Audio time expansion / compression

Similar Questions

• How can I move using Audio time units?

  I am to change a sequence of multi track and the audio is slightly out of sync. I changed the rule to take into account the Audio time units, but if I try to drag the clip AV manually or using nudges it will only move by a minimum of 1 full frame. Is there a setting I can change to get moving instead of the Audio time unit? Change preferences > Trim did not work, either.

  You must move the video and audio. Video will only pass in frames.

  A boost in Audio Units is 1/48000 seconds.

  On boost in a regular schedule is a picture.

• Can you change to Audio time units (: 00000) as used in first?

  I know that 1 unit of time Audio in first is 10 nano-seconds, and hearing seems to be limited to (: 000), which would make it useless for me, and it seems a bit strange that the video editing software would be a system of far superior audio time units.

  kyrtin wrote:

  ... and I don't know exactly how the digital files are processed after the changes are made to this level, but my readings have confirmed a significant change in the reaction of the user between 100, 130, 200, 350 nanoseconds.

  I'm sorry, but just, you have demonstrated that you have confirmed nothing of the sort. If you do not understand what you measure and how it is treated, you can simply make claims like that. As ryclark says, you cannot make changes in the range nS at all - the time between samples (which is indivisible with regard to the results of reproduction) supports it completely.

  Well, you made me double check my work, I'll give you that, but everything I read points to get me right.  The sampling frequency is something that occurs at a fixed interval for the left and right signals at the same time, and then the signal is sent to any gear, producing the actual sound.  If changes made to the audio were limited to a value by changing the value of B, then back to a value between samples, Yes, you would be entitled, but since they a sampling of desynchronization two waves then left and good values in the same sample are changed, however small the change, because the wave is in constant motion , and you effectively has changed the point of being sampled by adjusting a side a few nanoseconds in one direction.  The output could be simplified for the sake of sound reproduction, but even if the waveform is also simplified to match the output before as I have desynchronized it on the scale of the nanosecond it would still create a difference of values between left and right by changing the points sampled on the simplified waveform.  If L is displaced 200 nanoseconds in one direction, and it is changing the pitch and volume (assuming that both sides put match in first), it is sampled at a slightly different point on the same curve as the R signal.

  The human ear (on average) is only able to save minimum mismatch of 100 nanoseconds

  All research claiming to demonstrate that this is going to be wrong. It is not easily possible without spending a fortune for generating independent signals which can be separated for that small degree. There is no current digital system that can do it, as noted by ryclark. And anyway, the research which shows that the ear is capable of and the Haas effect, show how easily the ear can be fooled. I suggest that get you your hands on a copy of the acoustics and psychoacoustics and carefully read Chapter 2...

  100 nanoseconds, which I quoted came from someone else's work and I have not personally tested still below this level, but I don't want that I don't take it as gospel just because someone said.  The last tech Conference that I spoke was a man, which suggests a very low-tech solution to this question when he has misunderstood me and thought I was talking exactly 1 nanosecond instead of a scale of nanoseconds, which is simply precisely measured wiring in order to establish the time of signal caused by the speed of electricity.

  Also if 192 khz = 4ms intervals then 5 644 800 DSD Hz Double rates would be equal to 136 nanosecond intervals, useful for testing, but not so much for music at a rate of 1.  Thus the minimum 100 nanoseconds can be proven warp in such a system, or with the method above for a delay of mechanical signals as opposed to a digital delay.

  I should have clarified that the lock of 100 nanoseconds was not my work, and if it does not exist there are has a wall that I've not hit again, but at the same time I see it as quite possible to prove or disprove.

  It went quickly off topic however, and now, my friends recommend I just start learning Pro Tools instead of sticking to my adobe software.  Time to see how close a thread on this.

• Why show Audio time units does not work? Maddening problem.

  Gentlemen, I am posting from the iPhone and do not have net access for computer so I will be brief and I can't post screenshots.

  Mounting with Show Audio time units no longer works on my setup. Adobe CS5 Production Premium.

