Settings 'source' for FS7 files/Clips in Premiere Pro

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  Hello. Editor of newbie here. If I split a video file into two clips in Premiere Pro and you want then save each one as a different file while exporting to the encoder, how to make sure that they are registered in the form of two different files with different after encoding names?

  Located in and out on a section and that export brands.

  .. .Rinse and repeat for the other section.

  Name each section and where it is exported to separately... and as you wish

• Transfer of first Clip in Premiere Pro compresses the images?

  Hi, if I transfer my first Clip in first Pro CC project, it seems that the video quality is compressed. How can I get the original image quality when I export my projects?

  Hi Martin,

  There should be no degradation in the media file when you export a Clip in Premiere Pro project. If you compare the original media file on your device in the synchronized file on your desktop, it should preserve the exact rate of the file of size, profile and ILO. You can watch this info yourself with an application like MediaInfo.

  Would be great if you can send a screenshot of what looks like the original file and what you see in Premiere Pro. You can also include which version of the Clip, OS and Premiere Pro, you have? Finally, this device created the file.

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• Incoming audio levels can be adjusted for digital video capture in Premiere Pro?

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  It is possible that the lessee of his experience on the production has been conservative with its levels; they constantly peaking at nearly 9 meters of first, instead of more desirable 12.  But because they are so compatible, I wonder if I missed an option to set audio capture of levels when I did the band.

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• My Source and program monitor stopped working: Premiere Pro 2014

  Here's how it all started.

  I got an error that says I didn't have the correct video modules, then came the ugly face of BSOD. I rebooted, tried again, same result. I did a system restore with Windows, reinstalled Windows 8.1, reinstalled all my plugins and programs Adobe CC, and when I opened my project has been completely blurred. Uninstalled all Adobe software, ran CC Cleaner, reinstalled. This audio in my videos work, but now there is only a white screen on my my Source monitor and program when I try to play my calendar. I did a restore of the system under Windows, went on my site of manufacturers of laptop and updated computer to update my bios, the graphics driver and processor. Also reinstalled windows updates and my Adobe software, I tried CC Cleaner before each installation, tried to return to the previous version of first and still nothing in my source or program monitor.

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  Things I've tried other threads:

  -J' read it could be a problem with the. So I also tried to start a new project with the MTS files. MOV files and h.264 and still nothing.

  -J' tried to go to the project settings and choose "make with the software", still nothing.

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  -J' tried to use my daughters 'Frozen' magic wand, we bought for Christmas solve the freezing problem with magic as Elsa has done in the film... surprisingly, still nothing.

  Any other ideas out there?

  Hello

  You have two graphics cards? You can check that in Device Manager > display adapters.

  If so, disable Intel Graphics and see if it helps.

  Have you tried to trash the preferences?

  Rename the 8.0 for trash folder preferences: \Users\\AppData\Roaming\Adobe\Adobe Premiere Pro\

  Thank you

  Regalo

• Can choose 5.1 in hearing CS6 for surveillance, but not in Premiere Pro CS6

  System: Z820, Win 7 Ultimate x 64

  Audio: Creative SoundBlaster Recon3D PCIe, Altec Lansing 5.1 speaker system

  SW: Master Collection CS6

  I use Premiere Pro CS6 for some time now, but only for stereo video projects. I recently started working on a short film and necessary 5.1 Surround sound as well. I created a track 5.1 surround to the AU and were able to control the sound and the surround panning effects in AU during development. Here is the Audio parameters and mapping the chain, I used to get my 5.1 working so I could control:

  

  As can be seen, I chose the default Ms Device Class here, and everything seems fine. I have 6 channels identified and mapped in the right corners. I also confirmed that my title of master in AU is 5.1 Surround. I exported a 5.1 WAV and it imported to the RA, in a session of 5.1 surround, confirming that the track where landed the WAV file and the captain are both 6 channels (and even if the order is displayed differently, the content correctly mapped from UA in Pr).

  Now, my fun began. When I followed the audio Pr, I mean only stereo. So, I check my channel mapping in Pr, as shown below:

  

  As can be seen here as well, I chose the sound 'default' first Pro WDM. I learned that the WDM is a newer version of MS and encapsulates all the functionality of Ms. I don't know why in the use Mrs. and Pr WDM. However, as shown, with WDM chosen, I have that 2 channels in the dialog mapping to work with, not the 6 I (and was in AU). I can't will produce these other four channels.

