After the sequence of effects 'stuck' at 30 frames per second?

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• The latest version of iMovie supports 30 frames per second?

  I tried creating a simple slide show, but could not find a way to make 30 frames per second, with 60 being the default and automatic.

  Although it was several months ago but I remember not being able to find a way to select the 30 images (if this option was available at all).

  So my question is: how to make a slide show and make it to 30? I choose my desired pace at the beginning or at the end? Can I do it at all?

  And Yes, I use the latest version of iMovie .

  Yes, the latest version of iMovie supports 30 frames per second.   You set the frame rate by adding a 30 fps known as the first video clip vid that you place in the timeline of your movie project.  After you have added your other pictures/clips, you can remove the first clip if you wish.  The project will have already been set at 30 frames per second.

• How can I change the FPS for Silverlight movies at 30 frames per second?

  I'm not a developer! I just want to change the 8 to 30 fps so I can stream movies better...
  is there a simple way to do this, that I don't spoil anything

  Hello katherine,.

  This thread seems to have the information you're looking for:
  http://forums.Silverlight.NET/t/182331.aspx/1

• TIFF sequence: 30 frames per second instead of 23.976 - a problem?

  When I imported a Tiff in AE sequence, he came to the default 30 FPS - and I have not noticed. I'll use the rendered output in a project from creation to 23.976.

  The tiff sequence is actually a scan of a Super 8 film running at 18 frames per second. In AE I time it distorted 75% (18/24 = 0.75). It seems to me that it doesn't matter what fps I use AE, as long as I have the Time Warp correct factor.

  I guess in the first, I simply interpret the images to 23.976 and everything will be fine. But just in case I missed something, I thought I would check here.

  response of chrisw44157881 and the idea of application in time, and then by time accomplish nothing and may eventually give you frames that are more of a mess. This shows a lack of understanding of the functioning of these effects and the rendering pipeline.

  I would try to explain. I'll use screenshots. Here is a model with a film of 18 fps in a 23.976 model. The film is 2 seconds long and the comp is 2 seconds long. The times correspond exactly.

  

  ICT is set to 1 second. My goal is to make the additional images and fill in the missing query any way I can do is to define the interpretation of the images to match the model. This makes the images too short and requires that I have do the stretching of time, time remapping or time distortion. Is there an easier way to much to do that I should have explained the first time. I'll do it now if you don't have to read the rest of the post.

  The easy way and the best way to get unique images of filmed at a different rate is to interpret the images just as he was shot, which in this case is of 18 fps and drop in a model that is on the rate you want to use for your project. In the case of 23.976. To create new images, you can try to turn on frame blending first to see what this will give you. Then you can try moving the pixels. Then, you can disable these two and apply Timewarp. The default settings for time warp for vector detail and smoothing are almost exactly the same that the displacement of the pixels, so you will need to increase these parameters if you want better results. All you have to do is to set keyframes for the image of the source instead of using the time to get Timewarp to work properly. If you set your timeline on frames instead of timecode, it is easy to get the total number of images of your film. That's all there is to it.

  

  If your intention is to maintain the original speed of the clip and just better generate additional images, that's all that is needed.

  This shows the clip played at the same rate as the comp with stretch time and interpolation:

  

  It is images interpreted at 18 frames per second with the ITC on the same chassis with interpolation switched on. It's exactly the same thing.

  

  It's time to try the displacement of pixels. It gives me a better interpretation of the frameworks I want but it gives also some weird jaggy lines to mobile star:

  

  There is no adjustment for the displacement of the pixels. He did a great job on some aspects of the movement, but in this case, it doesn't quite work.

  chrisw44157881 idea of using Time Warp to create a bunch of new frameworks and then extending using stretch of tine will not give you unique images without interpolation or displacement of the pixels lit, you will give the ghosting that you would get with just on interpolation and introduce the vector objects that you get with the movement of the pixels in this scenario. The end result is a gain of zero. You are better off and will get made faster if you come to use Timeworn and get details of the vector and softness like light to give you the best unique images. As soon as you add TimeStretch or time-remapping and turn on moving pixels takes you back to the same thing you get with default Timeworn that will not work well on certain types of motion in the frame.

  So now, here's the really amazing part. If you work in Premiere Pro, interpret the images he is shot, drop the images into a sequence of 23.976 images and select speed/duration time interpretation flow optics or interpolation you will have new unique mounts exactly the same thing you get in AE. It takes about 10 seconds and you're ready to change or make your project. The only reason that I would never treat a clip like the one you work in AE using Timewarp is if there is any movement that everything has not look right or otherwise seen full-screen at speed.

