Custom creation persisted properties?

Similar Questions

• DataSource can be something unknown or custom. Its properties are not validated.

  Hello

  I found what looked like what I tried to do... data sources of QML.

  So I find this documentation: https://developer.blackberry.com/cascades/documentation/device_platform/data_access/using_data_sourc...

  I followed him all the way. But when I run my application, I get my app but no list in it. The background is white. All my items tabs and actions show. Than no list!

  DataSource {
                              id: dataSource
                              source: "assets/countries.json"
                              remote: false
                              onDataLoaded: {
                                  dataModel.insertList(data);
                              }
                          }
  

  There is an 'i' next to the data source implementation in the IDE that says: "DataSource can be something unknown or custom. Its properties are not validated. »

   

  So, what gives, ideas?

  Never mind. I will answer.

  The source must not have the 'active' before the json file. The API reference clearly states: in QML, this path is compared to the document QML in which this data source is declared.

   

  My json file in the current folder, so was not need to prefix it.

• Reading of custom in PDM properties

  Hello

  I'm trying to read custom properties in the root of a file of PDM using Matlab with nilibddc.dll. I found two problems.

  (1) I can't read the names of the properties of file only up to 643. They are the ones on the first two lines of the first page when opened in Excel. nilibddc cannot read the rest of the properties posted 4th and 5th rows tdms open Excel file.

  (2) I can read the names of the properties of file with DDC_GETFILEPROPERTYNAMES, but how to read the values of the properties of file?

  Thank you very much!

  Hi Nathalie

  «(1) I can read the names of the properties of file only up to 643.» They are the ones on the first two lines of the first page when opened in Excel. nilibddc cannot read the rest of the properties posted 4th and 5th rows tdms open Excel file. »

  The properties displayed in the 4th and 5th rows are those of 31 groups of your file.

  I guess that those who are no longer available in the group named "user properties.

  You can call DDC_GetChannelGroups to retrieve the file channel groups.

  So DDC_GetNumChannelGroupProperties like DDC_GetNumFileProperties will return the number of properties.

  "(2) I can read the names of the properties of file with DDC_GETFILEPROPERTYNAMES, but how to read the values of the properties of file?

  To retrieve a propertyyou values need to call DDC_GetFilePropertyType (DDC_GetChannelGroupPropertyType) to determine the type of the property, and then call the function of reading according to:

  DDC_GetFilePropertyUInt8
  DDC_GetFilePropertyInt16
  DDC_GetFilePropertyInt32
  DDC_GetFilePropertyFloat
  DDC_GetFilePropertyDouble
  DDC_GetFilePropertyString

  For properties of type string, be sure, you resereved a buffer of size (DDC_GetFileStringPropertyLength).

  For DateTime (DDC_Timestamp), call the DDC_GetFilePropertyTimestampComponents.

  Please refer to the help named 'nilibddc.chm' file in the '. '. \DOC"folder for more details.

  See you soon

  Stefan

• AutoVue Office: syntax to specify a file of .gui custom in the .properties files

  Hello.

  My company must specify a menu custom for some users.

  We do not use the client desktop application built-in but Autovue

  It is possible to specify a custom file 'users.gui' in a property like 'autovue.properties' file, in order to distribute tho files on already installed customers.

  If I ' am on the wrong means to tell me.

  Thanks in advance

  Hello

  When you use AutoVue Desktop Deployment, you can specify the GUI file customized in the autovue.properties file by using this option:

  param - GUIFILE = mynewguifile.gui

  It should be added to autovue.cmdline.

  Also the new GUI file should be in your folder "\bin\Profiles".

  Thank you

  Daniel

• Custom creation read for DSLR (i.e. Canon 70 d) for use w/Lumetri?

  Does anyone have any advice or experiences on the tools used, or how to create custom LUTs for Canon turned 70 d w/relatively neutral picture style or similar? For me, it is not so much that I want to reinvent a wheel as much as simply understand how to play with the experience of the creation of such a LUT to see not only how can I do, but what kind of results/comfort I can achieve.

