Illustrator to Photoshop Smart vector object

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• Vector Illustrator to Photoshop Smart objects is more editable...?

  I've just updated my CC and experiencing some weird behaviors between Illustrator and Photoshop. I always start in Illustrator to make my designs (logos, etc. for the vector art) and then build in Photoshop for brochures and other media. I always copied and pasted as smart objects (from Illustrator into Photoshop) and production wise, this is a quick easy workflow - I can go back and change my smart objects by clicking twice if necessary changes.

  However, after update CC two days ago, I feel something I've never seen. When I paste the graphic Illustrator (such as a smart object) I can no longer double-click the layer to edit in Illustrator - I am panic and need help! What they have done or what has changed? It's ruining my workflow and I would really appreciate the help. The alert script error I get when I double click on the vector smart object is "this element is not directly editable in photoshop, but it can be placed in a document. To move the item, drag it into an open document. "Why I'm doing this and why they would change?

  Help, please

  Julie

  JuJuGrafiks wrote:

  The interest to place the vector in Photoshop is not hunting for the dynamic object - it is much too long and then go back to Illustrator. It is a step in the wrong direction, and I can't believe that others are not upset. I would not have updated if I had known this - now my production is at a standstill immensely. Is there a way to express my concerns?

  Your first message is at odds with your last. You said in your first post that you double-click to edit a vector pasted in Photoshop into Illustrator. Then you say you want to go back to Illustrator and "hunt for the object."

  As long as you have the option "add to my current library" unchecked when pasting, it should work as before. Is there something I'm missing here?

• Smart vector objects, always looking for an older version of Illustrator

  When we try to open smart objects in Photoshop CC from the inside, they are looking for in Illustrator CS6. On machines where Illustrator CS6 is uninstalled, we get errors. All the associations of files in Bridge are set correctly. Is there a way to change the file associations for dynamic objects?

  Thank you

  -Onur

  Mounting objectrs smart uses the associations wide system, not those of the bridge, you will be charged for the *.ai file type.

  Mylenium

• Can I transfer a custom made patterns from Illustrator to Photoshop?

  Hi all

  I created a custom made model in solid black in Illustrator and want to use it as a form defined in Photoshop, I can do this?

  First, create the pattern in Illustrator and save it as a sample of the model. Apply the model to a certain squares of size at your convenience, expand it, and then flatten transparency copy and paste from Illustrator to Photoshop as an object path / smart.

  From there, you can set it as a pattern in Photoshop.

• Seit ich auf CC 2015 updated habe, kann ich in Photoshop Smart objects mehr öffnen, die von Illustrator importiert wurden keine.

  Hallo,

  seit ich auf CC 2015 updated habe, kann ich in Photoshop vector objects Smart mehr öffnen, die von Illustrator importiert wurden keine.

  ES scheint, als würde try Photoshop, Illustrator 2014 zu öffnen, obwohl now 2015 installed wurde. There are one possibility, das Zielprogramm neu zu compete?

  Beste Grüße,

  Tommi

  Habe eine Lösung found.

  1. in Illustrator eine Datei speichern und create x-adhesive.

  2 rights Maust auf Datei und die Standardanwendung fur das Dateiformat *.ai neu compete sharp.

  3 Auf Illustrator CC 2015 sites

  Fertig

• Try to paste from Illustrator as a smart object

  Is there a trick to paste an image vector pixelated from Illustrator into Photoshop as a smart object and not introduce a bunch of smoothing that wasn't in the original file? My images are perfectly aligned with the pixel grid in Illustrator, and displays correctly rasterizes preview.

  This page is useful to deal with vector shape layers, but the techniques he talks do not work for dynamic objects. Strangely, he says that it is not a problem with smart objects, but I do.

  Here's an example of what I'm talking about: a simple image of pixel of 13 x 13 in turn shit in Photoshop Illustrator when pasted as a smart object (I know not a picture that is as simple as it could be pasted as a shape layer, but the I work with real images are much more complex and cannot be pasted in the form of simple shape layers).

  

  I'm using Photoshop CS4.

  > How to use these tools documentation could be improved so that when someone tries to do what wants to do the OP above, it can really accomplish its purpose?

