SOUL MP3 cbr encoding is incorrect

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• SOUL of slow encoding

  Hello Adobe community.

  We are a small company in California of the South capture 8mm film in a JPEG sequence and returning it to customers in a full movie 1080 p.

  Our biggest problem is to end that we can capture up to 4,000 feet of film on a daily basis, but only make 1200 ft. This is equivalent to about 240 minutes of capture with only 72 minutes of the product. Our process of capturing the movie on an external drive, to which animate our computer edition (I'll include the specifications below) and then in rendering on the computer editing and modifying. Our edition is very simple. We use: 8mm settings; Quick Color Correction v4 and reduce grain. Our average amount of grain per clip is 18-26. When we export the clip to the SOUL, we averaged about 30 minutes of rendered by each sequence of 3 minutes. We simply can not work at these speeds so you need to be a way to accelerate our process of encoder with internal changes to the computer or changes to how we edit the film. We cannot lose the grain reduction but we could stay to do not the color correction. Any comments will be greatly appreciated.

  Change in the specifications of the computer

  RAM: 16GB Corsair vengeance

  CPU: i7 3770 3.44 GHz

  GPU: Nvidia GeForce GTX 660

  Sebastian Ross

  [email protected]

  Hi Sebastian,.

  Adobe does not list all compatible cards, but the 660 GTX has the basics of working with Adobe. What version of Adobe apps do you use? With legacy applications, there was a 'hack' to make unlisted maps to work. With CC 2015, any card with minimum requirements should be used automatically. More information here - Adobe Premiere CC CC 2015 2014 CC CS5.5 CS5 CS6 graphics cards with CUDA Mercury Playback unlock Hack David Knarr MPE

  With respect to the workflow, I found 'Remove the Grain' in 2015 of the AE. Was not already familiar with this effect, perhaps it's more recent? I use Red Giant Denoiser II on my system and have in the past also tried the trial ordered video Denoiser. I know that the red giant uses acceleration GPU, not sure that all neat. Maybe one of them would be faster? In any case, I can tell you this video denoiser is incredibly intensive treatment and always time consuming. An HD picture has millions of pixels and denoising works by comparing each of these pixels pixels in the adjacent images (before and after) to determine what belongs and what is the 'noise' and then the averages/smooth results. Many calculation!

  When you use an effect that is accelerated by GPU, then yes a bigger video card can help. The 660 GTX is on the lower end of the performance scale and perhaps a few years now, so a larger more recent map might help. As a GTX 970 or 980, if you have an adequate food and room for her.

  Workflow - so you can feed thousands of JPEG files by SOUL and then during the treatment of noise reduction? I wonder if a video clip would treat any faster than all the individual stills? In other words, convert the sequence again video clip, then treat. The conversion will take almost no time at all. Worth a try for a short excerpt. Open the sequence still in first or SOUL, and export as an .avi file.

  I heard that the Cineform codec is perhaps included in CC2015? I installed 2014 and don't see it. Otherwise, the Lagarith codec is lossless and free, download here - Lagarith Lossless Video Codec , but everything you do not export as "uncompressed" because it will be a huge file!

  Good luck

  Thank you

  Jeff Pulera

  Safe Harbor computers

• SOUL - unknown error encoding h.264 has failed/gel/is blocked

  Hi guys,.

  I use the update for Premiere Pro CS (6.0.3). I worked on first, After Effects, and SOUL for at least 1 year. I bought Adobe Production Premium Box. Usually I use images from the Canon 5 d and GOPRO 2 and 3. Lately, a longer video have been crashing after 10 minutes when rendering to the H.264 - mov or just in 1080p25 fps h.246 format (both using SOUL and direct export in first). I never had this problem before with longer videos (10 min long and much more). I tried paths of different sources, no effect, combining, don't turn Mercury playback engine.

  Message: Unknown Error Encoding failed - if you use SOUL (his sheep)

  Or: Freeze - the program does not respond and I have to close it

  Using direct export first - freezes or just always lies in the recognition / crashes.

