Export a still of Premiere Pro in Photoshop?

Similar Questions

• sequence right and export of settings in Premiere Pro CS6, video with still images

  I am trying to run a video on my site (self hosted). This video, made with Premiere Pro CS6, consists of still images with different video effects.

  This video is just 50 seconds, but when I have this turn in the format mp4, webm and ogg, get large files and the quality is not good.

  Could you please guide me to find good sequence and export of settings in Premiere Pro CS6 to get a video for the best possible quality on the web?

  A precise description of the parameters would be great.

  Thank you

  Silvia

  To export, set the resolution that you want to use on the web.

  Make the sequence of parameters in a way to export these settings

• Export of media in Premiere Pro CS6 ONLY produces an Audio file in Media Encoder

  First of all, all the System Info:

  Windows 7 Home Premium Service Pack 1

  Intel HD Graphics 3000 graphics card

  I use the first Pro CS6 Version 6.0.5 (001 (MC: 264587)) «Mighty Kilt»

  Version 6.0.3.1 (64-bit) Adobe Media Encoder cs6

  Other Adobe applications: AIR, creative cloud, Download Assistant, Encore CS6 Library, 12 ActiveX of Flash Player, Flash Player Plugin from 12, Manager help, Premiere Pro CS6, Premiere Pro CS6 functional Content, reader XI

  I ran on Premiere Pro and Media Encoder updates and everything is up-to-date

  I produce a two disc double layer DVD for 100 families of my sons of fanfare.

  I have half an hour "masterpiece" of interviews, segments of performance, rehearsal sequences, credits, etc. that I edited complete set with sound, etc.

  I also have various other video segments of the season, a high quality (1920 x 1080) and a decline in quality.

  Rather than import in yet and have yet to transcode all the same quality, I wanted to make sure the piece of half an hour and some other segments were transcoded in highest possible quality and given the large size of the files that I could and then transcode other segments at lower levels of quality as it is necessary so all the space on the disks.

  The company I use to duplicate/replicate the 100 DVDs of my DVD Master advised me to encode them FIRST in Premiere Pro as you wish and THEN import these files into yet.

  I used Adobe Media encode a lot to export the individual segments in the files, I could upload it to Youtube and have had no problems for several months.

  But now, two things happen:

  (1) SOUL automatically designates the file 'exit' with an extension .aac (see table)

  (2) when I do a file "import under" soul encoded in still won't load an audio file (obviously)

  Huh?

  Here are the settings I use in my export media dialog in Premiere Pro CS6:

  Format: MPEG2-DVD

  Screening: NTSC widescreen high quality

  Out of name (and the file type): _ name with like kind of video Files (*.mpg) «»

  Boxes to "Export video" so much "Export Audio" is checked (see attached screen print)

  The filters tab: on the left as is, don't do anything here

  Multiplexer tab:

  • Click on the button "DVD" (vs. the "None" button)
  • Bitrate type: left as Variable that matches what is selected by default

  Video tab:

  • Codec: Reads MainConcept MPEG video
  • Quality: increase it up to 5
  • TV standard: NTSC
  • Frame rate: 29.97
  • Field order: no (progressive)
  • Pixel Aspect ratio: screen 16:9 wide
  • Go to maximum depth box checked
  • Encoding Bitrate: I choose CBR for my high quality segments and VBR 2 pass for my segments of lower quality
  • Bitrate: kick up to max to high quality segments, adjust as required to obtain the size of the file that I want for my lower segments of quality

  Audio tab:

  • Audio format: Dolby Digital
  • Codec: Dolby Digital
  • Bitrate: 320 at least, sometimes higher for segments, I want to be the highest quality

  I check the box of "quality to make Maximum usage.

  I chose 'Tail' for everything and then let it run all night

  And Yes, the original media has TWO a video track and audio track that works (see screenshot)

  So... What am I doing wrong, useful experts?

  A - ha! MPEG2 export formats missing in the SOUL is the key to the riddle. You have a license problem, possibly the one discussed here: http://forums.adobe.com/message/4401451.

  I'm not familiar with this issue and has not taken the time to read the pages that links Todd to-instead, I wanted to get the link for you as soon as POSSIBLE. If you have a problem directly solving the problem, I see two immediate options: 1) encode "in-process" by Premiere Pro by clicking 'Export' in the dialog box export settings (as opposed to the queue, which of course sends the job of the SOUL), or 2) to install the trial version of CC (aka 7.x).

• Import & Export / 120fps Footage in Premiere Pro

  Hello world

  I would appreciate a clear answer:

  Can I export sequences 120fps in Premiere Pro (or using Adobe Media Encoder) as 120fps? I can't find a single option to set the frame rate to 120 frames per second. Although I 'create the clip sequence' for a 120fps file, the "sequence settings" it back to 60 frames per second or 10 frames per second, and then "match sequence settings" then export it exports more than 60 fps.