  I'm not sure. It seems to be expecting behavior that should not. So I don't know what he thinks is happening, or what part it misunderstands.  I can document how the mathematics and applications work, but not all average people incorrectly assume that they work.

  Nod to the pixel grid option vector will manage the outline of the shape-, but maybe inside aliasees according to the position and size of the shape as well as the definition of the original form of vector.  Most of the time, vectors do not align with the pixel grid, but we can force the outside edges to align. Inside edges usually cannot be aligned with limits of pixels without deforming the wrong form (in the case where it is possible at all).

• Copy and paste multiple objects in Illustrator to Photoshop in the form of multiple layers

  I am working on an application and will stick in hundreds of groups from Illustrator to Photoshop.

  Is there a way I could select all in my Illustrator file and when I paste it into Photoshop it sticks each object as its own layer (I need it to stay Smart Objects).

  Here is a picture of what I'm working on: http://i.imgur.com/bSn7Qew.png

  Each number is a group of several objects and I'd love to be able to copy all and paste into Photoshop as 100 layers rather copy and paste each number one by one.

  In Illustrator make each unique in a compound shape. (use the menu in the pathfinder for this Panel.

  Then export a PSD in Illustrator using editable character maximum. The forms will then form layers in Photoshop.

• I'm updating photoshop today and when I drag an object from illustrator to photoshop, the object doesn't turn into a dynamic object why?

  Update photoshop today and when I drag an object from illustrator to photoshop object market not turning into a smart object why?

  OK - think I have this sorted out now.

  When you copy and paste an Illustrator file in Photoshop, you get the dialog box PASTE.

  You can paste as smart object, Pixels, path and shape layer. In the past, you would select depending on what you want (in my case for most Smart Object) and viola - you have your dynamic object. However, in the newly revised version, there is a checkbox in low called "Add to my current library" If this box is checked, it becomes a library file that displays with a 'cloud' icon in the layer. If you uncheck the 'Add to my current library' it won't matter as a regular smart object.

• How to change each color of the illustrator vector object in 2013 of PowerPoint?

  When my client want different colors on vector graphical objects in PowerPoint.

  For example, I created graphics in Adobe Illustrator CS6 element, and then save as .emf file with color RGB, once exported mode then I insert the image from that file in PowerPoint 2013, after that I used separate both times. When I click on the different color theme, but it has not changed color.

  See video screenshot: 2015-10-03_1414 - fatech library

  I'm trying to understand how to change each color of the illustrator vector object in 2013 of PowerPoint? Please help me!

  Thank you

  FATECH wrote:

  But I want other options...

  There is no all.

  Illustrator and MS-Office share not all the graphics features of construction at the file level. There is no universal edit-ability between the two.

  .. which is the best export (eps, emf, or svg), then insert a vector file into PowerPoint?

  If your Illustrator illustration is vector of 100% and contains no live effects, complex gradients, blends, etc., the first thing to try is copy > paste special > enhanced metafile.

  Otherwise, SPE may work, or you can use the pixelation in PNG. Personally, I do not consider export raster format Illustrator to be a stable workflow method, so I'd be inclined to use Photoshop as an intermediate step: Illustrator > Save As PDF > open in Photoshop > save in PNG. Just my preference.

• Photoshop smart object layer does not open in ACR when I double click

  I have a file open in photoshop raw, it reproduces, is smart, when objects I click on the smart object on the file icon, I get another copy of the file in photoshop, the file does not open up in acr, is there a setting I'm missing?

  Post edited by: Rodwf

  This is because the smart object is a raster layer image not a raw file.  If you want a smart object RAW you must do the ACR. Instead of clicking the image open in Photoshop button. Hold down the SHIFT key the key will change to open the object in Photoshop.

• PDF files from illustrator into photoshop

  every time I open a pdf that I have saved from illustrator into photoshop appears all pixelated. but open it in acrobat or anythin else she opens wide. It is all vector based drawings should therefore all be n crunchy sweetness. ideas of Ant on how to remedy this situation?

  Photoshop is a program focused on the pixels with some vector capabilities, but when you open (actually imports) a file pdf or placed as a smart object in Photoshop the result is naturally pixels.

• Is it possible to create vector objects like forms composed as draw them (automatically)?