  

  So in summary, if you want to maintain in real time with your film sure that interpretation corresponds to the frame rate. If your model or your sequence is a different cadence that your images and select interpolation or Pixel motion to AE or interpolation, or Optical flow in Premiere Pro using the speed setting and check a test to return to playback full screen in real time. If the movement looks good, then you are finished. If there is movement artifact problems try Timewarp in AE or Twixtor if you can afford, or one of the Borris effects. If none of these work for you then you will just have to live with the duplicate images that 90% of your audience will never see.

• Time Lapse of original sequences of 30 frames per second.

  Is it possible to take existing sequences of 30 frames per second and automatically select 1 picture per second and have to build a movie from all the selected images?

  Thanks Marv.

  I think what said Jim nails for you. If you don't shoot time you must now do manually... pulling the frames you want in a different video layer and ripple delete everything which in a new clip... I think someone has posted a way to do this thing of ripple deleting easily here just now

  unless (this crazy idea I come) you can make time change duration to things after the posterize thingy?

• I am running 10.1.1 version. Is it possible to export the video at 30 frames per second instead of 60 frames per second?

  I am running 10.1.1 version. Is it possible to export the video at 30 frames per second instead of 60 frames per second?

  Yes.  The frame rate (and resolution) of a project is determined by the first clip set a new timeline for the project.  So put a clip known 30 fps (with the resolution you want) in a new project timeline then copy everything from your existing project in the new project.  You can then remove the first clip if you wish.

  Geoff.

• Save the Section IMAQdx and frames per second

  Hello

  I have attached the vi I have for saving a section of video from a puncture of a USB camera. However, once I get the avi file it broke the links and will not play. I also try to manually set the frames per second with the entry that I have but I don't know where I went wrong because the reading is not correct.

  I have attached the vi that I use.

  Thanks for any input.

  Hello goldfronts,

  It seems that you are creating two AVI files. Break two AVI files?
  If you use the example, the output AVI file break? This is the step to the first cause.

  Kind regards

• Change the number of frames per second

  It's very simple stuff - so I hope I'm missing an obvious answer... that is.

  I have an animation that goes 15 seconds and 16 fps. Total of 240 frames.

  I want to change to 15 seconds at 30 frames per second. A total of 450 executives.

  Is it possible to do - that will keep all the keyframes in relative place? Or I have to recreate the test specimen at 450 and pass each unique to his new position keyframe?

  Thank you for your help.

  T

  Unfortunately, no, you can't do that and keep the same length. You CAN change the frame rate, but increase the rate of 30 frames per second will make the scene twice as long because are presented twice as many images per second.

• Renaming of files: unwanted suffix after the sequence number

  Hi all

  I have a few problems to rename my files to sequence the.

  My name change model is: number Text_Sequence Custom (3 digits)

  Let's say my custom text is '20100702_LR', Lightroom shows me that the file name must be "20100702_LR_001.nef" and so on.

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  This happened to anyone before? Y at - it an explanation and a solution to this problem?

  Thanks in advance for your valuable assistance.

  no conflict but a bug. Sometimes (in my case and others reported it also, do a search on this forum) If you have renamed during the import, deleted files after import in a selection process and renamed / becomes again with the same text/preset etc. It worked normal in LR2.x now, is no more.

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• When I set the duration for a timelapse, how can I add breaks is not fluid. for example, it removes frames per second. THX

  Casey Neistat made in some of its opening timelapses.

  I don't know how to set the time at 500% etc. that reveals a 'speed up' fluid video, but I have this where 'he' so every second or chopped both frames are removed

  Here is an example, I think: Cadet Vlogger - YouTube World (12 seconds in)

  Thank you

  Try to add the posterize time effect after you have accelerated the clip.

  See you soon,.

  Jeff

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  29/10/2014 07:23:24.233 Menu to start VMware Fusion [5573]: failed assertion: A 14, 389: libxpc.dylib + 40320 [9437C02E-A07B-38C8-91CB-299FAA63083D]: 0 x 13

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  View that statistics is one of the purple buttons under the Internet Port pane.

  

• After the solid color effects Palette changed

  Hello!

  It must be very basic, but I've looked everywhere and could not find out how to reverse the trend.

  I open AE, created a solid choice to change color and then my color palette was not the same as it ever was, now it looks like the screenshot below

  

  Anyone have an idea on how to reverse the trend to something like that?

  

  Thank you very much!

  It's a an easy press the letter H.

  looking for the familiar color STL mode

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• After the trial of effects?

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