Media Encoder CS5 freezes during rendering

Similar Questions

• Adobe Media Encoder CS5

  Hello! I was curious if I could have the Adobe Media Encoder CS5 download. Thank you!

  SOUL comes with various adobe and suites, programs not as a stand-alone product for sale or trial. for example, you can download it with flash pro.

  If you follow the 7 steps, you can dl a trial of the any of the cs5 here products: http://prodesigntools.com/all-adobe-cs5-direct-download-links.html

  and activate it with your serial number.

  If you have a problem with dl, you don't follow all 7 steps.

• Adobe media encoder cs5.5 fails to open the queue for the first export

  Adobe media encoder cs5.5 fails to open the queue when first CS5.5 exporting. I use an Mpeg2 normative action and choosing export immediate option works very well. After having chosen the option of queue, Adobe media encoder will show its splash screen... Then nothing. Does anyone else have this problem?

  Premeiere CS5.5

  ASUS Board

  CORE I5 2400 K

  16 GB of Ram

  NVIDIA GTX 560Ti (software hack)

  2 TB internal dedicated video player

  Try trashing the preferences of the user for media encode.  It is usually the cause of this type of problem.

• Adobe Media Encoder CS5.5 does not start even

  So here I am at J5 of the complete installation of CS5.5 (after the trial period, during which all worked fine) and every day there was a new challenge. Today, Adobe Media Encoder simply does not work. Not trying to do an export of the body and not only by himself, either. I get a screen to start for a few seconds, then it goes away and I get notification that it has stopped working. System restart has not cured it. This isn't a game-stopper, inasmuchas I can still import a sequence of the organism to After Effects and export from there. But certainly, I would use the TEA. I also tried to use the "Export" button in the window of the Organization export settings. Fortunately, it also works.

  My first instinct was to try an uninstall / reinstall of SOUL, but I found that uninstalling SOUL is not an option. I'm guessing that this is part of another application, eventually the body, but I don't know.

  What do you say?

  I had a problem with Media Encoder smoking during startup and the problem was corrupted preferences.   I remember well, it's that there is a key that you can press and hold while starting Media Encoder (maybe the Alt key) which will put it on and reset all proferences.   This cured my problem.  Hope you also helps.

• Adobe Media Encoder CC 2015 slow rendering time

  Hello!

  I'm new to video editing in general, but I'm quite intimate with the PC hardware so here.

  Specifications:

  • The stock of 4770K i7, no thermal regulation speed
  • 8 GB 1600 MHz CL9 DDR3 RAM
  • GTX 780 + 170 MHz clock and 110% limit/95 degrees C temp power target
  • Driver 368.39 used
  • 3 x Samsung 840 EVO (no raid)
    • Windows 10 64-bit running off SSD1
      • PE/AE/SOUL installed on this drive
      • Cache / Scratch areas on this drive
      • Images under development
    • SSD 2
      • Games
    • SSD3
      • Games

  I save images using shadowplay NVIDIA from a 75 Hz screen 2560 x 1080. The output file is a 1920 x 1080 60 fps 35Mbps bitrate H.264 MP4 file. (1920 x 810 with black bars).

  I would add that sequences Adobe Premiere elements 14, do any editing that I have to do, and then export it to a file of bitrate MP4 1080 p H.264 12Mbps. The rendering process usually take around 10-12 minutes to 6 minutes video.

  I then add this file to output in Adobe After effects CC 2015, create a composition with drag and create a button, add a few layers of text and export it via Adobe Media Encoder CC 2015 (AE supports native H.264 from what I understand) with the SAME PARAMETERS. But this time, and I estimate that I type here, render times are 40 minutes.

  I ran a few tests and in the course of the first to make the CPU turns to about 80% CPU and the use of 1.8 to 2 GB, as I watch often some youtube in the meantime, so that understandeably not 100%. However, to the course to make AE/SOUL, le CPU CPU remains at about 30% CPU and 1.8 GB ram usage. With the help of the Mercury Playback Engine GPU Acceleration (CUDA) I expect to see more high on my GTX 780 loads, but he is 2-3% of load, so anything.

