Question re: copy layers and more

Similar Questions

• How can I copy layers (and keep) / content in another InDesign document?

  I am updating an old InDesign file. And realized that I need to get the old stuff som.

  I am able to copy the old document layers in the new?
  When I'm working on I just got all the merged layers - I have to divide a new

  Is there a solution for this?

  Thank you

  JB

  But on all layers at least one element.

  Activate the layer panel menu "Layers don't forget to stick."

  Copy of the old document

  Paste it into the new document

  Beware, if a layer with the same name are all elements of this layer will be glued to this layer, missing layers will be added at the top.

  You must take care that the layer has the same order as in the old document, otherwise things could be stripped.

• Copy music and more from iPhone to mac, rather than the reverse?

  Using a PC, I finally have my iPhone music and everything set up exactly like I want. I was hoping synchronization and backup, and everything with my Macbook instead of the PC, but I can't seem to do without erasing my iPhone. My Mac iTunes library is virtually empty, so I was wondering if there was some sort of implement for phone orders is copied on it, and not vice versa.

  A mobile device is designed to allow only limited copying of media from the device to a computer (only iTunes Store purchases).  You need to transfer your library to the Mac, or else he will always want to erase from your phone.

  Page 6 of Apple, exhaustively meticulous instructions step by step: how to move your iTunes library to a new computer - https://support.apple.com/HT204318 it is convenient if you think that all your materials are not in the standard location.

  My resume in a sentence if you use preferences by default iTunes settings: copy the folder integer iTunes (and to ensure that all of its subfolders and files) intact at the other disk, hold down the option/alt key (shift on Windows) keys to start iTunes and on request to select a library select iTunes Library.itl file in the copied folder (open a different iTunes library file or create a new one - https://support.apple.com/HT201596).

  When it comes to a new car/computer put the iTunes folder copied to the default location of Macintosh HD > users > * user name * > music (or home > music) so you don't even have to start with the down option, iTunes will automatically look it there.  (Make sure that it is no anything already in the iTunes folder it that you want to keep because you will replace it with the one you are moving).  Don't forget to authorize computer in iTunes to your Apple ID if you use it to synchronize with Apple devices or play multimedia DRM protected (e.g., movies).

  Some elements used in iTunes related activities are not stored in the iTunes library folder, but in special folders.  If you move a library to another computer, you can copy these too:

  -Music files Apple cache: http://dougscripts.com/itunes/2015/09/new-flush-apple-music-cache-files/ - ~/Library/Caches/com.apple.iTunes/SubscriptionPlayCache/ file, which is a bit like a "iTunes Media" folder for music from Apple

  -device iOS, various preferences files backups: https://discussions.apple.com/thread/3285925

  Windows users see tip to: https://discussions.apple.com/message/18879381#18879381

• 'Copy' label lack of copied layers

  When I make a copy of the new layer Layer retains the original name. In other words, it does not say 'copy' anywhere! Very confusing! How can I fix?

  See the Options in the layers panel and check you add 'copy' to copied layers and control groups.

  

• How to copy layers with objects as new objects

  Hey guys, no there's a good chance I'll be here, but thick:

  When I copy layers and modify objects on stage, things change also in the other layers.

  How to duplicate a layer so that I can change it with the objects of the old layer being affected? There must be a really easy way?

  I did a lot of research of this forum and google and have failed to find anything.

  Any help appreciated,

  Thank you.

  Yes, if you copy all objects frameworks in these frames are duplicated.

• Layers: Copying, cutting and pasting

  Another feature I am used that I can't live without (coming from a background of Corel PHOTO-PAINT), is the ability to copy or cut a layer with CTRL + C or CTRL + X. In Photoshop, first of all, you have to CTRL + click on the layer to select its transparency and then CTRL + C to copy the layer, but I'll tell you why it isn't ideal. First of all, it's one more step that is totally useless. Second, sometimes I want to cut the layer completely, which means storing the entire layer to the Clipboard and delete in the same process. In this way, I can just paste right back into my document if I want or I can select a different document and just paste it. I realize, you can drag and drop, but add this feature would not ruin all the existing features, and it makes sense!

  To clarify, my request is that if no mask is selected and someone hits CTRL + C or CTRL + X he copies or reduce the entire layer, and layer attached to it masks.

  Thanks for listening

  I feel that, by allowing the copy/cut of the layers in the way you propose, it would create a paradox of the Photoshop interface.