  As seen in the fall down captured in the screenshot above, I also ASIO4ALL installed, but shows too only 2 channels in the Pr and the AU. Interestingly, when I move the mouse over the selection of the speakers in the control panel of ASIO4ALL, it indicates there are only 2 channels (but says that there are 6 INPUT channels). Creative SBZ series ASIO option is not better, offering only 2 channels.

  So I went to check my system settings, which are all shown below:

  

  As seen above, Windows knows y 5.1 surround on the system, and the Test available in the box on the left bottom proves that each speaker is configured and working properly. Hearing knows as 5.1 is available on my system and use it correctly, as described above. However, Pr refuses to acknowledge this fact and therefore, I am unable to monitor projects 5.1 surround on my system. If the AU neither Pr worked, then I would mark it down as driver or the sound card, but as an Adobe product problems correctly uses the audio system and the other is not, it leads me to believe that it is Pr that is at fault.

  So, my question is the following: why Pr won't recognize my as to the fact 6 output channels?

  Any advice would be appreciated.

  See you soon,.

  Shane

  I finally got an external audio interface (MOTU UltraLite MK3), and I can see NOW all channels in Pr and to the. So it seems that it WAS the Creative Soundblaster card and it has the drivers (32 vs 64, or something similar) which prevented one or the other of Pr or AU to see the surround channels.

• Send transcoded clip in Premiere Pro with audio Mono

  Hello

  I noticed that others have asked this question around August 2013 but haven't seen the progress made on this issue, which is that we prefer to edit in Premiere pro with mono audio tracks, but we are unable to transcoded material to come with audio mono prelude.

  We need to have total control over our audio tracks and for us in an environment News/FRA, which also means the production of early recovery.  So we want to choose the part of the clip XDCAM what we want as a prelude, send it to Premiere Pro and laid the grabbing of the interview (for example) on track 1 of the timeline with only talent audio mike (which has been recorded on the channel of the camera 1) and must not pan it or worry about making big thing to her.  Then, we cut the rest of the overlay with sound effects that are recorded on the channel 2 go directly to the track 2 on the timeline.  When transmit us to Headquarters that we send them two discrete audio channels: talent/VO on channel 1 and channel 2 effects.

  We have only one problem when transcoding is involved.  With the audio preferences in PrPro 'Mono', everything is fine, it's just that when prelude to transcode a video makes the audio a hassle for us, because it can only come to PrPro as a stereo audio track.

  Adobe, he's never going to be the ability to just a prelude preference to send audio with Mono clips, as there are in Premiere Pro?

  
  Or someone has figured this out, and miss me him just something?

  In Adobe Media Encoder, set up a new preset that has the video and audio parameters, you want to have your images transcoded for source:

  

  Then name and save this preset. The next time that you start the prelude, the preset will be an option to choose to use for transcoding of your hardware.

  MtD

• Import of video files in Adobe Premiere Pro CS3

  I have a Sony Handycam DCR-SX63.  When I import movies on my PC (Vista), I took, they are. MPG files.  When I import these files in first Pro CS3 the video portion is important but the audio of this file does not work.  I read everything I can find and nothing seems to answer my question directly.  I tried an encoder to see if perhaps first does not accept. MPG files.  I converted to AVI file and tried to import and it gave me audio with no video.  I tried to open the new project with a dozen different settings offered by the first, but everyone I tried gave me the same result, when I tried to import my video file.

  Please, I beg you. Please, I beg you. Help, please.  I'm pulling my hair out.

  I appreciate any assistance.

  Thank you

  First... To work with audio files AC3 into Premiere CS3, copy the file ad2ac3dec.dll of the Encore CS3 directory creation directory

  Second... Read Bill Hunt on a file type as WRAPPER http://forums.adobe.com/thread/440037?tstart=0

  What is a CODEC... a primer http://forums.adobe.com/thread/546811?tstart=0

  What CODEC is inside of this file? http://forums.Adobe.com/thread/440037?TSTART=0

  .

  A report with the codec of your file details, use the programs below

  .

  For PC http://www.headbands.com/gspot/ or http://mediainfo.sourceforge.net/en

  .