  A little history: I'm relatively new to images of DSLR shooting (no photos but video). I use a Canon 70 d.

  I recently learned a little about some of the popular photo there models which allow to draw in relatively neutral sequences which apparently has some advantages in post (but not always). My understanding is that the output of 8 bits in many DSLRs, including the 70 d restrict the dynamic range that can be represented for some types of shooting, more specifically producing jpg files in the device, as well as. MOV, which requires treatment with loss in camera, where the style of photo (in terms of Canon) allows to define what color ranges to focus on and other minutiae, all designed to describe what is important to remember in the limited space of a DSLR. I guess this allows video capture in camera more effectively use space of 8 bits for color definitions. I guess lut helps solve some of this use when ingestion.

  I have learned quite a bit of this with quick searches some time ago, but have a very general understanding, enough to produce correct results without even using a LUT in the post, but it would be nice to know more, or at least be pointed in some good directions.

  Oh, after looking on the net and learning a few styles of popular image and LUTs etc, I read a very interesting post useful somewhere I think that in this forum... someone with extensive experience in this area pointed to someone who shot so-called video diary on a DSLR is not true newspaper and that the amateur filmmakers who consider it are often something cinema that is not all he did to be... who, for example, reduce the saturation at the time of the shooting on a DSLR can produce apparently-looking pictures on the newspaper, but it certainly loses 'chroma', which cannot be recovered despite what the hype on such people. I found it instructive but is also puzzled by how many are apparently very happy shooting more neutral DSLR footage benefits w / apparent in post... the final essential I found myself with: it really depends on all the situation where if we know the style for the scene, and the post READ or whatnot and it works, great... but what a style shooting time (w/post LUT) is no guarantee not any kind of cinematic look (or any another look) for all scenes/situations and some or many of the cases, can guarantee that you will be without color because you have loaded the camera so that he too gives up while thinking about a correction station can recovery that has lost... and he can't.

  So it's kind of image w/REFLEX designs, taken from neutral view (fake log), where I'm posting corrections including LUTs... curious to hear the thoughts or create discussion.

  SHOOTING

  First thing to know about shooting with most all current & past DSLR, is that you are working with 8-bit codecs. Essentially, 4:2:0 and you can look for a more detailed explanation elsewhere. There are a few that can make 10 bits (4:2:2) and of course, high platforms range pro sometimes shoot 16 bits (4:4:4). GH4 Panny for example has a 10-bit mode. IF you have an external recorder that can handle the work, it can turn off the 10-bit files. But it will not save them on the internal drive.

  Well... I worked with a little media GH4 Panny, photographed myself... and it's a bit "thicker" than the 8 bits of the camera (as much as the maneuverability), but... not as much as I expected. There are differences between the actual quality of the files from different cameras that do not appear to be explained by any details of the specifications. (And I do not work with the GH4.) I wanted more than 10 bits of the GH4, actually. I'm hoping to get the eventual GH5.

  Example... of the images fixed cameras. My D200 was a 'generation' earlier that my D3... and that D3 is only a 12.2 megapixels, compared to the 10.2 of the D200. Do just a bit of 'post processing' by changing the contrast, saturation/color changes and the bad 'broken' file of the D200. Artifacts, banding, macro - blocking it's RAW files. Go above ISO 1600? Oh my... No.

  The D3? Same 'depth' of files, just a little more pixels, right? VERY different files... mangle these things in all directions, practically bend them backwards... no signs of damage. BEAUTIFUL images. It is not just the bit depth or even just the codec. Those who were far better image... and perfectly manipulated elements in the processor of the camera, preparing the record of the image. ISO 6400? No problem. Higher? Well... maybe need a little shade in position and a bit of noise reduction. But still... usable for a picky fool like me.

  The D600 is a generation later than the D3 and a LOT more pixels. Greatly improved, it should be even better, right? Well... we still use the D3 when passing over 3200 ISO and much... Although the D600 has many more pixels, to print a 30 x 40 inches? I prefer the D3, the D600 is quite credible to 30 x 40 and a little more.