  MXF, AVI loosles looks very good.

  I tried different projects and all formats. I checked the CPU temperature and max 60 C.

  I lost all hope. Is - this material?

  Windows 7 Enterprise 64-bit

  MB Asus m4a785t evo

  AMD Phenom II x 4 955BE

  NVIDIA GTX 580 DCII (Cuda)

  SSD - system (256 GB)

  2 x hard drive 7200 (2 x 500 GB)

  PS. I used pure, mercury read cache enabled, different GPU - still crashes on H.264 (1080 Youtube, Vimeo 1080, Android Table 1080 25 fps)

  Any tips?

  Arti

  Hi all, this was a processor. Apparently there were a few problems with AMD and Adobe to make, when temperatures reached 65 c it hung. I changed CPU and cooling and it works very well.

  It is strange why the AME crashed over 65 ° C while HOTCPU has not crashed.

  Anyway, problem solved :)

  Arti

• Is it possible to assign color spaces in SOUL (Adobe Media Encoder) CC?

  I am trying to output video h.264 for a web project, and can't seem to get the sRGB color matching when rendering on EI.

  I see in the native AE render engine, but not in the SOUL.

  Thank you.

  SOUL (and Premiere Pro) do not support color management in After Effects how does. Links, through dynamic, which is how SOUL bed After Effects comps, the pixels of color-space-set are not corrected for the display.

  To get the results you want, add an adjustment layer to the top of the layer stack in the model and apply the color profile Converter effect. Set the output profile to Rec.709 (sRGB is virtually identical and will also work, but Dynamic Link using Rec.709 in-house is therefore a better match). This force After Effects to transform the pixels adjusted in a non-linear color space that seems correct.

  Note that, although the effect of the CPC is active and view > display color management is enabled (it is enabled by default), this extra layer of transformations of color will make the model appear erroneous in After Effects, at the same time, the model will now correct in the SOUL or Premiere Pro. Disable display color management to make the appearance of the comp in After Effects match what you see in the SOUL or Premiere Pro. While working on the computer, however, you probably want to work with color display on and off the adjustment layer management.

  Under the hood, when color management is enabled in After Effects, to write to the cache pixels are transformations of the appropriate color for the settings you have chosen. When the model is displayed in the Composition Panel in After Effects, further transformation is added to the screen buffer (not the pixels in the cache) pixels to make it look correct on your computer screen, or not if you have disabled the display color management. When the pixels are interpreted through dynamic links, no screen color management doesn't happen, nor SOUL or Premiere Pro applies, so that you get the same look with the display off in After Effects color management.

  Make sense?

• SOUL CC2014 wants to encode anything

  Hello world!

  CC014 SOUL wants to encode nothing! It opens, adds the files (Comps), presets are changed, everything perfect I try to start the encoding: when I press 'Start encoding' nothing changes at all, none of the actions/encoding/nothing! Encoding launches automatically only in the case of the folder with the files/comps is added in the selected records 'spyware' and so 'files automatic watch - encode'.

  Any ideas, please?

  Looks like at Re: SOUL start queue after Re-installing on the new MacBook Pro

• Why iTunes version 12.3.2 not add to the library or read new .mp3 files?

  My iTunes does not open a new .mp3 file. I tried to drag and drop, tried the menu file > add to library..., then select files, tried a click with the right button of the mouse and 'open with... '. ' iTunes, but none worked. Files never start to play on iTunes. They are working on other software (QuickTime, VLC, etc) how to fix this bug? The version of iTunes is the most recent 12.3.2.

  Not all mp3s are encoded with a software which is compatible with iTunes.

  Subject: Scan + repair MP3 - tag ID3 for Mac reviewer - http://discussions.apple.com/thread.jspa?threadID=2020936

  MP3 Scan + repair (including sources): http://triq.net/mac/mp3-validator-mac-os-x

  Another thing is not all the mp3s come with tags and will end up in iTunes without labels. Look at the top of your list recently added.