  IF your files are MJPEG...

  MJPEG edit with Morgan or MainConcept http://www.morgan-multimedia.com/

  http://www.MainConcept.com/site/prosumer-products-4/Motion-JPEG-codec-785/information-797. HTML

• * URGENT: * MEDIA IS offline for Mp4 files after update first Pro CC to 8.1

  Hello

  I've updated recently for first pro CC 2014 and I'm working on a project that is already overdue.

  I had a few little problems, so I thought that after upgrading to the most recent version, all would be well.

  I just started first and opened my project and had an error message like this guy

  Premiere Pro CC 2014 seems corrupt projects created with earlier versions

  Then I deleted the files preference and the project could be reopened.

  But the MP4 files did not open and the MEDIA OFFLINE imagem

  (and I have a LOT of MP4 files that worked absolutely fine before)

  I tried to make the connection again, but it didn t work.

  I tried to drag and drop files MP4, it didn t worked too. (media file is)

  I renamed the folder ADOBE \user\appdata\local and roaming twice.

  I tried to start with ALT SHIFT to remove preferences againa - didn t worked too.

  I tried to reinstall Quicktime.

  I tried to reinstall the K-Lite codec pack.

  I REALLY need your help before the formatting and all from scratch.

  Thank you and best regards.

  Lucas Selbach

  So if you came here looking for an answer, this is what worked for me:

  (be told me voce quer uma resposta em Português)

  -Exit all software adobe (including clouds)

  -Remove the preference (adobe) folder in my documents.

  -Rename the folder Adobe \userfolder\appdata\roaming and \userfolder\appdata\local to old.adobe

  -Uninstall a codec package that you may have installed

  -Uninstall first via Add/Remove programs

  -Find *.xmp files and remove all the

  -Rendered remove files from your project folder too.

  -Restart the computer

  -Use a registry utility to clean your computer of the tracks (I use Glary Utilities)

  -Install the first Pro CC

  -Restart the computer

  -Install Quicktime 7

  -Restart the computer

  -Everything should be good now.

  =)

  Good luck!

  Concerning

  Lucas Selbach

  Brasil

• Zoom in and out during a clip using Premiere Pro

  Hi all

  I looked online and used the tutorials on what I'm about to ask, but maybe I do not return the right conditions, account required to my relative inexperience.

  In short, I have shot a video and import it into Premiere Pro. During the clip I want to do a 'zoom' on what is on the desktop of subjects and to zoom out again. Is this possible in Premiere Pro and if so, how?

  Thank you for your help in advance.

  Ashley

  Hi Ashley Daniel,.

  You can zoom in on any clip you want in the Premiere Pro timeline. Simply ensure that the effect controls panel is highlighted or is open by clicking on the clip in question. To open the effect controls panel, you can go to the window menu and click the effects control. Once it's open just select the item in the program or go to the movement monitor > scale option in the effects Panel to choose the zoom level correct of your choice.

  Kind regards

  Vinay

• MOV files in Adobe Premiere Pro CS5 - XDCAM (MPEG) MPEG 1/2 (xdvc) resp.

  Description of the problem:

  I got a bunch of MOV files on a disk formatted HFS + for editing on Premiere Pro CS5 (5.0.3). When I import to Premiere, first said "Codec missing or unavailable. Paragon HFS + is used to manage the disk formatted HFS +. I copied the data to a disc formatted NTFS before use.

  Research, I gave the following indications:

  I tried to play in Quicktime and Quicktime said that I would need additional software to play the .mov file. But I could run the detective movie and it shows "XDCAM EX 1080i 50 (35 Mb/s VBR).

  VLC plays (!) and says it's a "video Mpeg 1/2 (xdvc)"

  MediaInfo said "MPEG video (XDCAM).

  The sound is PCM (L) according to inspector mov programs.

  The MPEG2 format seems to be supported by first (also in HD), forum entries tell me that I should be in version 5.0.2 as it Adobe supports the MOV container. So now my question: what am I missing?

  I have no idea on the camera used to film, but it could be a JVC, as it says that the JVC writes mov files.