  Is the same in video, especially in DSLRs. Not all equal camera specifications... are equal in the real world work. And your comment about to realize that some people, trying to mimic the shooting journal styles of spendy cameras 'pro', go so flat that they cannot recover properly... is dead on. You must study the camera (s) that you are handling, test the. Test the media. Break it. Until you know all the ways to break, you can't push it as far as you can without breaking. You can't make the most of it.

  Then... shooting DSLR in order to get as much as you can in this media probably 8-bit, you must...

  Choose to start with a fairly neutral 'profile'. You don't want to do anything 'jumped '.

  Reduce the contrast until you keep the MOST dynamic that the camera can record. It varies between cameras. That's why you reduce contrast... just to draw a greater number of pixels as this camera can provide. Do not pull the contrast more far. You don't win anything it. It is NOT a spendy video-built platform with 12-bit capacity.

  Sharpness... most of the cameras were execrable sharpening "routines". Some cameras can operate very well left a few ticks from the bottom of their sharpness setting, some need to be so low that it goes all the way down. TEST. Any editing software has better sharpening than this camera.

  Saturation... a lot of DSLR overcook red, especially in midrange/highlights. Some can do with green or blue, but it is almost always red. Decline by saturation, so you don't get too saturated is a good thing. That's the only reason to back your saturation. Depending on the camera, you will be typically halfway between the middle position "0" and the lowest setting before you get "there". Safe. And that of all you want, is the TV broadcast good saturation in the reds. You can set all the rest if necessary.

  Hue... When you do a good white balance in a controlled lighting situation, with all the lights in the same type of quality 'bulb', and he still had to pull secondary on a particular shade or quadrant all the time, you might be able to adjust the hue of your camera and get a 'normal' a little better out of it.

  Some devices have other controls... "pedestal" and others. In most of the DSLR, those who are of limited utility. I did not talk about any camera in the DSLR group who had really wonderful abilities unlocked to use these controls. In the test, you could get help in some circumstances.

  Then... the final result, is you shoot as neutral as possible, using the controls of the camera to get a broad dynamic range on possible chip, protect your media oversaturation in the reds in particular and... one more thing.

  HIGHLIGHT OF THE EXHIBITION AND THE IN-CAMERA WHITE BALANCE.

  Figure out what 'works' for you for the white balance and use wisely. I tend to use the most recent ExpoDiscs for general things, and of course, it should be used to the position that you are shooting at (where your subject will be)... underlined the primary light source. Nail the exposure setting in the histogram on the camera while the ExpoDisc is on the lens (spike exhibition in this dead histo), THEN do with the ExpoDisc white balance. At other times, I do a simple adjustment of kelvin. It's one or the other. Some use things of auditor of passport, some do other things. Do SOMETHING that gives you consistent and predictable results.

  You don't have the number of colors to do much 'corrective' color-balancing in post. And considering that you also have to allow a little 'margin' to creative coloring, you need to pretty much nails "neutral"-cam.

  I STRONGLY recommend getting an external monitor to your camera that shows the false colors and set your exposure according to this monitor. Use of the indicator for whites, especially set your exposure protecting the salient facts necessary. Know where your black and set the lights for them if necessary... but drop where they are going. The ISO and exposure for whites.

  In available darkness shooting, worry less do everything Mount ISO underexpose. Exposure necessary darks is BAD... When you 'lift' them you can get the hang of macros.  A small reduction of extra noise at an ISO setting higher is much better to handle in position to try to eliminate the blocking of macros.

  JOURNAL of shooting... Some cameras now do have a sort of "journal", as saying that the Panny GH4 East and several others. In the GH4, it was more of a public relations thing, is my estimate. The log parameter does not well outdoors in bright situations... MANY problems of banding... but it helps me to some in the studio lighting. This is a very nice addition to studio shooting, but when even... correctly set footage 'normal' from the studio of GH4 works pretty well. A GH5... maybe this will be a huge advantage. Maybe not.