  Can I change only the images of the film (the project is 1080 p 24) and it absolutely does not allow me something else. I checked not checked and rechecked the tab a dozen times. Restarted the program and even my computer a dozen times. I lost my voice screaming.

  WTH is going on here? I put four 12 hours a day in this one and am now completely stuck. Impossible to move forward.

  I would be very happy to help. Display via iPhone is incredibly difficult. I opened an older project, and it was not too be able to change with the audio time units. It's like my first pro is broken, but I'm absolutely unable to uninstall and reinstall now. I need to fix here and now, located in the middle of nowhere with no net access.

  This has happened once before, and nobody had no answer. I was forced to empty the entire project. This is not an option here. Thank you.

  You probably already checked the obvious things like having snapping power off and ensuring that any audio signal which is linked to the video is separated before editing, but I must still mention.

  Try to launch Pr from the shortcut on the Start Menu (or however you launch an application on a Mac that does not involve a double click on a project file) while holding down the keys Shift + Alt (Shift + Opt on Mac).  Maj resets the plugin cache and Alt (Opt) resets preferences.  Hold down modifier keys until you see the Welcome screen in the PR.

  Jeff

• Why my audio is too compressed?

  I imported the voice-over in my project of animation flash as a WAV file.  When I test within the library, it's perfect. When I play back using 'Play' under 'Orders' he is slightly degraded. And then when I play using 'Test movie in flash professional' under 'Control' and when I publish the file, the audio is severely compressed and deformed. Why is it happening and how to fix it?

  Thanks for your help on this!

  Hello

  You can check your publication settings (File menu), in the Flash tab, there is a setting that control how compressed audio will be when the file is published. By default, it is mono 16 Kbps mp3, which is pretty bad (anything below 44.1 KHz is), and made to save bandwidth, not to keep quality. I might suggest to change this setting and see if it improves the quality of your sound.

• Audio time remapping?

  Hello

  Is there a way of time-remmap the audio with Adobe CC? I need to gradually slow down a clip of music and then accelerate this return.

  Does anyone have experience with this?

  Also, I noticed that decreases the speed of a video clip is not the same as the use of the effect of the time-remmap. Is there a formula to find out how to synchronize clips with two effects? Mainly to synchronize audio and video clips.

  Thank you

  These help you?

  Time-remapping. No stupid Questions with Colin Smith | Adobe TV

  Pitch shifting and time remapping in Adobe Audition - YouTube

• False track audio times with Windows Media Player.

  I use Audacity to record LP's and then burn it to a CD with Windows Media Player. When the pieces are added to the Windows Media Player burn list, channel 1 and 3 always show the track record time for 9 & 8 minutes adding unused time at the time of the correct record.  I can only get 60 minutes or less on a 80 minute CD.

  Hello

  Run the troubleshooters and see if it helps.

  Open the troubleshooting Windows Media Player settings Troubleshooter

  Open the troubleshooter in the Windows Media Player library

  Hope this information helps.

• Audio time delay

  I just started to use Acrobat Connect Pro and at our last meeting, there was a very long delay (at least 5-6 seconds or more) between the moment and time presenters and participants were able to hear me. This has created a lot of difficulties throughout the session. (The meeting was sent to the Modem/DSL, presentations were in the content library, so I do not think that it had nothing to do with the problems of bandwidth).
  
  How to avoid this in the future? Does anyone have ideas why this might have happened?

  Finally, we met our IT Department and you were quite right. Once we opened the ports that they had locked, we had no other problems.

  Note for those who may have the same problem: according to me, there was a complete list of ports that should be opened, that we could get the Adobe Support.

  Thank you!

• Bluetooth audio compression with W1 chip?

  Hello

  I recently ordered the new iPhone 7 more and was wondering about different options for headphones, now that I can not connect the iPhone to power at the same time, I plug my headphones. I know that there are already third-party links, which should solve exactly this problem, but they are still a bit expensive - and the sound quality could be very degraded due to the use of a DAC at low cost.

