Filter Blur + mask

Similar Questions

• Can I use my background blur mask tracking?

  There is a video of 'how to blur a face moving' help to how a face moving with masking and tracking the blur | First Pro CC tutorials Adobe I need to do the opposite. I want the background of a "talking head" video to be blurred and the speaker to be to the point. Is this possible with first?

  Yes, here's a way to do it. Place the clip from the source of the talking head on the timeline on the video 1 track. Apply the blur effect to the clamp and put the amount of blur you want. Don't worry that it's fuzzy head talking, just concentrated on getting to the blurred background. Once you have the blur that you want, then place the source clip, exactly in the same place in a temporal chronology, the value above the first clip on track 2 - so that you have two identical clips, exactly in sync. Once you do you will not see the blur clip more, it will be hidden by the clip that you placed just above him. Now click the clip on track 2 to select the option, and once selected, look in the effects control pane. Spin open the disclosure triangle for opacity and apply a mask to the clip and follow him. Now will be the blurred background.

  MtD

• How to preview/adjust the filter blur?

  Photoshop blur filter, I see the effects, but I don't see the image of the filter.

  I can see how grafic and effect at the same time?

  Thank you

  Silvano

  
  

  Yes, because it's a filter without a frame. He just blurs the image a little more than a fixed amount.

  If you want to blur to an image with more control, select one of the other filters with an ellipse behind.

  And usually when we say "fuzzy" an image, you want to use the Gaussian blur. (but they are all different and have their own purposes...)

• Apply a smart filter layer mask information destroyed?

  IV has applied a dynamic filter on a layer that I did a lot of work of masking on. By applying this smart filter that I lose all my information masking? Is it possible to apply the two effects on the same layer?

  Thanks for any help

  If you have converted the layer with the layer mask to a CG so the filter will be applied on this as a whole, but the layer mask will still be in the SO.

  If you want to keep the mask as a channel in the container document, for example, you can combine the layer, move the layer mask to the Group and convert the layer to a SO.

• Pocket with question of radial blur mask

  I have a circle on a picture mask. I'm becoming so them edges fade to black. Currently, it's just a solid white circle. It of a clip and has a radial blur and motion tween. On the radial blur alpha channel is 100% on the first point and 0% on the last. Can we do spotlight with radial/bland blur without adding any code or actionscript?

  I have attached a picture of what I have now with what the movieclip I am using.

  Thanks in advance for any help!

  I'm on CS5, but can only use AS2, if actionscript is necessary.

  The objects must exist in the framework where you add the code (not the same layer, just the same frame).  Do not set the layers to hide (that you seem to have done), simply assign the names and leave the masking code.

  I've never done this with masking multiple objects, so I don't know if it works just as well.  But I'll let you tell me everything first before I give it a try.

• Question filter blur

  Hello

  I'm in the planning phase of a project and I was wondering if it is possible to video dynamic blur using the blur filter? Specifically, I want to:

  (1) transmission of a flv file and apply the blur on the left and right edges of the video, so that they become clear on mouseover.

  (2) blur the entire video and have only the region closest to the mouse pointer clear, which will follow the movements of the mouse.

  (3) pen the blur, blur to clear

  What type of additional system resources of the blur filter requires? Much it will increase the size of the swf file?

  Thanks for your help!

  Dave

  I don't know of any way to use the blur filter to create a gradual blurring.

  You can create a gradual blurring effect / feathers using the class bitmapdata but it would be a task for someone comfortable with coding actionscript bitmapdata class.

• Blur masking before editting to improve the edge contour

  Hello

  Recently, when I try to hide it in Photoshop CC edge does not know / not sharp like this:

  

  

  I use HD images and the quick selection tool to select the mask. I do not edit anything if I click on the mask to refine it, it just that way rather than a strong shows

  the edge that I could handle. Is there something in my settings, I missed?

  Hi aryamaiy,

  Try to use the Polygonal Lasso tool in hand instead of the Quick Selection tool.

  See the example: selecting hair with refine edge in Photoshop CS5

  Kind regards

  ~ Mohit

• Problem with Gaussian blur filter

  For some reason any when I try to use the Gaussian blur filter the cursor changes to this (a sort of box empty):

  

  And there is no filter window to control the amount of blur. The only thing I can do is press "Enter" to accept the default Gaussian blur. Anyone know how to fix this? How can I do to return the missing window?