  The paradox would be: If we allow this to happen, then should we also allow the copy/excision of channels, styles, presets, accurate history, swatches & etc.?

  Pretty weird (come to think of it), it works with the railways, if... Well, maybe it's preventing them to apply this feature to the layers. Try this: open the paths and layers palettes. Create an image with a layer and a path. Then, select the layer in the palette. And select a path in the palette. Copy (or cut). There he goes: the functionality you want, but in the wrong palette ;-) Easy don't paths... but then again, the railways are not as annoying as pixels...

  As I see it, essentially (PS and I, don't know ' end other applications), elements that appear inside the pallets are prohibited for common OS operations such as copy, cut, and paste. For these operations, you must use the corresponding palette menu.

  I guess it's something to do with the maintenance of the entire uniform user interface, without "pallets of rebels behave differently from others" (well, we already have a: paths!) "Maybe thay don't want another?) And also, it keeps things simple and intuitive. Think about it: If you have so many possible recipients for content in the Clipboard, Visual reference of where you want to put to get totally awkward (imagine someone with 3 monitors, 2 of them filled with open palletes PS):

  "Allright, I want to stick this thing that I got in the paper..."

  ...

  hummmm...

  (eyes desperately scanning the monitors and editing... neck pain)

  ... ah! Gotcha, here it goes

  Heck! Come to the wrong place! Argh!

  .... ..."

  It's a chore. I don't want that. It is not always that I know what is in the Clipboard (I remember HAVE contained one like it, Kind ' a 'show' content of the Clipboard-(Hey, it's another request for devs make'em!))

  --------------------

  On a different subject:

  Some while ago, I was struggling remove some 30 masks + I had in this doc PS of the mine. Man, HOW I WISH I could CMD-select all these channels and delete'em all in a scream. At that point, I was really upset and wrote a demand function (I guess it was for CS2) about the deletion of multiple channels in the palette layers. After a few ranting I've cooled down and started to think straight, so I thought: if they do not have the aux channels on a separate palette, or do not clearly separation between the layers of color and auxiliary channels, we would never have to be able to remove multiple channels, ' cos that just don't make sense (you can select several channels , but cannot delete them. Something to do with the color channels? Guess it would be weird, but don't know for sure why. A Photoshop guru could enlighten us?

  --------------------

  Carefully read your posts, I understand that you don't like Shuffle windows. So here's a tip, where the devs don't you listen to:

  Create a new Action and assign a function key (i.e. F2).

  In the Actions Palette, select it and on the Actions Palette Menu, assign a menu item to the action. Choose "layer > duplicate layer...» "You can then select a layer or a group (works with both), press F2, and then choose the destination of duplication among all open documents. You can even create a new doc that contains only the duplication.

  It's not like you want, but close enough.

• How to copy multiple layers and modify them

  I have a file with a twinkling of stars on a background. I want to copy thie twinkling star layer repeatedly but change the size, position, and the frame that starts with. What is the way most simple/correct to achieve?

  

  Select (shift-mousedown-drag) to select the layers and all the frames, right-click and click on copy.  Create a new movieclip, right-click in the frame 1, layer 1, and click on paste.

  use repeatedly as movieclip to get the effect you want.

• Quick question on the layers panel and adjustments - Photoshop CS6

  The layers and adjustments panels always used to be expanded from the moment that I started the program; recently, they have been housed closed and I have to develop each time. Someone knows how to fix this? I've been setting up with it, but its kind of irritating...

  Thank you
  Benjamin

  Reset the preferences has been known to clear up the problems, especially if things were functioning normally before.

  Hold Ctrl-Alt-Shift (assuming Windows) and start Photoshop. Agreement for the Reset and see if all this is not back to normal.

• question on the EMI and CSM

  Hello

  I installed IME to a server to manage the network IPS of 6500 package, and I would like to install on the same MCS server to manage the same Catalyst 6500 FWSM. I have several questions:

  -Can I have installed and running in the server IME and CSM sane?

  -CSM contain the same features EMI and much more?, I mean, that's enough with the CSM to manage FWSM and IDS-2 network of 6500 modules?

  -Do the MSC provides a better view of the FWSM newspapers than other applications? Which is the best tool to view the logs of the FWSM, I want to say is a tool like view newspaper checkpoint for FWSM?