  Since my render outputs are (to the best of my knowledge) identical between the EP and shall return AE/SOUL, it seems that the use of material by SOUL is in this case. Other posters have suggested that some effects require the previous frame to be returned to pass, but I have not used such effects, are limited to simple text.

  So what's happening? I would appreciate any insight you have on this and I stand ready to provide more information that you need.

  Kind regards

  Corentin Robin wrote:

  First of all, wow. Thank you so much for the depth and quality of your response! If everyone had that kind of mentality, forums would be a very different place...

  No problem! That's why I'm here.

  It is certainly useful that you said your question clearly, with a lot of info and he asked respectfully. Quantity of, "why his does not work u should help me solve this NAOW! 1. 1. ' messages with no information is astounding.

  Corentin Robin wrote:

  I'll try to be to condense my game data on a single disk or both and use the third exclusively for editing. Or I could buy a new one, if the budget allows.

  This would be ideal. In my freelance studio, I have three separate units

  1. OS/software
  2. Footage
  3. Cache (if there are different types of player, it should be faster than you [I know your are currently all the same, it's more for future fans forum])

  It will probably not help much for the rendering speed, but it should help when you're interacting.

  Corentin Robin wrote:

  Before moving on to something else, I want to explain what I'm doing with text. I add text and overlay video, with sometimes a few very basic motion tracking (I can't forget this feature if I need). To the best of my knowledge, PE lets just add a black screen with text over time, like on a Blackboard for example. No text overlays/over-the-video (if it has no meaning...). So respect that, Premiere Pro have these features? If so I could make the switch.

  Certainly, you should stop using the Premiere Elements and start using Premiere Pro. Not only it gives MUCH more flexibility in the work, but you can layer objects of type as much as you want on top of your film.

  He was also transparent enough with AE. By example, if you have a shot that you want to add text, you could cut the part that would have text and simply right-click and choose "replace with After Effects composition. That images will be replaced with a dynamic link to a model of EI that already contains the images that you are handling. You save your AE project and results will be displayed immediately on the first! It's really convenient. If you want to keep this direct link, you can. Or if you are sure you are finished with AE work and wants to read smoothly at first, you can choose to make and replace it. It restores an intermediate file to AE and replaces the model tied first with her. VERY useful feature.

  If you keep track of movement, you probably want to use AE. Although you can make an animation in Premiere Pro, AE is much more suited to do. And if you start to get really fancy, you probably want to do some rotoscoping too.

  Corentin Robin wrote:

  I understand that EI requires much more accurately, and the way you explained it enabled me to understand one of the big question I had with her, which was "why reading in real time is so difficult in AE? You answered that perfectly, cheers!

  There is much more detail in the fact that I could get! Basically, AE must first build a cache, and then he reads. Maybe I should have said that. It is even simpler and shorter!

  Corentin Robin wrote:

  On the issue of compression, I realized that the work of a compressed codec is not ideal. My gross output of Shadowplay file was indeed H.264 because I believe that is the single output file, it allows. I don't think I can do without shadowplay for now because it has unique characteristics which cannot be replaced:

  • For extremely low hardware with Nvidia drivers
  • Ability to retroactively save a video after an interesting "keep-worthy" event, to avoid recording 24/7 in the hope of something interesting

  Those who do not sound like some very useful features. Just make sure that you get quality settings in the codec to achieve a data rate as it allows.

  Corentin Robin wrote:

  Also, to continue on the issue of compression, I got mixed responses regarding this. Some, like you, would say that working with H.264 sacrifices quality and performance, but some say that it is not a problem since the youtube compression will be severely disfigue the file in any case.

  YouTube can recompress, Yes. But if so, it adds ANOTHER layer of compression. That would be an argument even more important to preserve the quality of your side as much as possible.

  Corentin Robin wrote:

  I think my question would be: I would win a much higher quality using Fraps/Dxtory where I can control the settings of the raw images (keeping in mind I lose the comfort of ShadowPlay) even though the compression of Youtube should (I think?) disfigure this film?