  I have a monitor of 144 Hz and everything I want to do is keep/keep my files of 120fps without having to keep my raw files.

  I can't export to something other than 120 fps.

  Hi Marc:

  You are currently limited to the frame rate supported by professional film and video formats.  Thus, 60.00 FPS is the basis of time earlier in Premiere Pro.

  I'm sure you've heard, the film is traditionally recorded at a higher rate as 120 or 240 to achieve smooth idle without the video editing software that need to interpolate frames.  In the work of the film, it is commonly called "overcrankling" the camera (that is, shooting at a faster than normal pace).

  You will probably be good using a copy and paste editor such as QuickTime Player X under Mac OS X (However, you give up having a timeline), but I've not tried it myself.

  If you just want to convert your files in another format or CODEC, one of the Adobe Media Encoder presets where cadence "is based on the properties of the source" should work.

  -Warren

• Buy Adobe Premiere Pro and Photoshop rather then pay monthly

  Hi iwas wondering if I could just buy adobe Premier and photoshop rather then just pay monthly for it

  You have posted in the forum rather than Photoshop or first hearing, but...

  ... I'm afraid, I can tell you that no, you can't buy the current versions of Premiere Pro or Photoshop.  They are only available through the subscription/membership model.

  For the time being, you can always buy CS6 much older versions (you ring to Service customer rather than just buy online however).  However, you should know that this software is no longer being developed and people start to run into problems with the new OS as El Capitan and Windows 10.

• I have the Creative suite premium edition 6 teacher installed on a mac and I want to install the Premiere Pro and Photoshop ONLY on a separate macbook. How can I do this?

  I have the Creative suite premium edition 6 teacher installed on a mac and I want to install the Premiere Pro and Photoshop ONLY on a separate macbook. How can I do this?

  Download the CS6 Setup file and when it is executed on the separate machine choose to install only the programs that he has wished.

  CS6 - http://helpx.adobe.com/x-productkb/policy-pricing/cs6-product-downloads.html

• When you zoom/pan on stills in Premiere Pro, no matter what format of image stills were scanned and saved as?

  I have several hundred photos that have been scanned at 600 dpi in jpeg format. I know that 72 dpi is the standard for video images, but I plan to zoom in at least 200% on most of the stills. So, just to be on the safe side, I've scanned everything at 600 dpi.

  In terms of panning and zoom on stills in Premiere Pro, is it important that the images have been digitized as TIFF instead of JPEGs or png files? That will cause problems in first Pro CC for playback or image format is not serious? If so, it would be wiser convert all files png or tiff JPEG files before importing in first Pro CC? I understand that they would have to be TIFF or png files transparency for the purpose of the composition. But I just intend to make Ken Burns style movements on the stills, no composition.

  Thank you very much in advance.

  
  

  Hi Ninose11,

  ninose11 wrote:

  I have several hundred photos that have been scanned at 600 dpi in jpeg format. I know that 72 dpi is the standard for video images, but I plan to zoom in at least 200% on most of the stills. So, just to be on the safe side, I've scanned everything at 600 dpi.

  DPI is not serious on video, look at the size of the frame of these images instead.

  ninose11 wrote:

  In terms of panning and zoom on stills in Premiere Pro, is it important that the images have been digitized as TIFF instead of JPEGs or png files?

  Yes, the JPEG is a lossy compression format. TIFF, PSD, PNG are lossless compression and a best choice to use for your needs. However, do a test and see if the JPEG images might look OK so you don't waste time, a new analysis images.

  ninose11 wrote:

  That will cause problems in first Pro CC for playback or image format is not serious?

  It shouldn't matter much. The thing to be concerned about is the size of the image. With the help of more than 4000 pixels in each dimension will seriously affect your performance. 3840 x 2160 (2 x the size of HD picture), I found, works well for most landscape oriented images of all. Try it and see if it works for you.

  ninose11 wrote:

  If so, it would be wiser convert all files png or tiff JPEG files before importing in first Pro CC? I understand that they would have to be TIFF or png files transparency for the purpose of the composition. But I just intend to make Ken Burns style movements on the stills, no composition.

  Convert? No, it would not help your image or quality performance. Try a test with a JPEG and see if they work for you. In the contrary case, rescan as TIFF, PSD or PNG and resize images at 2 x the size of HD picture.

  Hope this post helps to guide your decisions.

  Thank you

  Kevin

• When I export a file in Premiere Pro AE, we export in a black video file. What I am doing wrong?

  To give you an idea of what kind of project, I'm working, I did two characters in Photoshop and imported into After Effects. I did simple animations, some of them move and so on.

  I wanted to export more in Premiere Pro to play with her. But when I did, it comes out just black. This is a video of two minutes of nothing. Just black.

  What is going on? I feel like I'm exporting correctly but I can't understand what is wrong.

  Thank you

  Scott

  Oh, you're new! I highly recommend to go through something like that, first. He will be using AE a lot more fun and a lot less frustrating.