  With this in mind, it seems that the best option would be to switch to wireless headphones. However, as far as I know, Apple only supports Bluetooth A2DP audio Protocol, which compresses more usually already compressed stream or file. This compression is equal to double, which means audio gradient. You happen to know if this is still the case with the iPhone 7? -Do you happen to know if the W1 chip installed in the Airpod and 2 other Beats headphones - solves this problem? I couldn't find an answer anywhere else.

  Best,

  Joe

  doubt will not double compression decreases the audio

  Think about it if transform you mp3 audio, then Yes you get the degradation but if you mp3 zip file and bring your friend and unzip it, it will be the same quality as mp3 that you had in the first place, but the thing is the compression of something already compressed not really sometimes compresses the file would even take more room

• Why can't Adobe first Pro CC 2014 time remap Audio and Video together?

  In case you haven't noticed, my question is WHY.  I don't know why Premiere Pro can't do that.  What I understand at the moment, the only way to time remap audio in anyway shape using the software Adobe is Adobe After Effects, that my computer has no chance of ever being run through.  I know how to stretch a regular hearing and Premiere Pro audio, but apparently I can't time remap audio using these programs.

  So why can't Adobe Premiere Pro time-remapping audio with the video?  What is the reason that he can't?  It's a disappointment, huge and very impressive to see in the future.  If it is possible to time remap audio and video in After Effects, which is great and all, except for the fact that I can't use this program.  Why can't we do in Premiere Pro, and it will be always possible in Premiere Pro?

  In addition, audio time remapping will become possible in hearing one day?

  This looks like a very good idea.  File a feature request:

  Adobe - feature request/Bug Report Form

• the time display in the audio samples

  I'm trying to select audio and I can choose between something that looks like:

  00:00:00:02:04941

  or

  00:00:00:02.112

  If the second is "milliseconds" it's way way way too coarse and it does not let me enter a 4 digit. If the first samples, which means the 02? Or, how to display the offset in samples?

  Or, if I use hearing, can I select audio and that selection appear first?

  Exhibition of the hearing:

  53175 samples as time

  The timeline panel menu > show Audio time units.

  A first help search for ' time audio units "got me to the next page in less time that it took to create this thread: using Adobe Premiere Pro | Audio editing in the timeline panel

• Matter of time is expanding in AA 3.01

  I just upgraded to 3.01 AA AA 2.0 and when you open a session or audio editing in the edit mode, hearing takes a lot of time (1-2 minutes) time expansion and/or time compress. In edit mode, even if I try to delete a few secconds audio (in display frequency spectral mode right now), it takes almost a minute to extend your time. This makes it extremely long to change a clip, if I need to delete again and again until I'm done, as every time takes almost a minute. I don't remember this temporal Expansion in AA 2.0. Did I miss something in Prefferences or something? Thanks for your help if you can!

  I think that what you are experiencing is an inevitable consequence of the multitrack view is nondestructive editing. When you make a single copy of a clip that has been timestretch then you effectively save a new file burned with the temporal Compression/Expansion .wav in so that he doesn't have to render it again if you change or reopen the session containing. Normally, the workflow would be to make all destructive editing on the front clip by stretching. After the stretching if no editing further to do you on the new single copy and disable Time Stretching on or remove the clips that would require of reposting on the opening of the session again. Also, you can bounce to new track the clips you want to work more in the edit view. Of course, you'll find yourself with a lot more audio files but at least you have the guarantee that you always have the original audio files not circumcised should go back to them.

• Roxio takes about 190 minutes to compress my dvd for burning, is this normal?