  I think that the benefits of ShadowPlay outweigh the concerns that I had about compression in only one step. I still say don't do any other steps in making H.264s again and again that you transmit your project between applications. If you need to make something (you won't have to if you start to use together the Premiere Pro and AE), renders an intermediate codec until you create your deliverable.

  Corentin Robin wrote:

  So, keeping in mind of all of your suggestions and the constraints I have / has chosen to conform to, I should:

  • Have the work files on a separate disk, with areas scratch on this drive or free
  • Replace PE PP to eliminate the need for the AE and have only a single record
  • Since a single rendition is necessary, it is therefore more a real need for an intermediate codec low compression/lossless

  Yes. Although, you can still use AE, you have eliminated the need to make the intermediate files if you use Premiere Pro and AE set.

  In addition the Dynamic Link workflow I mentioned, you can also (once you have finished your editing in Premiere Pro), your Premiere Pro project import into AE. Use import > import Premiere Pro control project. She puts your complete sequence in AE with each cut on its own layer. You really need to do if you started to do really complex with your AE work if.

• The GPU acceleration is grayed out in first and AE, but not in Media Encoder. However, the rendering is slow in all 3 programs.

  It worked fine in CS6.

  Now, whenever I open a project (Pr or Ae) I get the message: this project has been modified used with accelerated by GPU rendering. This happens with all projects, even with those that I created in the Pr/Ae CC, with already disabled accelerated by GPU rendering.

  In Media Encoder, the GPU acceleration is not grayed out, but still if I made a first sequence or model ae via ME, its very very slow. (takes 5 hours for a video that took 20 minutes in CS6)

  Any thoughts?

  Thank you, Daniel

  I didn't have the time to post it yesterday, but you have found similar work around. What is happening is the decoding of earlier projects, or projects of the same version even sometimes won't boot the MPE of hardware engine. These files are cached and won't clear for this sequence until you delete the cache. 1 way to do is to replace the clips. The easiest is in the future change the EMT of the material to the MPE software and select delete the files from the cache when it invites. Then return to the MPE material and clear the cache again. That recreates the decoded files cache that often solves this problem.

  Eric

  ADK

• CS5 freezes during preview of fonts is turned on

  For the last three days, I've struggled with my Photoshop CS5 freeze on me. At first I could not find what was causing it. After two days of searching, I tried the FontTest and eliminated five of my third-party fonts. I also deleted the log Cache of police in Photoshop and these two solutions only a temporary solution. When I went in my preferences and active my overview of the police I still find that Photoshop is freezing when I go to change the fonts. I am able to work with disabled font preview, but it makes my intolerable job that I should see my fonts for efficiency! I've updated my video card and my BONES of their most recent available. Can someone tell me please how to fix this?

  Hi chesterschika105,

  Please read the following article and try the following steps: optimizing performance. Photoshop

  Kind regards

  Tanuj

• Media Encoder CC 2015 not rendered effects Lumetri

  Mac OS 10.10.3

  Mac Pro 2013 2.7 Ghz 12-core

  64 GB 1866 MHz DDR3 ECC

  AMD over-pants D700 6144 MB

  Ive tried the following with Red Raw, Pro Res and sequences .mp4.  If I add a color Lumetri effect to a clip or the adjustment layer and the timeline for Media queue encode, no effect of color do not appear on the final compressed file. The only way to achieve the effect of color is displayed is around compressor media entirely and export directly from first, which would prevent me from working on the front. It's one of the many questions, I had with this VERY buggy release. Anyone else having this problem?

  This problem is fixed in update 2015 (9.0.1) Adobe Media Encoder CC:

  http://Adobe.LY/DVA_updates

• Windows 7, CS4 Media Encoder of freezing and crashing when you click "Start Queue" - each sequence!

  Windows 7, Media Encoder CS4 crashes when the queue starts with firstsequences. However, open export sequences 'Add sequences' of Media Encoder very well. Have re-installed (without first uninstalling), question is underway. I have several important deadlines approaching soon, please help! Media cache has been cleared (automatically or in the past), computer has been defragmented and scanned for disk errors... I'm absolutely stumped!