  You can use Dynamic Link in first to import an After Effects project, but I find that it is much simpler to just an intermediate file (using a codec of production, of course) of the queue of EI and just import into Premiere Pro. In this way, you don't have to wait for first make the AE project every time. Popular intermediate codecs include Cineform DNxHD QuickTime with the PNG codec and QuickTime with the Photo-JPEG codec.

• Help with 3.5 hour, 2 video disc with still and Premiere Pro CS6?

  I need to publish a DVD 2 disc set (with menus on both discs), because the final length video in Premiere Pro CS6 is about 3.5 hours. In the past I just sent my large video file to an editor, and they put my file on 2 discs. But now I'll be self-publishing and the need to know what is the best way to create my DVD. I have Encore CS6, but cannot find a way step over the images between two discs. What do I have to split the video into Premiere Pro, then send it to yet? Or export the file in full size/resolution of the PP and it is separated into yet?

  And what settings should I use in PP and yet?

  BTW, I'm on Windows 10, so I don't know if I need Quicktime to DVD (cannot install on Windows 10). Thank you!

  Option B WINS.

  What is the length of the program? Don't forget to use 560/minutes or a bitrate calc to fill as many disks as you can for a better quality, no sense given the empty space (unless the program is less than an hour, then it is inevitable).

  Thank you

  Jeff

• Still using Premiere Pro 2

  What version of the Premier Pro should I buy to be able to edit video shot on an iPhone 6 correctly? I did a lot of video editing over the years. In the past, I used Premiere Pro 2 for editing of video clips on my Sony TRV950.  I realize that PP2 is very old, but she always has everything I need and I know how to use it. Now that I need to edit the video shot on an iPhone, I find that still make a clip short three-minute takes hours. I really want to learn a whole new editing software. My other concern is that the most recent PP can be so different then PP2, he can be as a new program.

  Thank you

  I think that you better buy Premiere Elements, and then rent first CC.

  BTW, these two programs do not like phone footage.

  You will need to convert constant framerate with Handbrake before you import it in first.

  Both programs have a learning curve: CC is more stiff then elements.

• How to export a video on Premiere Pro exactly as it is in my sequence?

  I've only used Premiere Pro CS6 for a week so I'm pretty new to him. I just finished my first edition video, but when I tried to export, the video did not show videos, I used in my sequence or has extra clips that I've not used.

  This screeshot says that this video is long 2 minutes 15 seconds. Ok. That's how long I needed her to be.

  

  BUT HERE. The file says its only 1 minute and 4 seconds of time and once I scrolled through it, I saw that it was not all the clips that I used and himself inserted instead I haven't used clips. This is a fan video so I used a large file as the source and the input-output to capture clips and edit and added music and transitions. That's all.

  You need the work area bar to cover what you want to export.

  You can see in your screenshot of the sequence... that the yellow tabs are missing the ends.

  Drag them to cover is a way.

  Points is another.

  The entire sequence is another

  The options in the export window.

• Adobe still CS6 - Premiere Pro sequences import does not work

  Using the dynamic link feature in the still I am trying to import some sequences within a project of first Pro CC 2015.3.

  A window opens and it begins to examine the record of the project for the sequences and a little yellow progress bar starts, gets a small path along the bar and stops permanently.

  I can't figure a way around this except sequences to export video files to import then which is the long way around?

  Someone at - it somehow around him?

  Thank you

  Dave

  Dynamic Link does not work between the different versions, you must export a video DVD or BluRay proper on PProCC and then import the files in yet for the creation of

• Need help, export a sequence from Premiere Pro to import into Encore...

  I read that the first Pro CC does not offer the possibility to send an edited still sequence through the Adobe Dynamic Link, so I think that my only option then is to export the sequence in the form of audio and video media files and then import those in yet.  Could someone provide some guidance as to what the best settings are to export a sequence of PP to make a DVD?  I am new to the game and export first opens a window with terms largely unknown to me, if no offer of suggestion and/or clarity of these terms would be quite awesome!  Thanks for the patience.

  DVD I have are DVD + R 4.7 GB / 120 min.

  When you source is interlaced together HD mpeg2-dvd preset to higher areas.

  After export, you will have two files, an audio and a video.

  That are still important, do menu and burn.

• Export to Vimeo with Premiere Pro CC?

  Hello

  I searched online for guides on how to export the video to Vimeo with first Pro CC (8.0.1) correctly, but had no luck. Does anyone know the right settings? Apparently there are other versions of PP presets for vimeo and youtube, but it is not with the trail version that I use.

  Thank you

  should look like this.

  

• Can I still buy Premiere Pro or is it subscription only?

  Is there a cd program to buy, or is it all clouds based?

  Title edited by: Kevin Monahan

  Reason: better search capability

  CD is out the door long ago.

  His cloud all based.

  You can still buy CS6 but it is the end of LIFE.