  Some other devices, in the Canon and Sony especially, get some additional benefits of their journal parameters. However, to open an exhibition and other parameters of the camera are rather crucial and difficult to "verify" during the filming, he must test and know your cold gear. They are not a panacea.

  Follow the above, and you will get more constantly out of the camera that you can make the most of post. And Yes, a few very good colorists know I tell stories wonderful to get Arri media and such... which is total crap that the camera or the DP operator did not really know what they were doing. Or he just blew. And now, of course, they want the colorist to fix what is about... truncated of mush. Mutilated mush of a back is not much better than porridge mutilated to a Canon MkIV. But beautifully and technically perfect media of any camera... worth to work with.

  Neil

• Custom preferences or properties in Oracle Service Bus?

  Hello

  Can we have custom properties or preferences as in BPEL (bpel.preference) in Oracle Service Bus?

  We want to store a static string value that changes for every Dev/Test/Prod env

  Thank you.

  Hello

  Many use a xml/xquery file with a fixed xml and retrieve content as a transformation in your proxy service. It is quite easy and you can change the settings of the console of the OSB...

  See you soon,.

  Vlad

• Custom creation soapenv:Fault by OSB 11 g.

  Hello

  I'm working on a stream of messages on the soap proxy service that will generate a custom SOAP fault already defined on its wsdl.

  On the handler mistakes if I replace the variable $body with the expected soap fault he returned in the soapenv:Body and not soapenv:Fault element.

  Here's the answer with an error:

  " < = xmlns:soapenv soapenv:Envelope ' http://schemas.xmlsoap.org/SOAP/envelope/ ">

  " < soapenv:Header xmlns: my = ' http://www.test.com/Mebs/interfaces/ManageAccountReceivable/AccountReceivableManagement/v1/message "/>

  < soapenv:Body " xmlns: my = ' http://www.test.com/Mebs/interfaces/ManageAccountReceivable/AccountReceivableManagement/v1/message ">

  < my: FindAndGetCustomerAccountFault >

  < fault >

  < label > 002168 < / label >

  < FaultDetail >

  < fieldName > ERROR < / fieldName >

  < / FaultDetail >

  < / failures >

  < / my: FindAndGetCustomerAccountFault >

  < / soapenv:Body >

  < / soapenv:Envelope >

  Is there a way to get my content (< my: FindAndGetCustomerAccountFault > ...) < / my: FindAndGetCustomerAccountFault >) INSIone element soapenv:Fault?

  Choice of response with success or failure does not change something on my answer.

  Thank you

  Badreddine

  I think that, in this case, you must build the xml with the structure of soap fault code and replace the $body variable. For example:

  soapenv:Server

  Error

       " xmlns: my ="http://www.test.com/MEBS/Interfaces/ManageAccountReceivable/AccountReceivableManagement/v1/message">"

  ...

      

• Others that touch has changed to custom in the properties panel

  Hello

  Don't know how I did it, but don't know how to cancel it.  Somehow, I changed the other button in the custom property Panel.  I use DW CC 2014 so don't know if this is an upgrade in 2014?

  Any ideas?  See attached screenshot

  Thank you

  The only thing I didn't understand about is why it's different CBWMS and PCOC 2014.

  You will need to ask about the 'authorities'. I have exactly the same thing. Until you said it, I didn't even notice the BOM change, and frankly, I think it's better as "custom".

• Reconciliation of trust customized creation of users with the status of "Disabale" - 11g

  Hi all
  
  I developed a custom for the reconciliation of confidence scheduled task, when the user is first created in IOM I want them to create the status of "disable." Mapping of the attribute of 'Status' IOM FRO reconciliation data n does not work correctly. How can I achieve that? I should create a certain Manager evnet this? Any help is greatly appreciated...
  
