Clipping Path Options went

Similar Questions

• remove objects from the background using a clipping path

  A number of years, I've learned a very easy way to remove objects such as logos from backgrounds using masks and then saving them as .eps files that might be included in the InDesign documents without funds. You would simply use the magic wand to make a selection, inverse, create a path and the rest I do not remember.

  Simply, I can't find the notes I had on how to do it and can't remember the steps. It would literally take 2-3 minutes at the most to do.

  Does anyone know of this method, or something similar and very simple. At best, I am a Photoshop basic user.

  SRiegel wrote:

  You don't need to (and probably shouldn't) eps more use.  This is an obsolete format.

  The clipping path will read as well in a PSD or a TIF.

  You can also use any Photoshop path recorded as a trace of shadow in InDesign, even if it has not been identified as one in Photoshop.  Object > Clipping Path > Options allows you to choose a Photoshop path in the file.

  At took the words out of my mouth.  PSD is the preferred format for most applications these days.  You can choose to import as a single merged object or keep the layers.  EPS works well with Photoshop.

  In response to Sid, if you use a clipping path to draw a logo, then you might as well make the logo as a vector of the form of the original using as a model.  I regularly take this approach fuelled the logos of low resolution for things like sponsors etc.  Because you do not use the raster version, you can n to facilitate tracking it.  All the perpendicular lines of the limits of the image (don't know why I don't have not just "square") can be stored neatly by use of Guides, but you can also force the path points to have a square to the previous point by holding down the SHIFT key.  The resulting vector shapes can be saved as custom shapes, but I use libraries as you can organize them better.

• Binding of Photoshop EPS files with clipping paths

  I'm under InDesign CS4 6.0.3 on a dual 2 GHz G5 with Mac OS X 10.5.7.

  We have a workflow that involves files Photoshop EPS being placed in InDesign with object value path of Photoshopclipping path.  If the link is updated or re-issued of the moment, InDesign no longer the image of the boundaries of the way - either on the screen or export to PDF - although still illustrates object -> Clipping Path -> Options choose the type of game to Tracé Photoshop.  The only way I found to get the clipping path to apply fully to the image is to change the type of Tracé Photoshop to zero and return to the Trail Photoshop, while the Preview box is on.  I tried different combinations to transform the Apply Photoshop Clipping Path option on / off power at the time of the initial implementation and at the time of the reissue of links with no effect on this behavior.

  Assuming that you use one format other than EPS and use transparency rather than masks are not in play right now, my questions are:

  1. is this a known issue with InDesign CS4?  If so, can we expect a fix soon?

  2. is there something that can be done on the side of the user who is less bulky than the workaround solution described above?

  They can't fix what they don't know, however. File a formal bug report here:

  Adobe - feature request/Bug Report Form

• How to insert photoshop image with a work/clipping path in illustrator using the path?

  How to place an image in Illustrator using the clipping/work path created in Photoshop?

  I have a .jpg of an object on a background image. This image has a clipping path that écrêtera the background of the image. I could clip the outside background (in Photoshop) and save the image as a file .psd with a transparent background, and then insert the .psd file in Illustrator... it's easy. What I can't understand is to place the image (bottom) .jpg and use clipping path Photoshop be clipping path in Illustrator. In this way, I can take this clipping path and use it as a layer of gloss spot for production. I work on a Macbook Pro and CC2014. Thank you.

  But you can export the path separately in Illustrator, then he get married to the JPEG placed as a clipping mask.

  In traces of Photoshop Panel, target the path, and then choose file > export > traces to Illustrator...

  He'll write a .ai file. Open and select all (it's a quick and easy way to 'see' the path because Photoshop it will export with no border or background, leaving mostly 'invisible' on the artboard Illustrator).

  Then you can copy it to the collage at the top of your JPEG placed. Position them as you like, select this option and the JPEG format, then choose object > clipping mask > make...

• Automatic import of Images w / clipping paths

  All my images are automatically import in Indesign with clipping paths lit. I don't want to! Everything started happening (apparently at random) a few days ago. Happens if I place the image. Happens if I slip and fall. It happens in any way that I get the image in Indesign. Help!

  I don't know how to turn off once it is in Indesign, but I have THOUSANDS of images, I can't select each to disable the clipping path. I was hoping it was a setting/preference somewhere that I'm not aware of.

  [Left the forum Cloud/Installer generic for program specific forum... MOD]

  I checked into this a bit. There is an import adjustment that allows for your to choose or not to apply photoshop clipping masks in your TIFF. He must have been checked and is now applied to all.

  

  On the next tiff that import you, select The show Import Options before clicking OK. Uncheck the box Use Photoshop clipping paths . I think you'll just have to do this with a single file, and then it must carry over the placed files.