  OK, let's go:

  1. Get an accumulation of static electricity of FFmpeg here: FFmpeg Windows builds of HawkEye. The 32-bit version is fine.
  2. Open the file from archive downloaded and go to the folder "bin"; ffmpeg.exe extract to a folder containing your SBDAs.
  3. Create a new text document in the folder with FFmpeg and the media, called 'mov2mp4.bat' files by making sure that you change the .txt extension to. bat.
  4. Open the text document and paste the following text:

     @ECHO OFF
     for %%a in (*.mov) do ffmpeg.exe -i "%%a" -vcodec copy -an -f mp4 "%%~na".mp4
     

  5. Save the document (even once, ensuring, it has a .bat extension), double-click it in the Explorer. The batch file runs and every MOV in the file processing and repackaging it in a MP4 container. It is lossless (there is no transcoding) and should go relatively quickly. Note that this is not also copy the audio, so you do not have the video files only. The resultant MP4s will perfectly be important in first.

  Let me know how it goes!

• Allowing the AMD Radeon R9 M370X (MacBook Pro mid-2015) for accelerating GPU on Adobe Premiere Pro and other

  Hi all

  I just "upgraded" my MacBook Pro to a model of end of 2013 with a NVIDIA GeForce GT 750 M to a whole new model mid-2015 with an AMD Radeon R9 M370X.

  To compare performance, configure queues of same rendering with Premiere Pro Media Encoder in four sequences. These sequences contained native 4 K XAVC I, but four sequences have been "cropped" on a chronology of 25 1080 p, which means that I actually not export 4 K images. All four were slightly different, but while a 50 minutes.

  As I wanted to get an example of 'real world', I left on the old machine as CUDA rendering engine, as it's the best performance I can get the machine and the rendering engine on the new machine that OpenCL.

  I have to fill out a similar task at least once a week, so I know by experience, a queue of rendering as it takes about 2 hours by sequence to return.

  The results were very interesting and a little tell-satisfactory. Essentially, render on the CUDA compatible machine times were about 30% faster through all sequences of four compared to the AMD powered machine.

  Perhaps, somewhat lengthy explanation, but basically, I would like to know how to activate the acceleration in Adobe CC GPU - but especially with Premiere Pro, After Effects and Media Encoder.

  Apple seem to think that they support OpenCL (https://support.apple.com/en-us/HT202823), AMD announce their compatibility with Adobe CC (http://www.amd.com/en-us/solutions/software-partners/adobe) - then why my GPU does not appear as a recommended here model? - https://helpx.adobe.com/premiere-pro/system-requirements.html

  Any advice or suggestions are appreciated.

  Hey Connor,

  This R9 card comes out MAY 2015 and 2015 CC was released on June. So, any card (s) that is listed in Premiere Pro specifications list must pass appropriate tests. In addition, credit cards that has a 1 GB of VRAM is likely to allow "mercury Playback Engine" for use CUDA or open CL features.

  According to the rendering time is considered as MVidia GT 750 M has a priority on AMD R9 M370X. You can check and compare the two cards, and also check the link below.

  Radeon R7 M370 vs GeForce GT 750 M Mac

  Vinay

• How to record an audio clip in Premiere Pro cc with micro-USB on PC

  Hey all,.

  Difficulties in finding a solution on the web. I just made the switch to Premiere Pro CC Final Cut Pro 7, and also Mac to PC, oops I know. I'm looking to record audio clips directly in PP with my USB microphone. I plugged my microphone usb via PC Board with success. My ignorance will come here, what do I do next in Premiere Pro to start recording from my clips?

  https://helpx.Adobe.com/Premiere-Pro/using/recording-audio.html

  New! Device record voice-over in first Pro CC 2014 - YouTube

• How to change the opacity of a clip in Premiere Pro CS3?

  Hello
  
  I put a video clip on the video track in the timeline. It has a yellow horizontal lines indicating the level of opacity. When I adjust everything down, no video is visible and it is completely visible when he is on top.
  
  In Final Cut, I can use the pen tool to create some points along the straight horizontal lines & then move the points. In doing so, the level of opacity of the video clips is displayed according to the values indicated by the yellow lines.
  
  In Premiere Pro, when I select the pen tool, I am not able to create points on the yellow dots and set it to vary the opacity. How do I in Premiere Pro?
  
  Thank you

  Hold down the CTRL key when you click with the tool pen to add a keyframe to the 'elastic '.

  -Jeff