  I would like to start using Illustrator more frequently for web interface design projects and the user, but I still want to take everything in Photoshop for final rendering and compositing (and the simple fact that most developers want to psds, not files have). However, I believe that the only way to transfer all of the work of Illustrator vector and preserve as vector objects in Photoshop (during export) successfully must manually convert each individual vector object in Illustrator to a form of compound (by selecting the shape by clicking make compound shape in the Pathfinder palette menu). This can be very tedious if it must be done after the design is complete and very inefficient if you convert all the objects you draw it.

  Is there a way to define Illustrator to automatically create each vector object drawn as a form of compound without having to manually convert?

  A bit of history on this issue...

  Adobe Illustrator allows you to export your Illustrator document in a Photoshop document. However, composed of paths (not composed Forms - see this article for the not-so-great explanations in comparing the two), which is the default attribute that is applied to the entire base of the Illustrator vector objects, do not convert to vector objects when the exported document is opened in Photoshop. On the contrary, vector objects in Illustrator get flattened in raster in Photoshop layers, which makes them poor candidates to refine the design in Photoshop.

  Two possibilities:

  Start with a simple form of compound and use it as the beginning of each new path:

  1. Polygon tool: Mousedown. Drag. Press the arrow key down until you have a triangle. MouseUp.
  2. White pointer: click on one of the sides of the triangle. Remove. (Now you have an open path from the 2 segment.)
  3. Filling: any color. Stroke: No.
  4. Flyout menu of the Pathfinder palette: make the compound shape.
  5. Drag the path just beyond the origin of the artboard (or any other convenient location).
  6. Copy.

  Whenever you start a new path, start it to make a paste (Ctrl V) or in AltDragging a copy of the original. Then start edit the pasted path, which is already a form of compound.

  OR

  Use a (macro) Action to apply the form of compound to do after you have drawn the paths:

  1. Draw two paths. Select the first.
  2. Actions palette: start recording.
  3. Flyout menu of the Pathfinder palette > make compound shape.
  4. Select > next object above.
  5. Stop recording.

  Now, when you finish a drawing:

  1. Layers palette: select the object down.
  2. Actions palette: click several times on the button Action run (or put the palette in button Mode and click the button several times).

  As with all in Illustrator, in guard abound:

  • Why there is no control loop for Actions is beyond me. So if you want to, you can duplicate the two steps in Action, say, nine times and it will convert it 10 paths by clicking.
  • Using the method of Action, select it > next object above command will not pass between the layers. So if the paths are on different layers, you will have to manually do the bottom, select object for each layer.
  • As you probably know, if forms of Compound Illustator have strokes, fills not only, Photoshop shape layers resulting have paths, but lose the fills and strokes. So the above two methods works best if the Illustrator paths are filled and outline before converting into shapes composed.
  • Illustrator Javascript considers that a form of compound a PluginItem. Therefore, it is conceivable that we could script the conversion of a simple path that is composed in a form by using the method sendScriptMessage() of the app object. But you must know the right settings for the plugin, I did not.
  • If only you could invoke an Action of a Javascript of Illustrator, you can just use a Javascript to loop intelligenty through objects and perform the Action for each... but this is an another big 'if only '.

  JET

• Illustrator and Photoshop

  I know the difference between a vector graphic and pixel, but I wonder why someone would choose to do something in illustrator or photoshop.  It seems that there are some things that you can in the two applications for the use you can create something like a business card, I wonder why someone would choose to use illustrator vs. photoshop or vice versa.  Is someone can shine some light on this for me.  I create my first business card and I have a rough idea of what I want the chart to look like the card and then the rest is text and simple lines.  It seems that I could literally get the same result little matter which application I would choose to use for this project.

  Thank you

  It is not just a matter of being mainly to create vector graphics and the other being mainly to create raster images (although it certainly matters). It is also one being an 'object' program founded and the other not.

  A project together-one document file is not just an image or a vector path. It's a collection stacked and arranged objects raster, vector objects and text objects. Some of these objects can be die cut paths, the spot for the nail polish color separations of brands of printers, and so on. Based on replication objects makes sense. In a typical press sheet card, for example, you can have a gang-up of 10 instances of the same card, with toppings for all brands. Replication programmatically a variable instance is more logical than walk/repeat is actually an array of pixels.

