Cleanup background Studio + tracking

Okay so here's the question, I'm all good enough shoe brands remove paper background, the shot was not locked on a tripod, it was, a pan up + move in shooting at the subject.

I understand that I must use tracking and link it to the brush to cover the marks,

My problem is there are several areas in the background which has brands and each time I used the brush to clean + Clone Stamp tool, under the paint, it created a clone or a layer of brush,.

at the point where I was clean the bottom, I had like 30 among young people, so my question is, is it possible to combine all these in 1 layer, so I can connect to the tracker? or there is a better way to do?

I looked everywhere and got nothing on the cleaning of the multiple tasks.

I use the latest aftermath,

Pls help

Thank you

Philippe

Of after your description of the shot I would probably stabilize (no chain stabilize) the shot so that a time key in the shooting does not move, then export an image that shows the floor area that you want to clean a photoshop file, do your cloning on a layer separate in Photoshop, and then import that layer and place it above the sequence so make any roto you need to do to fix the moving actors or other objects then remove the stabilization and add movement to the layer set with a null value, an expression and parenting.

I know that sounds confusing, so here is a step by step including the expressions you may need to use. If I do not understand your store or if there is a lot of lens distortion will not work. It would really help if we could see the shot. Nonetheless, here goes.

Open your footage in the footage Panel and set an entry and exit point to the part of the photo that you want to use more handles (a few images to allow the editing)
Select the footage in the project Panel and choose new comp from selection in the menu, right click or drag the model to the new icon of the model at the bottom of the Panel
Set the Motion Tracking Workspace
Select the layer and choose stabilize movements in the follow-up Committee of movement. If there is a change in point of view significant or any rotation, then you'll want to stabilize scale and rotation also
Choose an area of detail that you want to lock in position. In more detail the better. Make sure that you are followed by a space big enough to get a good lead. If you are stabilizing scale and rotation can choose two points that are horizontal or vertical for a tile call for a pan shot or an angle of tilt for a shot that tilts and pans
When you get a good solid lead select apply to lock the layer position
Find a frame that displays most of the word and export that frame a Photoshop file (Note: If the edges of the image will not let you see the entire floor you need to correct, then change the size of the model temporarily)
Open the image exported in Photoshop
Create a new layer in Photoshop
Select the paint brush or clone tool and correct all the flaws you need to repair (works if you set the Clone Stamp tool to use all layers)
Import the PSD into AE and choose only the fixed layer
Add the layer to the timeline
Scrub through the timeline to see if there are places that you must animate the scale, distort the image replacement or rotoscoping the image for once works
If you have resized the computer it's time to return the original of the model parameters
Rename your all original images layer "stabilized."
Add a null value to the composition
Apply this animation preset to the null: Dropbox - destabilize Rotation Scale.ffx
Move the CTI to the first image of the model
Parent the original film and the repaired the null layer to add movement to the repaired layer and return the camera for the original film movement
Check the model for any problem or the color adjustment you need to do with the repaired layer

That's all.

Here are the expressions that are added to the position of rotation and scale. The position is easy, that you attach just position of the null value to stabilized images Anchor Point. Rotation is also easy, just, you must subtract the value of the rotation of the original images by placing a - int sign the expression before you use the pickwhip to connect the rotation of nulls to the stabilized image rotation. The scale is a bit more difficult. You need to calculate the percentage change and separate values in a table and then reassemble. As long you have renamed the predefined animation film "stabilized" layer will do this for you automatically.

Position:

thisComp.layer("stabilized").transform.anchorPoint

Scale:

x = value [0];

y = value [1];

TX = thisComp.layer("stabilized").transform.scale [0];

Ty = thisComp.layer("stabilized").transform.scale [1];

NX = x / tx x;

NY = y/ty * y;

[nx, ny]

Rotation:

-thisComp.layer ("stabilized") .rotation

Tags: After Effects

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