After Effects cs5 - need to Dodge and burn tool effects in an area of an image

Similar Questions

• Dodge and burn tool - exhibition of CS5 spring pressure

  Hello

  Can someone tell me if its possible to allow feather of pressure when using the dodge and burn tool (I have a wacom). I can do this when you use a shape tool, but not with the tool D and B. do I missed something or is - not possible.

  Thanks in advance

  j

  If this should be what you're looking for you can mark the thread as answered.

• Dodge and burn tools are not available on PS CC 2015?

  Hi guys,.

  I can't just to access the tool sponge in the tool menu. Or Lighten / Darken are avaialable. any ideas?

  I use a macbook pro with the Mavericks.

  Thanks in advance for any ideas.

  Charles

  Try with Edit > Toolbar > click the Restore Defaults button > click the result button to confirm and exit. Check your missing toolbar.

• Dodge and burn overkill CS5

  I don't know if anyone else has this problem, but, since the upgrade to CS4 CS5 versions, I have noticed a big difference in the dodge and burn tools.  In CS4 I would always set them to 10% so that I'd get subtle changes - accumulate gradually to how I wanted to look at changes.  Now, the changes affecting even as little as 5% are drastic, especially the dodge tool.  Yes, I protect the selected tones.

  Any ideas?

  Did you change the range of the drop-down lists in CS4 or CS5? Maybe you have changed the spacing of the brush, try resetting the Dodge/Burn tools in right + clicking on their icon in the Options bar (upper-left)

• Dodge and burn similar to LR

  How can I optimize Dodge and burn similar to Lightroom. If I go to the same area in Lightroom on photo the dodge or burn remains the same. In Photoshop do the same thing it intensifies. How can I mimic Lightroom technique for this? Example: I want to enlighten the eyes +.25 and a few passes with the brush to make sure that I had each pixel will work. PS a few transforme.25 maybe passes 1.75 if I spend on it several times. Where can make adjustments and does this work for other tools like the brush.

  Use a fill layer to 50% gray with the blend mode of overlay the value. Then use the tool brush (B) with white and black to low opacity.

  I'm going to do this move from photography to Photoshop General Discussion

  Benjamin

• where is the dodge and burn in elements 11?

  I could not find Dodge and burn in elements 11... any suggestions?

  Hope this helps

  

• After you install PC Health Advisor and running the software all fonts are gibberish.

  System Restore did not work on my laptop.  After you install PC Health Advisor and current execution, all my fonts are gibberish.  I can't do a system restore, and I can't read the fonts to be able to use the laptop.  Any suggestions apart from running the system recovery to restore to their original factory condition?

  Hello

  try a restore of the system before this happened

  http://www.windowsvistauserguide.com/system_restore.htm

  If necessary do in safe mode

  Windows Vista

  Using the F8 method:

  1. Restart your computer.
  2. When the computer starts, you will see your computer hardware are listed. When you see this information begins to tap theF8 key repeatedly until you are presented with theBoot Options Advanced Windows Vista.
  3. Select the Safe Mode option with the arrow keys.
  4. Then press enter on your keyboard to start mode without failure of Vista.
  5. To start Windows, you'll be a typical logon screen. Connect to your computer and Vista goes into safe mode.
  6. Do whatever tasks you need and when you are done, reboot to return to normal mode.

• After Effects: Keyframe animations are moving in the opposite direction.

  I have a null as a camera controller object and I set keyframes for the z, the movement of position jerks back without any additional keyframes added. I had to insert this image because it sounds crazy, and I tried desperately to find this answer anywhere - without success.

  This never happened before then is it a setting I don't know of?

  Thank you in advance.

  

  the movement of position jerks back without any additional keyframes added.

  It's probably because you got the Bezier handles in the space and creates this back and forth movement. We call this "the Boomerang effect".

  Solution: click the two keyframes incriminated between the movment which is supposed to not so much change and spatial interpolation to linear (Ctrl + Alt + K)

  Look at this:

  BTW, it is better for us to see full screen captures and not cropped ones. There are clues that're missing us that way. you cut important information.

• I need help naming and close a text file. Are there instructions somewhere?

  I'm using Notepad for the first time and wrong save file. Are there instructions about this somewhere?

  Notepad tutorial

  The notebook is a handy program that a user can type text quickly and easily. It is not for having published a book, but more than a notebook. This is a tutorial on how to use Notepad.

  What will be taught

  • Opening Notepad
  • Saving a document
  • Printing a document
  • Open an existing document
  
  

  Open Notepad

  To open Notepad, click on Start > all programs > Accessories > Notepad

  Click here to see a screenshot of Notepad

  To enter text, just start typing in Notepad.
  If you make a mistake typing you can go back on it.

  Save

  To save your work, click on file > save and if you him have not saved before a screen.

  Click here to see a screenshot to save dialogue

  For now, make sure that the encoding is defined in ANSI format.

  Print

  To print file > print...  The three points after the printed word means that there will be another screen that appears. It is a Windows standard.

  Click here to see a screenshot of the print dialog box

  Select the printer you want to print to and then click the button 'print '.

  Open

  To open an existing document from Notepad, click on file > open...