  Create a new user account on your computer.  Give administrator privileges.  Launch RP and trying to send a sequence to the SOUL.  It work?  If so, the trash your preferences of Pr in your user account.

  In addition, if you do not use your account as an administrator, you should.  At the very least, set the Premiere Pro executable file to run as administrator.

  Jeff

• Problem with Adobe Media Encoder CS5.5

  Anyone has an idea why the windows input/output stopped displaying images?

  The preview as its encoding works very well

  
  See you soon,.

  
  Stu

  If you are on Mac, then this is the result of a change in OSX 10.7.3. See this thread: http://forums.adobe.com/message/4328310#4328310.

• DVD freezes during rendering

  I am getting very frustrated.  I'd rather burn a DVD without menu, but it won't burn without menu.

  So I created a simple menu, the screen wide black one with a single button.  The menu is set on the first play, and the button is bound to the first chapter.  There are no other chapters.

  End action of timeline is set to return to the last menu.  The remote menu is return to the last menu.

  The properties of the drive say first of all the game's menu, and the main timeline is not defined.

  End of the menu action is stop.

  The chart shows just three things: icon pointing to the dvd menu.  the game in the menu is oriented to the timeline.

  I chose the writing speed 4 x.

  I'd love to hear what I am doing wrong and what I can do about it.

  Thank you!

  I wonder if your problem is with the transcoding of assets or with the construction of the disc, after transcoding is complete.  Transcode first, then build; who will tell us.

  A menu should not be transcoded; "s/o settings" is right - does really say no "transcoded" on the menu line?  If so, tell us about your menu.

• problem: import the image sequence into adobe media encoder

  Hello

  have a problem with adobe media encoder CS6, change the display Format to 25 time frame in the preferences of media coder, I import a series of TGA (170 images) to media encoder in an image file TGA sequence, the series generated from 3D applications Max and ToonBoom, specification of TGA series 1080 50i "1920 X 1080 - high filed - 25 frames per second. When I import the sequence, encode media recognize the sequence as 1920 X 1080 - progressive - 29.97 FPS, to interpret the window images options I change the settings of the upper sequence deposited - 25 fps, and I export to quicktime mov 1920 X 1080 - class top - 25 fps uncompressed

  the problem:

  mov file is 06:20 and it is right for the 170 25 fps calendar but mov file does not contain the tga series image, image freeze in time code 05:16 (number 142 of the framework) and duplicate the 142 image to the rest of the video file

  If I do not change the pace to interpret the window options images for the tga sequence what media encoder recognizes as 29.97 FPS mov file contain all TGA images, but with a duration of 05:16 which not 25 fps

  in adobe media encoder CS5.5 I don't get this problem at all

  1. How do I solve this problem?

  2. how to force CS6 adobe media encoder to recognize the image sequence imported as rate of 25 fps?

  Windows 7 Ultimate SP1, Adobe Creative Suite Master Collection CS6

  Thank you

  Post edited by: yas1amin1mah

  "Film" is finally fixed in November 2013 video updates of creative cloud. If your version of Premiere Pro and SOUL is or more 7.1.0 everything should work as expected. But don't forget to actually perform "Film" on your source in first Pro CC or CC SOUL that, otherwise your sequence of images will continue to be interpreted as 29.97 FPS by default.

• Media Encoder and Mercury engine

  Adobe Media Encoder CS5 takes advantage of the GPU during the encoding of the video?

  Export of first takes advantage of the GPU when exporting? Or is it only for playback?

  I have windows 7 ultimate 64 bit

  SOUL is not use MPE at all, for nothing.

  This is false. SOUL does not material MPE for scaling, for example, but some effects are managed by the MEPS hardware. Direct export uses MPE material in every capacity.

  While the following post was made by Jeff Bellune, the information comes from an Adobe engineer: does not get the quality expect you from the Adobe Media Encoder?

• Who: Export AE render queue? Export of PP Media? Media encode?

  The output of my project PP and AE (handset video and animation) looks terrible when exported or queued in PP or the Media Encoder CS5.

