Workflow for new question now that the Direct link is gone
Hello
Im a little confused as to how it should run a basic workflow classification of images that will go in Premiere Pro.
Raw footage before a rough cut of grade?
If you rank images after a rough cut by opening SpeedGrade & selection of images, when recording done this car get ingested in Premiere Pro (this is not the case for me)
What's confusing me is the fact that Premiere Pro & Speedgrade don't seem to work more closely together through the direct link. (understand that maybe it's better for the pros)
Thanks in advance
Todd
They a big chunk of things with us when the version 10.x of 2015.3 came through... Remove the link Direct process where SpeedGrade could open a project file PrPro. What left us with is either using the Lumetri in PrPro Panel or EDL export out of SpeedGrade, or go with an XML export using say Resolve. When the 'official' processes, at least. There is a 3rd party solution it's much easier, faster and elegant... and I will mention that below.
-L' workspace from the Lumetri in PrPro panel color is pretty cool... for what it can do. It's a mashup of Lightroom UI and colorist quasi tools under the hood. He can do some nice stuff on sequence by sequence. For smaller projects, this is a solution viable even once you know how to use it. Especially if you are using an external control panel, such as the ripple of tangent, which makes the process much faster and much more intuitive to do.
However, if you need real shot in scenes, multiple secondary on a certain clips, or have 100 clips to the rank, it breaks down or is just too slow to be profitable. I show you how to create a sort-of-especially for the shooting, but it is much slower and less accurate than shot-caller in SpeedGrade or resolution. Stacking of instances of Lumetri or through the "main" clip or on adjustment layers works to get additional secondary & effects, but... also add much and you severely hammer your playback performance.
-Release of SpeedGrade of PrPro EDL is a release of 'old' style and requires that you export an EDL (edit decision list file) which is then opened by SpeedGrade and choose one of the two methods of work in SpeedGrade. (There are also several fussy settings that must be correct before importing the file into Sg, or it simply rejects the file/process).
- The first creates a file 'flattened' within the PrPro and export of this possibility, and then import this file as well as the EDL in Sg. SpeedGrade uses the EDL to align the points 'cut' between the clips to the sequence of return in PrPro, to allow you to grade and knit to dissolved & such. You may not include securities and the lower third of the flattened file. After classification, you export the SpeedGrade file import into PrPro and then use to replace this track 'flattened' in your project, such that your titles and other effects & such on the other tracks are now properly displayed and used.
- The second is to export the EDL PrPro, and then import that, in the Official Journal, use the media in Sg Panel to access import clips/various media project and hope that Sg 'sees' them all properly and can automatically "conform" them in the project. You may need to do some in keeping text books (selection and including files).
-XML to use a different application of ranking, say Resolve, is to export XML from PrPro, collecting the media in a particular folder for easy consistent within the will, openness, import the XML file, then add the media used in the process of the process in line with determination. Once completed the classification, you export a file off to bring in similar to the above listed export EDL file PrPro and replace your chronology of base with this release.
Colorists figure indicating an ad with clips from 70 to 100 that will be '' similar '' in an XML file will be from 30 minutes to two hours properly "compliant" within the will. This moment is just considered part of the cost of doing business. Literally. Charged at the time, of course. Better editor work done to prepare the trimmed project within the determination, the less time they pay for the wizard to load & preparation of the project for the colorist.
This above is the official method we have to work. EDL and XML export process is of course still all heavily used in "industrial" situations, where an editor is in a House after and the colorist in another... or really, even within the same House after. They take time and are a bit complicated especially if you work as a one-man show, where you can spend the time to prepare a project to make your own consistent in the application of classification, then finish the "round-trip" PrPro for final assembly work and export.
For especially small shops, Direct link was... heavenly.
There is, however, a way to always use the "shape" of the process of link Direct with most of the projects, and it's a very small 3rd party app created by another user of SG and mentioned on this forum. It is discussed and linked to in this thread of Sg forum:
Project of creation/Speedgrade conversion tool
What enforcement... open it on the desktop... drag and drop a project of the 10.x PrPro file built 2015.3 or 2015.4 on the application... it automatically saves and increments the file in a new project file, the conversion of 1 a character in header of the project file so that Sg 2015.1 will 'see' the file as a version 9.x and work with it.
Do your work within the Sg, then save this file when it is done. Drag and drop than even the file on the app and it CONVERTS... new economy/auto-increment of the file, change this ONE 1 return character as well as PrPro 10.x will see the file as native file and work with it without having to convert it into a new project file.
There were several hundred downloads, and the only problem I've heard of so far is that comps AfterEffects can fritz. Well, there is a way around that, already used by many editors I know who systematically Ae comp work for projects PrPro: rather than including a model of Ae in a sequence, they make the Ae but export work "comp" directly from Ae in the codec they use for their project, and then replace the original item by this export of Ae on the sequence itself. Typically, it plays easier back and exports with fewer potential problems anyway. More... If you want to redo the comp in Ae, simply open this model even once, your new work and another export or replacement operation.
With the panels of the ripple & elements, there are much more of my little projects which may remain within PrPro and where Lumetri works very well. However... a marriage? UH... No. All the shot-matching and secondary and stacked effects and such that I'm used to using in Sg can be done in Lumetri... but much slower to accomplish, and by using stacked Lumetri which slow down playback visibly.
So... I use the two Lumetri in PrPro and if necessary, novel of Patrick and delicious little program also operate at the breast of the Sg without EDL/XML and flattening/export/consistent/round-tripping in this way much longer.
Neil
Tags: SpeedGrade
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