  Click here to see a screenshot of the open dialog box

  If you have not saved a document you work, Notepad will ask you if you want to save or throw it out. The window will appear (note the word "open" in the title bar) allows you to access your existing document.

  Note that the file name has a *.txt which means that when you search for your notebook only previously created document type documents (those ending with .txt) will appear in the window.

  Back on line

  Normally by selecting line is the best thing. What he does when turned on, when you type in Notepad just to the right of the page, the words wrap and start on the next line without having to press the Enter key.

  Note that this does not affect printing. If there is a paragraph line several where entry was never affected then the paragraph will take across the width of the margins of the printed paper.

  To activate the return ON click on Format, then Word Wrap. A check mark appears next to Word Wrap.

  Click here for a screenshot showing that Word Wrap is on.

  To turn OFF line click Format, and then Word Wrap. The check mark next to return to the line will disappear, indicating line is disabled.

  Source: http://www.smartlabsoftware.com/howto/notepad-tutorial.htm

• Added new effects in After Effects, but they are not displayed in the effect controls panel

  Mid 2001 iMac i5 3.1 GHz, graphics card AMD, 24 GB of ram under AE CC and bridge

  I downloaded some light leaks by RocketStock (find it here if you are interested Lite unit: 5 titles of free marriage and light leaks 16). The folder named HD wedding wedding light leaks is located in Bridge and in the folder presets (see images), but when I use them in AE, they are not found. Any ideas?

  You got to stock footage not effects. You do not stock footage you layer it. You must be new to AE. Please be sure to go through some of the basic educational materials offered on the AE product page.

• Adobe After Effects - Wer hat are und kann give cash?

  Mich wurde das neue AE ja just 23,79 im Abo kostet das interessieren.

  (1) Wenn ich nur AE hole über dieses Abo, der ist als Adobe Media Encoder tool dann mit dabei? Falls nicht, wie produziere ich meine Kreation exported?

  (2) Welchen advantage hat der Media Encoder denn nun? Mir erschliesst sich der Sinn eines Programms, dazu das da zu breast scheint, einfach nur den Videooutput enter, schlicht und ergreifend nicht zu.

  (3) efficient Wie ist denn wenn man Aftereffects are as kleine Sashen'ka René as Videoschnitt verwendet den? Mir ist light das dafur actually Premiere Pro ist, aber in AE ist ja auch possible tradierten Videoschnitt voran. Music video and import go more formats sind ja kein problem (before mir known) und auch writing lasst sich einfügen.

  Vielen Dank fur eure cash!

  SOUL ist be AE dabei, somit erledigt sich die question. Abgesehen davon had und hat eine own queue rendering AE. Last Endes As die Fakten exactly verdreht: AE kam first, dann SOUL. Den Rest jetzt weiter auszuwalzen halt ich as sinnfrei, da man dazu auch die Hilfe read kann oder begaffen tutorials. Exactly so machen questions nach Performance ohne Systeminformationen, verwendete formats, Workflows and so on absolut Null Sinn beabsichtigte. Das ist dann so ' not question wie 'Kann man mit dem moped zum mustering?' and of course ware die Antwort 'Ja!", nur das absolut keien qualitative statement contains. Auch wieder yesterday: Google & Co. spucken zu dem Thema sufficient info aus, inklusive der Millionen complaints uber Bugs in CC2015 and so on.

  Mylenium

• after effects composition - right side Cup - last image in first

  I have an osx mavericks 10.9.5 project - creative suite monthly cs6 - body (later before the upgrade to yosemite)

  at the end of the project-, I have a composition effects. It is fine until the last image - where the far right 1/8 or more are cut off the slide. (see image below). The framework before the end? perfect. The last image - cut.
  
  If I extend the ae composition a longer picture - the same problem occurs (the second to last image is perfect, the last image is cut off). same thing with making it 1 more short frame.

  I have never seen anything like it.

  When I check my effects controls - I have nothing assets (no opacity, no 'culture', etc)-my width/height are all exactly the same in both frames.

  Any ideas?

  Hi Teloscientist,

  It's the end of the flag sequence. Expected behavior. It does not show on your exports, so don't worry. In Premiere Pro 20141, you can disable it.

  Thank you
  Kevin

• Hover over the effects on the areas of the Image

  I've added hyperlinks to image boxes, but I would like to focus on them as the picture darkens when you hover over and click on - is it possible in Muse?

  Thank you

  -Select the image

  -Picture Frame: Says > select Rollover

  -Open the filling Panel > opacity of rollover state change

  Thank you

  Sanjit

• Im having a problem with my dodge/Burn tool.

  When I use the dodge tool, it leaves a trail of circular patterns on the image. I have not had this problem before. What did I do to cause this?

  If the reset fixed it, you must watch the brush you use.  Looks like you have selected sort a brush that is hard and with spacing set to a low value.   I don't know how it could have happened to Dodge and burn tools well?  It must be remembered that a good percentage of toolbar tools use brushes the same as does the Brush tool and that you can define dynamic brush etc. on these brushes.

