4.2 compressor can convert PRORES Clips?

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• I converted a clip video .mov .avi and inserted in Windows Movie Maker, but it's only playing as sound and no video

  Original title: Windows Media Player
  I converted a clip video .mov .avi and inserted in Windows Movie Maker, but it's only playing as sound and no video, why?

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  There are many programs that can do conversions...
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• Modification of ProRes clips in the timeline, then export &gt; media such as ProRes: fact first re-compress the ProRes clips?

  To clarify: ye olde Final Cut Pro 7, you were editing ProRes clips and then get out a Quicktime with the appropriate settings, it would NOT re - compress the source ProRes, just copy > paste individual images into a new Quicktime (ProRes intra-image).

  In Premiere Pro, it export media in the same way, if your source clips are ProRes and you export a ProRes Quicktime? Or does do a re coverage - compress to ProRes from the timeline to create the new ProRes?

  Thanks in advance for any ideas.

  If you only cut or edit the clip, do any other changes (for example: do not add effects, etc) and then export to the same codec with the clip settings (rate, size of the image, etc.), then Yes. First will be smart make the clip. For the record, once you select the corresponding ProRes codec, you can click on Source corresponds to match the parameters.

  Once you add effects or set up an export setting unmatched (frame rate, etc.), then first you have to re - compress.

• Premiere Pro CC Mac - bar Yellow spotted with ProRes clips?

  Hello:

  Even though I made sure that my sequence settings are exactly fit my parameters of clip (ProRes4444 or 422HQ), I get a yellow bar on my sequence.

  I work on a Mac Pro OS 10.7.5 2012.  I downloaded first Pro CC earlier today; I thought that I would play with it to see how it compares to FCP7.  Most of my NLE use is very simple, just assemble sections of motion graphics and 3D animations made out of After Effects in the ProRes 4444 codecs.

  The 'New sequence of the Clip' function is not behave as I expect.  The comparable feature in FCP creates a sequence that corresponds to all aspects of the selected item (size, framerate, codec, etc.).  The implementation of the first seems to only match the size of the sequence and the framerate to the selected item.

  If I create a new sequence of ProRes clip or say the sequence to match the clip, I expect this clip to be sitting in my calendar with no bar of any color.  But I have a yellow bar.  When I go into the settings of the sequence, I see that the edit mode is rear camera and the video preview is grayed out on a MPEG format.  I have to go to the custom and manually select the Quicktime, then specify the corresponding ProRes codec.  These codec and wrapper settings should not be matched automatically too when I've specified this function?

  That said, if I manually match the settings of codec for my clip I always get the yellow bar.   If I select another sequence and click the new sequence the yellow bar disappeared.

  I'm assuming this yellow bar problem is a display of some kind error, because if I export the sequence with the "Match sequence settings" chosen export happens very quickly that I expect a sequence of Smart compatible rendering.

  Is this a bug?

  Thank you.

  Shawn Marshall

  Marshall Arts Motion Graphics

  Hi WShawn,

  Please post on the Adobe forums,

  Please check this blog, he can answer your query:

  http://blogs.Adobe.com/PremierePro/2011/02/red-yellow-and-green-render-bars.html

  Kind regards

  Sandeep

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