  
  Thanks in advance,
  BR
  Aliye

  write a post process event handler and call the disable User Manager API. Mapping status reflect the corresponding RAS

  Disable UserManagerResult (java.lang.String userID, boolean isUserLogin)

  ex: disable (useLogin, true) or disable (take, false)

• Scripts customized transformations: dynamic properties

  I'm doing a script for the Data Modeler that can add a dynamic property to a table. Someone at - it experience with dynamic properties in the scripts of transformations? I already looked in the metadata XML from SQL Developer files.

  Hello

  I guess that what you are looking for is

  tables = model.getTableSet () .toArray ();
  for (var t = 0; t)<>
  table = table [t];
  table.setProperty ("name", "value");
  table.setDirty (true);
  }

• Custom creation for AreaChart AreaRenderer problem

  First question: if I buy the graphics package, can I get the source code? That would certainly solve my problems.
  
  OK the real question: does anyone have a quick example class that is a custom for an AreaChart AreaRenderer?
  
  I am trying to create a custom of the AreaRenderer implementation. According to the docs, I need to implement the interface "AreaRenderer' (no IAreaRenderer (?)) who supposedly resides in the mx.charts.renderers.interfaces but Flex Builder complains that the interface is not found.
  
  Link to documentation: http://livedocs.macromedia.com/flex/15/asdocs_en/mx/charts/renderers/interfaces/AreaRender er.html
  
  Otherwise, I tried simply stretching from AreaRenderer but methods: draw, beginDraw and endDraw seem not to be there, or are not substitutable?

  Ugh I always to understand these things right after that I have post. I was hitting my head on this for more than a day too.

  In any case, for someone else, everything you do is extend ProgrammaticSkin and implement IDataRenderer. Here is my example class:

  package
  {
  Import mx.core.IDataRenderer;
  Import mx.skins.ProgrammaticSkin;
  Import mx.charts.series.items.AreaSeriesItem;
  Import mx.charts.series.renderData.AreaSeriesRenderData;
  import flash.display.Graphics;

  SerializableAttribute public class MyAreaRenderer extends ProgrammaticSkin implements IDataRenderer
  {
  private var _data:AreaSeriesRenderData;

  public function get data (): object
  {
  return _data;
  }

  public function set data(d:Object):void
  {
  _data = d as AreaSeriesRenderData;
  }

  override the updateDisplayList(width:Number,_height:Number):void function
  {
  super.updateDisplayList (width, height);

  var Graphics = g:Graphics;

  g.Clear ();
  g.moveTo (width, height);
  g.beginFill (0xFF0000);

  (hint: string var in _data.filteredCache)
  {
  var point: AreaSeriesItem = _data.filteredCache [index];

  g.lineTo (item.x, item.y);
  }
  g.endFill ();
  }
  }
  }

  Still, I would like to know if get you the code source for charting package, however.

• create the custom to users properties file!

  I wanted to create different users through the console, and then change its properties, but none of the sets of goods are available.i have seen in use video portal of say CustomerProperties profile, but I am not aware how to create through workshop.kindly help...

  Here are some instructions for creating property set definitions of workshop user profiles:
  http://download.Oracle.com/docs/CD/E15919_01/WLP.1032/e14254/developuserprofiles.htm#i1015438

  To then change the values of the user for these sets of properties, you can use the Administration Console to portal. See http://download.oracle.com/docs/cd/E15919_01/wlp.1032/e14254/userprofiles.htm#i1012049

  To access the Administration Console of portal, the url is generally of the form:

  http://:/Admin

  Thus, for example, if you have an application called 'myPortalApp' on your local machine, you would go to http://localhost:7001 / myPortalAppAdmin in your browser.

  Alternatively, for in the workshop or Eclipse, from the perspective of the portal, there is a gate open... element Administration Console menu in the menu run.

  Greg

• Example of custom properties

  Hello

  is it possible to provide us with an example on how to use the new feature "Custom Properties" Drive 3.0?

  We are unable to find an example in the samples and documentation will not help us get started.