  -My client has 2 Catalyst 6500 and 1 installed in each 6500 FWSM, two FWSM mode active/pasive redundancy, I consume 1 or 2 licenses of CSM?

  Thank you

  Kind regards

  Juan Luis.

  Hi Juan,

  - Can I have installed and running in the sane server IME and CSM?

  Yes.

  - Does CSM contain the same functionality of IME and more?, I mean, it is enough with CSM to manage FWSM and IDS-2 network modules of 6500?

  EMI offers various functions such as archiving and image management and implementation at level automatically and taking automatic backups, etc.

  - Does CSM provide a better view of FWSM logs than other applications?. Which is the better tool to view the logs of FWSM, I mean is there a tool like checkpoint log view for FWSM?

  CSM 4.0 is a tool that allows to display, filter, grep etc syslogs of all firewalls and IDSes.

  - My customer has 2 catalyst 6500 and 1 FWSM installed in each 6500, both FWSM running in redundancy active/pasive mode, do I consume 1 or 2 licences of CSM?

  CSM will be manage and watch one active unit only. The day before will just be a copy of the asset. So 1 license for CSM.

  I hope it answers your questions.

  PK

• Four years and more: no network, no network, no network...

  Four years and more: no network, no network, no network...

  I have three Windows machines: two 7 running an XP running. I posted here and elsewhere to infinity, bought a new router (Cisco) and am not able to find even the most basic explanation for what is wrong. I am invited to a "user name" and password when I try to access the network (which, in the network and sharing Center, recognizes the other Windows 7 system).

  I DON'T KNOW WHAT IT MEANS "USER NAME". I walked so systematically the computer name, or the name used to identify my primary system (on which I work to establish the network connection). Then I copy and paste the password on this computer. I then - FOR FOUR YEARS - get a big red X and a logon error.

  I am middle-aged and refuses to learn all other operating systems. Microsoft holds my soul online. This isn't a screed; He is really sincere indignation that this issue is made infinitely more difficult to establish that she should NEVER have been.

  Thanks in advance for any help. I don't know even why I keep longer. (Yes, I ran a few offensively childish tool called Fix - It, who said that I have problems of network...)

  Oh, Tommy Stanley, please read again. I did, and the DOS prompt has three entries. The first was a Director. The second was invited. The third was my first and last name.

  BUT WHEN I TRY TO LOG ON TO THE NETWORK, THE NAME OF THE COMPUTER - THAT OF MY NAME ONLY (NOT THE THIRD ENTRY THAT APPEARED ON THE PROMPT BACK - I. E., MY NAME AND SURNAME) TO POSTER. How can I get the Windows security log - on, which lists the NAME of the COMPUTER and asks for the password and eternally rejects the connection to the network, either use administrator or guest or my name and surname? I am the administrator, then why don't the Security Windows log - they say "Administrator"?

  What is the meaning of your last question - the third listed name? If THIS is the name that appears on the Windows log - on, security why it doesn't appear? (Again, I have NO user account with my first and last name).

  You're not * the * administrator.  Since Windows Vista, you can be * a * user administrator-level, but only with some effort would you connect as * the * administrator account.

  If there is a name in this list (from the command, I have given you), it was your first and last name - which * is * a user on your computer.  You can choose to believe that or not – but it's done.

  Your user name * is * of course your name and first name (Yes, user names may have spaces, etc in them.)  It will not just "appear" anywhere... When you connect remotely to this computer to another, you must type in the full username and the password to access all the actions that the user shared...  Or... NOM_ORDINATEUR\NOM_UTILISATEUR.  So, for example if your computername was "ShenansPC" and your username is "Tommy Stanley", then you would need to put the quotation marks around that and your complete username would be "Stanley ShenansPC\Shenan" (the quotes help to manage the space).  -You will manually need to know that when connecting to a share on the computer "ShenansPC" - he does not know the first time for you.

  This will be particularly true for the Windows XP computer - but with the good use residential groups, not so much for between two windows 7 machines.

  Another way to look at the accounts of actual users on this machine...

  Press the "Windows" key and the "R" on your keyboard at the same time key to bring up the dialog box "RUN."

  Type:

  Control userpasswords2

  Click OK.