  Should also keep in mind that a large part of the ability to "vector" of Photoshop is smoke and mirrors. The ar form layers actually selections from pixels to paint only occipital pixels. The result is just color pixel, commands not the printer for graduates, etc.. A Photoshop layer is a very different construction of an Illustrator layer. Consider, for example, create in Photoshop a stack of individual vector objects which have several stroke and fill attributes and which resemble a simple illustration seen together, but who are still independently selectable and adjustable as objects, not as layers. Select two objects on the layer 1 and three objects in layer 3 and turn at the same time. A layer in Photoshop is really a different raster any image, just as much as all of the Photoshop document.

  Still don't believe? Create a "vector" shape layer in Photoshop. Position this "object" in the upper left corner of your page layout. Create a new one and place it in the lower right of your page layout. What is the resolution of your document PPI? I bet it's wisdom conventional-300, right? Very well. Give the 'object' at the bottom right a drop shadow. Now, keep in mind, there is absolutely no reason for that drop shadow needs to sample at 300 PPI. 150 DPI is a gracious plenty. So give this shadow just a 150 PPI. Can you do this?

  And what about space everything 'empty' between the two "objects"? Is - this really empty? Really? No, it is filled with thousands of absolutely useless white pixels (or grayscale pixel in an alpha channel).

  In General, if you assemble an entire document, you work in an object oriented "program of the Assembly" in which you combine the assets of the vector of the programs, the assets of raster and native text programs. Conventional wisdom calls this "the Assembly program" a program of "layout". So the conventional wisdom assumes the need for a program of raster (paint), a vector program (drawing) and a program of the Assembly. The fact is, a drawing program is much closer to be adapted as a "layout" program that does a raster imaging program. Vector drawing and layout programs programs share the same kind of object-oriented nature. Significant differences between the two is that the characteristics of a page layout program are more suited for the automation of the repetitive traces semi (master pages, etc.), counties from top of page and handling of long block of text. As long as you don't talk about long 'bookish' documents, a drawing program works perfectly well as a program for editing for projects together-document short page count (usually even better, to tell the truth). The same is not true for a raster imaging program, because when it comes down to it, a raster image training program is still all about the creation of a raster image.

  JET

• Problem copy of Illustrator to Photoshop

  When I used to copy a vector object from Illustrator and paste it as an Inteligent object into Photoshop it used to study very well, but since last week when I do that the inteligent in photoshop object resembles pixelated, I tried to fix it change the format of the pixels, but it is useless, I hope someone knows how to solve this problem , I leave here some screenshots and attaching the file.

  Discover the Illustrator fron

  

  Preset when I create the new photoshop file

  

  View of the object when it is glued

  

  Display settings

  

  Display settings

  

  The aspect ratio has nothing to do with it.

  You simply work at 72 dpi, and it seems that you have turned off anti-aliasing when you placed the vector illustrations.

• Conversion PSD vector object drawing

  I did some drawings of characters of cartoons in Photoshop. In which case it is important, they drew with a Wacom tablet, black lines, with the color inside the lines.

  Is it possible to convert these characters to editable vector objects in Illustrator CS5? And if so, is there a dummy tutorial?

  (I tried to use the trace function, but it converted characters to objects that have all the points that I could change.)

  I would be perfectly happy if I could just bring in Illustrator black lines and add color to the cartoon characters, once the black lines have been converted to vectors... but trace keeps filling the inside of the drawings to the related with white. For example, if I have a layer with nothing else that a line of black circle, then tracing was going to turn into a black circle with white on the inside.

  Suggestions?

  OK, two things to know about the vectorization. (1) you must develop the trace to be able to change her visit at this time there (no pun intended) track is no longer live. (2) open the properties of the trace to disable fill background with white. It is enabled by default.

  OK I lied, yet one thing if you plan use illustrator, you will need use the pen tool that your life will be easier than using the vectorization. Also, using the pen, you will have an idea of good works of the tool pen with photoshop. They are slightly different, but close enough you will beable to use one or the other. As a bonus with the tool pen in photoshop, you can export the drawing as an illustrator file that you can then work on directly in illustrator if necessary.

  OK I'm done...