• Required for .mp3 files ID3 tags?

  I recently bought a rocket (2 GB + 8 GB SDHC) to use on Suse Linux 10.1.  I have updated the firmware of the rocket to V01.01.22A.

  I quickly discovered that the "rocket" does not display a directory and file names, but the ID3 data. I also discovered the CD I ripped with Clary gave ID3 and present as unknowns.  So, find mutagen (python code that implements ID3 stuff) and writes code to add the tags I thought would be important, for example (ignore the line TCON for awhile):

  Tuxr. Demento 30th Anniversary Collection (CD 1) = > mid3v2 - list-gross *.
  RAW IDv2 tag info for 03. The Elements.mp3:
  TCON (encoding = 3, text = [u '57'])
  TAREK (encoding = 3, text = [u'Dr.]) ([Demento = 30th Anniversary Collection (CD 1)'])
  TRCK (encoding = 3, text = [u '03'])
  TPE1 (encoding = 3, text = [u 'Tom Lehrer'])
  TIT2 (encoding = 3, text = ['03 u. ([The Elements'])

  RAW IDv2 tag info for 05. Charlie Brown.mp3:
  TAREK (encoding = 3, text = [u'Dr.]) ([Demento = 30th Anniversary Collection (CD 1)'])
  TRCK (encoding = 3, text = [u '05'])
  TPE1 (encoding = 3, text = [u 'The Coasters'])
  TIT2 (encoding = 3, text = [u'05. Charlie Brown "])"

  RAW IDv2 tag info for 06. Dungeons and Dragons.mp3:
  TAREK (encoding = 3, text = [u'Dr.]) ([Demento = 30th Anniversary Collection (CD 1)'])
  TRCK (encoding = 3, text = [u '06'])
  TPE1 (encoding = 3, text = [u'The Dead alewives])
  TIT2 (encoding = 3, text = [u'06. ([Dungeons & Dragons'])

  A file copied by itunes long time presents:

  Tuxsounds of the Islands > mid3v2 - list-gross *.
  RAW IDv2 tag info to 04. Let the Guide your Heart.mp3 love:
  COMM (encoding = 0, lang = 'en', / / desc = u 'iTunNORM', text = [u' 0000192D 000019F8 0000E1A4 0000BDFE 00007A0A 000079F0 0000817F 000080E1 0001DC05 00004EE0'])
  TCMP (encoding = 0, text = [u '1'])
  TPE1 (encoding = 0, text = [u 'Torla, Gayle'])
  THOMAS (encoding = 0, text = [u '2002'])
  TIT2 (encoding = 0, text = [u'Let Love Guide Your Heart ""])
  EVEL (encoding = 0, text = [u 'iTunes v4.9.0.17'])
  TRCK (encoding = 0, text = [u'' 4/19])
  OPC (encoding = 0, text = [u'1: 1'])
  TAREK (encoding = 0, text = [u'Sounds of the Islands])
  COMM (encoding = 0, lang = 'en', / / desc = u 'iTunes_CDDB_IDs', text = [u'19 + 957CE2ACB34B27EDE59206D31FC80BC6 + 2748326'])
  TCON (encoding = 0, text = [u '(80)'])

  The works of reading itunes file, those that I've updated unknown/unknown/track display data during playback, and I don't see what could miss with the exception of this kind (see thread some MP3 files are not recognized by rocket).  So I added that TCON I said to ignore for a bit and that didn't change things.

  So, are there other ID3 tags that are a must have?  Another oddity, it's that when I plugged the "rocket" in the Windows box, I was pleasantly surprised to see that Windows Explorer displays metadata when you right-click on a file and select Properties.  However, the files that I have problems with had their metadata displayed.  Open the contextual menu properties, but the data were empty.

  I'll try to drop the 0 TRCK and a few other things.