  It will list users 'Users' tab (display not 'Guest' or 'Administrator' - I think that if they are not activated.)  However, it is not necessarily where I want you to look at.  At the top is another tab (Advanced) - select it and halfway and then locate and click on the button "Advanced".  Which will open the consol lusrmgr where you can select 'users' in the left column and see in the column right or middle, a list of all users on the computer.  See your full legal name here?  That's because it * is * a user.  ;-)

  What do you mean 'network connection '?  You mean on the one hand you have created?  A folder that you shared or a printer?  If you try to manually map or use the browser of network card \\COMPUTERNAME\foldershare or \\COMPUTERNAME\printershare?

  Also, you said residential groups.  I think you should read the following article and follow through it.  It really explains things in detail and would like to get your two machines speaking Windows 7, I think that, at the very least.

  http://www.7tutorials.com/HomeGroup-feature-how-it-works

  You will probably need to reconfigure your homegroup - time two machines have the same OS and are on the same network is not because they just see and communicate without some configuration to make sure.  :-)

  Now - in addition - truthfully to make things easy, I suggest the purchase and installation of some SIN (storage attached network) houses that you essentially drop into your network and then accessed from all the computers on your network (whether with or without a user name or password - what is usually to you.)  Most are fairly simple to connect and give the advantage to have a place to stuff your local computers backup, but also a central location for media files, that you want to share among everyone on your network.  Start with a simple, like the GoFlex Home Network Storage System: http://www.seagate.com/www/en-us/products/network_storage/home-network-storage/ that would require very minimal knowledge (can you plug a cable or two and install the software?) to get there.  :-)

• Get all the layers and apply to other documents

  Hello everyone,

  I'm copying all layers from one document to the other. But just copy paste is not enough for several reasons (root document may already be closed, copy at a time when the new document is not open yet,...).

  This means that I have to remember all the layers and use them later.

  At the moment I am sth. Like this:

  ---------------------------------------------------------------------------------------

  public static std::vector < PIActionDescriptor > layeractions;

  Sub testGet()

  {

  Result PIActionDescriptor = NULL;

  numLayers Int32;

  SPErr error = kSPNoError;

  DescriptorTypeID typeID = 0;

  Int32 docCounter = 1;

  error = PIUGetInfoByIndex (docCounter,

  classDocument,

  keyNumberOfLayers,

  & numLayers,

  (NULL);

  If (numLayers > 0)

  for (int32 layCounter = 1;

  layCounter < = numLayers & & error == kSPNoError;

  layCounter ++)

  {

  error = PIUGetInfoByIndexIndex (layCounter,

  docCounter,

  classLayer,

  classDocument,

  0,

  and result,

  (NULL);

  layeractions.push_back (result);

  }

  }

  Sub testSet()

  {

  SPErr error = kSPNoError;

  Result PIActionDescriptor = NULL;

  for (auto & it: layeractions)

  {

  error = sPSActionControl-> Play (& result, eventMake, he, NULL);

  }

  }

  ---------------------------------------------------------------------------------------

  So what I'm doing, open a doc with some layers. Then testGet(), open new document then testSet().

  But bench always puts "the command 'Make' is not currently available." and error = - 128.

  Hope you get what I'm trying.

  Thanks for any thoughts!

  Who's going to be a difficult path to travel to this topic. Even if you can get all the properties of the active document and the layers within the document, you have not dealt with pixels on a normal layer data. You will need to save this broad as well. And for dynamic objects and linked smart objects... you have a job to do. Any topic of a document is not capable 'get '.

  Trying to cope with this: "document might already be narrow" would be almost impossible IMO.

  Remember, the source document, which is now closed I now want to copy. Then you can do:

  1. open closed source document. (Or make it more if it is already open)

  2. for each layer in the source document

  a. Select the layer

  b. copy of the document target

  3. close source document.

  The Get accessor routines are not for 'read' directly. You must get the interesting bits of information on and then use the game code that you found using listener.

• Pixelation continues with confined comps, 3D layers and caches

  I have a project consisting only of objects HAVE contained in comps, used with 3D and I have a similar problem to many I've seen on this forum, but I tried all the solutions provided without result.

  The lowest model level are a few layers to HAVE that are animated to the comp. appeal he comp A.

  Two copies of model A are in comp B, each track stuck with another layer of HAVE.

  Model B five copies are in C comp.

  Model C is placed repeatedly in 3D space in the main computer where a camera moves beyond.

  All vector layers are 3D and set its CR

  All the layers of the model are in 3D and NOT worth CT

  Without the appropriate parameters for CR/CT, caches everywhere drag (but rasterization of things well).

