Set color of image for multiple images

Similar Questions

• How to set a common background for multiple users?

  We have several users for each computer on the network.  I have put a public office and wish to use our logo that is on "public images" as a background common to each machine.

  This can be done through GPO

  User - Administrative - Office - Office templates configuration - enable Active Desktop wallpaper and office.

• Cascades: How to set the background image for the menu drop down and etc...

  Hello

  Is there an easy way to set the background image for the menu drop down and etc, current support only black as a background?

  Thank you

  Tom.

  Welcome to the forums!

  This is currently not supported unfortunately.

  I encourage you to save a feature for this request:

  https://www.BlackBerry.com/JIRA/secure/dashboard.jspa

  See you soon!

  Martin

• Change the matte color to jpg for the image assets

  Is there a way to change the matte color of white for the generated images jpeg?

  Photoshop can save jpeg files in the folder you are working on.  Photoshop is not a file editor.  You can change the image, you work on the appearance in many ways.

  If you open a JPEG with Photoshop it open like a background image layer.  The background layer, Photoshop does not support transparency.  If you add the canvas, you can add any color you want from the Web. There is no separation between an object in the background layer and the area around this object that is a unique raster layer.

• Is there a way to pay for multiple images to in the same transaction rather than one by one?

  Is there a way to pay for multiple images to in the same transaction rather than one by one?

  Right now only at a time is supported.

• Is it possible to set up for multiple users on the same computer to avoid entering the e-mail and the password

  Original title: Multi users

  Is it possible to set up for multiple users on the same computer to avoid entering the email and password every time that a new user want to check emails?

  Hello

  Welcome to the community forums of Microsoft and thanks for posting the question. According to the description, you need help in the creation of multiple user accounts. I've surely you will help find a solution on the issue.

  What is the operating system installed on the computer?

  User accounts, several people can easily share a single computer. Each person can have a separate user account with unique settings and preferences, such as a screen saver or desktop background. User accounts control files and programs users can access and what types of changes users can make to the computer. As a general rule, you'll want to create standard accounts for most computer users.

  If you use Windows Vista or Windows 7, see the article below:

  Create a user account

  http://Windows.Microsoft.com/en-in/Windows7/create-a-user-account

  http://Windows.Microsoft.com/en-in/Windows-Vista/create-a-user-account

  For Windows XP users:

  How to create and configure user accounts in Windows XP

  http://support.Microsoft.com/kb/279783?WA=wsignin1.0

  Hope this information helps. Answer please if you have more queries about Windows.

• Need to activate printing background colors and images, but this is not where it should be in the options/tools/int adv tab. Any ideas?

  need to activate printing background colors and images, but this is not where it should be in the options/tools/int adv tab. Any ideas?

  Try the following. Open IE11, click on the tools, mouse over the option 'Print' option and select "print preview

  

  Select the layout, as shown below.

  

  Place a check in the "case print the background color and images.

  

  Click on the OK"" button.

  J W Stuart: http://www.pagestart.com

• How to set a background image

  HY guys, I'm trying to set a background image on a Blackberry screen. I used this code, but the image dousen can't cover the full screen. Can someone me say what the problem is, or give me an example of how's done it? package mypackage;

  SerializableAttribute public class BackgroundImage extends UiApplication
  {
  Imagearriereplan private bitmap;
  fieldBitmap private bitmap;
      
  Public Shared Sub main (String [] args)
  {
  BackgroundImage PAP = new BackgroundImage();
  theApp.enterEventDispatcher ();
  }
      
  public BackgroundImage()
  {
  The background image.
  Imagearriereplan = Bitmap.getBitmapResource ("loginBackground.png");
          
  Display display = new MainScreen();
          
  HorizontalFieldManager horizontalFieldManager = HorizontalFieldManager(HorizontalFieldManager.USE_ALL_WIDTH | nouveau HorizontalFieldManager.USE_ALL_HEIGHT) {}
              
  Override the paint method to draw the background image.
  public void paint (Graphics graphics)
  {
  Draw the background image, then paint.
  graphics.drawBitmap (0, 0, 240, 240, Imagearriereplan, 0, 0);
  Super.Paint (Graphics);
  }
              
  };
          
  The LabelField will be visible through the transparent image.
  LabelField labelField is new LabelField ("is a label");.
          