  

• Make layers of new form of clipping paths

  Hello

  I had this problem for a while now, since the upgrade to CS6. When I create a new path on a layer to create a path he keeps creating the path on a new shape layer. That means, when I have a way to create complicated I'm end up with 30 + layers form which should be selected and deleted individually backgrounds. With the old version, I could keep adding shapes on the same clipping path using the pen tool, however I can't seem to understand how to reverse the changes to keep all the way on one layer. Is there a way to do this?

  I'd be very happy someone could give advice.

  Thank you

  Jamie

  Please refer to the Options bar.

  The tool is fixed"shape" to go? «If so, change it to ' path '.»

• Disable the automatic application of a related to PSD clipping path

  Beings,

  The forum search is broken so excuse me if this is already covered. I've recently updated to CS5 and every time I place a PSD file in my document, the clipping path (if it exists) is automatically applied.

  I'm using clipping paths in my Photoshop PSD inside Indesign more that I use, so I would like to prevent this happening automatically. This habit never to arrive before CS5 and I did not find the setting that controls this.

  I hope that this can be disabled because it is boring!

  TIA

  Paul

  Check "Show Options" in the place of dialogue and stop it here, it should be so sticky.  Or if you drag from Explorer / bridge to do a file > place instead, do it once must reset it.

• Feathers unwanted at the order by clicking on a clipping path...

  I was completely baffled by this... every time I order click clipping path and either attempt to reproduce the selected area or hide it, it puts a pen to this topic. I checked all the options of a pen handed to zero in the selection tool. Someone please help it's driving me crazy!

  See you soon

  "In order to ensure, when you alt-click on the" load as a selection path "-button the pen-input is 0?

  

• Clipping path in PS is not knocking out areas within the railways

  Sorry if the title of the thread is rather oblique, but I'm having a bit of bad articulate what my question is.

  I create one a clipping path on a photo to place in ID - I'm knocking out the background and there are areas in the path of the perimeter which must also be knocked out (imagine a path around the outside of the letter 'o' and a path inside the letter to make it open). I did it on other pictures on this project, but for some reason, I can't get it to work on it.

  What I am doing wrong? TIA

  Welcome to the power bug Photoshop since PS 6.0. Here is a quick solution short of recreate the path from scratch:

  Take your direct selection tool (white arrow).

  1] click on the path in the path so that you can see around the object that just overlap the pixels.

  [2] make sure that you have not selected anything in terms of points. keep option and click on the inner path (the area you want to knock out). OK, you should have this area of the selected path.

  [3] with the path selected, click on the pen tool. Look you tool bar with the path parameter - this part of your path necessary to the last one wing OR the "exclude overlapping path area" setting.

  many times it occurs randomly just as I saw and on years. Sometimes, by selecting the entire path with the domestic railways and adjusting it to the far right also help. Sometimes you have only to choose the area that has knocked out.

• I can still access my Manager tasks, Shut Down, restart, sleep, and Hibernate options went on the Start Menu After uninstalling Secure browser review.

  I recently downloaded Secure browser review for a test in Spanish for a class.  I uninstalled the program successfully, however I still can't access my Manager tasks, Shut Down, restart, sleep and Hibernate options went on the Start Menu.  Finally, before taking the test, my computer is always locked.  This means that whenever he 'slept' that I have to enter a password or use my HP SimplePass of fingerprint to unlock.  Now, it does not require a password, or it is not locked.

  I don't think SEB is not completely uninstalled, or he changed the settings on my computer and I can't figure out how to change their return.  Help, please!

  Original title: Secure Browser review

  Hello

  Do a system restore, if necessary in Safe Mode, until you have installed the browser...

  "In Windows 7 system restore:

  http://Windows.Microsoft.com/en-us/Windows7/products/features/system-restore

  'Advanced options boot (including safe mode).

  http://Windows.Microsoft.com/en-us/Windows/Advanced-startup-options-including-safe-mode#1TC=Windows-7

  "The Advanced Boot Options screen lets you start Windows in advanced troubleshooting mode. You can access the menu by turning on your computer and pressing the F8 key before starting Windows (press F8 at the rate of about once per second)"

  See you soon.

• Clipping path?

  Hello

  I just bought the #98609474 file and the title says "with clipping path".  I don't see any.  I'm doing something wrong?

  Tell me

  HI Marpoll,

  Ask you to kindly go through the thread below where a similar problem has been addressed:

  Can not find the included mask supposed to a jpeg, I have a license of Adobe Stock

  Hope this helps!

• Clipping path that hides inside?

