Degradation of JPEGs imported into Premiere Pro CS4 in steps

For this I downloaded 2 JPEG files, I don't know if the scale applied by the forum software is just for display in the message, I hope that JPEG files can be downloaded as they have been downloaded.

In any case, I make a documentary, he made abundant use of computer images captured in JPEG format using the Microsoft Vista cutting tool.

The first JPEG is a real snip, while JPEG was introduced in Premiere Pro CS4 and I did another captures the workspace.

It's progressively worse within the PrPro.

PrPro window in the top center shows how PrPro JPEG format after importation.

This shows a degradation.

PrPro window top right shows how PrPro JPEG format after the addition of the sequence on the top layer of video and it has more degradation, in particular it vertically down by comparison with the first of these 2 screens.

When I do a test of the 1 4 seconds of this sequence generation, the JPEG is unreadable.

It is perhaps in part because of the square pixels computer video versus PAL rectangular pixels, but I don't think it's history because of the increase in degradation. The ability to present with 1.333 pixels using rather than the square does not solve the problem.

I used Windows Movie Maker and Windows Live Movie Maker to create JPEGs which this JPEG video files and basically what they translate with only a tiny decline, output files .wmv 1080 HD, Movie Maker gives only intertwined but Live Movie Maker gives progressive, so I think.

If you import these .wmv files and place on the top layer of the sequence that they also get murdered in PrPro.

Tool Vista capture is to save JPEG files as RGB 24 bits and Gimp color evoke the color in sRGB profile.

Is it possible to get RGB JPEG processed correctly in PrPro?

Thank you.

Doc 1a Anglia Ruskin Wiki.JPG

JPEG Import or processing bug.JPG

---------------

I have download the sequence of parameters you will see here are for interlaced HDTV 50, but also my video resource only for this sequence, I found is progressive better so I'll start by creating a new sequence to match the video resource base. The interlaced stuff was just because my vid cam creates interlaced AVCHD but all these vid files have been used in previous projects and the output has been set to 1080 progressive

-----------------------

your project now

1440 x 1080 50 Hz 25 fps, 16:9 (anamorphic-1, 333) - problem of language from me... That's right 25 frames per second?

your sample video

XDCAM-ex, 24.4 fps, 1920 x 1080, 50 Hz.  -Once again, language prob... It's 24.4 fps?

Download bad example? looks intertwined for me (50 Hz), but I'm a little confused because I do not work with pal and do not (your) language. How you can know more than one language is beyond my comprehension!

Anway, was this snack one mistake and you are really going to use progressive? You can download jpg of this progressive file info if it was a mistake?

progressive should say something like "fields = no, no field, progressive, or square pixel.

lets get this project directly first defining... cause, you might be better to create your project settings "custom / desktop" instead of a "Preset"...

especially with your video in 1920 x 1080 instead of 1440 x 1080... you want to make your project, 1920 x 1080, 1440 x 1080 anamorphic and not.  But first lets be sure if your video is interlaced or progressive you want in the project... then you will make the project to match images and then after that in the face of AN image and you should be set to go

Tags: Premiere

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