Best way to stack 2d and 3d in a Composite
Hey everyone, apparently, that I'm really on a binge 3d with Photoshop CS6. It is just a blast! In any case, I seek to understand the best way to stack the 2d and 3d set elements in the same document and maximize the editibility...
I'm working on a digital décor, and I got the part of the room in 3d and 2d. Thus, for example, the walls, ceiling, floor, table and chairs, corner Hutch are 3D, but the ordinary Hutch and buffet server are in 2d.
-Table and chairs must be in the foreground
-Regular school and the server are behind the table and chairs
-The corner Hutch must be behind all the other pieces of furniture
Then, you can be now catching on to my little idea... I want that all 3D elements to have the same lighting and reflect on one another, however, I need layers 2d to adapt somehow 'inbetween' 3d objects. The simple question is, how is that possible? Is there a way to mask at the forefront of 3D objects so that they appear to be from 2D objects? My only current solution is the following:
-Move the 3D layer (the scene) completely set backwards
-Take the final decision on the position of the table and chairs
-Hide all other STS on the scene outside the table and chairs
-Made, so that the edges are clean
-Load the 3D layer newly rendered as a selection (which support the table and chairs only)
-Create a new layer from the selection of the layer of 3D rendering or hide the 3D layer so that the table and chairs seem to be in the foreground
I had not expected this post is long, so I apologize... but as you might assume, the above method means that I can not edit/reposition/scale like 3D at all, so if there is a better way to stack these room elements I would be extremely grateful to one who knows how!
Thank you!
Andy
First of all, I was wrong on layers that need to be hidden to prevent their appearance being included in a new postcard. I misunderstood something that happened when you work with a 3D document earlier.
Materials supports the transparency/opacity. A material has a setting for opacity that can use a texture. The percentage of opacity material is multiplied by the opacity of the texture.
When a postcard is created, the opacity of its default hardware control will contain an instance of the texture that is in the diffuse control, which is a file that contains BODY 2D layer (pixels, dynamic object or group) from which the postcard was created.
Here is an example. Two solid pyramid cracks and a postcard of a cloud layer:
The shape layer where the postcard was created is in the document that opens by selecting Edit buttons highlighted above in the drop-down list:
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Published by: nage62587 on October 16, 2012 20:20Hello
nage62587 wrote:
I did a lot of searching the forum and revised my question a bit hopefully make things a little clearer... I got a request Frank wrote and revised to meet my criteria.The forum search (and other places on the web) is great! Not only are you things, but the people on this forum are more likely to help you when they see you do everything you can.
If you find something that you are trying to adapt, post a link to it. Seeing the correct way to adapt it can be very instructive.essentially, if I can determine which members of the family someone is, then I can create a unique "FAMILY_ID" for them - once I have that, it would seem that I could then use the FAMILY_ID to combine their addresses and other information.
The problem I have is that if a RELATEDPERSON_ID is linked to a PERSON_ID (PERSON_ID related RELATEDPERSON_ID works very well), he attributes them a new FAMILY_ID, rather than include them in the correct family.
Here is my sql
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I suspect that whatever you copied originally had the FIRST keyword somewhere in the CONNECT BY clause.
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