  WITH the settings above, nothing not rasterized correctly (but the caches work). The compositions appear returned to the original format of the model A, which is highly pixelated (or blurred with quality facing up) that the camera is moving beyond.

  I tried precomposition caches and their objects contained in comp B in their own model (also according to settings above) and got no change.

  Of course, with hindsight, I could have climbed A comps objects, B and C, but at this time the project is in the final stage and I am wary of all the settings needed to go this route (it also seems like a very bad way to go about working with vector graphics).

  Can anyone help, or it's just the way that is AE? (I'm experienced enough, but 1 year <.)

  Thank you for this forum.

  Here's what you're probably missing. We're going to implement something very simple. You have a hand Comp and a PreComp. The main computer contains the PreComp and a camera. The PreComp contains only single-layer - TestShape which is a 20 X 20 pixel solid red and he has a circular mask applied so that it looks like a point. When you add a mask to a solid you've essentially turned this vector layer in a layer.

  Let's go through a certain number of things in the PreComp. With the fist, TestShape 600% globally and look at the edges. They are a mess. Turn on continuous rasterization and they are perfect.

  Look at the model of the hand and intensify the layer PreComp 600%, and the terrible aspect of the edges. Turn on the Transformations of the collapse and the edge is sharp.

  Note that I used two different terms for the same key. Collapse Transformations only applies to layers that are compositions. This means that elements inside this composition are treated as if they were in the main computer. In other words when the collapse Transformations is applied we are scaling of the TestShape layer 600%, then who still 600% effectively making the layer 3600% greater. Who do you follow? It is important.

  Now back to the PreComp and add a solid second blue circular 20 X 20 with a mask. Call the Blue Solid 2 TestShape and make it 3D and turn on CR. Add a camera to the comp. Adjust the z value of the layer 2 TestShape so that the layer is about the same size as the 2D TestLayer. If the layer of TestShape is proportional to 600%, then the position of the Z TestLayer 2 will be about 80% of the value of the camera Zoom. Now the position of the camera X just a little to the right in order to have a blue circle overlapping a red circle in your COMP. Turning CR on and off the layer of TestShape 2 to see how it works. Pass the TestShape layer 2 more near the camera is exactly as the scaling of the layer.

  Now return to your hand Comp. With CT turned on, you should see only the blue circle. This is because CT is ignorant of the camera in the nested model and using only the Active camera in the MainComp. Disable the CT and you will see what you see in the demo, but the edges will be soft. The only way to get the same point across in two compositions is to copy the camera in the PreComp and paste it into the nested model.

  Here is one more interesting thing happens. If you do the PreComp one 3D layer it will multiply the value of the position of all 3D layers in the PreComp making camera movements to an interesting but impossible to deal with. In this example if you were to make 3D PreComp it would look like the blue layer has disappeared, but simply move the camera back and it will appear again.

  Now let's add a matte by creating a new rectangular solid that is 1000 pixels wide and 200 pixels high and add a mask elliptical. This 600% increase scale use as a matte and turn on or off the CR. The results should be predictable. If you make a layer of mast track 3D move the Z position will not affect what is frosted and outside in the nested model. If you had 2 3D layers in the nested model you cannot move the cache by approach between the two 3D layers and mask only one of them.

  I hope this helps. This is a good exercise to help you understand how CT and CR. Beginning throw in effects and learn more.

• Reposition the Image in the slideshow (and more)?

  Hello! I am a new user of CC of Muse, and I have some questions about some elements of the home page (for now).

  1. I used the widget slideshow by default to create a slideshow of base that spans the width of my page (1024 px), but is only about 200 px (or almost) in height. When I place images for the slideshow, is there somehow I can (without having to buy another third-party widget) can reposition an image in this area fixed? I don't want to "Fill the content proportionally" because I don't want the photo in the original scale - I just want to reposition the image (so that you can see "key" elements - that is, the face of the subject, not their left arm) in this problem area I created.

  2. is it possible for me to add a line to a hypertext link color? On top of the image, I have a hyperlink that leads to another page on my site. The face of the police of the hyperlink is white, but, of course, it is difficult to read when it is overlaid on top of the image. I can add a color contour (i.e. black) to compensate for this white?

  3. How can I create a header 'fixed' (which includes my navigation bar, social media buttons, etc.) which appears on the top of every new page I create? I'm getting around him now, but simply copy-ing and then 'paste in Place' on every page, but is there a more, eh, ' solution '?