  I know not how to do clipping paths, but I need to make one that hides only what's inside the inner shape...

  should I make my way, then turn the tide somehow? Is there a way to do this?

  Thank you!

  wkjeiwoi,

  It's easier with an opacity mask:

  (1) set the color of white or black clipping path (choose);

  (2) select both and in the transparency palette flyout click on the opacity mask do with unchecked Clip and mask Invert checked/unchecked.

• Interpret the film or Clip > video Options? (Deinterlacing)

  Hello, everyone!

  I'm new to the Forum, but I used the first on a level amateur a few times. I apologize if this has been addressed before, and I was able to find various methods of deinterlacing, but I was wondering what are the real technical difference (if any) between the two.

  On a clip, you can 'Right click' goto edit and then interpret and under the order of the fields, you can select "conform to: any frame (Progressive Scan)"

  OR

  You can highlight a clip, go to the top menus from the top, select "Clip > video Options > Options for fields..." From there on, always select "Deinterlace"

  To me, it seems that they would more or less the same thing, but with a different terminology, I wonder how each option actually treats the video and one that would work better. Can I use against each other, or perhaps both?

  I've looked everywhere and you can't find me to use a statement of tutorials and other tutorials to use the other. None of which explain the difference between the two.

  (if it makes a difference, I work with HD NTSC video and it is upper field first I think so I don't think I need to use reverse the dominant field)

  If anyone can help it would be greatly appreciated!

  If your movie is interlaced just drop it in an interlaced sequence.

  To export, you set the export in progressive settings.

  Deinterlace systematically in the field option options is basically used for still images (or freeze frame) in a striped environment

  Or when a clip has a speed of<>

  Reverse Domanance of field is something left by the period SD were avi were lower field.

  You can also use this when a clip has a speed of > 100% or is played reversed, but I think it is also only for SD images with lower field.

  I would use only interpreter images when I know that first interprets the wrong fields.

• Create the work around plan group, unless there is a clipping path, and then create the work around clipping path plan

  Hello again everyone.

  I was able to work on a lot of this code to other people's questions, but I hit a snag in my if/else clause structure... I need to make a plan to work around each groupItem of high-level layer [0]. This part is cake... unless there is a clipping mask. Visible limits do not work when there is a clipping mask. So, I built some of the loops that browse the pathItems search the clipping mask and return the visibleBounds said mask. However, I can't find how to structure the if clause in a way that will create the plan of work around the clipping mask when one exists.

  I am successful to find the visibleBounds of the mask and the creation of the appropriate graphic board, but it is ALSO to create a work plan around the visible boundaries of the entire group. How framing an if clause to determine if a work plan has been done around the clip path already and therefore not create a second work plan around the visible boundaries of the groupItem together? I guess I would need some sort of function to determine if createdArtboardAroundClip = true and if so, skip this group...

  Thank you all.

  Here is the code:

  var aB = docRef.artboards;
  var docLayers = docRef.layers;
  var layer1 = docLayers[0];
  var groupLevel1 = layer1.groupItems;
  
  for (a = 0; a < groupLevel1.length; a++){
      var groupLevel2 = groupLevel1[a].groupItems;
      var vB = groupLevel1[a].visibleBounds
      
      for (b = 0; b < groupLevel2.length; b++){
          var paths = groupLevel2[b].pathItems;
          
          for (c = 0; c < paths.length; c++){
              if (paths[c].clipping == true){
                  var clipBounds = paths[c].visibleBounds;
                  aB.add(clipBounds);
                  break;
                  }
              }
          }
      aB.add(vB);
      }
  

  Oh sorry, I forgot that one.  I was able to view the image basically to see what is happening.  Okay, so I saw a problem, you have one of your straps closure irrelevant.   Your first nested for loop does not close where you want.

• Scripting: upper limit on the number of points in a clipping path to be converted to selection?

  Greetings,

  I work with some great with rather complex clipping paths tiff files and have written a script to convert a path to a selection, invert the selection, and delete pixels to downsample and save a PNG image with transparent background for the web.

  If the number of points in the clipping path is greater than 1000, Photoshop stops with a message 'Illegal Argument' and will not make the choice. "Making selection...". "the choice in the path palette manually works fine and works almost instantly.

  The problem is especially frustrating since the manual selection is so easily.

  Does anyone know how to give more points or to override this limit? I would also like to experiment with a scriptable command to simplify the path arbitrarily if there is no way around the problem at hand.

  Thank you

  When you say a clipping path, do you mean a vector path of a layer?  Created in the document, or you all ready clipping path create it using the script?  If you simply want to create a png image and a vector mask, can't you reverse the vector mask and or copy in which layer you want to cut, then resize?  You don't need a raster image to create a png image.