  Hi idangoor,

  What version of Photoshop are you using?

  Access the tool of filter > blur > Gaussian blur.

  Try increasing your screen resolution and if you use two monitors, try to go from Photoshop to the other monitor.

  Kind regards

  Assani

• Photoshop cs6 Lens Blur filter missing

  Hey guys please help me! my lens blur filter is missing and I can't find anywhere, nor find all messages dealing with the same problem. So if you have experienced the same thing or have suggestions that can help to face the problem let me know.

  Thanks in advance!

  Photoshop: Should be in the filter-> blur-> menu Lens blur.

  On a Windows PC , you can watch here:

  C:\Program Files\Adobe\Adobe Photoshop version\Required\Plug-Ins\Filters

  There should be a Lens Blur.8bf.

  On OSX it takes a similar organization. The file type would be 8bf.

• Need help to transform a shape layer in a layer mask blur adjustment

  I understand how to do a blur mask on the image adjustment layer, so it blurs the images below, which is essentially what I'm trying to do, but in this case, I already have the shape layer (or rather imported from Illustrator > converted to a shape layer) and is in a nested composition.

  First of all, is it possible to blur the images of a composition if the adjustment layer is nested in a composition of the child, or the adjustment layer must be in the parent publication; the composition is blurry?

  Second of all, how we simply take a form that they have already created and use that for a mask, in this case, a mask that will blur everything below?

  Forum thanks!

  There are a few things that are not effective in your workflow and your approach.

  Lets talk first about the Illustrator files in After Effects. Firstly, absolutely the only reason you would ever convert a layer to illustrator in a form would be to use animator tools found in the add menu at the top of the shape layer properties in the timeline panel or to animate a Bézier path on this layer. There is no other advantage in converting a vector layer to a shape. NONE.

  Second, if you want to hide an adjustment layer then you can draw the mask directly on the adjustment layer or any layer with transparency, including an illustrator layer, layer photoshop, any hidden layer or layer shape directly on top of the adjustment layer and use this layer with transparency as an Alpha or Alpha reverse cache by approach to the adjustment layer.

  You can use the luminance values of any layer that has no transparency that a luma or reversed hides by luma approach. The white areas offer transparency with luma standard. IOW, if you have a radial with white in the middle and black gradient on the edge and you use a luma matte and white will be transparent on the layer below.

  Standard caches only affects the layer immediately below the source.

  Adjustment effect layers each layer directly under the adjustment layer. Masks and caches can be used to control the effects of an adjustment layer.

  You can also use masks on any layer to control the effect added to this layer if you have a recent version of AE. You will find the option under options to Compositing.

  If you have any layer with transparency or the strong luminance values, you can use Auto Trace to generate a cache for this layer based on transparency or luminance. Any way shape mask or Bézier path can be copied and pasted to another layer.

  We will take your last question now. You should be able to answer. To use any shape you created as a mask, you use this layer as a track matte.

  We will change that approach a bit and assume that you have created a shape layer by using the pen tool or converted an Illustrator layer to a shape. You have a path that you can be found by selecting the shape layer and by pressing twice the key U. find the path you want to copy, rotate options path to reveal animation controls and to set a single keyframe and then copy (Ctrl/Cmnd + c). Even of the forms created with parametric tools like star, ellipse, rectangle can be converted into a path by right-clicking the shape and selecting convert to paths. When you have copied the path put you on the layer where you want to paste the path, select the pen tool to begin to draw a mask, click anywhere on the layer and paste it (ctrl/cmnd + v) and that you have created the mask. This works for forms and masks on any layer.

  Here's a bet to keep everything by copying and pasting masks. The size and position of a path is calculated from the center of the layer and has no relationship to scaling, rotating, or the position of the layer. If you drew a mask on a layer that is resized to 50% and moved to the top right of the comp and rotated 45 ° and then paste this path to any other layer you will NOT get a path in the same position and the same size as the layer sampled in the model. You end up with a path that match if every sampled layer transformation properties have been reset and the layer was at the center of the model and the rotation and scale were normal. You must pay attention to this issue by copying and pasting traces of Bézier.

  I missed a question type. If you nest or call a layer previously and there is an adjustment layer in the main computer it will affect all layers below. If you dial before a layer and a top adjustment layer then only layers in the nested model will be influenced by the adjustment layer.  I replied before but wanted to make sure.