  A bitmap with a transparent image field.
  The background image will be visible through the transparent BitMapField image.
  BitmapField bitmapField = new BitmapField (Bitmap.getBitmapResource ("field.png"));

  Add the handler to the screen.
  mainScreen.add (horizontalFieldManager);
          
  Add the fields to the Manager.
  horizontalFieldManager.add (labelField);
  horizontalFieldManager.add (bitmapField);
          
  Tap on the screen.
  pushScreen (mainScreen);
  }
  }

  Thanks in advance

  You can scale the image with EncodedImage, but it is usually best to use an image with a sufficient size

• Is there a way to set reminders for multiple documents at the same time?

  Is there a way to set reminders for multiple documents at the same time? Now he must go through a list, manually click through a series of options, then select it. If I send more than 300 different documents to individuals at a time, it becomes tedious. Quick. A way to save me the trouble would be so so so appreciated.

  Hello Lindsayb123,

  We do have an option to set a generic reminder under choice of account in the accounts of the company and can be set by going to the tab account-> account settings-> send parameters and set reminders.

  Let me know if you need more information.

  -Usman

• How to set the background image in the window title?

  Hello

  I am a beginner in flex. I use Flex 4.

  Can someone give me some advice on how to set the background image in the title window?

  Is it possible to do?

  Thank you.

  Hello

  Check the code in the example below

  
  http://ns.Adobe.com/MXML/2009.
  xmlns:s = "library://ns.adobe.com/flex/spark".
  xmlns:MX = "library://ns.adobe.com/flex/mx" minWidth = "955" = "600" minHeight >
     
         
     
     
  @namespace s "library://ns.adobe.com/flex/spark";
  @namespace mx "library://ns.adobe.com/flex/mx";

  s | {BorderContainer
  background - image: embed(source="image/wheres_the_green_rez.jpg");
  background-image-fill-mode: clip;
  }

  
     
         
     
  

  Kind regards

  Anitha

• How files and the appropriate label color PMS separate for screen printing

  Hello

  I have to present a document Illustrator for a silkscreen t-shirt and instructions ask that I have "label own PMS color you expect the ink on the finished design." I don't know what that means, and even less how to do it. I googled and it seems to have something to do with the Pantone colours, but I couldn't find how to do this. The design is all one color, so I hope it helps me! In addition, it requires separate Illustrator files. I know this means separate into layers, but it does not design in layers. If I submit to the eps format does it matter that it's all in a single layer?

  Could someone please help me with some details on this?

  Thanks for any help you can offer.

  Mary

  .. .the instructions ask that «label own PMS colours...» I don't know what that means...

  This is an example of so-called 'experts' in the various industries of printing using inaccurate terminology that confuses potential customers, even when they are ostensibly trying to provide instruction.

  PMS stands for Pantone Matching System. PANTONE is a company that produces for commercial offset printing inks, and who publishes books swatch for these inks and color specifications. Because it has long been the player prevailing in this market for a very long before the general public graphic computers, he took the habit as a sort of de facto "standard" transmission of the colors you want. But isn't the only such system Pantone.

  To my knowledge, Pantone does not even produce screen printing inks (which are more like a painting, really). When people throw around the 'PMS' and 'Pantone' words like that, they often reveal their own misunderstanding of what really is Pantone. In all likelihood, the silkscreen that you use think Pantone Matching System is a kind of a standard universal color. They will most likely find the Pantone color number give you them, then either look at a reference or simply manually mix their screen printing inks for a match.

  ... I googled and it seems to have something to do with the Pantone colours, but I couldn't find how do...

  In most screen printing, your concern is to use spot colors in your design rather than process colors. PANTONE product specifications of colors for fairer inks spot. It produces references to the four-color, metallic inks and even fluorescent inks and inks. Different Pantone standards are represented in Illustrator as 'Libraries of nuances', which are accessible via the drop down Swatch palette menu.

