrobat installed in order to view a selection of the printer Adobe PDF.) I don't know, because I am never without Acrobat Professional.) In the output of the print dialog pane, specify separations, not composite.

  This will result in a PDF file that contains a separate page for each ink. The image on each page will be black. That's exactly what the screen printing needs to print to 'positive film' (which nowadays are often translucent paper, not film) which it will use as masks then "burn" his screens.

  ... I know this means separate into layers, but I did not design it in layers...

  Do not confuse with layers color separation. They are totally independent functions. Layers is just a way to organize objects that you create in your file. Color separation is a print function. It occurs when you print to a device which includes the separation of colors (e.g.: a PostScript device) or when you export to a PDF of the color separation, as described above.

  It is a common misconception (miss-hypothesis) among beginners. Programs such as Illustrator may help you design with every object that is colored with ink of separation including residence in a layer that is dedicated to this particular ink, it would be absurd debilitating. Again, the layers is just a "fork" of the stack of objects in your file. These objects can be in any order on any number of layers and stacking. This has nothing to do with printing on color separations. (Stacking order comes into play when overprinting is involved, but even this does not yet require layers correspond to the inks of separation.)

  If I submit to the eps format does it matter that it's all in a single layer?

  EPS does not help. Think EPS is nothing but a file format that puts the contents of your Illustrator file in a 'black box' so that it can be "passed through" to the printer by programs that do not understand PostScript. If the content of your Illustrator file is built to target printing method, it will be the content of the EPS. Today, the PDF is more flexible and easier to work with than BPA anyway.

  JET