  Thank you very much!

  About question 1., it is best to crop your image using a program like Photoshop image editing to show you exactly what you need.

  Muse allows you to anchor the image left, right, Center, etc. using the Position icon in the menu filling, but it was not designed to be a fine listen that you need it to be.

  

  For question 2, if you use a text link in Muse, you can access the properties of file/Site then click on the button content to change your connection preferences.

  

  About question 3, a fixed header, here's a video tutorial on what you want to achieve.

  Create some headers and footers. Learn Adobe Muse CC | Adobe TV

• Copy layers from one document to another

  Hi using Cs6 locked all layers, I didn't copy, select all, copy... new document and select Paste remembers layers, paste in front, all beautifully copied layers but I don't see one any of them on the artboard, in the layers panel.  There is nothing on the top layers... much appreciated suggestions... Thank you

  Make a view > outline view, you see the items anywhere?

  To zoom out, you can paste near the edge of the pastboard

  If you have a selected item (which was inside a mask), and then made a paste in front or back, you may have nested elements within a mask - though I doubt that is the case since you have more than one layer.

• Need help to write a script that opens files, removes layers and sous-calques

  Hey all,.

  I'm a noob to the community of script, and what I try to do is file edit commands that share the same names of layers and sublayers. I have a few questions that would be incredibly useful if I could have answered.

  I'm not sure how to define a script too call out of the layers that have been created without script. I need to create a variable for the existing layers and leave the script to know what their names are in the files?

  For example, I have three files which have each layer named 'cutlayer', 'trimlayer', 'fold' and 'work '. I need to write a script that opens three files, deletes the layer 'fold' of each file, and then move the layer "trimlayer" in his own sublayer in 'work' (the base layer can be on the top so reorganization sublayers is not necessary to worry about something). I do not understand how to write the script because I couldn't find examples in the documentation for the script provided on the adobe website which has worked with existing files.

  It's my shot at what I'm trying to do, with English fill in the blanks of what I do not know how to script. If anyone can help me understand this point, I would really appreciate it!

  app.documents.openDlg (prompt, filter, MultiSelect);  the user opens the associated files

  If (documents.length > 0) //run the script through each document individually

  {

  sourceDoc = activeDocument;

  delete the "fold" sourceDoc layer

  move the "trimlayer" in the layer "work."

  remove the underlayment 'path' of layer "work."

  Run the script through each document

  Save the new file name folder in the new parallel to the current folder on the hard disk

  Go out and spend in each document until there is no more

  }

  create new document

  Place documents published in different layers in the new document, with a distance between them, optimize the space on a 51 "x 51" work plan, using as little of the artboard as possible. "

  All comments are things basically, I do not know how and am trying to figure out how to do, so if anyone has a second to explain some of these things, I would really appreciate it!

  Thanks again!

  I know it of very frustrating when his apprenticeship and things don't go as planned, but understand that it is quite confusing as it is and do not add more confusion to the mix by using other tools than those provided. I mean JSLint, it might be useful with GENERAL javascript syntax, but Adobe's Javascript implementation is another animal, or another language, always JavaScript, but intended to be run by its own engine. JSLint has no idea what "layers", or "pathItems" are, it will trigger errors when he sees the objects, it does not recognize.

  .. .in learning... not to take baby, write a single line of code and run... If it works, write another line of code

  Try this version (always in the ESTK),'re missing you a few "++", and you do not change "documents" with "docs" in a certain place

  var docs = File.openDialog("Select Files to Open", "*.ai", true);
  
  var idx = 0;
  
  for (idx = 0; idx < docs.length; ++idx) {
  
      var doc = app.open(docs[idx]);
  
      var myCounter = 0;
  
      for (myCounter = 0; myCounter < doc.layers.length; myCounter++) {
  
          doc.layers[myCounter].locked = false;
  
      }
  
      doc.layers.getByName('Crease').remove();
  
      doc.layers.getByName('Regmark').remove();
  
      doc.layers.getByName('Artwork').pathItems[0].remove();
  
      doc.layers.getByName('Through Cut').hasSelectedArtwork = true;   
  
      doc.layers.getByName('Through Cut').pathItems[0].strokeColor = doc.swatches.getByName("Black").color;   
  
      doc.layers.getByName('Through Cut').move(doc.layers.getByName('Artwork'), ElementPlacement.INSIDE);
  
  }