  You can set any Color Swatch you use Illustrator as a spot color. When you do so, all this means is that, when the file is printed as color separations, each spot color is printed on its own plate of separation. "Plate" is a throwback term that refers to the plate on which are the images for individual inks in commercial offset printing. Silkscreen, a separate screen is built to carry the image for each ink used in the design.

  You can also name any Spot color swatch you define, using any name you want. The name has no functional effect on the printed result. Each plate separation of color is a black image, regardless. The actual color is determined by the actual ink that is loaded in the press (or serigraphy) when it is printed. That's why, when you are working in a program such as Illustrator for a project to print, you should not think in terms of inks, in terms of colors.

  For example: you can define a Spot color swatch in Illustrator. It can be set to display any color you want. You don't want to, of course, but in the interest of explanation, assume that you set the Spot color swatch to display in Illustrator as a green color. Then, you name than Swatch "Pantone 185", which is actually a red. If you now print the file as color separations to a PostScript printer (or "print" to PDF separate colors), everything to which you applied the named Swatch "Pantone 185" will be printed on a single sheet (or page PDF).» This sheet contains a picture in black and will be titled "Pantone 185.

  Actually, when you work with a local display store, I usually create tones color chart, and references to name them not according to Pantone (or other), but in the name of the actual brand of screen inks that will use the screen shop.

  So, really, your screen printer is just requiring you to build your design using a limited number of color swatches, with each defined as a spot color. He's still implying that you must name your swatches Spot according to the numbers of colors in the Pantone Matching System, simply because it is the library for the most familiar to designers color naming.

  The easiest way to do so is, for every ink that you want to print on the T-shirt:

  1. go in the Swatches palette flyout menu.

  2. select open Swatch Library > color books > Pantone Solid Coated (or solid Pantone unpaved; it isn't really very important to screen printing).

  3 scroll through the list and select the color you want. It will be added to the list of the nuances of your document.

  The design is all one color, so I hope it helps me.

  As someone else said, because your design is one color, you could simply design using the black one and then tell the silkscreen what color ink to use. But there are some caveats.

  You must print the as a composite file (normal, full color), not as separations. It is because if you simply use a shade that appears black on your screen, that swatch 'black' may in fact be built on a combination of RGB or CMYK values (depending on the colors in your document). To print separations colors can not result in a solid black on the black plate image. It goes same for design tips by using just one color. If you want the ink to be red, and you want to design using red, then red Swatch must be defined as a spot color. Otherwise, print as red as separations or composite will not give a solid black image.

  In addition, it requires separate Illustrator files.

  Once again, unclear. There is no such thing as a "separate Illustrator file." Any Illustrator file can be printed (or saved as PDF) as a color-separations. Once again, that the printer must be clear here, it is that you build your Illustrator file so that it can be printed as separations, with each split corresponding to an ink that is responsible in his silkscreens. In practice, this means just be sure to use only the color tones in your work.

  Yet once, this illustrates the fact that a technician working in a particular printing environment can be 'expert' in his shop, is not because he know didly on the software and the workflow used on the design front.

  For stores of the most banal local screen, the safest way to prepare an Illustrator file, which leaves nothing to question is:

  1. make sure you know how much different inks are used for printing design. (Don't forget: think inks; not "color".)

  2 build your design using nothing but the Spot color swatches and a Swatch for each ink. Do not use any process of nuances. In fact, recommended is to remove all the nuances that are not actually used in your design.

  3 ' print' an Illustrator, Adobe PDF document as "printer." (I think that you need to have Adobe Acrobat installed in order to view a selection of the printer Adobe PDF.) I don't know, because I am never without Acrobat Professional.) In the output of the print dialog pane, specify separations, not composite.

  This will result in a PDF file that contains a separate page for each ink. The image on each page will be black. That's exactly what the screen printing needs to print to 'positive film' (which nowadays are often translucent paper, not film) which it will use as masks then "burn" his screens.

  ... I know this means separate into layers, but I did not design it in layers...

  Do not confuse with layers color separation. They are totally independent functions. Layers is just a way to organize objects that you create in your file. Color separation is a print function. It occurs when you print to a device which includes the separation of colors (e.g.: a PostScript device) or when you export to a PDF of the color separation, as described above.