  I just noticed the encoding = 3 in my files.  I better go learn what it is all, if things set of character, it could be a problem of ascii/utf-8.

  Yes, Yes, I use MonkeyMedia or something else, but this means the implementation of Samba or the transfer of several GB of data around this laptop.

  I redid my experience of coding UTF-8/ISO-8859-1, this time take an mp3 file, making 16 copies of it and the definition of artist/album/song/track with each of the 16 possibilities.  I knew that the song would be displayed with an encoding, so I used that to save each permutation.  I used the first character to specify the encoding used in the editing software, so the 0c3a0s0t3 song meant c3 = artist/composer in 3 encoding (UTF), a0 = album in coding (ISO) 0, s0 = 0 coding song and t3 = encoding 3 track.

  I don't know if the track is displayed everywhere.  The artist and the Album appear as unknown in 3 encoding and while the song arises to 3 encoding, changed - the top 3 goes and the rest is converted to uppercase.  Odd.

  So I guess that means that the "rocket" does not handle UTF.  I think I can live with that, but I have a few drives in Russian, and I could get into trouble with different classic tracks.  (Who would have more problems with illegal characters in filenames FAT, I was trying to use album and follow channels under the names of directories and files.)

  I'll mark this as the solution, assuming I say that...

• SOUL bleibt hangen wenn man however the Redering Audio versucht eine zu edit Vorgabe warend

  Import a sequence in the SOUL

  Start encoding

  While the "rendering and Audio preparation" process

  Click on 'Create a new Encoding model' or ' see / change encoding preference '.

  SOUL will stop working and hang forever

  Hi Ty,.

  It is a 64-bit Windows 7 system.

  There is no special audio effect to this topic, just some WAV and AAC I guess.

  But yesterday, I noticed a bug next :-( Maybe you can take care of it too

  If you have a few audio mixed titles in first. After a while your audio track does not display any what signals more and make the audio in the first. It's ok

  But if you have not made manual audio and that you start SOUL, it starts to make audio files... Nice... but... the resulting video h264/aac has a blank soundtrack... the track is AAC, but no sound in it - lol

  I had no time to study more deeply, but I think that it make the audio in a file, or a temporary drive or where ever, and the final rendering of the clip will not use these temporary files :-) I guess he had still to take a look in the regular rendering files, find nothing and recode anything...

  I fix this in audio rerender caraa in first and now it works fine.

• First and SOUL CC 2015 coexist with CS6?

  I have many projects in CS6 and would like to keep such what.  In the case where I have to make some small change, I won't continue to do in CS6 and SOUL CS6 to encode.

  If I install first CC 2015, I guess I have to install SOUL CC 2015 as well.  These co-exist well (especially when encoding with SOUL who throws first in the background)?

  Thank you

  Altogether.  I have two computers with the largest installed and functional as well.

• Rendering 3D AE projects in the SOUL

  I'm currently finding stuff on After Effects, like 3D motion tracking.

  Now, I want to make the video but as soon as I go to the SOUL (Adobe Media Encoder) 3D text turns the back of 2D text.

  So now I have to try it to render after effects itself but who is literally taking me now a full day (30 second video).

  I've seen this problem on several forums now and none of them have been solved. I hope to get an answer soon!

  Kind regards

  Richard van Hengel

  We need the details of your workflow. I assume you mean tracking camera that AE has no such thing as 3D motion tracking. I suppose that you have added a camera and a text layer to a scene. There should be no harm in this workflow if you preview your project by selecting the view camera activates in the Composition Panel and that you use the TEA to render using a standard preset that corresponds to the size of the image and the cadence of your comp.

  If you use traced to the RADIUS that you may have other issues. There is a bug when using text rendering and extruded raytraced in the latest version of CC 2015. Workaround for render raytraced projects is to use the Cue to restore and configure the output to the default Lossless format module, and then add the rendered file to the SOUL for the rendering of a delivery format suitable as h.254 by using one of the standard presets that corresponds to the size and the pace of your comp.