  BE very careful when you watch YouTube tutorials on workflow because a growing number of them is bad teaching techniques and pointing you to the bottom of the dead-end alleys. Make sure you vet your training.

  If you have any other questions the best place to find good community resources is to type a word in the search help field in the upper right of the AE. For example, if you typed layer adjustment or masks, you would find a lot of very good advice on how to use these features.

• How can I view the 50% (red) lith Smart filter mask?

  I use more in addition to dynamic objects in PSCC2015 but can't seem to activate the option overlay mask to a smart object.

  The mask overlay will normally display with a mask of 50% red (lith) over the image, to help me with precision masking.

  To be clear, it's the smart filter that I am wanting to mask, not the smart object.

  In a workflow of chip non-object layer, option-click, and manipulation of the backslash key reveals the superposition of mask, just like the quick mask (Q) in non-couches mode.

  Here's what I'm working with:

  

  So, how do you surface mask smart filter?

  I'm on Mac with OSX10.11.4, I'm photographer pro with experience of Photoshop and usually only get really confused when I don't have any idea what should be the expression of search for 22 years.

  Adrian Malloch

  www.Malloch.co.nz

  Enable/disable smart filter decorative mask

  Thumbnail of the mask filtering shift + Option-click

• Smart to blur and liquefy filter support does not

  I have subscribed to the CC and smart support Filter Blur and liquefy are not working. First of all, I disabled and re-enabled PS CS6 extended and then tried uninstalling and reinstalling my CC account. No method worked.

  13.0 is what I expected. It's the old original version of a year of the CS6.  The functionality you need is a recent addition, so you must update 13.1.2.

  Don't listen to support. LR has nothing to do with the Ps, and you didn't need to uninstall Ps, anyway. Reinstall will install version 13.0 again. You should always update 13.1.2. Try "updates... "command in the"Help"menu

• Layers of blurred Portrait perfect align so fake look

  I use PSE10, but PSE14 (who I am on the train for 30 days) has the same problem: in the perfect Portrait, if you use the soft brush on a layer, it creates multiple edges and when flattened, looks really fake - so I don't see how it can be useful. What's the point?

  MizDazee wrote:

  I use PSE10, but PSE14 (who I am on the train for 30 days) has the same problem: in the perfect Portrait, if you use the soft brush on a layer, it creates multiple edges and when flattened, looks really fake - so I don't see how it can be useful. What's the point?

  Try this:

  1. Open the photo file in the Expert tab
  2. Duplicate the background layer
  3. Go to filter > blur or filter > Surface blur and apply the background copy layer
  4. Apply a mask the background copy layer and left click on the mask (the white rectangle)
  5. Paint with a black brush where you want an object to stay strong/focus. If you go too far, paint with a white to correct brush

  Let us know if that's what you want.

• Photoshop CS3 - blur a form

  I have Photoshop CS3 - I have a long arrow shape and I want 1 end to be clear and the other blurier gradually get end - (eg. 1 end of the arrow would be 0 and the other 100% fuzzy) degraded a bit like using the tool. I can't understand how to do this in CS3. Any suggestions

  1. create a copy of the layer (layer > duplicate layer)

  a. If it is a vector layer, you'll have to rasterize the copy (layer > rasterize > shape)

  2. apply a blur on the copy of the layer (filter > blur, choose a blur, Gaussian is popular).

  3. Add a mask to the copy of the layer (layer > layer mask > reveal all)

  4. apply a black and white gradient on the mask (with the gradient tool)

  a. Black will hide the blur in order to ensure that the black side of the gradient is on the end, you want to be clear.

• On the control screen does not appear when the Blur Blur option Gallery

  Running photoshop CC 2015.5

  iMac 27 inch end 2012 3.2 Ghz intel Core i5

  8 GB 1600 Mhz DDR3 memory

  NVIDiA GeForce GTX 675MX 1024 MB graphics card

  When I select filter > blur Gallery > and any option to blur the answer does not appear on Control Panel. . Instead, the screen is partially blurred and an arrow that turns into a cursor "Tack +" lights up the screen... It seems not to be a selection of tools which is the ellipse with find @ iris blur and I have no control over the features of blur, as noted in each training video that I can find on the subject...

  Please help if you can. ..

  Thank you!

  the on-screen controls may be hidden

  To display / hide: cmd + H

  Let us know if that helps.