  It is a common misconception (miss-hypothesis) among beginners. Programs such as Illustrator may help you design with every object that is colored with ink of separation including residence in a layer that is dedicated to this particular ink, it would be absurd debilitating. Again, the layers is just a "fork" of the stack of objects in your file. These objects can be in any order on any number of layers and stacking. This has nothing to do with printing on color separations. (Stacking order comes into play when overprinting is involved, but even this does not yet require layers correspond to the inks of separation.)

  If I submit to the eps format does it matter that it's all in a single layer?

  EPS does not help. Think EPS is nothing but a file format that puts the contents of your Illustrator file in a 'black box' so that it can be "passed through" to the printer by programs that do not understand PostScript. If the content of your Illustrator file is built to target printing method, it will be the content of the EPS. Today, the PDF is more flexible and easier to work with than BPA anyway.

  JET

• Setting levels of ink for newspaper in Photoshop

  I have a number of images, the goal will be for use in publications of the journal. I learn to adjust the images (color and grayscale) for the printing features web, which mainly involves the desity ink to 240% down and making it point max on a mono color 80%, which includes the images in grayscale. My question is what is the best way to account for this. I converted the images using the specific profiles that adjust for this in Photoshop, but in some cases, more precisely in grayscale images, I have one more point over 80%. It would be correct that I should go back and draw the color manually (with curves) to adjust the 20%, or Photoshop does something with the profile that I use to convert that takes care of this?
  

  The Octagon wrote:

  Do color conversion seems to work very well, but the levels of gray is where I'm still having a problem. I had a CMYK image, set my profile to grayscale for fattening of 20% and after conversion, I still see on a 95% point in the darker areas. I think what confuses me is that Photoshop adjusts the appearace of the image to reflect a fattening of 20%. Does this mean that when I converted my profile that the values that I find both are earning points has occurred? If I find a point of 74%, it really was 54%? I put a sampling of color on a spot which read to 94%. When I went from the profiles to a point 30% of gain, the number rose to 88%. -What is sense?

  Dot readings that you reflect the value true file.

  When you convert Photoshop gray tries to preserve the appearance of the brightness. 10 fattening and fattening 30 reflect different print conditions, but they appear very similar to the screen. But the 30 fewer than the 10 ink coverage. Photoshop is trying to explain further in the case of print 30 gain, while the images appear identical, but in fact they are not the same. To check ink coverage go to filter: blur: average. You will see that a 10 point gain actually has more coverage than a gain of 30 points.

  All that being said, I don't know why you would need a limit of 80 ink on shades of gray. My guess would be 95. You can do this with a simple curve and shoot 100% downwards until you reach the desired level of ink in the shadow areas. You can even make the curve of a nondestructive adjustment layer.

  It is sometimes difficult to find the darkest area. In a grayscale image's levels. Hold down the option key and drag from left to right. The parts of the image that begin to appear are your very dark areas.

  For the newspaper halftones, in addition to the cover of the shadow's 1/4 and in the middle of gain. This area makes a lot on a rotating and the stock of newsprint. The values here flatten as they go to 3/4 and the image turns into mud. Sometimes 3/4 lock and slide down the 1/4 of your help, it's something like a curve in s with a restraint on the shadows. You could even incorporate this with your dot boundary curve, so just a curve. Highlights may suffer but they will suffer in all cases, stock journal is grey after all.

  One profile, I use sometimes is called identity of Gray. You will not it, but all you have to do to simulate ink coverage is going to Lab mode, select the L channel, and then go grayscale. This retrieves the L channel and the poster with your gray working. If your grey work is not the grey journal, then perform a convert to profile to the grey of the newspaper. The appearance of the image on the screen will stay the same, but the file numbers will adjust for the higher gain of the newspaper printing condition.

  Sharpness is instrumental in the halftone good newspaper too. Who comes last, after all the curve adjustment. Sharpness may push up of ink from the ink values for small edges, but that's what you want. You don't want to destroy with curves after sharpening.

• Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no 1080 progressive setting sequence, how can I ensure that I have the best setting of the timeline for my clips

  Apple "final cut pro 7", high res Pro 422lt 1920 x 1080 (odd) clips, is this gradual?, no sequence definition 1080 progressive

  How can I make sure that I have the best setting of the timeline for my clips. I did all the settings of Mount clips but there is no progressive setting for 1080 p. Images originally dslr Nikon that I used mpeg streamclip to convert to prores. Thanks for your help!

  The frame for you size source of material is HDTV 1080i (16:9). That only sets the size of the image, not the domination of the field, it's what makes progressive or interlaced. The reason it's labels with the 'i' is that when FCP7 was abandoned by Apple, they have never updated the software in order to take account of 1080 p contents.

  To make your progressive sequence, set the dominant field to None.

  gerforce wrote:

  Images originally dslr Nikon that I used mpeg streamclip to convert to prores.

  In your screenshot of the properties of the element for your clip to the source, the material is interlaced. At the original camera file interlaced or progressive?

  Also, the fps footage was actually 30 original and 29.97 not standard?  30 images/s is very limited its use.

  MtD

• Cannot set a specific repository for a machine

  I tried many ways to change/set a specific repository for a specific computer and it always goes back to the original.  I removed from the basic machine (saved restore points) and created a new repository. When I added the rear machine automatically resumed inside the restore points, etc. and back have been started.

  I removed again (guarded restore points), pushed the agent to the machine and selected the new repository and he said the agent on this computer is the same as the agent on this computer and reset it with the changes. Rebooted the machine.  However, he still picked up points of restoration on the core and attached to the old repository.

  I tried a total of 5 different ways to get this machine to see a new repository, but no luck.  The only thing I did is remove the machine & points of restoration out of the nucleus and the Constable and I tried.   Archiving is a joke to say the least and takes 20 hours to around 2.2 to has failed or * the rest of the system (as he did last night).

  I used several different backup systems, but AppAssure is by far the worst, slower and less reliable I've seen.  Even my old band system Veritas has been 100% reliable and I spent less time to manage.

  I'm only protect three machines on it so it can't be that difficult.  Any thoughts?

  Thank you. Russ

  Hi Russ,

  AppAssure has a relationship one between the agent and the repository.  You can have data from an agent in a repository at the same time.  Because Wes pointed out you can follow this KB support.software.dell.com/.../117750 . to migrate from the agent and he gave repo from one to the other.

  There is another option to move an agent to a new repository.  You can change the Unique ID of the Agent and then restore it.  By doing this, the kernel will see it as a new agent and allow you to define any repository on your heart, as is the master repository.  If you take this approach, you can keep the old restore points for the agent in the first repository and have all new backups to go to the new repository. Please note that you can never match these two sets of recovery points together once again, because the kernel identifies as a different agent data.  Then they will be displayed always separately.

  To make this change:

  1. Change the display name of the current agent to something different (usually I just add - old for it)
  2. Stop the agent service
  3. On the agent, remove the HKEY_LOCAL_MACHINE\SOFTWARE\AppRecovery\Agent\AgentId registry key
  4. Start the agent service and the registry key and the subkeys will be regenerated
  5. Run the wizard of protection on the basis of protecting agent and be sure to select the right repository
  6. Delete the former agent of protection and keep the recovery points
  7. You have now - former agents like recovery Points only and agent under protection.  A new base image is taken as there is still no data for this agent, but once the base is taken all subsequent backups should be incremental.

  As for your statement about archiving is a joke, I would need to learn more about your configuration to make a statement. What storage do you use for your storage space?  What speed, the size and the number of disks are used?  What RAID configuration? Is it directly attached, NAS or CIFS? Personally, I always found AppAssure as reliable when repository storage is reliable.  Regarding speed, AppAssure runs how fast on your database server resources are capable. I saw TB of data archived in just a few hours.  I've also seen take days.  It depends on the material used.

  Tim

• is it possible to save the Office XP for multiple monitors and restore after using the laptop in mobile mode?

  Is it possible to save the Office XP for multiple monitors and restore after using the laptop in mobile mode?

  Hi Kenelms,

  You can follow this link & check if it helps.

  HOW to: Set up hardware profiles for laptop computers in Windows XP

  Hope the helps of information.

  Please post back and we do know.