  

• IMPROVE the BRUTE &. DNG WORKFLOW IN PREMIERE and AFTER EFFECTS

  I am editor-in-Chief, and I work with raw. DNG files more over the past two years.

  Image with the RAW settings controls are amazing off course.

  But not the controls that Adobe provides to editing the .dng files. I find this workflow to be stoneaged, extremely devious and far from effective.

  THESE ARE THE METHODS of EDITING I USE (September 2016, adobe cc 2015.3):

  (1) for editing the .dng files I must interpret my shots with the RAW importer in After Effects. Then export every time with these settings in the format Prores out of After Effects. That will become the images then in first. The render time is huge, place to three days of rendering time for some projects of greater that I worked.

  (2) a very intensively and your working time is as follows:

  • Import each shot like .dng in first (one-by-one, at the same time is not possible (adobe feature request).)

  • In order to be able to change with it, you can edit the RAW temperature, tint, and exposure settings (adobe feature request: integrate all the raw settings as you did with Lumetri).

  • Then there are several ways to do it, I do it like this: I put all the photos in a calendar on the same layer.

  • I have duplicate all the shots to the upper layer.

  • I select all the photos duplicated and then right click: ' replace with after composition effects.

  • You go to sequels and then ask the parameters for each individual shot raw. You set the parameters of all your shots. You will only be able to see the first image of the sequence, so if you are working with a Committee of action, you will only be able to see the first image. (adobe feature request: make it scrollable of sequences of images, so within the RAW screen importer I wish I could scroll through other images of this sequence)

  > > You can open another frame of the sequence of images just from the finder and then open with photoshop, the RAW importer screen will invite, adjust the settings and then export these settings. Then - later - you can load these settings in After Effects by right-clicking the sequence in the project window and choose "replace footage > > file" and then it will prompt you again with the RAW importer window). Pfff, so sneaky and ineffective all together. (adobe feature request)

  • When the settings for all plans are finished, you will find all the plans in a composition. BUT these layers will appear UNFORTUNATELY have been interpreted as images (image .dng) instead of sequences of images (photos/film .dng). (adobe feature request)

  • Up to now, you go the project window and you select the first shot, do a right-click: "replace sequences > > leader." Select the first file .dng and enter. The RAW importer appears again, thank God he reminded of the settings that you have applied to this .dng, os, you don't have to do it all over again.

  • You repeat this operation for all your shots.

  • Then in your timeline first you should have two layers with the same shots, the linked AE comp will be with the interpretations of right and the bottom layer with the original .dng files. You can enable or disable the layer on and outside, by providing a much faster workflow for editing. Type to have created a proxy system.

  -But then a European problem can occur: If all the shots in the AE comp seem to be shorter then in your timeline in first you do this:

  • In After Effects, go first .dng sequence in your project window. Right click, choose "film > > main.

  • You can select the frame rate, set it to 25 if you are working with 25 images per image (to check in settings to create sequence) captures. (adobe feature request: use the same rate for this interpretation as first has done, or ask, and remember this choice)

  • THEN, SEVERAL HOURS LATER, depends on how much you have pictures, you can begin to find a way to edit first. You can nest the sequence in which the original dng sequences and the composition of linked EI are superimposed. If you do not have to edit with two videos and several audio blocks above the other.

  For editing with the org .dng files, you can adjust the base temperature BRUTE, hue settings and exposure in first, so you can see what you're doing. For most RAW images are very dark without the RAW settings, so who can help when your first change in flow when the AE comp is off.

  • When you want to change the raw settings, you can go to sequels, open the project and then choose: "replace footage > > leader." Then importing RAW window again and you can make the change. It is now automatically charged also in first due comp system that you built.

  For a film RED and ALEXA it's organized all much better...

  So now I ask Adobe:

  WHY is WHY WHY like that?

  Two years ago, it remains unchanged.

  I am a very big ADOBE fan and faithful, programs and innovations are impressive. Lumetri is impressive. I hoped he would also modify the RAW data, but unfortunately it doesn't.

  This lack of a good system of RAW editing really pushes me away Adobe right now. This isn't a professional workflow.

  If several editors have the same types of problems, please reply to this post with your opinion.

  Perhaps, it helps a little pushing Adobe to change this.

  And if someone has a big piece of something I'm missing, please please enlighten me. I won't be arrogant kind.

  I can't find the right answer to this workflow of the stone age, and I guess that most people will know it.

  WHY is WHY WHY like that?

  I'm not convinced that it is.

  The only part of your post, I found valid is where clips must be imported one at a time.  It's true, and Adobe certainly should to address the issue.  But both, Blackmagic and other responsible camera must also decide, releasing updates of firmware that create the MXF files to hold the CinemaDNG RAW images, audio, time code metadata and in a single file.    No records, no covering.  A clip, a single file.

  This is technically possible and it is the best option in all areas.  For each Adobe feature request, so we need to request a Blackmagic as well. Two actually, because changing the way in which the cameras record is good the best option.

  Other than this one problem, I don't see where everything you do is necessary.  Lumetri now accesses the RAW data in images CinemaDNG, is not only an effect on top as fast color corrector.

  Using the new feature of Proxy editing is done MUCH easier.

  I see no need for the AE in the pipeline.