  It reproduces slowly and showed poor performance in Mac OS X's activity monitor.

  With the release of the AE queue... the project looks great, super fast code and "finally" shows impressive performance in the activity monitor.

  .

  .

  .

  .

  I have spent too much time trying different settings before I tried the converter AE... which, moreover, is buried in the Compostition Menu under Add to render queue.

  First of all, it's standard output as a file command... so there should be an export / save as... > for the "Render Queue"... and who cares about what a "queue" is... all I want to do is save the file 'A' to 'B' format

  .

  .

  .

  .

  So... basically my question is / are:

  Why PP export and CS5 Media Encoder produced as bad results?

  and / or

  What are the appropriate settings for the export of PP and Media Encoder CS5 produce excellent results corresponding to AE queue make?

  Why you incoherent, confused and dysfunctional export / backup of multiple options?

  Seems that CS5 "Media Encoder" must be discarded and replaced by a motor rotates inside the AE rendering... engine and all other export / save / Add to Render Queue / and God knows what else you guys call must be routed to the new Media Encoder.

  .

  .

  .

  You can submit a request here: http://www.adobe.com/go/wish

  See this page to learn more on how to give feedback on After Effects.

  This page has been a failure of the rendering and export alternatives for After Effects.

• Media Encoder adds thin green line on FLV

  I use Adobe Media Encoder CS5 to convert .mov to .flv files. When I give the files a thin (~ 2 px) green line appears at the bottom of the video.

  When I used Media encode to F4V format the line does not appear. See the image below for example. The two files have been encoded using the same Instance of Media Encoder and the same source file.

  I tried many things

  • I tried coding without resizing the video (Native 902 x 507)
  • I tried resizing to make sure that the video dimensions are divisible by 4 (904 x 508)
  • I've used both CBR and VBR have the same effect
  • I changed the bitrate on the rise with the same effect

  Note:

  The video source does not have the green line

  System: Windows 7 64 x - 8 GB of RAM

  Video source

  format: *. MOV, codec:H.264, size: 902 x 507, framerate: 29.97 FPS, data rate: 6.82 Mbps

  Any suggestions on how to remove this?

  

  I put in place of the rapid tests and found that Yes, transcoding a file 902 x 507 encoded to H.264 QuickTime FLV with SOUL 5.0.2 causes a green horizontal line.  It occurs at the level of line 507, but it goes all the way through.  If I use the option Crop to cut the pixel at the bottom of the source, the green line occurs again, but this time on line 505.  The difference is due to the scaling SOUL adds to the rendering process when the harvest is enabled.

  A little detective reveals:

  (1) a 902 x 507 QuickTime file encoded with the Animation codec does not cause this problem.  This tells me that the cause of the problem is in the H.264 decode, not FLV Encoder.  It probably is not appear in the F4V Encoder F4V as H.264 with a Flash wrapper, so not much transcoding is actually done.  Transcoding to other formats has the same problem, however.

  (2) the output of the FLV dimensions are 912 x 512.  This is despite the fact that SOUL shows the parameters for export 902 x 508 (or 902 x 506 with the pixel trimmed down).  The FLV exporter seems to be rounded to the closest value which is divisible by 16.  It of a bug, but has already set for a future version of the SOUL.

  I managed to adjust the size of the source file to 896 x 496 (the next multiple of 16 down) using the crop option.  Take 3 pixels to the left and right, time 6 pixels from the top and 5 pixels from the bottom.  I don't have success by changing the dimensions of output directly to 896 x 496; This is because as the resizing don't trim pixels, it fills as appropriate and retains all the pixels of the source, including the 'bad' line, odd that causes the problem.  Setting them through harvest is the only way to avoid having the SOUL trying to transcode these pixels.

  Otherwise, I recommend that you work around the problem by:

  (A) which goes back to the media source and export to a file that does not have an odd dimension.

  (B) transcoding the file in another application to a different format (e.g.: QuickTime with a different codec) or a non-impair-numbered size before using the SOUL to transcode to FLV files.

  I'm curious - what is the source of this QuickTime file and why 902 x 507?  These are unusual dimensions.