  We must be able to show (and modify) the metadata custom of our database. Any help on what managers we should use, example on how to make the data visible in the custom UI properties would be very useful.

  Thanks in advance.

  Yes. in your case. I think that READ_METADATA and WRITE_METADATA enough.

  You must implement AddPropertiesHandler given that this Manager is responsible for the creation of properties and writing of properties.

  You should use updateReceipe.createVersionPropertyData when the data type is "VERSION_PROPERTY", not "ASSET_PROPERTY", properties of assets no management versions, like the folder properties is not supported, applicable only to the file properties

• sample code for custom or custom properties namspace

  I'm working on a project to store metadata in images generated through electronic optics.  I think using XMP because of excitability that it seems to allow.

  I downloaded the SDK XmpToolkit and I can read existing properties, but I can't figure out how to write existing properties or create a new custom schema.  Are there existing up-to-date examples, or create new ones?

  Thank you!

  Namespaces custom addition and properties in XMP is quite easy.

  After,.

  SXMPMeta initialize();

  You must register your custom namespace and the prefix. An example is

  std::string customNS = "http://www.temporary.com/NS";

  std::string customPrefix = "myPre";

   / / Custom and prefix names

  bool isSucess = SXMPMeta::RegisterNamespace (customNS.c_str (), customPrefix.c_str (), & customPrefix);

  After obtaining metadata from XMPFile, you must set property values.

  Property definition

  Meta SXMPMeta;

  meta. SetProperty (customNS.c_str (), 'name', 'xmp');

  meta. SetProperty (customNS.c_str (), 'genre', '1');

  After the properties required in a file, you can get the property as follows

  Getting property

  std::string varValeurProp;

  meta. GetProperty (customNS.c_str (), "name", & varValeurProp, 0);

• Impossible to pass custom to a Panel element properties?

  I'm going through custom panel component properties but I get error 1009 no reason Flex? Anyone know why this is happening?

  // Main.mxml
  protected function initApp():void
  {
      var popup:MyPopUp = new MyPopUp();
      popup.labelText = 'This is a test';
  
      PopUpManager.addPopUp(popup, this, true);
  }
  

  // MyPopup.mxml
  <?xml version="1.0" encoding="utf-8"?>
  <s:Panel xmlns:fx="http://ns.adobe.com/mxml/2009" 
           xmlns:s="library://ns.adobe.com/flex/spark" 
           xmlns:mx="library://ns.adobe.com/flex/mx"
           title="Processing"
           cornerRadius="5">
      <fx:Script>
          <![CDATA[
              import mx.managers.PopUpManager;
              
              private function close():void
              {
                  PopUpManager.removePopUp(this);
              }
              
              public function get labelText():String
              {
                  return label.text;
              }
              
              public function set labelText(s:String):void
              {
                  label.text = s;
              }
          ]]>
      </fx:Script>
      <s:controlBarContent>
          <s:Group width="100%">
              <s:Button id="button" label="Close" click="close()" enabled="true" right="0" buttonMode="true" useHandCursor="true" width="50"/>
          </s:Group>
      </s:controlBarContent>
      <s:Label id="label" horizontalCenter="0" verticalCenter="0" paddingTop="20" paddingBottom="20" paddingLeft="20" paddingRight="20"/>
  </s:Panel>
  

  Change your code to something like this.

  
  http://ns.Adobe.com/MXML/2009.
  xmlns:s = "library://ns.adobe.com/flex/spark".
  xmlns:MX = "library://ns.adobe.com/flex/mx".
  title = 'treatment '.
  cornerRadius = "5" >
     
          Import mx.managers.PopUpManager;
             
  [Bindable]
  private var _labelText:String;
             
  private function close (): void
  {
  PopUpManager.removePopUp (this);
  }
             
  public function get labelText (): String
  {
  Return _labelText;
  }
  public function set labelText(s:String):void
  {
  s = _labelText;
  }
  ]]>
     
     
         
             
         
     
     
  

  Kind regards

  Anitha