Can choose 5.1 in hearing CS6 for surveillance, but not in Premiere Pro CS6

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  Concerning

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• MobileMe will not let me that post us because that seems to me not having the correct password which I thought to be the same pw for iCloud, but not so much.  How can I me Mail online?

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  MobileMe was discontinued on June 30, 2012.  There is no more MobileMe e-mail.  Go to the preferences panel accounts Mail and remove any MobileMe account which is there.  That should get rid of these messages.

  

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• Incoming audio levels can be adjusted for digital video capture in Premiere Pro?

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  Hi all

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  To compare performance, configure queues of same rendering with Premiere Pro Media Encoder in four sequences. These sequences contained native 4 K XAVC I, but four sequences have been "cropped" on a chronology of 25 1080 p, which means that I actually not export 4 K images. All four were slightly different, but while a 50 minutes.

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  Perhaps, somewhat lengthy explanation, but basically, I would like to know how to activate the acceleration in Adobe CC GPU - but especially with Premiere Pro, After Effects and Media Encoder.

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  Any advice or suggestions are appreciated.

  Hey Connor,

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• How can I activate on labels in the block diagram, but not on the front panel?

  This question may have been asked before, but searching the Forum did not.

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  dbaechtel wrote:

  This question may have been asked before, but searching the Forum did not.

  Don't remember already asked this question and get help in this thread?

  Have you tried the things I said in that thread?  How did they not work?

  Right-click on the terminal of BD and make visible > labels.

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• When searching in Windows 7, I get a list of headers group for items, but not the articles themselves

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• Settings 'source' for FS7 files/Clips in Premiere Pro

  I have a question about the native source on images (files, .mxf) FS7 parameter in Premiere Pro... specifically in the OPTIONS of EFFECT tab.  To give you a reference of first... I LOVE the way you can do this internally in PP with RED files.  (But I do not currently see a way to do the same thing with FS7 clips).  Let me explain... If you have a RED clip on your timeline and open the OPTIONS of EFFECT window, you will see options to change the "application" and other menus.  BUT if you click on the MASK tab (next to the label clip) in the same window you will see the ability to edit the 'RED Source settings '.  You can change the ISO that the clip was shot in "natively" with over the addition of an effect.  I have yet to adjust these settings from the source from PP.  They are just "there" for me to tweak... as well as the "kelvin" and the "tint" and the "shadows" and "saturation" and all the rest.  It's so simple and so nice.

  Y at - it an option to be able to access the same information for FS7 clips I have on the timeline?  I think that because FS7 files have metadata associated with them that PP could "theoretically" access the same type of info for FS7 clips.  When I pointed out the FS7 clip on the timeline and go to the EFFECT CONTROLS window, and when I click on the CAPTAIN tab I see no. Source settings options to change or adjust.  It would be so NICE if I had access to those natively WITH the PP IN somehow.

  Does anyone know if this is possible with clips FS7 in PP?  Am I do not import the files correctly so that the PP can display the native source settings?

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• Can you check data in a table or another, but not both in a single query?

  I have a situation where I need to connect the two tables, but the data can be in another table (archive) or different records are in both but I want the last disk in two tables:

  ACCOUNT

  AccountID name

  John Doe 123

  Jane 124 Donaldson

  125 Harold Douglas

  MARKETER_ACCOUNT

  AccountID key Marketer StartDate EndDate

  1001 123 10526 8/3/2008 9/27/2009

  1017 123 10987 9/28 / 2009 12/31/4712 (high date ~ that means currently with this Distributor)

  1023 124 10541 03/12/2010 12/31/4712

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  Open CURSOR_ACCT

  Select the account ID

  Of

  ACCOUNT A,

  MARKETER_ACCOUNT M.

  R OF THE ARCHIVES

  where A.AccountID = nvl ((select max (M.EndDate) of Marketer_account M2

  where M2. AccountID is A.AccountID),

  (select max (R.EndDate) in Archive R2

  where R2. AccountID = A.AccountID)

  and upper (B.SID) as a parameter. '%'

  < can you do a NVL like that?   probably not...   I want to be able to get the MAX registration for this account on the table of MarketerACcount OR recording max for this account to off the table to Archive, but not the two >

  (setting could be 'DO', so I return all names beginning with...)

  Hello

  So, you have a few lines in marketer_account and the other rows in the archives, but you do not want to treat all lines, as if it were a table, is it?

  This sounds like a job for the UNION:

  WITH union_data AS

  (

  SELECT StartDate, EndDate, Marketer, AccountID

  OF marketer_account

  UNION ALL

  SELECT StartDate, EndDate, Marketer, AccountID

  To archive

  )

  got_MaxEndDate AS

  (

  SELECT StartDate, EndDate, Marketer, AccountID

  MAX (EndDate) ON (AccountID PARTITION) AS MaxEndDate

  Of union_data

  )

  SELECT a.AccountID, B.SID

  m.Marketer, m.StartDate, m.EndDate

  One ACCOUNT

  JOIN got_MaxEndDate m ON m.AccoutnID = a.AccoundID

  WHERE m.EndDate = m.MaxEndDate

  ;

  I hope that answers your question.
  If this is not the case, after a CREATE TABLE and INSERT statements for your sample data.
  Report when the above query is the production of incorrect results and explain, using specific examples, how to get results in these places.
  Always say what version of Oracle you are using (for example, 11.2.0.2.0).

  See the FAQ forum: https://forums.oracle.com/message/9362002#9362002

  .

  Starting with version 8, the maximum year in DATEs Oracle is 9999, not 4712.

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