  Time to compress the video

  I have a laptop Dell Inspiron N4110 Win7 professional.  The laptop uses a dual-core Intel Pentium B940 / processor dual thread clocked at 2 GHz with 4 GB RAM and 200 GB of free space on the hard disk.  I am recording video analog (NTSC) and stereo audio to aid Easy VHS of Roxio hardware to DVD / software package.  Video is scanned in real time by the A/D converter.  A 100-minute VHS video produced a mpg of 6.13 GB hard disk file.  The compression process of Roxio to shrink the file to mpg of 6.13 GB less than 4.7 GB for recording on a DVD + R single takes about 190 minutes.  Is it a normal time for my laptop?  Are there other programs of compression that would be much faster?    Would be a better laptop with an Intel quad core / 8 processor i7-2860QM thread and 8 GB of RAM to reduce the significant period of time compression, for example less than 60 minutes?

  DVD-video is encoded more time-based
  as the size of the file. Compression is not necessary.

  A video file of 100 minutes should fit on a 4.7 GB DVD.

  Have you tried Windows DVD Maker?

  Windows 7 - burn a video DVD with Windows DVD Maker disc
  http://Windows.Microsoft.com/en-us/Windows7/burn-a-DVD-video-disc-with-Windows-DVD-Maker
  (Windows 7 Home Premium / Professional / Ultimate / Enterprise)

  The following freeware can also be worth a try:

  (FWIW) It's always a good idea to create a system
  Restore point before installing software or updates)

  DVD Flick
  http://www.videohelp.com/tools/DVD-flick
  (the download is: "dvdflick_setup_1.3.0.7.exe")
  (Download from (direct link) is the fastest).

  Save the file to your desktop or a folder on your
  hard drive and install from there.

  Be sure to read the Guide:
  http://www.dvdflick.NET/Guide.php

  Tutorials:

  Tutorial DVD Flick
  http://beginwithsoftware.com/videoguides/DVD-flick-Guide.html

  Burn any Format video DVD PC
  http://www.freevideoworkshop.com/dvdflicktutorial.htm

  AVI to DVD with DVD Flick Guide
  http://www.Digital-Digest.com/articles/AVI_to_DVD_using_DVD_Flick_page1.html

  To create a video DVD base that should play in most
  free-standing DVD players... try the following...

  First... read the DVD Flick Guide to familiarize
  with the program.

  Open DVD Flick and insert a blank DVD in your drive.

  If the window of Autorun from your computer... just close it.

  Click the project settings button and check... Video /.
  Target format... residents United States... Choose... NTSC /.
  Accept.

  The title button left click Add and navigate to your
  Video clips and select the ones you want on the DVD.

  You can have by selecting one and then use
  the up and down buttons.

  To allow a longer time on the DVD... left click the
  The project settings button / select video / open the target
  Bitrate of drop window. Choose a will more small number
  result in a longer time on the DVD. Press on... Accept.

  The vertical bar to the left of the screen will tell you
  How much compression you need.

  Left click on the button create DVD / OK / Yes / Yes.

  Please wait while the DVD is created.

  When the text "Completed successfully" is displayed you
  DVD Flick can close. Now you can eject your DVD
  and play in your DVD player.

  At some point you might want to buy more
  software advanced as Sony, Cyberlink, Nero, Roxio,
  Adobe, Ulead, etc... but at least it is a start.

  Good luck.

• Change the audio settings

  Is is possible to modify all the audio data in a Captivate project as FM? I need to do audio as slide background sound that is already in the project. If it is possible, how would I go all this?

  Your process should be to have the original sound in the project at the highest possible quality and then just set the audio output quality of quality FM (64 Kbps).  Then when the audio is exported for release time and compressed in MP3 format in the output of all quality FM.  You don't need to do anything other than that, if you start with the highest quality in the project file.  Usually, I use 128 Kbps as a source and publish to 64 Kbps.

• How to see if the audio in a clip or sequence pics

  I put my audio levels and compression by looking at the meters still all from time to time I will notice that culminate a particular section of a clip.  How can I check a project to see if there are any sections that are peaked without really looking at the whole sequence myself?

  No way to automatically check if any part of a project is peaking, it's three.  You will need to keep an eye on, when you change, or apply some type of overall limitation/compression.