• Download does not start, Adobe Media Encoder

  I am trying to download the trial version for Adobe Media Encoder.

  Tried IE... Chrome... Firfox. Each each case he says that it is downloaded, however, after several hours nothing.

  I checked the forums. Looks like it is supposed to be a pop-up that allows me to see the progress. I don't get that.

  I encouraged the pop-up windows in the browser (except for Firefox).

  Suggestions?

  Media Encoder more former adobe download through other downloads (for example, flash pro), not in itself.

  more recent soul, Free Media encode CC | Download the free trial version Adobe Media Encoder CC

• Audio. OGG files and. MP3

  The default file type used for ringtones and notifications for the Droid is a. OGG file.  I was able to use MP3 files for ringtones, but the menu of notification will not recognize the MP3, I want to use for messages, etc.  Why work for ringtones and notifications not?  I used an application called Zedge is a MP3 site, and when I go into the options of Doird now to set up a notification tone it gives me the possibility to use a downloaded Zedge MP3 file.  -Why not allow that from the get-go, and what is - this. OGG file type?

  colabear, I'm able to use any mp3 I want as a ringtone, alarm, or notification tone; Therefore, I'm not entirely sure why you aren't. I've been able to discern a subtle problem that the droid has some id3tags when using some mp3 files, but it prevents me to play them or use them as ringtones. Have you done a notifications folder on your sd card? In the top of the page directory of the sd card, create a folder called "media". Inside of this, create one called "Audio". Inside of "Audio", create three folders: ringtones, Notifications, and alarms. Put any mp3 that you like in each, and the files should appear as selectable tones for each of the categories.

  If this does not work, then you could try to ensure that your mp3s are encoded properly. With the help of a free toold called (I kid you not) "GSpot", you can analyze the file and it will tell you what size it is. You can also simply re - encode the mp3 using a number of tools.

  OGG is simply a container of the audio codec format. OGG used to be a container for audio and video, but it is now mainly used in conjunction vorbis.

• solution for them 'could not import mp3 library"for cc flash on mac os?

  HI all, I searched for an answer to this problem and come out dry. The file is 44.1 kHz form my iTunes library. I tried to import the import in the library and the scene and tried to drag and drop the form office in the flash workspace but nothing works. Any help appreciated.

  Appreciate the response. It turns out that I had to re - sample mp3 in encode 196 Kbps. It worked perfectly then.

• work, while the SOUL is coding

  I'm working on a HP Pavillion Dv7 with 6 GB of ram.  Are there problems with working on the computer while the SOUL is video encoding?  Could my final file of the project be touched - IE stuttery, glitchy etc.?

  Thank you

  Lisa

  Never been a problem for me, even if according to the codec you use to encode, you may experience some slowdowns in the general operation of the PC. I have an i7 processor overclocked to 4.0 GHz and 24 GB of RAM, so this isn't really a problem for me

• Poor quality compared to compressor

  We organize tests in order to find the best way to export advertising to TV stations. Our editing workflow is slowly move to first Final Cut Pro. Of course, it makes sense to use SOUL for the encoding of the tasks of the Agency. However, with the same settings, our results are poor out of the SOUL from compressor. Here is a picture showing the two files h.264 encoded in the SOUL and the compressor. It is clear how the SOUL version is having problems of color in red text. It is a CBR 45 Mbps encoding with no investment automatic keyframe.

  

  

  One thing you could try doing the 23.976 p-> 29 .97i conversion before the encoding step and then tell the encoder to use full instead of interlaced images. He may be writing on an interlaced intermediate file that you interpret as progressive.

  I think H.264 encodes differently when you have fields. This is supposed to be a good thing, but the text on the image you show does not have any 'tearing' field, so interlaced encoding can be wrong it.

  On the other hand, I imagine that you will have other images which are not tear, and I wonder if those who will be adversely affected by progressive encoding.